龐培奧·巴托尼 肖像

100 幅最著名的 龐培奧·巴托尼 作品，每一件都独一无二

更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 164 件 龐培奧·巴托尼 作品收录于我们的目录中

简而言之

Hercules at the Crossroads (detail) (1748) 是 龐培奧·巴托尼 最受瞩目的画作；原作收藏于 维也纳 的 列支敦士登博物馆。 随后，目光会移向 A Knight in Rome: Charles Cecil Roberts (1778) 和 Gaetano II Sforza Cesarini, Duke of Segni (1768)。 在 龐培奧·巴托尼 的 164 件作品中，这 100 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。

1708 – 1787, 卢卡 Neoclassicism 藏品最多：Uppark
Hercules at the Crossroads (detail) (1748) 由 龐培奧·巴托尼1. Hercules at the Crossroads (detail) 1748 A Knight in Rome: Charles Cecil Roberts (1778) 由 龐培奧·巴托尼2. A Knight in Rome: Charles Cecil Roberts 1778 Gaetano II Sforza Cesarini, Duke of Segni (1768) 由 龐培奧·巴托尼3. Gaetano II Sforza Cesarini, Duke of Segni 1768

画廊视角下的 龐培奧·巴托尼 十大名作

1
Hercules at the Crossroads (detail) (1748) 由 龐培奧·巴托尼

Hercules at the Crossroads (detail)

1748 · Oil On Canvas · 列支敦士登博物馆, 维也纳

To stand before a depiction such as Pompeo Batoni’s Hercules at the Crossroads is to be invited into a profound moment of human reckoning. This painting, dating from 1748, transcends mere portraiture or mythological illustration; it captures the very essence of decision-making—that fraught, beautiful space where potential futures diverge. The central figure, Hercules, is rendered not in the throes of battle, but in deep, almost agonizing contemplation. His posture, with…

关于此原作
2
A Knight in Rome: Charles Cecil Roberts (1778) 由 龐培奧·巴托尼

A Knight in Rome: Charles Cecil Roberts

1778 · Oil On Canvas · 普拉多博物馆, 马德里

Pompeo Batoni’s “A Knight in Rome: Charles Cecil Roberts” stands as a quintessential embodiment of the Rococo artistic movement, capturing not merely a portrait but an entire atmosphere of refined grandeur and intellectual contemplation. Painted in 1778, this monumental canvas—measuring 221 x 157 cm—currently resides within the hallowed halls of the Museo del Prado in Madrid, Spain, ensuring its legacy continues to inspire awe and admiration.

关于此原作
3
Gaetano II Sforza Cesarini, Duke of Segni (1768) 由 龐培奧·巴托尼

Gaetano II Sforza Cesarini, Duke of Segni

1768 · Oil On Canvas · 维多利亚州国立美术馆, 墨尔本

The gaze of Gaetano II Sforza Cesarini, Duke of Segni, meets the observer through this 1768 portrait by Pompeo Batoni. The sitter carries the weight of a significant lineage, appearing as the second son to survive to adulthood of Giuseppe Sforza. His presence in the frame reflects the prominence he held as a Papal politician throughout the 1750s and 1760s. Every detail of his bearing suggests a man deeply embedded…

这件原作背后的故事
4
Time Unveiling Truth (1742) 由 龐培奧·巴托尼

Time Unveiling Truth

1742 · Oil · 芝加哥艺术学院, 芝加哥

A Celestial Ascent of Allegory The air feels thick with the movement of a cosmic drama, a swirling ascent where the terrestrial and the divine collide. In this 1742 oil painting, figures rise through a luminous sky, their bodies caught in a rhythmic, upward surge that defies gravity. Drapery flows in heavy, silken waves, catching a light that seems to pour from the upper left, casting soft shadows across porcelain…

细赏此作
6
Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764) 由 龐培奧·巴托尼

Alexander Gordon, 4th Duke of Gordon (1743 - 1827)

1764 · Oil On Canvas · 苏格兰国家美术馆, 爱丁堡

Alexander Gordon, 4th Duke of Gordon, is presented in a formal grand manner portrait that emphasizes his status and connection to the natural world. He is positioned centrally within a landscape, his presence anchored by a large brown horse to his left and hunting dogs at his feet. The composition is vertical, drawing the eye from the upward gesture of his arm toward the sky. A saturated red frock coat…

细赏此作
7
John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile (1761) 由 龐培奧·巴托尼

John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile

1761 · Oil On Canvas · 苏格兰国家肖像画廊, Edinburgh

The Duke of Roxburghe occupies the center of the frame, a figure of quiet authority amidst a setting of classical grandeur. He sits with an upright, stately posture, his presence commanding the space through a combination of velvet and light. A heavy crimson cloak, deep and saturated, drapes around him, its texture suggesting the weight of fine velvet. The ermine fur at his collar provides a sharp, creamy contrast to…

这件原作背后的故事
8
Portrait of John Woodyeare (1750) 由 龐培奧·巴托尼

Portrait of John Woodyeare

1750 · Oil On Canvas · 明尼阿波利斯艺术学院, 明尼阿波利斯

The young man occupies the space with a quiet, commanding poise, his body turned slightly to create a sense of movement within the stillness. He is draped in the heavy, luxurious textures of the mid-eighteenth century, where deep forest green and crimson red collide against a dark, atmospheric background. Light falls across his features with a dramatic chiaroscuro effect, catching the soft sheen of his silk attire and the delicate,…

细赏此作
9
Peter Beckford (1740-1811), godsejer, Dorset. (1766) 由 龐培奧·巴托尼

Peter Beckford (1740-1811), godsejer, Dorset.

1766 · Oil On Canvas · 斯泰恩斯博物馆艺术馆, 哥本哈根

A full-length figure of Peter Beckford occupies the center-right of this vertical composition. He is depicted standing in a landscape, wearing a red frock coat with silver applications, paired with breeches and stockings. His pose is elegant, with one hand holding a paper and the other a walking stick. At his feet sits a small dog. To the left, a large stone pedestal provides a vertical counterweight to the subject.…

细赏此作
10
The Rotterdam tobacco trader Pieter Caarten (1778) 由 龐培奧·巴托尼

The Rotterdam tobacco trader Pieter Caarten

1778 · Oil On Canvas · 博伊曼斯·范·本宁根博物馆, 鹿特丹

Pieter Caarten, a thirty-seven-year-old tobacco merchant from Rotterdam, sits for this formal portrait in Rome in 1778. Captured in a three-quarter view, the subject gazes directly at the viewer with a reserved, serious expression. He is presented from the chest up, a composition that emphasizes his dignified posture and the material markers of his success. A powdered white wig frames a face rendered with smooth, precise transitions, while a subtle…

这件原作背后的故事

龐培奧·巴托尼 的名画，第 11 至 100 幅

11Hercules at the Crossroads (1748) 由 龐培奧·巴托尼Hercules at the Crossroads1748 · 列支敦士登博物馆 12Hercules at the Crossroads (1742) 由 龐培奧·巴托尼Hercules at the Crossroads1742 · 皮蒂宫 13Hercules at the Crossroads (1765) 由 龐培奧·巴托尼Hercules at the Crossroads1765 · 冬宫博物馆 14Sir Sampson Gideon and an unidentified companion (1767) 由 龐培奧·巴托尼Sir Sampson Gideon and an unidentified companion1767 · 维多利亚州国立美术馆 15Peace and War (1776) 由 龐培奧·巴托尼Peace and War1776 · 芝加哥艺术学院 16Portrait of Aleksandra née Lubomirska, Wife of Stanisław Potocki (1758–1831) (1780) 由 龐培奧·巴托尼Portrait of Aleksandra née Lubomirska, Wife of Stanisław Potocki (1758–1831)1780 · 克拉科夫国家博物馆 17James Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont) (1753) 由 龐培奧·巴托尼James Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont)1753 · 耶鲁英国艺术中心 18Peace and Justice (1745) 由 龐培奧·巴托尼Peace and Justice1745 · 蒙特利尔美术馆 19The infant Hercules strangling serpents in his cradle (1743) 由 龐培奧·巴托尼The infant Hercules strangling serpents in his cradle1743 · 皮蒂宫 20Samson and Delilah (1766) 由 龐培奧·巴托尼Samson and Delilah1766 · 底特律艺术学院 21Atis and Galathea (1761) 由 龐培奧·巴托尼Atis and Galathea1761 · 国家博物馆 22Philip Metcalfe (1766) 由 龐培奧·巴托尼Philip Metcalfe1766 · 国家肖像美术馆 23Portrait of John Rolle Walter, MP and landowner, Exeter (1753) 由 龐培奧·巴托尼Portrait of John Rolle Walter, MP and landowner, Exeter1753 · 斯泰恩斯博物馆艺术馆 24Saint Andrew (1741) 由 龐培奧·巴托尼Saint Andrew1741 · 芝加哥艺术学院 25Portrait of Duchess Sforza Cesarini (d.1765) (1768) 由 龐培奧·巴托尼Portrait of Duchess Sforza Cesarini (d.1765)1768 · 伯明翰博物馆与美术馆 26Portrait of Prince B. Kurakin (1782) 由 龐培奧·巴托尼Portrait of Prince B. Kurakin1782 · 冬宫博物馆 27Allegory of the Arts (1740) 由 龐培奧·巴托尼Allegory of the Arts1740 · 施泰德美术馆 28Portrait of Cardinal Prospero Colonna di Sciarra (1750) 由 龐培奧·巴托尼Portrait of Cardinal Prospero Colonna di Sciarra1750 · 沃尔特斯艺术博物馆 29Portrait of Cardinal Jean-François Joseph de Rochechouart (1762) 由 龐培奧·巴托尼Portrait of Cardinal Jean-François Joseph de Rochechouart1762 · 圣路易斯艺术博物馆 30Portrait of Joseph Henry of Straffan (1750) 由 龐培奧·巴托尼Portrait of Joseph Henry of Straffan1750 · 沃尔特斯艺术博物馆 31Venus Presenting Aeneas with Armour Forged by Vulcan (1748) 由 龐培奧·巴托尼Venus Presenting Aeneas with Armour Forged by Vulcan1748 · 列支敦士登博物馆 32James Bruce of Kinnaird, 1730 - 1794. African explorer (1762) 由 龐培奧·巴托尼James Bruce of Kinnaird, 1730 - 1794. African explorer1762 · 苏格兰国家肖像画廊 33George Legge, Viscount Lewisham (1778) 由 龐培奧·巴托尼George Legge, Viscount Lewisham1778 · 普拉多博物馆 34Thomas William Coke (1773) 由 龐培奧·巴托尼Thomas William Coke1773 · 霍克姆大厅 35Portrait of John Talbot, later 1st Earl Talbot (1773) 由 龐培奧·巴托尼Portrait of John Talbot, later 1st Earl Talbot1773 · J·保罗·盖蒂博物馆 36Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa (1736) 由 龐培奧·巴托尼Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa1736 · J·保罗·盖蒂博物馆 37Portrait of a man (1733) 由 龐培奧·巴托尼Portrait of a man1733 38Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783) (1744) 由 龐培奧·巴托尼Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783)1744 · 爱尔兰国家美术馆 39Time Revealing Truth (1742) 由 龐培奧·巴托尼Time Revealing Truth1742 · Rhode Island School of Design Museum of Art 40Christ Appearing to St. Ampelius (1742) 由 龐培奧·巴托尼Christ Appearing to St. Ampelius1742 · Rhode Island School of Design Museum of Art 41Saint John the Evangelist (1741) 由 龐培奧·巴托尼Saint John the Evangelist1741 · Basildon Park 42Saint Paul (1741) 由 龐培奧·巴托尼Saint Paul1741 · Basildon Park 43God the Father and the Holy Spirit (1741) 由 龐培奧·巴托尼God the Father and the Holy Spirit1741 · Basildon Park 44Saint James the Less (1741) 由 龐培奧·巴托尼Saint James the Less1741 · Basildon Park 45Saint Matthew (1741) 由 龐培奧·巴托尼Saint Matthew1741 · Basildon Park 46Saint Philip (1741) 由 龐培奧·巴托尼Saint Philip1741 · Basildon Park 47Saint Peter (1741) 由 龐培奧·巴托尼Saint Peter1741 · Basildon Park 48Saint Thomas (1741) 由 龐培奧·巴托尼Saint Thomas1741 · Basildon Park 49Maddalena penitente (1742) 由 龐培奧·巴托尼Maddalena penitente1742 · 德累斯顿国家艺术收藏馆 50Apollo, Euterpe and Urania (1741) 由 龐培奧·巴托尼Apollo, Euterpe and Urania1741 · 维拉诺夫宫博物馆 51The Virgin of the Annunciation (1741) 由 龐培奧·巴托尼The Virgin of the Annunciation1741 52Apollon, Euterpe and Urania (1741) 由 龐培奧·巴托尼Apollon, Euterpe and Urania1741 53The Ecstasy of St Catherine of Siena (1743) 由 龐培奧·巴托尼The Ecstasy of St Catherine of Siena1743 · Museo Nazionale di Villa Guinigi 54Elector Carl Theodor of the Palatinate (1747) 由 龐培奧·巴托尼Elector Carl Theodor of the Palatinate1747 · 巴伐利亚州绘画收藏馆 55Pope Pius VI (1747) 由 龐培奧·巴托尼Pope Pius VI1747 · 巴伐利亚州绘画收藏馆 56A Lady of the Leeson Family as a Shepherdess (1751) 由 龐培奧·巴托尼A Lady of the Leeson Family as a Shepherdess1751 · 爱尔兰国家美术馆 57Presumed Portrait of the Marchesa Caterina Gabrielli as Diana (1751) 由 龐培奧·巴托尼Presumed Portrait of the Marchesa Caterina Gabrielli as Diana1751 · 爱尔兰国家美术馆 58Joseph Leeson, later 2nd Earl of Milltown (1730-1801) (1751) 由 龐培奧·巴托尼Joseph Leeson, later 2nd Earl of Milltown (1730-1801)1751 · 爱尔兰国家美术馆 59Study for "Antiochus and Stratonice" (1746) 由 龐培奧·巴托尼Study for "Antiochus and Stratonice"1746 · 克利夫兰艺术博物馆 60Vulcan at his Forge (1750) 由 龐培奧·巴托尼Vulcan at his Forge1750 · 加拿大国家美术馆 61Purity of Heart (1752) 由 龐培奧·巴托尼Purity of Heart1752 · Uppark 62Meekness (1752) 由 龐培奧·巴托尼Meekness1752 · Uppark 63Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear (1751) 由 龐培奧·巴托尼Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear1751 · Uppark 64Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) with Wreaths of Fruit and Corn (1751) 由 龐培奧·巴托尼Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) with Wreaths of Fruit and Corn1751 · Uppark 65Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), as Diana (1751) 由 龐培奧·巴托尼Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), as Diana1751 · Uppark 66Benjamin Lethieullier MP (1728/9-1797), with two Wild Boar Spears (1752) 由 龐培奧·巴托尼Benjamin Lethieullier MP (1728/9-1797), with two Wild Boar Spears1752 · Uppark 67Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) as a Hunter with a Wild Boar Spear (1751) 由 龐培奧·巴托尼Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) as a Hunter with a Wild Boar Spear1751 · Uppark 68Katherine Durnford, later Mrs Utrick Fetherstonhaugh, as Flora (1751) 由 龐培奧·巴托尼Katherine Durnford, later Mrs Utrick Fetherstonhaugh, as Flora1751 · Uppark 69The Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo (1751) 由 龐培奧·巴托尼The Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo1751 · Uppark 70Lascelles Raymond Iremonger (1718/19–1793) with Wreaths of Corn and Roses (1751) 由 龐培奧·巴托尼Lascelles Raymond Iremonger (1718/19–1793) with Wreaths of Corn and Roses1751 · Uppark 71Francis Hutchinson (d. 1807) (traditionally called John Hatch of Lissen Hall) (1747) 由 龐培奧·巴托尼Francis Hutchinson (d. 1807) (traditionally called John Hatch of Lissen Hall)1747 · Hatchlands Park 72Portrait of Charles Eugene, Duke of Württemberg (1728-1793) (1755) 由 龐培奧·巴托尼Portrait of Charles Eugene, Duke of Württemberg (1728-1793)1755 · 符腾堡州立博物馆 73Hercules at the Crossroads (1753) 由 龐培奧·巴托尼Hercules at the Crossroads1753 · Galleria Sabauda 74Vulcan in his Forge (1750) 由 龐培奧·巴托尼Vulcan in his Forge1750 75Aeneas fleeing from Troy (1750) 由 龐培奧·巴托尼Aeneas fleeing from Troy1750 · Galleria Sabauda 76Truth and Mercy (1745) 由 龐培奧·巴托尼Truth and Mercy1745 · 蒙特利尔美术馆 77Portrait of a Gentleman (1762) 由 龐培奧·巴托尼Portrait of a Gentleman1762 · Rhode Island School of Design Museum of Art 78Portrait of William Legge, Second Earl of Dartmouth (1756) 由 龐培奧·巴托尼Portrait of William Legge, Second Earl of Dartmouth1756 · Hood Museum of Art 79Sir Robert Davers, 5th Bt (1729-1763), aged 21 (1756) 由 龐培奧·巴托尼Sir Robert Davers, 5th Bt (1729-1763), aged 211756 · Ickworth 80George Lucy (1714 – 1786) (1758) 由 龐培奧·巴托尼George Lucy (1714 – 1786)1758 · Charlecote Park 81Self portrait (1765) 由 龐培奧·巴托尼Self portrait1765 · 巴伐利亚州绘画收藏馆 82William Fermor (1758) 由 龐培奧·巴托尼William Fermor1758 · 休斯顿美术馆 83Edward, Duke of York (1739-67) (1764) 由 龐培奧·巴托尼Edward, Duke of York (1739-67)1764 · 皇家收藏馆 84Pope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul (1757) 由 龐培奧·巴托尼Pope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul1757 · 明尼阿波利斯艺术学院 85The Crucifixion (1762) 由 龐培奧·巴托尼The Crucifixion1762 · 波士顿美术馆 86Luigi Boccherini (1764) 由 龐培奧·巴托尼Luigi Boccherini1764 · 维多利亚州国立美术馆 87Portrait of Prince Abbondio Rezzonico as Senator of Rome (1765) 由 龐培奧·巴托尼Portrait of Prince Abbondio Rezzonico as Senator of Rome1765 · 沃尔特斯艺术博物馆 88portrait of a cardinal (1758) 由 龐培奧·巴托尼portrait of a cardinal1758 89Academic Nude (1765) 由 龐培奧·巴托尼Academic Nude1765 90Elector Karl Theodor of the Palatinate (1775) 由 龐培奧·巴托尼Elector Karl Theodor of the Palatinate1775 · 巴伐利亚州绘画收藏馆 91Portrait of Pope Pius VI, Giovanni Angelo Braschi (1717-1799) (1775) 由 龐培奧·巴托尼Portrait of Pope Pius VI, Giovanni Angelo Braschi (1717-1799)1775 · 爱尔兰国家美术馆 92Edward Howard (1744–1767) (1766) 由 龐培奧·巴托尼Edward Howard (1744–1767)1766 · 维多利亚和阿尔伯特博物馆 93Bust-length portrait of Pope Clement XIII (1772) 由 龐培奧·巴托尼Bust-length portrait of Pope Clement XIII1772 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 94Alexander Stewart of Ards (1746-1791) (1773) 由 龐培奧·巴托尼Alexander Stewart of Ards (1746-1791)1773 · Mount Stewart 95Self-portrait (1770) 由 龐培奧·巴托尼Self-portrait1770 96Robert Throckmorton (1750-1779) (1772) 由 龐培奧·巴托尼Robert Throckmorton (1750-1779)1772 · Coughton Court 97The Right Hon. Sir John Parnell, 2nd Bt (1744–1801) (1769) 由 龐培奧·巴托尼The Right Hon. Sir John Parnell, 2nd Bt (1744–1801)1769 · Castle Ward 98Study for the Portrait of Emperor Joseph II. (1769) 由 龐培奧·巴托尼Study for the Portrait of Emperor Joseph II.1769 · 斯洛伐克国家美术馆 99Portrait of John Corbet of Sundorne Castle, Shrewsbury (1773) 由 龐培奧·巴托尼Portrait of John Corbet of Sundorne Castle, Shrewsbury1773 · 伍斯特艺术博物馆 100Portrait of Thomas Fortescue (1767) 由 龐培奧·巴托尼Portrait of Thomas Fortescue1767

龐培奧·巴托尼 的传世名作，按时期分类

Early Period

1733 – 1745 · 5 件作品入选此列表
The infant Hercules strangling serpents in his cradle (1743), 龐培奧·巴托尼 #19 The infant Hercules strangling serpents in his cradle 1743 · 皮蒂宫 Saint Andrew (1741), 龐培奧·巴托尼 #24 Saint Andrew 1741 · 芝加哥艺术学院 Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa (1736), 龐培奧·巴托尼 #36 Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa 1736 · J·保罗·盖蒂博物馆 Portrait of a man (1733), 龐培奧·巴托尼 #37 Portrait of a man 1733 Truth and Mercy (1745), 龐培奧·巴托尼 #76 Truth and Mercy 1745 · 蒙特利尔美术馆

Mature Period

1740 – 1782 · 93 件作品入选此列表
Hercules at the Crossroads (detail) (1748), 龐培奧·巴托尼 #1 Hercules at the Crossroads (detail) 1748 · 列支敦士登博物馆 A Knight in Rome: Charles Cecil Roberts (1778), 龐培奧·巴托尼 #2 A Knight in Rome: Charles Cecil Roberts 1778 · 普拉多博物馆 Gaetano II Sforza Cesarini, Duke of Segni (1768), 龐培奧·巴托尼 #3 Gaetano II Sforza Cesarini, Duke of Segni 1768 · 维多利亚州国立美术馆 Time Unveiling Truth (1742), 龐培奧·巴托尼 #4 Time Unveiling Truth 1742 · 芝加哥艺术学院 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764), 龐培奧·巴托尼 #6 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) 1764 · 苏格兰国家美术馆

令 龐培奧·巴托尼 驻足的创作主题

这些原作中反复出现的四个主题，各有一个最杰出的范例。

Man 77 件作品

Gaetano II Sforza Cesarini, Duke of Segni (1768), 龐培奧·巴托尼 #3 Gaetano II Sforza Cesarini, Duke of Segni 1768 · 维多利亚州国立美术馆 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764), 龐培奧·巴托尼 #6 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) 1764 · 苏格兰国家美术馆 John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile (1761), 龐培奧·巴托尼 #7 John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile 1761 · 苏格兰国家肖像画廊 Portrait of John Woodyeare (1750), 龐培奧·巴托尼 #8 Portrait of John Woodyeare 1750 · 明尼阿波利斯艺术学院

Woman 28 件作品

Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley (1785), 龐培奧·巴托尼 #5 Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley 1785 · 耶鲁英国艺术中心 Hercules at the Crossroads (1748), 龐培奧·巴托尼 #11 Hercules at the Crossroads 1748 · 列支敦士登博物馆 Hercules at the Crossroads (1742), 龐培奧·巴托尼 #12 Hercules at the Crossroads 1742 · 皮蒂宫 Hercules at the Crossroads (1765), 龐培奧·巴托尼 #13 Hercules at the Crossroads 1765 · 冬宫博物馆

Dark background 16 件作品

The infant Hercules strangling serpents in his cradle (1743), 龐培奧·巴托尼 #19 The infant Hercules strangling serpents in his cradle 1743 · 皮蒂宫 Portrait of Joseph Henry of Straffan (1750), 龐培奧·巴托尼 #30 Portrait of Joseph Henry of Straffan 1750 · 沃尔特斯艺术博物馆 Saint John the Evangelist (1741), 龐培奧·巴托尼 #41 Saint John the Evangelist 1741 · Basildon Park The Virgin of the Annunciation (1741), 龐培奧·巴托尼 #51 The Virgin of the Annunciation 1741

Landscape 15 件作品

Peter Beckford (1740-1811), godsejer, Dorset. (1766), 龐培奧·巴托尼 #9 Peter Beckford (1740-1811), godsejer, Dorset. 1766 · 斯泰恩斯博物馆艺术馆 Philip Metcalfe (1766), 龐培奧·巴托尼 #22 Philip Metcalfe 1766 · 国家肖像美术馆 Portrait of John Talbot, later 1st Earl Talbot (1773), 龐培奧·巴托尼 #35 Portrait of John Talbot, later 1st Earl Talbot 1773 · J·保罗·盖蒂博物馆 Maddalena penitente (1742), 龐培奧·巴托尼 #49 Maddalena penitente 1742 · 德累斯顿国家艺术收藏馆

收藏有 龐培奧·巴托尼 原作的博物馆

收藏了本页中大部分画作的 8 家博物馆。

博物馆 城市 龐培奧·巴托尼 的作品 此列表中的画作
UpparkUppark 11 Purity of Heart, Meekness, Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear
Basildon ParkBasildon Park 9 Saint John the Evangelist, Saint Paul, God the Father and the Holy Spirit
爱尔兰国家美术馆, 都柏林爱尔兰国家美术馆 都柏林 5 Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783), A Lady of the Leeson Family as a Shepherdess, Presumed Portrait of the Marchesa Caterina Gabrielli as Diana
巴伐利亚州绘画收藏馆, 慕尼黑巴伐利亚州绘画收藏馆 慕尼黑 4 Elector Carl Theodor of the Palatinate, Pope Pius VI, Self portrait
列支敦士登博物馆, 维也纳列支敦士登博物馆 维也纳 4 Hercules at the Crossroads (detail), Hercules at the Crossroads, Venus Presenting Aeneas with Armour Forged by Vulcan
芝加哥艺术学院, 芝加哥芝加哥艺术学院 芝加哥 4 Time Unveiling Truth, Peace and War, Saint Andrew
维多利亚州国立美术馆, 墨尔本维多利亚州国立美术馆 墨尔本 3 Gaetano II Sforza Cesarini, Duke of Segni, Sir Sampson Gideon and an unidentified companion, Luigi Boccherini
沃尔特斯艺术博物馆, 巴尔的摩沃尔特斯艺术博物馆 巴尔的摩 3 Portrait of Cardinal Prospero Colonna di Sciarra, Portrait of Joseph Henry of Straffan, Portrait of Prince Abbondio Rezzonico as Senator of Rome

跨越数十载的 龐培奧·巴托尼：每一件皆为独一无二的原作

各年代作品数量

选择一个年代，探索定义该时代的原创杰作。

龐培奧·巴托尼 的画作：画廊常见问题

龐培奧·巴托尼 最著名的代表作是什么？揭晓答案

Hercules at the Crossroads (detail) (1748)，列支敦士登博物馆, 维也纳。紧随其后的是 A Knight in Rome: Charles Cecil Roberts (1778) 和 Gaetano II Sforza Cesarini, Duke of Segni (1768)。

龐培奧·巴托尼 是在多少岁时创作了 Hercules at the Crossroads (detail)？揭晓答案

40岁：Hercules at the Crossroads (detail)创作于1748年，龐培奧·巴托尼出生于1708年。

龐培奧·巴托尼 最著名的十幅画作是哪些？揭晓答案

Hercules at the Crossroads (detail), A Knight in Rome: Charles Cecil Roberts, Gaetano II Sforza Cesarini, Duke of Segni, Time Unveiling Truth, Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley, Alexander Gordon, 4th Duke of Gordon (1743 - 1827), John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile, Portrait of John Woodyeare, Peter Beckford (1740-1811), godsejer, Dorset. 及 The Rotterdam tobacco trader Pieter Caarten。上方排名显示了每件作品的创作年份及馆藏机构。

已知 龐培奧·巴托尼 有多少件作品？揭晓答案

我们的目录收录了 164 件 龐培奧·巴托尼 的作品，创作年代从 1733 年至 1785 年。

在哪里可以欣赏到最著名的 龐培奧·巴托尼 原作？揭晓答案

多见于 Uppark, Basildon Park 及 爱尔兰国家美术馆 (都柏林)。上方的博物馆列表列出了所有相关机构。

龐培奧·巴托尼 的代表作创作于哪个时期？揭晓答案

在 1740s 期间：本页 100 件作品中有 30 件创作于该时期，其中包含 Hercules at the Crossroads (detail) 件作品。

哪幅 龐培奧·巴托尼 的名作创作年代最早，哪幅最晚？揭晓答案

在本页面中，最早的作品创作于 Portrait of a man (1733)，最晚的创作于 Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley (1785)。

龐培奧·巴托尼 偏好哪些题材？揭晓答案

Man (77), Woman (28) 及 Dark background (16)，共计 100 件作品。

龐培奧·巴托尼 最常使用哪些材料进行创作？揭晓答案

Oil On Canvas，共计 76 件（本页共有 100 件作品）。

龐培奧·巴托尼 的作品属于哪种艺术流派？揭晓答案

根据本页面的原作，Neoclassicism

在 Uppark 可以看到哪些 龐培奧·巴托尼 的原作？揭晓答案

Purity of Heart, Meekness 及 Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear：Uppark收藏了本页中 10 件作品。

龐培奧·巴托尼：艺术家肖像

早年生活与艺术训练

  • 出生：意大利，卢卡 (1708年)
  • 逝世：1787年
  • 1727年，庞佩奥·巴托尼移居罗马。
  • 他曾师从阿戈斯蒂诺·马苏奇、塞巴斯蒂亚诺·康卡以及弗朗切斯科·伊姆佩里亚利学习绘画。
  • 他的第一件独立委托作品源于1732年4月袭击罗马的一场大雨。
  • 其画作《圣凯瑟琳的狂喜》展现了他对晚期巴洛克风格精湛的学院派提炼。

艺术风格与影响

  • 巴托尼的艺术风格汲取了古典时代、法国洛可可、博洛尼亚古典主义的灵感，并深受尼古拉·普桑、克劳德·洛兰，尤其是拉斐尔等大师的影响。
  • 他被视为新古典主义的先驱。
  • 他的作品收藏于世界各大博物馆，包括意大利米兰的布雷拉美术馆。

代表作品与委托创作

  • 圣母与圣徒中的圣婴
  • 罗马骑士：查尔斯·塞西尔·罗伯茨 – 这是一幅享誉盛名的肖像画，描绘了一位英国旅行者置身于罗马遗迹之中的场景。
  • 威尼斯的胜利
  • 为意大利各教堂创作了大量的祭坛画，例如锡耶纳大教堂博物馆中的作品。
  • 他深受肖像画委托的青睐，尤其是那些参加“壮游”（Grand Tour）的英国旅行者，他们常委托他在古迹背景下创作全身肖像。

艺术发展与历史地位

  • 1761年，随着其竞争对手安东·拉斐尔·门格斯前往西班牙，巴托尼成为了罗马最炙手可热的画家。
  • 他与温克尔曼结下了深厚的友谊，并致力于在绘画中克制地运用古典主义元素。
  • 他的肖像画捕捉了“壮游”时代的精神，反映了当时欧洲精英阶层对古典文明的痴迷。
  • 巴托尼能够将巴洛克技法与新兴的新古典主义理想完美融合，使他在意大利艺术史上成为了一个承前启后的过渡性人物。

艺术遗产

  • 庞佩奥·巴托尼于1787年2月4日在罗马逝世。
  • 他作为那个时代最著名的意大利画家之一，留下了丰厚的艺术遗产。
  • 他的作品至今仍因其精湛的技艺、优雅的构图以及对人物在历史背景下的深刻刻画而备受赞誉。
龐培奧·巴托尼 的全部 164 件作品 →