更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 30 件 讓·富凱 作品收录于我们的目录中
简而言之
在 讓·富凱 留下的所有原作中，最著名的当属收藏于 尚蒂伊 Musée Condé 的《Virgin and Child (1445)》。 紧随其后的是 Estienne Chevalier with St Stephen 和 The Life of Louis II (846-79) 'The Stammerer' (1460)。 我们的目录收录了 讓·富凱 的 30 件作品；画廊完整保留了 30 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
The Virgin Mary sits within a heavy, architectural frame, her form draped in a deep blue robe that holds the weight of the sky. In her arms, she cradles the infant Jesus. The child’s small hand reaches out, a tiny movement against the stillness of the vellum. Around them, angels gather, their presence marked by bright reds and blues that flicker like candle flames against the gold leaf. To the…
The painting 'Estienne Chevalier with St Stephen' by Jean Fouquet, a renowned French artist of the 15th century, is a captivating work that showcases the artist's skill in portraiture and religious themes. This masterpiece is a testament to the artistic excellence of the Northern Renaissance period. The Composition The painting depicts two men standing side by side, each dressed in elaborate attire. The man on the left, Estienne Chevalier, wears…
Jean Fouquet’s “The Life of Louis II (846-79) ‘The Stammerer’,” painted circa 1460, isn't merely a portrait; it’s a meticulously crafted window into the complex world of 15th-century French courtly life and the weighty burdens of rulership. This panel painting, now housed in the Bibliothèque nationale de France, offers a rare and intimate portrayal of Louis II, Duke of Bavaria, a figure often dismissed as ‘The Stammerer’ due to his…
In the delicate, luminous world of Jean Fouquet’s Banquet Given by Charles V in Honour of His Uncle Emperor Charles IV, we are transported back to the year 1378, captured through a lens created around 1460. This exquisite illuminated manuscript illustration is far more than a mere historical record; it is a breathtaking window into the heart of the Northern Renaissance. As the eye wanders across the long, bountiful table,…
Jean Fouquet's “Portrait of Man with Hat,” painted around 1475, isn’t merely a depiction of an individual; it’s a carefully constructed window into the burgeoning artistic landscape of late medieval and early Renaissance France. This intimate portrait, now residing in the Hermitage Museum in St. Petersburg, reveals a masterful synthesis of Gothic tradition and nascent Italian influences – a testament to Fouquet's pivotal role as a bridge between these distinct…
In the delicate dance between the fading echoes of the Middle Ages and the dawn of the Renaissance, Jean Fouquet’s “Enthronement of the Virgin or, The Trinity in its Glory” emerges as a breathtaking masterpiece of spiritual storytelling. Completed around 1445, this illuminated manuscript illustration is far more than a mere religious depiction; it is a profound window into a transformative era of human consciousness. As the viewer’s eye meets…
The Martyrdom of St. Apollonia is a religious painting by Jean Fouquet. This miniature captures a moment of intense suffering and witness. It was created between 1452 and 1460. The small scale of the work demands a close, quiet gaze to witness the unfolding drama of the saint's end.
Jesus Christ occupies the center, arms outstretched as he is lifted toward the sky. Thirteen angels surround the figure, their bodies positioned to facilitate the upward movement. Some angels press close to his limbs, while others hover in the higher reaches of the blue expanse. Below this ascent, a group of people gathers on the earth, witnessing the event. The blue background provides a deep, singular space for this vertical…
The air feels heavy with the weight of an impossible task. King Clothar II kneels, his posture a silent scream of desperation, as he faces the stillness of his son, Dagobert I. The tragedy is fresh, a sudden strike of lightning during a hunt having snatched the prince from the living world. Around them, the scene is thick with the tension of a royal retinue caught in a moment of…
A heavy silence settles within the canvas. Inside a canvas tent, a man lies still, his life retreating like a receding tide. A cross rests upon his chest, a quiet mark of his final transition. Around him, a circle of twelve figures gathers in the dim light. Some stand in rigid grief, while others sit, their bodies bowed by the weight of the moment. In the distance, the stone silhouette…
Etienne Chevalier with St. Stephen1454 · 柏林国家美术馆
12
Entry of Louis VII (c.1120-80) King of France and Conrad III (1093-1152) King of Germany into Constantinople during the Crusades, 1147-49法国国家图书馆 (Bibliothèque Nationale)
13
St John at Patmos
14
The Emperor Charlemagne Finds Roland's Corpse after the Battle of Roncevaux1460 · 法国国家图书馆 (Bibliothèque Nationale)
15
The Arrival of Charles V (1337-80) in Paris, 28th May 13641460 · 法国国家图书馆 (Bibliothèque Nationale)
16
Etienne Chevalier (1410-74) and his Patron Paying Homage to the Virgin and Child1460 · Musée Condé
17
Untitled (253)
18
Descent of the Holy Ghost upon the Faithful
19
Charles vii
20
The Building of a Cathedral
21
Étienne chevalier and his patron saint (stefanus), b
22
Portrait of guillaume jouvenel des ursins, louvre
23
Virgin and Child Surrounded by Angels
24
Madonna, musée royale des beaux arts, antwerp
25
Self portrait
26
Portrait of the court jester Gonella1447 · 维也纳艺术史博物馆
27
Portrait of Charles VII of France
28
Portrait of Guillaume Jouvenel des Ursins
29
Diptych of Melun, Madonna and Child安特卫普皇家美术馆
30
Pieta1480
#4 Banquet Given by Charles V (1338-80) in Hhonour of His Uncle Emperor Charles IV (1316-78) in 1378
#8 The Ascension of the Holy Spirit
#9 King Clothar II (584-629) cannot bring back his son Dagobert I (605-39) to Paris
#10 The Death of Bertrand du Geusclin (c.1320-80) at Chateauneuf-de-Randon
#11 Etienne Chevalier with St. Stephen
这些原作中反复出现的四个主题，各有一个最杰出的范例。
#5 Portrait of Man with hat
#12 Entry of Louis VII (c.1120-80) King of France and Conrad III (1093-1152) King of Germany into Constantinople during the Crusades, 1147-49
#14 The Emperor Charlemagne Finds Roland's Corpse after the Battle of Roncevaux
#22 Portrait of guillaume jouvenel des ursins, louvre
#3 The Life of Louis II (846-79) 'The Stammerer'
#16 Etienne Chevalier (1410-74) and his Patron Paying Homage to the Virgin and Child
#12 Entry of Louis VII (c.1120-80) King of France and Conrad III (1093-1152) King of Germany into Constantinople during the Crusades, 1147-49
#14 The Emperor Charlemagne Finds Roland's Corpse after the Battle of Roncevaux
收藏了本页中大部分画作的 6 家博物馆。
| 博物馆 | 城市 | 讓·富凱 的作品 | 此列表中的画作 |
|---|---|---|---|
 法国国家图书馆 (Bibliothèque Nationale) |
巴黎 | 7 | The Life of Louis II (846-79) 'The Stammerer', Banquet Given by Charles V (1338-80) in Hhonour of His Uncle Emperor Charles IV (1316-78) in 1378, King Clothar II (584-629) cannot bring back his son Dagobert I (605-39) to Paris |
 Musée Condé |
尚蒂伊 | 5 | Virgin and Child, Enthronement of the Virgin or, The Trinity in its Glory, Martyrdom of St. Apollonia |
 冬宫博物馆 |
圣彼得堡 | 1 | Portrait of Man with hat |
 柏林国家美术馆 |
柏林 | 1 | Etienne Chevalier with St. Stephen |
 维也纳艺术史博物馆 |
维也纳 | 1 | Portrait of the court jester Gonella |
 安特卫普皇家美术馆 |
安特卫普 | 1 | Diptych of Melun, Madonna and Child |
选择一个年代，探索定义该时代的原创杰作。
The Virgin Mary sits within a heavy, architectural frame, her form draped in a deep blue robe that holds the weight of the sky. In her arms, she cradles the infant Jesus. The child’s small hand reaches out, a tiny movement against the stillness of the vellum. Around them, angels gather, their presence marked by bright reds and blues that flicker like candle flames against the gold leaf. To the…
Jesus Christ occupies the center, arms outstretched as he is lifted toward the sky. Thirteen angels surround the figure, their bodies positioned to facilitate the upward movement. Some angels press close to his limbs, while others hover in the higher reaches of the blue expanse. Below this ascent, a group of people gathers on the earth, witnessing the event. The blue background provides a deep, singular space for this vertical…
Jean Fouquet’s “The Life of Louis II (846-79) ‘The Stammerer’,” painted circa 1460, isn't merely a portrait; it’s a meticulously crafted window into the complex world of 15th-century French courtly life and the weighty burdens of rulership. This panel painting, now housed in the Bibliothèque nationale de France, offers a rare and intimate portrayal of Louis II, Duke of Bavaria, a figure often dismissed as ‘The Stammerer’ due to his…
Jean Fouquet's “Portrait of Man with Hat,” painted around 1475, isn’t merely a depiction of an individual; it’s a carefully constructed window into the burgeoning artistic landscape of late medieval and early Renaissance France. This intimate portrait, now residing in the Hermitage Museum in St. Petersburg, reveals a masterful synthesis of Gothic tradition and nascent Italian influences – a testament to Fouquet's pivotal role as a bridge between these distinct…
Virgin and Child (1445)，Musée Condé, 尚蒂伊。紧随其后的是 Estienne Chevalier with St Stephen 和 The Life of Louis II (846-79) 'The Stammerer' (1460)。
25岁：Virgin and Child创作于1445年，讓·富凱出生于1420年。
Virgin and Child, Estienne Chevalier with St Stephen, The Life of Louis II (846-79) 'The Stammerer', Banquet Given by Charles V (1338-80) in Hhonour of His Uncle Emperor Charles IV (1316-78) in 1378, Portrait of Man with hat, Enthronement of the Virgin or, The Trinity in its Glory, Martyrdom of St. Apollonia, The Ascension of the Holy Spirit, King Clothar II (584-629) cannot bring back his son Dagobert I (605-39) to Paris 及 The Death of Bertrand du Geusclin (c.1320-80) at Chateauneuf-de-Randon。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 30 件 讓·富凱 的作品，创作年代从 1445 年至 1475 年。
多见于 法国国家图书馆 (Bibliothèque Nationale) (巴黎), Musée Condé (尚蒂伊) 及 冬宫博物馆 (圣彼得堡)。上方的博物馆列表列出了所有相关机构。
在 1460s 期间：本页 30 件作品中有 7 件创作于该时期，其中包含 The Life of Louis II (846-79) 'The Stammerer' 件作品。
在本页面中，最早的作品创作于 Virgin and Child (1445)，最晚的创作于 Portrait of Man with hat (1475)。
France (5), Medieval (4) 及 People (4)，共计 30 件作品。
Acrylic On Canvas，共计 5 件（本页共有 30 件作品）。
根据本页面的原作，Northern renaissance
The Life of Louis II (846-79) 'The Stammerer', Banquet Given by Charles V (1338-80) in Hhonour of His Uncle Emperor Charles IV (1316-78) in 1378 及 King Clothar II (584-629) cannot bring back his son Dagobert I (605-39) to Paris：法国国家图书馆 (Bibliothèque Nationale), 巴黎收藏了本页中 7 件作品。
