更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 73 件 威廉·汉密尔顿 作品收录于我们的目录中
简而言之
在 威廉·汉密尔顿 留下的所有原作中，最著名的当属收藏于 纽黑文 耶鲁英国艺术中心 的《John Palmer Whalley (1775)》。 紧随其后的是 Alexander Masterton and His Wife and Children (1834) 和 Christ and the woman of Samaria (1792)。 我们的目录收录了 威廉·汉密尔顿 的 73 件作品；画廊完整保留了 73 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
In this portrait of John Palmer Whalley, William Hamilton captures a moment of quietude from about 1775. The subject is a young boy, presented in an intimate, waist-up view that feels like a sudden encounter in a private room. He is framed within an oval composition, a shape that focuses the eye entirely on his youthful presence. This work is held within the Yale Center for British Art collection.
The oil on canvas titled Alexander Masterton and His Wife and Children captures a family gathered within a dense, shadowed woodland. Painted by William Hamilton about 1834, the work presents Alexander Masterton alongside his wife and children. The subjects are positioned in a lush landscape where the deep greens of the forest meet the bright, pale fabrics of their attire. It is a quiet assembly of figures caught in a…
In this oil on canvas painting from 1792, two primary figures occupy the foreground of a landscape centered around a stone well. On the left, a seated man is draped in heavy blue and deep red robes. He extends an open hand toward a woman standing on the right. This woman wears a golden-yellow gown with white sleeves and a light headwrap, her hands holding a rope attached to a…
Celadon and Amelia is a painting by William Hamilton, executed in 1793. The work draws its narrative from the Summer section of the English nature poem "The Seasons." It captures a moment of sudden, heavy stillness following a tempest.
Lavinia and her Mother1792 · 史丹福大學坎托藝術中心
12
Isabella appealing to Angelo1793
13
The Duke of York discovering his son Aumerle's treachery1790
14
Prospero and Ariel1797 · 老国家美术馆
15
Calypso receiving Telemachus and Mentor in the Grotto1800
16
A Scene from Twelfth Night1797
17
Olivia's proposal1796
18
Fishing Boats Returning from the Sea1800 · Lönnström Art Museum
19
The Marriage of George, Prince of Wales, and Princess Caroline of Brunswick1796 · 皇家收藏馆
20
Portrait of an Actress as Omphale波士顿美术馆
21
Brabantio’s Accusation against Othello, Othello, act 1, scene 3.
22
2nd Duke Of Hamilton
23
Project For A Monument Dedicated To Louis Xvi
24
Classical Ruins -Kedleston Hall
25
Mary Curzon -
26
Mrs Sarah Siddons
27
Cardinal Robert De Curzon
28
John Wesley国家肖像美术馆
29
The Death Of Arthur苏格兰国家美术馆
30
The Four SeasonsKedleston Hall
31
Design For An Aviary And Pergola In The Chinese
32
View Of Sarsden
33
Design For The North Front Of A House On Clapham
34
Calling Card Of Humphrey Repton
35
The Work House, Illustration From
36
Ruth And Boaz
37
Mary CurzonKedleston Hall
38
Two Young Ladies In Calico Gowns
39
Humphrey Repton Surveying With A Theodolite
40
The Pump Room
41
Portrait Of William Hamilton
42
Classical RuinsKedleston Hall
43
Classical Ruins -Kedleston Hall
44
The Pilgrim伯明翰博物馆与美术馆
45
Scene From Shakespeare's 'the Winter's Tale'
46
Scene From Shakespeare's 'a Winter's Tale'伯明翰博物馆与美术馆
47
The Four Seasons. Summer – Triumph of Apollo
48
The Four Seasons. Summer – Triumph of Apollo
49
Mary Stephens Wells, Nee Davies
50
Classical Ruins -Kedleston Hall
51
The Four Seasons: Autumn - Triumph of Silenus, Bacchus and Ariadne
52
Two Women With A Baby Conversing In A Wood
53
John Philip Kemble As Richard Iii In 'richard Iii'
54
Ceres And ArethusaKedleston Hall
55
Henry Siddons苏格兰国家肖像画廊
56
Sarah Siddons
57
The Four Seasons. Autumn – Triumph of Selinus, Bacchus and Ariadne
58
Apollo And HyacinthusKedleston Hall
59
The Honourable, Later Admiral, Henry CurzonKedleston Hall
60
Vertumnus And Pomona
61
The Watercress-gatherers
62
Scene From 'the Tempest' By William Shakespeare
63
A Scene From 'as You Like It' By William Shakespeare
64
The Nut-gatherers
65
Duke of Hamilton's return from coursing
66
The Landing Of Richard Ii At Milford Haven
67
'twelfth Night' By William Shakespeare
68
John Philip Kemble
69
Maria, Olivia And Viola From 'twelfth Night' By William Shakespeare
70
Sarah Siddons As Isabella From 'the Tragedy Of Isabella' Or 'the Fatal Marriage'
71
'a Winter's Tale', Act Iv, Scene 3, The Shepherd's Cot
72
Marie Antoinette being taken to her Execution, October 16, 17931794 · Museum of the French Revolution
73
King Edgar's First Interview With Queen ElfridaSudbury Hall
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 威廉·汉密尔顿 的作品 | 此列表中的画作 |
|---|---|---|---|
 Kedleston Hall |
10 | Ruth and Boaz, Classical Ruins -, The Four Seasons | |
 耶鲁英国艺术中心 |
纽黑文 | 2 | John Palmer Whalley, The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i |
 伯明翰博物馆与美术馆 |
伯明翰 | 2 | The Pilgrim, Scene From Shakespeare's 'a Winter's Tale' |
 洛杉矶县立艺术博物馆 |
洛杉矶 | 1 | Alexander Masterton and His Wife and Children |
 新南威爾士藝術畫廊 |
悉尼 | 1 | Christ and the woman of Samaria |
 底特律艺术学院 |
底特律 | 1 | Celadon and Amelia |
 休斯顿美术馆 |
休斯顿 | 1 | Edwy and Elgiva: A Scene from Saxon History |
 凤凰艺术博物馆 |
凤凰城 | 1 | The Wolves Descending from the Alps |
选择一个年代，探索定义该时代的原创杰作。
In this portrait of John Palmer Whalley, William Hamilton captures a moment of quietude from about 1775. The subject is a young boy, presented in an intimate, waist-up view that feels like a sudden encounter in a private room. He is framed within an oval composition, a shape that focuses the eye entirely on his youthful presence. This work is held within the Yale Center for British Art collection.
In this oil on canvas painting from 1792, two primary figures occupy the foreground of a landscape centered around a stone well. On the left, a seated man is draped in heavy blue and deep red robes. He extends an open hand toward a woman standing on the right. This woman wears a golden-yellow gown with white sleeves and a light headwrap, her hands holding a rope attached to a…
John Palmer Whalley (1775)，耶鲁英国艺术中心, 纽黑文。紧随其后的是 Alexander Masterton and His Wife and Children (1834) 和 Christ and the woman of Samaria (1792)。
24岁：John Palmer Whalley创作于1775年，威廉·汉密尔顿出生于1751年。
John Palmer Whalley, Alexander Masterton and His Wife and Children, Christ and the woman of Samaria, Celadon and Amelia, Ruth and Boaz, Edwy and Elgiva: A Scene from Saxon History, The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i, The Wolves Descending from the Alps, Joan of Arc and the Furies 及 The carousing of Sir Toby Belch and Sir Anthony Aguecheek。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 73 件 威廉·汉密尔顿 的作品，创作年代从 1775 年至 1800 年。
多见于 Kedleston Hall, 耶鲁英国艺术中心 (纽黑文) 及 伯明翰博物馆与美术馆 (伯明翰)。上方的博物馆列表列出了所有相关机构。
在 1790s 期间：本页 73 件作品中有 15 件创作于该时期，其中包含 Christ and the woman of Samaria 件作品。
在本页面中，最早的作品创作于 John Palmer Whalley (1775)，最晚的创作于 Calypso receiving Telemachus and Mentor in the Grotto (1800)。
Scenes (4), Gods (4) 及 Man (3)，共计 73 件作品。
Oil On Canvas，共计 5 件（本页共有 73 件作品）。
根据本页面的原作，Neoclassicism 及 Baroque
Ruth and Boaz, Classical Ruins - 及 The Four Seasons：Kedleston Hall收藏了本页中 10 件作品。
在乔治时代英国那充满活力且思想激荡的氛围中，很少有人能像威廉·汉密尔顿那样，完美地体现出那个时代审美优雅与科学严谨的独特融合。1751年出生于伦敦切尔西，汉密尔顿绝不仅仅是一位画家；他是一位真正的博学者，其毕生事业架起了新古典主义艺术的细腻韵味与自然科学精确观察之间的桥梁。他的艺术之旅并非始于画笔，而是源于建筑绘图员那双纪律严明的眼睛，正是这一基础，后来赋予了他的画布无与伦比的结构清晰度与细致入微的细节。
汉密尔顿的艺术演进深受他与同时代大师接触的影响。他在英国肖像画巨擘约书亚·雷诺兹门下的正式训练，使他内心深处对写实主义以及新古典主义传统所特有的理想化美感怀有崇高的敬意。然而，他对知识的渴求引领他走向了伦敦画室之外更广阔的世界。他在意大利的游历，以及师从威尼斯艺术家安东尼奥·祖基的学习经历，极大地扩张了他的视觉词汇，使他能够将罗马的古典壮丽与地中海那明亮的光影注入到作品之中。
汉密尔顿之所以能从同时代艺术家中脱颖而出，关键在于他拒绝将艺术视为一种孤立的追求。对于汉密尔顿而言，画布本身就是一个观察的实验室。在那段于那不勒斯服役、受乔治三世国王委托的时光里，他开启了一项宏伟的计划，旨在记录那不勒斯皇家收藏。这项事业要求他同时扮演艺术家与博物学家的双重角色；在挥毫作画的同时，他也沉浸在对植物学与地质学的研究之中。其成果构成了一部至关重要的科学记录，每一片花瓣、每一条矿脉的呈现都精准到了足以令诗人与科学家共同折服的地步。
这种双重激情在他著名的肖像画和戏剧性场景中体现得最为淋漓尽致。虽然诸如《莎拉·西登斯肖像》等作品捕捉到了那个时代的情感深度与剧场优雅，但其背后支撑的却是源自科学训练的技术精确性。他能够将洛可可风格那波澜壮阔的戏剧感与启蒙运动时期严谨的观察力完美融合，从而创作出既具有情感共鸣又具备思想深度的杰作。
随着艺术生涯的推进，汉密尔顿成为了叙事的大师，在为当时的文学巨匠进行插画创作方面取得了巨大的成功。他是几项重大出版事业中的关键人物，其中最著名的便是对约翰·博伊德尔莎士比亚画廊的贡献。他将莎士比亚戏剧那史诗般的规模转化为画布语言的能力，使他深受大众喜爱；他的插图通过流行的版画广泛流传，将高雅艺术带入了新兴中产阶级的家庭之中。
除了舞台与书斋，汉密尔顿的影响力甚至延伸到了当代历史的脉搏。他拥有一种捕捉时代精神的罕见天赋，能够以处理古代传说时才有的庄重感与史诗构图，来描绘现代事件——例如玛丽·安托瓦内特那悲剧性的处决。这种将当代戏剧提升至历史神话高度的能力，巩固了他作为18世纪后期最全能艺术家的地位。
到1801年去世时，威廉·汉密尔顿已在皇家艺术学院的历史中占据了永久的一席之地，其身份也从准会员晋升为正式成员。他的遗产不仅存在于那些独立的杰作之中，更蕴含在他创作精神的核心：即艺术可以作为真理的载体，无论这种真理是发现于人类面颊的曲线，还是地质标本那错综复杂的结构之中。
他的贡献可以通过其职业生涯的几个关键支柱来概括：
时至今日，汉密尔顿依然是启蒙运动的象征——提醒着人们，曾几何时，艺术与科学之间的界限并非高墙，而是让我们得以更好地理解世界的窗扉。
