更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 54 件 西格玛尔·波尔克 作品收录于我们的目录中
简而言之
Levitation (2005) 是 西格玛尔·波尔克 最受瞩目的画作；原作收藏于 苏黎世 的 苏黎世艺术馆。 随后，目光会移向 Sem título (1968) 和 Sem título (1965)。 在 西格玛尔·波尔克 的 54 件作品中，这 51 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
In the vast landscape of contemporary art, few names resonate with as much mystery and technical audacity as Sigmar Polke. His masterpiece, Levitation, created in 2005, serves as a profound meditation on the very nature of perception. At first glance, the viewer is met with a seemingly banal tableau—a table laden with objects that ground the scene in reality—yet this familiarity is quickly subverted by an underlying sense of existential…
Sigmar Polke's "Sem título" (1968) isn’t merely a photograph; it’s a carefully constructed meditation on observation, displacement, and the unsettling beauty of everyday objects. This seminal work, housed within a stark grid of black-and-white frames, immediately draws the viewer into a world both familiar and profoundly strange. The arrangement—nine individual photographs presented as a unified whole—evokes a sense of systematic collection, almost like a meticulously documented survey of the mundane.…
Sigmar Polke’s “Sem título,” created in 1968, stands as an arresting testament to the burgeoning aesthetic of capitalist realism—a movement that sought to depict everyday life with unflinching honesty, mirroring the visual language of advertising and documentary filmmaking. More than just a photographic collage, it's a carefully constructed puzzle designed to challenge our assumptions about how we perceive the world around us.
Sigmar Polke's "Sem título" (1968), a deceptively simple grid of black and white photographs, is far more than just a collection of meticulously arranged objects. It’s a profound exploration of memory, displacement, and the inherent instability of visual perception – themes deeply rooted in the artist’s own turbulent personal history. Born in Poland amidst the upheaval of World War II and subsequently forced to flee to Germany as a child,…
Affenschaukel
12
Hope is
13
Alice in wonderland
14
Lackmus
15
Kandinsdingsda
16
Jess
17
Double Portrait Fabiola1965 · 巴伐利亚州绘画收藏馆
18
Bunnies1966
19
Potato House1967
20
Color Sample1978 · 巴伐利亚州绘画收藏馆
21
Alacrity1986 · 巴伐利亚州绘画收藏馆
22
Firmness/Velocity1986 · 巴伐利亚州绘画收藏馆
23
Virility1986 · 巴伐利亚州绘画收藏馆
24
Acrimonia1986 · 巴伐利亚州绘画收藏馆
25
Sin título (Hochstand) / Torre de vigilancia1984 · Institut Valencià d'Art Modern
26
Break Domination1998 · 布法罗 AKG 艺术博物馆
27
Mrs autumn and her two daughters
28
Untitled (2)
29
Untitled (3)
30
Heron
31
Large
32
Supermarkets
33
Measuring clothes
34
Untitled (294)
35
Flower water will not smell if you add a piece of charcoal
36
Baumhaus
37
Klassenzimmer
38
Two palm trees
39
Lens paintings
40
Untitled (Lens Painting)
41
Hannibal
42
Watchtower
43
Alibis
44
Seance
45
B mode
46
Wochenendhaus from the portfolio Grafik des Kapitalistischen Realismus
47
Magnetic landscape
48
Audacia
49
Woman exchanged
50
Lingua
51
Propellerfrau1969
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 5 家博物馆。
| 博物馆 | 城市 | 西格玛尔·波尔克 的作品 | 此列表中的画作 |
|---|---|---|---|
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 8 | Ice Skater, Audatia, Double Portrait Fabiola |
 塞拉尔维斯基金会 |
波尔图 | 3 | Sem título, Sem título, Sem título |
 苏黎世艺术馆 |
苏黎世 | 1 | Levitation |
 Institut Valencià d'Art Modern |
Valencia | 1 | Sin título (Hochstand) / Torre de vigilancia |
 布法罗 AKG 艺术博物馆 |
布法罗 | 1 | Break Domination |
选择一个年代，探索定义该时代的原创杰作。
Sigmar Polke's "Sem título" (1968) isn’t merely a photograph; it’s a carefully constructed meditation on observation, displacement, and the unsettling beauty of everyday objects. This seminal work, housed within a stark grid of black-and-white frames, immediately draws the viewer into a world both familiar and profoundly strange. The arrangement—nine individual photographs presented as a unified whole—evokes a sense of systematic collection, almost like a meticulously documented survey of the mundane.…
In the vast landscape of contemporary art, few names resonate with as much mystery and technical audacity as Sigmar Polke. His masterpiece, Levitation, created in 2005, serves as a profound meditation on the very nature of perception. At first glance, the viewer is met with a seemingly banal tableau—a table laden with objects that ground the scene in reality—yet this familiarity is quickly subverted by an underlying sense of existential…
Levitation (2005)，苏黎世艺术馆, 苏黎世。紧随其后的是 Sem título (1968) 和 Sem título (1965)。
64岁：Levitation创作于2005年，西格玛尔·波尔克出生于1941年。
Levitation, Sem título, Sem título, Sem título, Woman at mirror, Ice Skater, Audatia, Untitled, Sit correctly 及 Sunday。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 54 件 西格玛尔·波尔克 的作品，创作年代从 1965 年至 2005 年。
多见于 巴伐利亚州绘画收藏馆 (慕尼黑), 塞拉尔维斯基金会 (波尔图) 及 苏黎世艺术馆 (苏黎世)。上方的博物馆列表列出了所有相关机构。
在 1960s 期间：本页 51 件作品中有 8 件创作于该时期，其中包含 Sem título 件作品。
在本页面中，最早的作品创作于 Sem título (1965)，最晚的创作于 Levitation (2005)。
Fragmentation (5), Photography (3) 及 Collage (3)，共计 51 件作品。
Acrylic On Canvas，共计 3 件（本页共有 51 件作品）。
根据本页面的原作，Pop art 及 Capitalist realism
Ice Skater, Audatia 及 Double Portrait Fabiola：巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中 8 件作品。
