William Roberts 肖像

William Roberts 作品:画廊视角下的 59 幅名作

更新于 October 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 59 件 William Roberts 作品收录于我们的目录中

简而言之

在画廊看来,William Roberts 最著名的作品是 The Boxing Match (1890)。 The First German Gas Attack at Ypres (1918) 与 The Cinema (1920) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中,William Roberts 共有 59 件作品,画廊为您精选了以下 59 件最著名的原作,并详细列出了每件作品的创作年份、馆藏机构及其独特之处。

1895 – 1980, London Cubism 藏品最多:The Ingram Collection of Modern British And Contemporary Art

画廊中 William Roberts 的十大名画

William Roberts 的画作,排名第 11 至 59

11The Diners (1919) 由 William RobertsThe Diners1919 12A Shell Dump, France (1918) 由 William RobertsA Shell Dump, France1918 13'Feeds Round ' Stable Time in the Wagon Lines, France (1922) 由 William Roberts'Feeds Round ' Stable Time in the Wagon Lines, France1922 14Professor Janko Lavrin (1885–1986) (1919) 由 William RobertsProfessor Janko Lavrin (1885–1986)1919 · Nottingham Castle Museum And Art Gallery 15The Crucifixion (1920) 由 William RobertsThe Crucifixion1920 · 牛津布鲁克斯大学 16The Stockbroker's Clerk (1920) 由 William RobertsThe Stockbroker's Clerk1920 · 英国文化协会收藏 (Yīngguó Wénhuà Xiéhuì Shōucáng) 17The Dancers (1919) 由 William RobertsThe Dancers1919 18The Farm (Country Scene) (1922) 由 William RobertsThe Farm (Country Scene)1922 · The Hepworth Wakefield 19At the Hippodrome (1921) 由 William RobertsAt the Hippodrome1921 · New Walk Museum - Art Gallery 20Esther Lahr (1925) 由 William RobertsEsther Lahr1925 21The Char (1924) 由 William RobertsThe Char1924 22Miss Jane Tupper Carey (1924) 由 William RobertsMiss Jane Tupper Carey1924 23A Woman (Sarah) (1927) 由 William RobertsA Woman (Sarah)1927 24The Dentist (1925) 由 William RobertsThe Dentist1925 · County Hall 25Esther Lahr (1925) 由 William RobertsEsther Lahr1925 26T. E. Lawrence as Aircraftsman Shaw (1923) 由 William RobertsT. E. Lawrence as Aircraftsman Shaw1923 · 阿什莫利博物馆 27The Paddock (Jockeys) (1928) 由 William RobertsThe Paddock (Jockeys)1928 28The Happy Family (1924) 由 William RobertsThe Happy Family1924 29Deposition from the Cross (1926) 由 William RobertsDeposition from the Cross1926 30A Gipsy Girl (1926) 由 William RobertsA Gipsy Girl1926 · Arts Council Collection 31Self Portrait Wearing a Cap (1931) 由 William RobertsSelf Portrait Wearing a Cap1931 32Sawing Wood (1930) 由 William RobertsSawing Wood1930 33The Dressmakers (1931) 由 William RobertsThe Dressmakers1931 · Victoria Art Gallery 34The Ballet (1932) 由 William RobertsThe Ballet1932 35John Roberts (1930) 由 William RobertsJohn Roberts1930 36Tea Shop (1938) 由 William RobertsTea Shop1938 37Skipping (The Gutter) (1934) 由 William RobertsSkipping (The Gutter)1934 38Playground (The Gutter) (1934) 由 William RobertsPlayground (The Gutter)1934 39The Artist's Son Playing the Recorder (1936) 由 William RobertsThe Artist's Son Playing the Recorder1936 · The Ingram Collection of Modern British And Contemporary Art 40The Palms Foretell (1937) 由 William RobertsThe Palms Foretell1937 · 布里斯托博物馆与美术馆 41Bath Time (The Miner's Toilet and Wash Night) (1935) 由 William RobertsBath Time (The Miner's Toilet and Wash Night)1935 · Bolton Museum And Art Gallery 42Bicycle Boys (1939) 由 William RobertsBicycle Boys1939 43The Control Room (1941) 由 William RobertsThe Control Room1941 · 索尔福德博物馆 - 美术馆 44Punting on the Cherwell (1939) 由 William RobertsPunting on the Cherwell1939 · Jerwood Gallery 45The Demolition Squad (1941) 由 William RobertsThe Demolition Squad1941 · Guildhall Art Gallery 46Portrait of a Man Lighting a Pipe (1948) 由 William RobertsPortrait of a Man Lighting a Pipe1948 47The Rhododendron (1948) 由 William RobertsThe Rhododendron1948 · The Ingram Collection of Modern British And Contemporary Art 48In the Straight (1949) 由 William RobertsIn the Straight1949 49Cantering to the Post (1949) 由 William RobertsCantering to the Post1949 50Selecting Calves (1950) 由 William RobertsSelecting Calves1950 51The Barber's Shop 由 William RobertsThe Barber's Shop 52Checkmate 由 William RobertsCheckmate 53Portrait of a Negress 由 William RobertsPortrait of a Negress 54The Chess Players 由 William RobertsThe Chess Players 55Sidney James Barton (1909–1986), Chairman of London County Council (1959–1960) 由 William RobertsSidney James Barton (1909–1986), Chairman of London County Council (1959–1960)Guildhall Art Gallery 56Munitions Factory (1940) 由 William RobertsMunitions Factory1940 · 索尔福德博物馆 - 美术馆 57Sarah (1925) 由 William RobertsSarah1925 58Les Routiers (1931) 由 William RobertsLes Routiers1931 59Study for Kites (1966) 由 William RobertsStudy for Kites1966 · Royal Albert Memorial Museum - Art Gallery

令 William Roberts 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 William Roberts 原作的博物馆

收藏了本页中大部分画作的 8 家博物馆。

博物馆 城市 William Roberts 的作品 此列表中的画作
The Ingram Collection of Modern British And Contemporary Art, LondonThe Ingram Collection of Modern British And Contemporary Art London 3 The Garden of Eden, The Artist's Son Playing the Recorder, The Rhododendron
Nottingham Castle Museum And Art Gallery, 诺丁汉Nottingham Castle Museum And Art Gallery 诺丁汉 2 The Return of Ulysses, Professor Janko Lavrin (1885–1986)
索尔福德博物馆 - 美术馆, 大曼彻斯特索尔福德博物馆 - 美术馆 大曼彻斯特 2 The Control Room, Munitions Factory
Guildhall Art Gallery, 伦敦Guildhall Art Gallery 伦敦 2 The Demolition Squad, Sidney James Barton (1909–1986), Chairman of London County Council (1959–1960)
加拿大国家美术馆, 渥太华加拿大国家美术馆 渥太华 1 The First German Gas Attack at Ypres
伍尔弗汉普顿美术馆, 伍尔弗汉普顿伍尔弗汉普顿美术馆 伍尔弗汉普顿 1 Kit (Katie Bissett Smith née Knewstub, 1907–2008)
牛津布鲁克斯大学, 牛津牛津布鲁克斯大学 牛津 1 The Crucifixion
英国文化协会收藏 (Yīngguó Wénhuà Xiéhuì Shōucáng), 伦敦英国文化协会收藏 (Yīngguó Wénhuà Xiéhuì Shōucáng) 伦敦 1 The Stockbroker's Clerk

William Roberts,每十年一件代表作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

William Roberts 的画作:画廊解答

哪幅 William Roberts 的画作最为闻名?揭晓答案

The Boxing Match (1890)。紧随其后的是 The First German Gas Attack at Ypres (1918) 和 The Cinema (1920)。

William Roberts 最受欢迎的 10 幅画作是哪些?揭晓答案

The Boxing Match, The First German Gas Attack at Ypres, The Cinema, The Garden of Eden, John Maynard Keynes, Baron Keynes Lydia Lopokova, Kit (Katie Bissett Smith née Knewstub, 1907–2008), The Port of London, The Return of Ulysses, The Red Turban 及 Portrait of a Young Woman。上方排名显示了每件作品的创作年份及馆藏机构。

William Roberts 创作了多少件作品?揭晓答案

我们的目录收录了 59 件 William Roberts 的作品,创作年代从 1913 年至 1966 年。

William Roberts 最著名的原作收藏于何处?揭晓答案

多见于 The Ingram Collection of Modern British And Contemporary Art (London), Nottingham Castle Museum And Art Gallery (诺丁汉) 及 索尔福德博物馆 - 美术馆 (大曼彻斯特)。上方的博物馆列表列出了所有相关机构。

William Roberts 是在什么时候创作出最著名的画作的?揭晓答案

在 1920s 期间:本页 59 件作品中有 21 件创作于该时期,其中包含 The Cinema 件作品。

William Roberts 最早和最晚的代表作有哪些?揭晓答案

在本页面中,最早的作品创作于 The Return of Ulysses (1913),最晚的创作于 Study for Kites (1966)。

William Roberts 最常创作的主题是什么?揭晓答案

British art (3), Victorian (2) 及 Crowd (2),共计 59 件作品。

William Roberts 属于哪种艺术流派?揭晓答案

根据本页面的原作,Cubism

The Ingram Collection of Modern British And Contemporary Art收藏了哪些William Roberts的原作?揭晓答案

The Garden of Eden, The Artist's Son Playing the Recorder 及 The Rhododendron:The Ingram Collection of Modern British And Contemporary Art, London收藏了本页中 3 件作品。

William Roberts:艺术家

The Architect of Fragmented Reality: The Life of William Patrick Roberts

In the turbulent landscape of early twentieth-century British art, few figures navigated the tension between tradition and the avant-garde as uniquely as William Patrick Roberts. Born in London in 1895, Roberts emerged during a period of profound aesthetic upheaval, where the stability of Victorian realism was being dismantled by the rapid pulse of modernity. As an artist often categorized as an English Cubist, he did not merely adopt a style; he forged a visual language that captured the fractured, energetic essence of a world in transition. His journey was one of constant movement, reflecting the very dynamism he sought to portray on canvas.

Roberts’ formative years were deeply shaped by his time at the Slade School of Fine Art, an institution that provided him with a rigorous foundation even as he began to push against academic constraints. It was here that he encountered the burgeoning influences of Vorticism and Futurism—movements characterized by their obsession with machine-age energy, geometric precision, and the violent beauty of motion. Through his association with the Vorticist circle, particularly under the influence of figures like Wyndham Lewis, Roberts learned to utilize sharp angles and interlocking planes to deconstruct his subjects, transforming ordinary scenes into rhythmic, structural compositions.

A Vision of Modernity and War

The evolution of Roberts’ work is inextricably linked to the historical tremors of his era. The experience of war left an indelible mark on his psyche and his palette, leading him to document the industrial grit and human endurance of the period. His paintings often serve as windows into the mechanical heart of the twentieth century, where the boundaries between man and machine begin to blur. In works such as Munitions Factory, one can witness his mastery of the Cubist technique applied to the heavy, rhythmic atmosphere of wartime production, using geometric forms to convey the relentless momentum of industry.

Beyond the industrial, Roberts possessed a profound ability to find poetic resonance in the everyday. His explorations of human connection and social landscapes are marked by an unflinching honesty. Whether depicting the quiet intimacy of a portrait, such as Sarah, or the bustling, structured chaos of street scenes like Les Routiers, he maintained a commitment to emotional depth. He utilized color not just for descriptive accuracy, but as a symbolic tool to evoke the psychological weight of his subjects, often bathing his compositions in a light that felt both modern and strangely primordial.

Legacy and Artistic Significance

The significance of William Patrick Roberts lies in his ability to synthesize the radical abstractions of Continental Europe with a distinctly British sensibility. While he embraced the fractured perspectives of Cubism, he never abandoned the figurative essence that allowed him to communicate the human condition. His work stands as a bridge between the classical traditions of the past and the experimental fervor of the modern age.

Throughout his long career, which spanned until 1980, Roberts earned prestigious recognition, including frequent exhibitions at the Royal Academy. His ability to capture the "vortex" of modern life ensured that his work remained relevant even as art movements shifted toward total abstraction. Today, he is remembered not just as a follower of a movement, but as a pioneer who helped define the visual identity of a generation caught between the old world and the new.