更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 65 件 玛丽·比尔 作品收录于我们的目录中
简而言之
在画廊看来，玛丽·比尔 最著名的作品是 King Charles II (1675)，其原作现收藏于 伦敦 的 国家肖像美术馆。 Bartholomew Beale (1663) 与 Portrait of a lady (1680) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，玛丽·比尔 共有 65 件作品，画廊为您精选了以下 64 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that suggests the heavy weight of sovereignty. Light sweeps in from the upper left, catching the high ridge of his cheekbone and the delicate, intricate folds of a white lace cravat. This directional glow carves his features out of the darkness, creating a…
A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a soft, directional light that spills from the upper left, casting gentle shadows across the right side of his face. This light creates a sense of three-dimensional volume, making his youthful features feel tangible and present. His hair, a halo of light brown…
Mary Beale produced this oil on canvas, titled Portrait of a lady, around 1680. The work measures 76.5 × 63.7 cm. It represents a significant example of the artist's professional output during the late seventeenth century.
In this close-up portrait of Viscountess Frances Hatton by Mary Beale, the subject is positioned in a three-quarter view. The figure is contained within a painted trompe l'oeil oval frame that sits against a background of deep, dark umber and black. This dark backdrop creates a sharp contrast with the subject, focusing the viewer's attention on the sitter. The color palette is dominated by warm, muted tones, specifically ochre, gold,…
This portrait depicts Lady Elizabeth Cavendish, Countess of Bridgewater (c.1627-1663). The work is a painting by the artist Mary Beale. It dates to 1640. The subject is presented in a bust-length view, positioned within an oval-shaped vignette that focuses the viewer's attention on the sitter's head and shoulders.
In this intimate Baroque oil on paper painting, titled Bartholomew Beale, in Profile, the artist Mary Beale turns her gaze toward a young boy. The work emerges from the year 1660, capturing a fleeting moment of childhood through a side view that emphasizes the soft contours of a small face. This portrait offers a quiet glimpse into the artist's private sphere, as the subject is her own son.
In this 1660 portrait, we encounter a man captured in a moment of profound contemplation. The subject is presented in a three-quarter view, framed by an illusionistic painted oval that lends a sense of depth to the composition. There is a certain gravity to his presence, an intellectual weight that seems to emanate from his calm expression. The lighting is deliberate, employing a chiaroscuro technique that pulls the face and…
The gaze of a single female figure meets the viewer in Portrait of a woman with a black hood, an oil work created by Mary Beale in 1660. This portrait captures a moment of quietude, presenting the subject in a bust-length view that feels immediate and personal. The woman appears framed within an oval-shaped trompe l'oeil effect, a visual device that creates the illusion of a window into her private…
This portrait depicts Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695). The subject is rendered in a bust-length composition, presented within an illusionistic painted oval frame that creates a trompe l'oeil effect. The sitter is shown in military attire, specifically wearing a polished steel cuirass and a white cravat. The work is an oil on canvas painting executed by the artist Mary Beale.
Mary Beale's Self-Portrait Holding a Palette, executed about 1670, presents a formal and dignified three-quarter length portrait. The subject is a woman, identified as the artist herself, seated and turned slightly toward the viewer. She holds an artist's palette in one hand and a fine brush in the other, establishing her professional identity through these symbolic attributes.
Jan Baptist Van Helmont (not Robert Hooke)1674
12
Lady Sadleir1687 · Sutton House
13
Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719)1687 · Sutton House
14
Lady Elizabeth Percy, Countess of Ogle, later Duchess of Somerset (1667-1722) and Algernon, later 7th Duke of Somerset (1684 - 1750) as 'Madonna and Child' (after Van Dyck)1685 · Petworth House
15
An Unknown Man1676 · Dunster Castle
16
Possibly Mary Morice, Lady Carew (d. 1698)1687 · Antony House
17
Rachel Carew, Mrs Ambrose Manaton (1669–1705)1684 · Antony House
18
Portrait of a Young Girl1681
19
Charles Beale the Younger1680
20
Self-Portrait1675
21
Portrait of Nell Gwyl1697
22
The Reverend William Cremer (1663/4-1736)1692 · Felbrigg Hall
23
Untitled 2
24
Portrait of a Physician达尔威奇画廊
25
Portrait of a Mathematician
26
Mary Wither of Andwell1670 · 南澳大利亚美术馆
27
Anna Maria, Countess of Shrewsbury (1642–1702)1659
28
Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713)1687 · Osterley Park And House
29
Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713)1687 · Osterley Park And House
30
An Unknown Gentleman (believed to be a Member of the Williams Family)Penmaenmawr Museum
31
An Unknown Lady (believed to be a Member of the Williams Family)Penmaenmawr Museum
32
Lady Leake (1657-1709)国家海事博物馆
33
Unknown woman国家博物馆
34
Sir Nicholas Stuart, Bart奥克兰美术馆 Toi o Tāmaki
35
Aphra Behn, (Engraving)
36
Head of a man
37
Portrait of a Lady as St Agnes
38
Half-length seated figure of a leather worker
39
Charles II (1630–1685)
40
Figure studies
41
John Wilkins
42
Portrait of a Baby
43
Edward Stillingfleet
44
Aphra Behn
45
Portrait of a Youth达尔威奇画廊
46
Thomas Sydenham国家肖像美术馆
47
Charles Beale the Elder国家肖像美术馆
48
Mary Beale国家肖像美术馆
49
portrait of the King's mistress, the actress Moll Davis
50
Portrait of a young girl
51
John Lake
52
Unknown man国家肖像美术馆
53
Mary Beale with her family
54
George Savile, 1st Marquess of Halifax国家肖像美术馆
55
Portrait of a young boy
56
self portrait
57
Francis Turner
58
William Pierrepont
59
Portrait of an unknown young boy
60
Portrait of a Young Child
61
Portrait of Zachary Cradock
62
Portrait of a Gentleman
63
Portrait of Charles Beale in a Black Hat
64
Portrait of Sir Thomas Isham
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 玛丽·比尔 的作品 | 此列表中的画作 |
|---|---|---|---|
 国家肖像美术馆 |
伦敦 | 6 | King Charles II, Thomas Sydenham, Charles Beale the Elder |
 Antony House |
3 | Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695), Possibly Mary Morice, Lady Carew (d. 1698), Rachel Carew, Mrs Ambrose Manaton (1669–1705) | |
 Sutton House |
2 | Lady Sadleir, Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719) | |
 达尔威奇画廊 |
伦敦 | 2 | Portrait of a Physician, Portrait of a Youth |
 Osterley Park And House |
伦敦 | 2 | Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713), Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713) |
| Penmaenmawr Museum | 2 | An Unknown Gentleman (believed to be a Member of the Williams Family), An Unknown Lady (believed to be a Member of the Williams Family) | |
 耶鲁英国艺术中心 |
纽黑文 | 1 | Bartholomew Beale |
 维多利亚州国立美术馆 |
墨尔本 | 1 | Portrait of a lady |
选择一个年代，探索定义该时代的原创杰作。
A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a soft, directional light that spills from the upper left, casting gentle shadows across the right side of his face. This light creates a sense of three-dimensional volume, making his youthful features feel tangible and present. His hair, a halo of light brown…
The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that suggests the heavy weight of sovereignty. Light sweeps in from the upper left, catching the high ridge of his cheekbone and the delicate, intricate folds of a white lace cravat. This directional glow carves his features out of the darkness, creating a…
Mary Beale produced this oil on canvas, titled Portrait of a lady, around 1680. The work measures 76.5 × 63.7 cm. It represents a significant example of the artist's professional output during the late seventeenth century.
Portrait of Nell Gwyl is a Baroque oil on canvas painting created by the artist Mary Beale. This work, which dates to about 1697, depicts a single female figure. The subject is presented in a medium close-up composition, positioned slightly off-center. She is shown with her head tilted and her chin resting upon her left hand.
King Charles II (1675)，国家肖像美术馆, 伦敦。紧随其后的是 Bartholomew Beale (1663) 和 Portrait of a lady (1680)。
42岁：King Charles II创作于1675年，玛丽·比尔出生于1633年。
King Charles II, Bartholomew Beale, Portrait of a lady, Viscountess Frances Hatton, Lady Elizabeth Cavendish, Countess of Bridgewater (c.1627-1663), Bartholomew Beale, in Profile, An Unknown Man, called John Milton (1608-1674), Portrait of a woman with a black hood, Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695) 及 Self-Portrait Holding a Palette。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 65 件 玛丽·比尔 的作品，创作年代从 1659 年至 1697 年。
多见于 国家肖像美术馆 (伦敦), Antony House 及 Sutton House。上方的博物馆列表列出了所有相关机构。
在 1680s 期间：本页 64 件作品中有 10 件创作于该时期，其中包含 Portrait of a lady 件作品。
在本页面中，最早的作品创作于 Anna Maria, Countess of Shrewsbury (1642–1702) (1659)，最晚的创作于 Portrait of Nell Gwyl (1697)。
Woman (13), Portraits (12) 及 Portrait (10)，共计 64 件作品。
Oil On Canvas，共计 20 件（本页共有 64 件作品）。
根据本页面的原作，Baroque
King Charles II, Thomas Sydenham 及 Charles Beale the Elder：国家肖像美术馆, 伦敦收藏了本页中 6 件作品。
