賓杜里喬 肖像

78 幅最著名的 賓杜里喬 作品,每一件都独一无二

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 87 件 賓杜里喬 作品收录于我们的目录中

简而言之

Saint Catherine of Alexandria with a Donor (1490) 是 賓杜里喬 最受瞩目的画作;原作收藏于 伦敦 的 国家美术馆。 随后,目光会移向 Virgin and Child with Saints Jerome and Francis of Assisi (1485) 和 The beheading of Saint Catherine of Alexandria (1485)。 在 賓杜里喬 的 87 件作品中,这 78 件最为闻名;每一件都是独一无二的原作,并附有创作年份、馆藏机构及其经久不衰的原因。

1454 – 1513, 佩鲁贾 Renaissance 藏品最多:Galleria Nazionale dell'Umbria

画廊视角下的 賓杜里喬 十大名作

1
Saint Catherine of Alexandria with a Donor (1490) 由 賓杜里喬

Saint Catherine of Alexandria with a Donor

1490 · Tempera On Panel · 国家美术馆, 伦敦

This Renaissance-era tempera painting on panel, dated 1490, presents a vertical and balanced religious scene. The composition features two primary figures set against a landscape background. At the center stands Saint Catherine of Alexandria, identified by her crown and a broken wheel. She is depicted looking down toward a male donor, who is shown in profile kneeling with his hands pressed together in prayer. The scene is characterized by smooth,…

2
Virgin and Child with Saints Jerome and Francis of Assisi (1485) 由 賓杜里喬

Virgin and Child with Saints Jerome and Francis of Assisi

1485 · Tempera On Panel · 耶鲁大学艺术馆, 纽黑文

In this devotional scene, the Virgin and Child with Saints Jerome and Francis of Assisi appear before us, held within a quiet, sacred space. The Madonna holds the Christ Child, their presence forming the central focus of the composition. They are flanked by two holy figures who watch over the viewer. To the left, Saint Jerome is draped in the red robes of a cardinal, while to the right, Saint…

3
The beheading of Saint Catherine of Alexandria (1485) 由 賓杜里喬

The beheading of Saint Catherine of Alexandria

1485 · Tempera On Panel · Bonnefanten Museum, 马斯特里赫特

In The beheading of Saint Catherine of Alexandria, painted by Pinturicchio about 1485, the central figure is depicted in a state of prayerful submission. The saint kneels in the lower left foreground, her body oriented toward the right side of the composition. She wears a flowing red cloak draped over a dark garment. Her head is encircled by a golden halo, and her face is upturned toward the sky. This…

5
Madonna with child (1479) 由 賓杜里喬

Madonna with child

1479 · Tempera On Panel

This vertical composition from 1479 captures a quiet moment of maternal connection. The Virgin Mary holds the Christ Child in a tight, intimate arrangement that prioritizes the physical and emotional bond between mother and son. Her mantle, rendered in deep, dark tones, provides a heavy frame for the luminous, pale skin of the figures. In the background, a distant landscape unfolds through atmospheric perspective, where stylized trees and soft contours…

6
Virgin and Child (1495) 由 賓杜里喬

Virgin and Child

1495 · Tempera On Panel · 克利夫兰艺术博物馆, 克利夫兰

In this vertical portrait from 1495, we find ourselves in the presence of a serene, devotional scene. The Virgin Mary is the central figure, shown from the waist up as she cradles the Christ Child in her lap. There is a natural movement to her posture, a slight off-center positioning that avoids the stiffness of more formal compositions. She is draped in a deep blue mantle over a muted pink…

7
Virgin and Child with St John the Baptist (1490) 由 賓杜里喬

Virgin and Child with St John the Baptist

1490 · Tempera On Panel · Fitzwilliam Museum

The work before us is titled Virgin and Child with St John the Baptist. It was executed by the Italian Renaissance painter Pinturicchio, whose given name was Bernardino di Betto. This particular piece dates to about 1490, a period during which the artist was establishing his presence within the artistic landscape of Italy. Pinturicchio lived from 1454 to 1513, a span of years that saw the transition into the High…

8
Madonna and Child with Saint John the Baptist (1492) 由 賓杜里喬

Madonna and Child with Saint John the Baptist

1492 · Tempera On Panel · 休斯顿美术馆, 休斯顿

Created in 1492, Madonna and Child with Saint John the Baptist is a serene and highly detailed Renaissance religious painting. The composition is centered on the large figure of the Virgin Mary seated in the foreground, establishing a strong pyramidal structure that anchors the entire piece. Mary is depicted nursing the Christ Child, while Saint John the Baptist appears in the mid-ground. The scene is set within a lush, expansive…

9
Madonna and Child with St. John the Baptist (1490) 由 賓杜里喬

Madonna and Child with St. John the Baptist

1490 · Oil On Panel · 华沙国家博物馆, 华沙

The composition follows a strict pyramidal structure, centering the Virgin Mary and the Christ Child against a rugged landscape. Deep blue and red tones define the primary figures, creating a visual weight that anchors the scene. Soft, diffused light illuminates the faces and hands, utilizing subtle chiaroscuro to suggest three-dimensionality. In the background, atmospheric perspective renders distant mountains in lighter, less detailed hues, providing a sense of depth behind the…

10
Holy Family and Saint John (1493) 由 賓杜里喬

Holy Family and Saint John

1493 · Tempera On Panel · 哈佛艺术博物馆, 剑桥

The artwork, titled Holy Family and Saint John, is a Renaissance-style painting created in 1493. The composition presents an intimate, close-up grouping of four figures set against a landscape background. In the center, the Virgin Mary is depicted with a downward gaze, her head covered by a dark veil that drapes over her shoulders. To her left, an older man, Saint Joseph, is partially visible looking toward the children. The…

賓杜里喬 的名画,第 11 至 78 幅

11Saint Bartholomew (1497) 由 賓杜里喬Saint Bartholomew1497 12The Virgin and Child (1492) 由 賓杜里喬The Virgin and Child1492 · 伊莎贝拉·斯图尔特·加德纳博物馆 13Madonna and Child with St. Jerome and St. Gregory the Great (1502) 由 賓杜里喬Madonna and Child with St. Jerome and St. Gregory the Great1502 14Portrait of a Young Man (1500) 由 賓杜里喬Portrait of a Young Man1500 · 布鲁克林博物馆 15Helle on a Ram (1509) 由 賓杜里喬Helle on a Ram1509 16Triumph of Cybele (1509) 由 賓杜里喬Triumph of Cybele1509 17Putto with garlands (1509) 由 賓杜里喬Putto with garlands1509 18Putto with garlands (1509) 由 賓杜里喬Putto with garlands1509 19Untitled (D2X9QX) (1509) 由 賓杜里喬Untitled (D2X9QX)1509 20Triumph of a Warrior (1509) 由 賓杜里喬Triumph of a Warrior1509 21Rape of Proserpine (1509) 由 賓杜里喬Rape of Proserpine1509 22Antique Hero 由 賓杜里喬Antique HeroMusée du Petit Palais 23Portrait of a Boy 由 賓杜里喬Portrait of a Boy 24Untitled (739) 由 賓杜里喬Untitled (739) 25Susanna and the Elders 由 賓杜里喬Susanna and the Elders 26Aeneas Piccolomini Leaves for the Council of Basle 由 賓杜里喬Aeneas Piccolomini Leaves for the Council of Basle 27Deux Children Sitting, (1513) 由 賓杜里喬Deux Children Sitting,1513 · 香提伊城堡 28Putto with garlands (1509) 由 賓杜里喬Putto with garlands1509 29Rape of Europa (1509) 由 賓杜里喬Rape of Europa1509 30Jupiter and Antiope (1509) 由 賓杜里喬Jupiter and Antiope1509 31Galatea (?) (1509) 由 賓杜里喬Galatea (?)1509 32Venus and Cupid (1509) 由 賓杜里喬Venus and Cupid1509 33Bacchus, Pan and Silenus (1509) 由 賓杜里喬Bacchus, Pan and Silenus1509 34The Three Graces (1509) 由 賓杜里喬The Three Graces1509 35Triumph of Mars (1509) 由 賓杜里喬Triumph of Mars1509 36Triumph of Alexander (1509) 由 賓杜里喬Triumph of Alexander1509 37Untitled (627) 由 賓杜里喬Untitled (627) 38Untitled (349) 由 賓杜里喬Untitled (349) 39Untitled (836) 由 賓杜里喬Untitled (836) 40Untitled (919) 由 賓杜里喬Untitled (919) 41Untitled (212) 由 賓杜里喬Untitled (212) 42Untitled (963) 由 賓杜里喬Untitled (963) 43Untitled (643) 由 賓杜里喬Untitled (643) 44Death of St. Bernardine 由 賓杜里喬Death of St. Bernardine 45The Resurrection (center view) 由 賓杜里喬The Resurrection (center view) 46Pope Aeneas Piccolomini Canonizes Catherine of Siena (detail) 由 賓杜里喬Pope Aeneas Piccolomini Canonizes Catherine of Siena (detail) 47Untitled (487) 由 賓杜里喬Untitled (487) 48The Return of Odysseus 由 賓杜里喬The Return of Odysseus 49Aeneas Piccolomini Canonizes Catherine of Siena 由 賓杜里喬Aeneas Piccolomini Canonizes Catherine of Siena 50Untitled (913) 由 賓杜里喬Untitled (913) 51Adoration of the Christ Child 由 賓杜里喬Adoration of the Christ Child 52Untitled (364) 由 賓杜里喬Untitled (364) 53Aeneas Piccolomini Arrives to Ancona 由 賓杜里喬Aeneas Piccolomini Arrives to Ancona 54Untitled (343) 由 賓杜里喬Untitled (343) 55Adoration of the Child 由 賓杜里喬Adoration of the Child 56The Mystical Marriage of St Catherine 由 賓杜里喬The Mystical Marriage of St Catherine 57Untitled (824) 由 賓杜里喬Untitled (824) 58The arithmetic 由 賓杜里喬The arithmetic 59The Virgin and Child 由 賓杜里喬The Virgin and Child 60The resurrection 由 賓杜里喬The resurrection 61The Return of Odysseus 由 賓杜里喬The Return of Odysseus 62Bernardino di betto the madonna and child before a landscape 由 賓杜里喬Bernardino di betto the madonna and child before a landscape 63The Return of Odysseus 由 賓杜里喬The Return of Odysseus 64Madonna and Crucifixion and Saints (1496) 由 賓杜里喬Madonna and Crucifixion and Saints1496 · Galleria Nazionale dell'Umbria 65Madonna with Writing Child (1498) 由 賓杜里喬Madonna with Writing Child1498 · 费城艺术博物馆 66The Crucifixion with Sts Jerome and Christopher 由 賓杜里喬The Crucifixion with Sts Jerome and Christopher博尔盖塞美术馆 67Saint Augustine (1500) 由 賓杜里喬Saint Augustine1500 · Galleria Nazionale dell'Umbria 68Madonna with Writing Child and St. Jerome (1481) 由 賓杜里喬Madonna with Writing Child and St. Jerome1481 · 柏林国家美术馆 69Semi-Gods Ceiling (1490) 由 賓杜里喬Semi-Gods Ceiling1490 70Saint Jerome in the Wilderness (1477) 由 賓杜里喬Saint Jerome in the Wilderness1477 · 沃尔特斯艺术博物馆 71Madonna with child (1490) 由 賓杜里喬Madonna with child1490 72Madonna and Child (1494) 由 賓杜里喬Madonna and Child1494 · 北卡罗来纳美术馆 73Madonna with Writing Child and Bishop (1495) 由 賓杜里喬Madonna with Writing Child and Bishop1495 74Coronation of Pius III (1503) 由 賓杜里喬Coronation of Pius III1503 75Madonna del Latte (1492) 由 賓杜里喬Madonna del Latte1492 76Infant Christ blessing (1492) 由 賓杜里喬Infant Christ blessing1492 77Self-portrait (1501) 由 賓杜里喬Self-portrait1501 78Madonna enthroned with child and saints (1506) 由 賓杜里喬Madonna enthroned with child and saints1506

賓杜里喬 的传世名作,按时期分类

令 賓杜里喬 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 賓杜里喬 原作的博物馆

收藏了本页中大部分画作的 8 家博物馆。

博物馆 城市 賓杜里喬 的作品 此列表中的画作
Galleria Nazionale dell'Umbria, 佩鲁贾Galleria Nazionale dell'Umbria 佩鲁贾 2 Madonna and Crucifixion and Saints, Saint Augustine
国家美术馆, 伦敦国家美术馆 伦敦 1 Saint Catherine of Alexandria with a Donor
耶鲁大学艺术馆, 纽黑文耶鲁大学艺术馆 纽黑文 1 Virgin and Child with Saints Jerome and Francis of Assisi
Bonnefanten Museum, 马斯特里赫特Bonnefanten Museum 马斯特里赫特 1 The beheading of Saint Catherine of Alexandria
波士顿美术馆, 波士顿波士顿美术馆 波士顿 1 Virgin and Child with Saint Jerome
克利夫兰艺术博物馆, 克利夫兰克利夫兰艺术博物馆 克利夫兰 1 Virgin and Child
Fitzwilliam MuseumFitzwilliam Museum 1 Virgin and Child with St John the Baptist
休斯顿美术馆, 休斯顿休斯顿美术馆 休斯顿 1 Madonna and Child with Saint John the Baptist

跨越数十载的 賓杜里喬:每一件皆为独一无二的原作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

賓杜里喬 的画作:画廊常见问题

賓杜里喬 最著名的代表作是什么?揭晓答案

Saint Catherine of Alexandria with a Donor (1490),国家美术馆, 伦敦。紧随其后的是 Virgin and Child with Saints Jerome and Francis of Assisi (1485) 和 The beheading of Saint Catherine of Alexandria (1485)。

賓杜里喬 是在多少岁时创作了 Saint Catherine of Alexandria with a Donor?揭晓答案

36岁:Saint Catherine of Alexandria with a Donor创作于1490年,賓杜里喬出生于1454年。

賓杜里喬 最著名的十幅画作是哪些?揭晓答案

Saint Catherine of Alexandria with a Donor, Virgin and Child with Saints Jerome and Francis of Assisi, The beheading of Saint Catherine of Alexandria, Virgin and Child with Saint Jerome, Madonna with child, Virgin and Child, Virgin and Child with St John the Baptist, Madonna and Child with Saint John the Baptist, Madonna and Child with St. John the Baptist 及 Holy Family and Saint John。上方排名显示了每件作品的创作年份及馆藏机构。

已知 賓杜里喬 有多少件作品?揭晓答案

我们的目录收录了 87 件 賓杜里喬 的作品,创作年代从 1477 年至 1513 年。

在哪里可以欣赏到最著名的 賓杜里喬 原作?揭晓答案

多见于 Galleria Nazionale dell'Umbria (佩鲁贾), 国家美术馆 (伦敦) 及 耶鲁大学艺术馆 (纽黑文)。上方的博物馆列表列出了所有相关机构。

賓杜里喬 的代表作创作于哪个时期?揭晓答案

在 1500s 期间:本页 78 件作品中有 22 件创作于该时期,其中包含 Madonna and Child with St. Jerome and St. Gregory the Great 件作品。

哪幅 賓杜里喬 的名作创作年代最早,哪幅最晚?揭晓答案

在本页面中,最早的作品创作于 Virgin and Child with Saint Jerome (1477),最晚的创作于 Deux Children Sitting, (1513)。

賓杜里喬 偏好哪些题材?揭晓答案

Woman (17), Child (11) 及 Man (10),共计 78 件作品。

賓杜里喬 最常使用哪些材料进行创作?揭晓答案

Tempera On Panel,共计 13 件(本页共有 78 件作品)。

賓杜里喬 的作品属于哪种艺术流派?揭晓答案

根据本页面的原作,Renaissance

在 Galleria Nazionale dell'Umbria 可以看到哪些 賓杜里喬 的原作?揭晓答案

Madonna and Crucifixion and Saints 及 Saint Augustine:Galleria Nazionale dell'Umbria, 佩鲁贾收藏了本页中 2 件作品。

賓杜里喬:艺术家肖像

宾图里基奥那神秘的优雅:文艺复兴的大师

贝尔纳迪诺·迪·贝托,世人称之为“宾图里其奥”(Pinturicchio)——这个昵称因他矮小的身材而带有亲切的意味——于1454年诞生于艺术重镇佩鲁贾。他的生命历程正值文化剧烈变革的时代,意大利的高级文艺复兴正如火如荼地绽放;然而,宾图里基奥却开辟了一条独特的道路,将哥特传统中残留的优雅与那个时代蓬勃发展的创新完美融合。当达芬奇和米开朗基罗等巨匠致力于追求解剖学的完美与戏剧性的写实时,宾图里基奥却在磨炼一种以精致优雅、繁复细节及充满活力的装饰感为特征的风格。他的艺术旅程并非一场革命性的颠覆,而是一次极致的升华——这足以证明他拥有将既定形式转化为独特迷人意境的高超技艺。

从翁布里亚画坊到教皇委任

宾图里基奥早期的训练历程仍笼罩在些许神秘之中,但普遍认为他在博尼菲利(Bonfigli)和菲奥伦佐·迪·洛伦佐(Fiorenzo di Lorenzo)等名气稍逊的佩鲁贾大师指导下磨练了技艺。当他进入翁布里亚画派领军人物彼得罗·佩鲁吉诺(Pietro Perugino)的圈子时,一个关键时刻到来了。根据乔尔乔·瓦萨里的记载,宾图里基奥曾担任佩鲁吉诺的助手,这段合作无疑塑造了他的艺术发展轨迹。这种联系在16世纪初为他赢得了罗马西斯廷礼拜堂的委任工作。通过与当时最著名的艺术家——包括波提切利、吉兰达约和西尼奥雷利——并肩工作,宾图里基奥为这一宏伟工程做出了贡献,尽管遗憾的是,他的壁画后来为了给米开朗基罗的《最后的审判》腾出空间而被毁坏。然而,这段经历却成为了他职业生涯中至关重要的跳板,让他接触到了新的影响并巩固了自己的名声。

创作丰产期:罗马与博尔贾公寓

1484年至1492年间是宾图里基奥极其多产的时期,其活动重心主要位于罗马。他接受了德拉·罗韦雷(Della Rovere)等显赫家族的委任,用他独特的风格装饰了圣玛利亚德尔波波洛教堂内的礼拜堂。这些作品展示了他对湿壁画技艺的精湛掌握,其特点是人物细腻、背景华丽且充满了复杂的装饰图案。然而,真正奠定他在艺术史上地位的,是他为教皇亚历算大六世——罗德里戈·博尔贾(Rodrigo Borgia)所创作的作品。在1492年至1494年间,受命装饰梵蒂冈宫内的博尔贾公寓,宾图里基奥创作了一系列房间,其壁画内容涵盖了神话场景、肖像以及寓言表现,装饰得极其奢华。尽管由于与臭名昭著的博尔贾家族有关联而饱受争议,这些公寓仍是文艺复兴装饰艺术的卓越典范,展现了宾图里基奥将古典母题与自身独特审美感官相结合的能力。金箔的使用、鲜艳的色彩以及错视技法的运用,营造出一种富丽堂皇的气氛,映射出教廷权力和野心的勃发。

遗产与持久的影响

宾图里基奥的艺术遗产是一种精致优雅与严谨匠心的结合。虽然他的名声或许不及同时代的某些巨匠,但他对后世艺术家的影响却是不可磨灭的。他那独特的风格——哥特式优雅与文艺复兴创新的和谐统一——引起了那些欣赏含蓄与细节之美的人们的共鸣。他展现出了非凡的能力,能够创作出既具审美愉悦感又具思想启发性的视觉震撼作品。他在锡耶纳皮科洛米尼图书馆(Piccolomini Library)的作品完成于1513年他去世前不久,这正是他持久才华的明证。那些描绘教皇庇护二世生平场景的壁画,展现了清晰的形式与色彩,预示了高级文艺复兴风格的到来。时至今日,宾图里基奥的艺术依然令观众着迷,为人们提供了一个窥见美、精致与艺术造诣的世界——在这个世界里,一位“小画家”那细腻的笔触在意大利文艺复兴艺术的版图上留下了永恒的印记。
  • 代表作品:西斯廷礼拜堂壁画(已毁)、梵蒂冈博尔贾公寓、锡耶纳皮科洛米尼图书馆。
  • 影响因素:佩鲁吉诺、翁布里亚画派、哥特传统。