Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 260 works by 西奥多·鲁宾逊 in our catalogue
In short
To the gallery's eye, 西奥多·鲁宾逊's most famous painting is The Layette (1892), whose original hangs in the 国家美术馆, 华盛顿. Capri (1890) and In a Daisy Field (1884) complete the trio every eye recognises. Of the 260 works by 西奥多·鲁宾逊 in our catalog, the gallery presents the 100 most famous below, each original with its year, its museum and what makes it unique.
There is a profound stillness in this scene, a moment captured where the rush of the world seems to pause. We find a woman seated in a wooden chair, her attention entirely absorbed by the delicate task of needlework. She is positioned slightly to the right, framed by the organic weight of a large tree trunk and the soft, dappled patterns of sunlight filtering through a leafy canopy. The light…
The Enchanting Capri by Theodore Robinson The painting “Capri” by Theodore Robinson stands as a testament to Impressionist vision blended with American Romanticism—a captivating glimpse into the Italian island’s ethereal beauty captured in 1890. More than just a scenic depiction, it embodies Robinson's profound engagement with light and color, reflecting his belief that art should convey emotion rather than merely represent reality. Executed on canvas using oil paints, “Capri” showcases…
Theodore Robinson executed In a Daisy Field as an oil on canvas. While the work is dated 1884, the lower right corner bears the signature and inscription 'Th. Robinson/Nantucket-1882'.
In the quietude of a sun-drenched woodland, Theodore Robinson’s “In the Grove” invites the viewer into a moment of profound stillness. Painted in 1888, this masterpiece serves as a cornerstone of American Impressionism, capturing not just a landscape, but an emotional atmosphere that feels both fleeting and eternal. The scene unfolds with a delicate grace, centered around a woman positioned amidst towering, ancient trees. As she gazes downward, perhaps lost…
Girl at Piano1887 · 托莱多艺术博物馆
12
Paysage of Auvergne1830
13
Study of rocks1829 · 斯特拉斯堡美术馆
14
Valley in the Auvergne Mountains1830
15
Mountain Landscape with fisherman1830 · Fries Museum
16
The avenue of chestnut trees1837
17
The Large Oak Tree, Forest of Fontainebleau1839 · 圣路易斯艺术博物馆
18
The pond near the road1848
19
The avenue of chestnut trees1840
20
The board of Bellecroix1848
21
View of the plain of Montmartre X effect of storm1848
22
Meadows crossed by a river1851
23
The hill1855
24
Mountain landscape near Fontainebleau1852 · 博伊曼斯·范·本宁根博物馆
25
Cows in the mare1855
26
Spring1852
27
The passer1855
28
Gateway1855
29
Marshland in Les Landes1853
30
Edge of the loire1855
31
Look at Barbizon1850
32
The Little Fisherman1849
33
Edge of river1849
34
Exit drill Fontainebleau, sunset1849
35
Normandy farms1867 · 康德博物馆
36
Twilight in Sologne1867 · 康德博物馆
37
Sunset in the forest1866
38
The Forest of Fontainebleau1867
39
On the Housatonic River, Connecticut1877
40
Garden Bench with Ferns1878
41
Place St. Sulpice, Paris (unfinished)1876
42
Water Lilies1878
43
Nantucket Girl1882
44
Lady in Red1885
45
Venetian Fruit Shop1879
46
Man with Sythe1882
47
Self Portrait1884 · 大都会艺术博物馆
48
Girl with Puppies1881
49
Daisy Field, Nantucket1882
50
The Red Gown (also known as His Favorite Model)1885
51
Woman with White Cap1884
52
In the Garden1889
53
The Old Bridge1890 · 提森·博爾涅米薩博物館
54
Farm Among Hills, Giverny1887 · 明尼阿波利斯艺术学院
55
Valley of the Seine, Giverny1887 · 洛杉矶县立艺术博物馆
56
Winter, Giverny1889
57
Valley of the Seine, Giverny1887
58
Sea1889
59
Two Boats1891
60
Gossips1891
61
Portrait of Madame Baudy1888
62
Moonlight, Giverny - Study1892
63
Summer Hilside, Giverny1889
64
Farm Among Hills1887
65
The Peasant Girl1891
66
At the Piano1887
67
Mediterranean View1890
68
French Farmhouse1887
69
Girl with Goat1886
70
Girl Sewing (also known as The Layette or The Seamstress)1891
71
The Forge (also known as An Apprentice Blacksmith)1886
72
Willows and Wildflowers1892
73
Park Scene1892
74
Giverny1889
75
Moonrise1892
76
Moonlight, Giverny1892
77
Two in a Boat1891
78
Young Girl with Dog1886
79
October Sunlight1891
80
Woman Sewing, Giveny1891
81
From the Hill, Giverny1889
82
Mother and Child1892
83
View of the Seine1892
84
Giverny from the River Epte1890
85
Saint Martin's Summer, Giverny1888
86
Girl in Red at the Piano1888
87
The Wedding March1892
88
Road by the Mill1892
89
Winter Sunlight, Barbizon1886
90
Winter in New York City1890
91
Yellow Apples1892
92
Girl Raking Hay1890
93
Church in Snow1891
94
Springtime1892
95
The Watering Pots1890
96
Italian Landscape with a Fountain1891
97
Street in Barbizon at Sunset1887
98
Winter Landscape1889
99
Normandy Farm, A Characteristic Bit, Givernyy1891
100
Path in Frascati1891
The four subjects that come back most often in these originals, each with its finest example.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by 西奥多·鲁宾逊 | Paintings from this list |
|---|---|---|---|
 康德博物馆 |
尚蒂伊 | 3 | Normandy farms, Twilight in Sologne |
 提森·博爾涅米薩博物館 |
馬德里 | 2 | Capri, The Old Bridge |
 巴尔的摩艺术博物馆 |
巴尔的摩 | 5 | In the Grove |
 大都会艺术博物馆 |
纽约 | 5 | Self Portrait |
 国家美术馆 |
华盛顿 | 3 | The Layette |
 圣路易斯艺术博物馆 |
圣路易斯 | 2 | The Large Oak Tree, Forest of Fontainebleau |
 Columbia Museum of Art |
Columbus | 1 | Nantucket |
 托莱多艺术博物馆 |
托莱多 | 1 | Girl at Piano |
Pick a decade to see the original that defines it.
Theodore Robinson executed In a Daisy Field as an oil on canvas. While the work is dated 1884, the lower right corner bears the signature and inscription 'Th. Robinson/Nantucket-1882'.
There is a profound stillness in this scene, a moment captured where the rush of the world seems to pause. We find a woman seated in a wooden chair, her attention entirely absorbed by the delicate task of needlework. She is positioned slightly to the right, framed by the organic weight of a large tree trunk and the soft, dappled patterns of sunlight filtering through a leafy canopy. The light…
The Layette (1892), 国家美术馆, 华盛顿. Capri (1890) and In a Daisy Field (1884) come next.
40 years old: The Layette dates from 1892, and 西奥多·鲁宾逊 was born in 1852.
The Layette, Capri, In a Daisy Field, Pere Trognon and His Daughter at the Bridge, In the Grove, Study in the forest of Fontainebleau, View of the belfry of Orleans, Nantucket, Flower of Memory and Plain. The ranking above gives each one's year and museum.
Our catalog holds 260 works by 西奥多·鲁宾逊, dated from 1866 to 1892.
Mostly in 康德博物馆 (尚蒂伊), 提森·博爾涅米薩博物館 (馬德里) and 巴尔的摩艺术博物馆 (巴尔的摩). The museum table above lists them all.
In 1880s: 34 of the 100 works on this page were made then, In a Daisy Field among them.
On this page, the earliest is Sunset in the forest (1866) and the latest The Layette (1892).
Forests (20), Landscape (10) and Lakes (9), across the 100 works on this page.
Oil On Canvas, for 5 of the 100 works on this page.
Impressionism and Realism, judging by the originals on this page.
Normandy farms and Twilight in Sologne: the 康德博物馆, 尚蒂伊 holds 2 of the works on this page.
Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.
西奥多·罗宾逊，这个名字或许不如莫奈或雷诺阿那样广为人知，但他却在美国艺术史中占据着举足轻重的地位。1852年出生于美国佛蒙特州的乡村，他的人生是一段执着的艺术追寻之旅，最终将欧洲印象派与独特的美国气质完美融合。尽管他英年早逝，年仅四十四岁，但他的遗产却深刻地影响了一代美国画家，成为将法国那迷人的光影和色彩带到新大陆的关键人物。罗宾逊的早期生活充满了变动；三岁时全家搬到了威斯康星州，1874年前往纽约市学习艺术，并在国家设计学院和艺术学生联盟接受了传统的绘画训练，为他日后在海外获得的经验奠定了坚实的基础。这段求学时期也伴随着现实的压力；罗宾逊经常通过教学来补贴生计，但由于长期患有哮喘，这项工作让他倍感疲惫。
罗宾逊最初的艺术倾向偏向于现实主义，反映了当时流行的审美趣味。他喜欢描绘宁静的家庭生活和农业场景，细致入微地刻画人物日常活动中的细节。然而，1884年，他前往法国进行了一次长期的旅行，这成为了他艺术生涯的一个转折点。他定居在吉维尼，与克劳德·莫奈结下了深厚的友谊，并亲身体验了印象派的精髓。这不仅仅是风格上的模仿，而是对光线、色彩和氛围捕捉方式的一次彻底革新。莫奈的指导对他帮助巨大，鼓励罗宾逊拥抱一种更加自发的创作方法，专注于捕捉瞬息万变的光影效果，而非精确的再现。这种影响在他的作品中显而易见，例如《吉维尼1》、《吉维尼2》和《吉维尼3》，阳光透过树木洒落，营造出一种超越单纯描绘的空灵意境。他并非简单地复制莫奈，而是通过自己的美国视角来过滤印象派的美学，保留了一种结构感和形式感，使他的作品与法国同行的风格有所区别。
罗宾逊的意义不仅仅在于他个人的绘画作品；他还是一位重要的纽带，连接着欧洲前卫艺术与新兴的美国艺术界。他在吉维尼的位置使他成为了一个美国艺术家群体的中心人物，能够将他新获得的知识和热情与同行的画家分享，例如朱利安·奥尔登·韦尔和约翰·亨利·特瓦奇曼。他成为印象派的热情倡导者，不遗余力地向那些寻求指导的人展示其技巧和原理。这在当时美国艺术界仍然以学院派传统为主导的时期尤为重要。他的影响显而易见于许多访问吉维尼的艺术家的作品中，帮助建立了一种既借鉴法国创新又具有独特美国风格的美国印象派流派。他带回来的不仅仅是技巧，更是一种看待和回应周围世界的方式。
1892年回到美国后，罗宾逊试图将他的印象派 vision 应用于祖国的风景画创作中。他在康涅狄格州科斯考布与韦尔和特瓦奇曼一起工作，这是一个繁荣的艺术群体，并在纽约州运河沿岸绘画，最终定居在佛蒙特州，希望在家乡重现吉维尼般的环境。然而，他的健康状况持续恶化，经济困难也日益加剧。他最后的几年充满了孤独和挣扎，最终于1896年去世。讽刺的是，许多他的画作在他生前未能售出，直到去世后才逐渐获得认可。今天，西奥多·罗宾逊的作品被各大博物馆收藏，包括大都会艺术博物馆，这证明了他的持久艺术价值。他保存完好的日记，保存在弗里克艺术参考图书馆中，为我们提供了关于他的创作过程和思想生活的宝贵见解。
西奥多·罗宾逊对美国艺术的贡献不仅在于他绘画作品的美丽，还在于他在变革中的作用。他是文化之间的桥梁，是一位充满激情的创新倡导者，也是一位塑造了美国印象派进程的天才艺术家。他的作品体现了一种观察与诠释、现实主义与抽象、欧洲影响和美国身份之间微妙的平衡。他证明了拥抱印象派的激进创新并不意味着牺牲一个人的艺术声音或文化遗产是可能的。他的画作继续以其明亮的光质和生动的氛围吸引着观众，提醒我们艺术具有改变我们对周围世界感知的力量。《I》罗宾逊的遗产证明了光、色彩和追求艺术真理的永恒魅力。《I》
