更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 134 件 菲利普·德·尚帕涅 作品收录于我们的目录中
简而言之
在画廊看来，菲利普·德·尚帕涅 最著名的作品是 《最后的晚餐》，又称《小最后的晚餐》 (1652)，其原作现收藏于 巴黎 的 卢浮宫。 The Échevins of the City of Paris (1648) 与 Portrait of Omer Talon (1649) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，菲利普·德·尚帕涅 共有 134 件作品，画廊为您精选了以下 100 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
伫立在菲利普·德·尚帕涅笔下的《最后的晚餐》——即那部被亲切地称为《小最后的晚餐》的作品——面前，仿佛直接步入了一个悬浮在神圣启示与深沉人性剧场之间的瞬间。这幅创作于1652年的布面油画超越了单纯的描绘；它捕捉到了历史本身屏息凝神的时刻。场景在一张布置考究的长形餐桌旁以细腻的优雅徐徐展开，耶稣基督正与他的十二位使徒分享着饼与酒。这是一场被提升至纪念碑式意义的亲密聚会，不仅邀请观者去注视，更邀请观者去参与那顿最后晚餐所承载的庄严分量。
To stand before The Échevins of the City of Paris is to step directly into the richly textured, hallowed atmosphere of 17th-century Parisian civic life. This monumental canvas by Philippe de Champaigne is far more than a mere portrait of dignitaries; it is a meticulously composed tableau vivant, capturing a moment charged with solemn ritual and profound institutional weight. The scene unfolds within an architectural embrace—suggested by the stately columns…
A Portrait Steeped in Tradition: Omer Talon by Philippe de Champaigne The painting “Portrait of Omer Talon,” executed in 1649 by Philippe de Champaigne, stands as a testament to the enduring influence of Flemish Baroque artistry within the burgeoning artistic fervor of Louis XIV’s France. Born in Brussels in 1602, Champaigne honed his skills under Jacques Fouquieres, absorbing foundational landscape techniques that would later inform his masterful compositions. His subsequent…
In the grand tapestry of the seventeenth century, few images capture the intersection of political intellect and artistic majesty as profoundly as Philippe de Champaigne’s Portrait of Jean-Bapiste Colbert. Painted in 1655, this work is far more than a mere likeness of the man who would become the architect of France's economic golden age; it is a psychological study of authority. As the first Minister of Finance under King Louis…
The Portrait of Cardinal Richelieu by Philippe de Champaigne captures a man of immense gravity. Created about 1640, this oil on canvas presents the subject in a moment of stillness. The figure is Cardinal Richelieu, a man whose influence shaped the very foundations of France. He stands as a pillar of ecclesiastical and political authority, his presence defined by the weight of his station.
The year 1653 finds King Charles II in a precarious state, living in exile in France following the English Civil War. This portrait captures the monarch not in the comfort of a palace, but amidst the tension of political displacement. He is rendered in a typical French cuirassier's armor, a style intended for cavalry that likely arrived as a gift when he was an infant. The metal reflects a sense…
To stand before an image like Philippe de Champaigne’s Annunciation is to step across the threshold of time and into a moment suspended by divine grace. Painted in 1644, this oil on canvas masterpiece transcends mere depiction; it captures the very breath of revelation. The scene unfolds with breathtaking clarity: two celestial figures—angels—presenting sacred tidings to a woman, all bathed in an ethereal light that seems to emanate from the…
Philippe de Champaigne’s “The Annunciation,” completed around 1644, stands as a cornerstone of French Baroque art—a testament to the artistic fervor that gripped Europe during Louis XIII's reign. More than just a depiction of biblical narrative, it embodies the intellectual currents of Jansenism, a theological movement advocating for strict moral discipline and emphasizing God’s grace as paramount to salvation.
The air hangs heavy with the weight of a sudden, violent silence. In this vast, atmospheric landscape, the earth itself seems to recoil from the tragedy unfolding upon its rugged surface. The lifeless body of Abel lies in the foreground, a pale and still center to a storm of human grief. Around him, the composition pulls the eye through a sequence of mourning, moving from the slumped, broken forms of…
The scene captures a sudden, violent rupture in monastic stillness. Within an octagonal frame, a seated monk, St. Benedict, sits in profile, draped in heavy black robes. He holds an open book and gestures upward, a thin, glowing halo marking his sanctity. To his right, a group of standing monks reacts with visible shock; one raises a hand in a startled gesture. On the wooden floor, a broken ceramic cup…
Portrait of an Alderman of the City of Paris1650 · 沃尔特斯艺术博物馆
12
Unknown man, formerly known as Montague Bertie, 2nd Earl of Lindsey1660 · 国家肖像美术馆
13
Lamentation of Abel1656 · 维也纳艺术史博物馆
14
Portrait of a man in official robes1668 · 卡尔斯鲁厄州立美术馆
15
King Louis XIII1655 · 普拉多博物馆
16
Madonna and Child1635 · 巴伐利亚州绘画收藏馆
17
The abbé de Saint-Cyran1649 · 威廉斯收藏馆
18
The Virgin Mary1650 · Fogg Museum
19
Louis XIII, 1601 - 1643. King of France1650 · 苏格兰国家肖像画廊
20
Portrait of Francois Lotin de Charny1647 · 苏格兰国家美术馆
21
Antoine Singlin1646 · J·保罗·盖蒂博物馆
22
St Bruno1655 · 国家博物馆
23
The Presentation of the Virgin in the Temple
24
Saint Jerome in the Wilderness
25
Louis XIII (1601-1643)1625
26
The Immortal Glory of Richelieu1635
27
Portrait of artist's wife Charlotte Duchesne1630 · 摩拉维亚美术馆
28
The assumption of the Virgin1630
29
Saint Arsenius Leaving the World1633 · 休斯顿美术馆
30
Louis XIII, King of France (1610-43)1630 · 皇家收藏馆
31
Armand, Cardinal Richelieu (1585-1642)1633 · 皇家收藏馆
32
Cephalus and Procris in a Landscape1630
33
Child with a Falcon1637
34
Presentation of the Virgin in the Temple1638
35
Nativity of the Virgin1637
36
Portrait of Jean Duvergier de Hauranne, Abbot of Saint-Cyran1647 · 格勒诺布尔博物馆
37
St Veronica's Veil1640 · Brighton Museum & Art Gallery
38
The Adoration of the Shepherds1640 · Portland Art Museum
39
The Visitation1643 · 西雅图艺术博物馆
40
The Vision of Saint Juliana of Mont Cornillon1645 · Barber Institute of Fine Arts
41
Saint Jerome1648 · 辛辛那提艺术博物馆
42
Two musician angels1648
43
Armand-Jean du Plessis, cardinal de Richelieu1640
44
Adoration of the Shepherds1647 · Musée d'art et d'histoire de Narbonne
45
The Visitation1645
46
Paphnuce Liberating Thaïs1656
47
Translation of the bodies of Saint Gervais and Saint Protais1661
48
Mother Angélique Arnauld (1591-1661), Abbess of Port-Royal1654
49
Saint Philip the Apostle1649
50
Little Girl with Joined Hands1650
51
Christ on the Cross1650
52
Portrait of Two Men1656
53
The Virgin of Sorrows1650
54
Portrait of Monseigneur Pierre de Bertier (1608-1674)1650 · Musée Ingres Bourdelle
55
Joan of Arc1650
56
Louis XIV on the day after his coronation, receiving the oath of his brother Monsieur, Duke of Anjou, as Knight of the Order of the Holy Spirit at Reims, June 8, 16541650 · 格勒诺布尔博物馆
57
Saint Gervais and Saint Protais Appearing to Saint Ambrose1657
58
The Assumption of the Virgin1656 · 马赛美术馆
59
The Ecstasy of Saint Mary Magdalene1656 · 马赛美术馆
60
Portrait of Germain Piètre, Procurator of the Ville de Paris (1641-1654)1654 · 卡纳瓦勒博物馆
61
Scene from the Life of Saint Benedict: the Angel Pointing Out to Saint Benedict the Site of the Monastery of Monte Cassino1656 · 卡纳瓦勒博物馆
62
The Dream of St. Joseph1650 · 古巴国家美术馆
63
Claude de Bullion (c.1580-1640)1657 · Knole House
64
Christ on the Mount of Olives1650 · Musée des Beaux-Arts
65
Jean-Antoine de Mesmes, president of Paris'Parliament.1653
66
Jean-Baptiste Colbert1650 · 兰斯美术馆
67
Portrait of a Dead Child1650 · Musée des Beaux-Arts et d'Archéologie
68
Kardinal Mazarin (1602-1661)1650 · 德意志博物馆
69
Portrait of Jean de Thevenot1660 · 亨廷顿图书馆
70
Ecce Homo (behold the man)1655
71
Portrait of the children of Habert de Montmor1649 · Musée des Beaux-Arts
72
Christ on the Cross1674
73
The Annunciation1644 · 大都会艺术博物馆
74
Portrait of the Artist's Wife1628 · Bowes Museum
75
Portrait of an Échevin of Paris, half-length1654 · 托莱多艺术博物馆
76
Cardinal Mazarin1650 · 康德博物馆
77
Louis XIV with his mother and brother1650 · 汉堡美术馆
78
Portrait of a Man1650 · 卢浮宫
79
Portrait of Robert Arnauld d'Andilly1667 · 卢浮宫
80
The Dead Christ on the Cross1654 · 托莱多艺术博物馆
81
The Marriage of the Virgin1644 · 威廉斯收藏馆
82
Moses with the Ten Commandments1648 · 冬宫博物馆
83
Portrait of Jacobus Govaerts (b. 1635/36)1665 · 玛乌里诗博物馆
84
Self-Portrait哈佛艺术博物馆
85
Sts Gervase abd Protase Appearing to St Ambrose1658 · 卢浮宫
86
The Miracles of the Penitent St Mary1656 · 卢浮宫
87
Portrait of Bishop Jean-Pierre Camus1643 · Museum voor Schone Kunsten
88
The Vow of Louis XIII1637 · Musée des Beaux-Arts
89
Moses Presenting the Tablets of the Law1648 · 密尔沃基艺术博物馆
90
King Charles II of England (1630-1685)巴伐利亚州绘画收藏馆
91
The Presentation of the Temple1648 · Musées Royaux des Beaux-Arts
92
Vincent Voiture as St. Louis圣路易斯艺术博物馆
93
Christ on the Cross1829
94
The Adoration of the Shepherds威廉斯收藏馆
95
Henri de la Tour d'Auvergne-Bouillon, Viscount of Turenne
96
Portrait of a manNational Art Museum of Azerbaijan
97
The Holy Family with a Sparrow
98
Reverend Father Giovanni Antonio Philippini波士顿美术馆
99
portrait of a young man
100
Portrait of a Man with a Dog纽约历史学会
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 菲利普·德·尚帕涅 的作品 | 此列表中的画作 |
|---|---|---|---|
 卢浮宫 |
巴黎 | 9 | 《最后的晚餐》，又称《小最后的晚餐》, The Échevins of the City of Paris, Portrait of a Man |
 威廉斯收藏馆 |
伦敦 | 4 | The Annunciation, The abbé de Saint-Cyran, The Marriage of the Virgin |
 格勒诺布尔博物馆 |
格勒诺布尔 | 4 | Portrait of Jean Duvergier de Hauranne, Abbot of Saint-Cyran, Louis XIV on the day after his coronation, receiving the oath of his brother Monsieur, Duke of Anjou, as Knight of the Order of the Holy Spirit at Reims, June 8, 1654 |
 大都会艺术博物馆 |
纽约 | 2 | Jean-Baptiste Colbert (1619–1683), The Annunciation |
 维也纳艺术史博物馆 |
维也纳 | 2 | Lamentation of Abel, Lamentation of Abel |
 冬宫博物馆 |
圣彼得堡 | 2 | Scene from the Life of St Benedict. The Poisoned Cup of Wine, Moses with the Ten Commandments |
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 2 | Madonna and Child, King Charles II of England (1630-1685) |
 皇家收藏馆 |
伦敦 | 2 | Louis XIII, King of France (1610-43), Armand, Cardinal Richelieu (1585-1642) |
选择一个年代，探索定义该时代的原创杰作。
In this formal state portrait, we encounter King Louis XIII seated upon an ornate throne, a figure of quiet authority amidst the heavy shadows of the Baroque era. The composition is deliberate, placing the monarch slightly off-center to create a sense of movement within a rigid, ceremonial structure. He is draped in a mantle of deep blue, patterned with the fleur-de-lis, which contrasts sharply against the brilliant white of the…
In this 1635 oil on canvas, we find ourselves drawn into a private, hushed moment between a mother and her child. The composition is tight, focusing on the upper bodies of the figures to create an immediate sense of closeness. A dark, minimalist background pushes the subjects toward us, ensuring that nothing distracts from the central connection. The Virgin is draped in a deep crimson red gown with a blue…
To stand before The Échevins of the City of Paris is to step directly into the richly textured, hallowed atmosphere of 17th-century Parisian civic life. This monumental canvas by Philippe de Champaigne is far more than a mere portrait of dignitaries; it is a meticulously composed tableau vivant, capturing a moment charged with solemn ritual and profound institutional weight. The scene unfolds within an architectural embrace—suggested by the stately columns…
伫立在菲利普·德·尚帕涅笔下的《最后的晚餐》——即那部被亲切地称为《小最后的晚餐》的作品——面前，仿佛直接步入了一个悬浮在神圣启示与深沉人性剧场之间的瞬间。这幅创作于1652年的布面油画超越了单纯的描绘；它捕捉到了历史本身屏息凝神的时刻。场景在一张布置考究的长形餐桌旁以细腻的优雅徐徐展开，耶稣基督正与他的十二位使徒分享着饼与酒。这是一场被提升至纪念碑式意义的亲密聚会，不仅邀请观者去注视，更邀请观者去参与那顿最后晚餐所承载的庄严分量。
A middle-aged man gazes directly from an oval composition, his expression calm and dignified. He possesses long, wavy brown hair and a mustache, framed by a dark, nearly black background that creates immediate depth. The lighting is concentrated on the subject's face and the intricate white lace of his collar, pulling the viewer into an intimate connection with the sitter. This focused illumination highlights the smoothness of the skin and…
The painting titled Christ on the Cross is an oil on canvas work by the artist Philippe de Champaigne. This piece belongs to the Baroque period and focuses on religious iconography. The subject matter centers on the Crucifixion, a central theme in Christian art. Through the depiction of the figure on the cross, the work addresses the themes of suffering and sacrifice.
《最后的晚餐》，又称《小最后的晚餐》 (1652)，卢浮宫, 巴黎。紧随其后的是 The Échevins of the City of Paris (1648) 和 Portrait of Omer Talon (1649)。
50岁：《最后的晚餐》，又称《小最后的晚餐》创作于1652年，菲利普·德·尚帕涅出生于1602年。
《最后的晚餐》，又称《小最后的晚餐》, The Échevins of the City of Paris, Portrait of Omer Talon, Jean-Baptiste Colbert (1619–1683), Portrait of Cardinal Richelieu, Portrait of King Charles II of England, Annunciation, The Annunciation, Lamentation of Abel 及 Scene from the Life of St Benedict. The Poisoned Cup of Wine。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 134 件 菲利普·德·尚帕涅 的作品，创作年代从 1625 年至 1674 年。
多见于 卢浮宫 (巴黎), 威廉斯收藏馆 (伦敦) 及 格勒诺布尔博物馆 (格勒诺布尔)。上方的博物馆列表列出了所有相关机构。
在 1650s 期间：本页 100 件作品中有 39 件创作于该时期，其中包含 《最后的晚餐》，又称《小最后的晚餐》 件作品。
在本页面中，最早的作品创作于 Louis XIII (1601-1643) (1625)，最晚的创作于 Christ on the Cross (1674)。
Man (47), Woman (24) 及 Dark background (18)，共计 100 件作品。
Oil On Canvas，共计 65 件（本页共有 100 件作品）。
根据本页面的原作，Baroque
《最后的晚餐》，又称《小最后的晚餐》, The Échevins of the City of Paris 及 Portrait of a Man：卢浮宫, 巴黎收藏了本页中 6 件作品。
