更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 121 件 盧西安·弗洛伊德 作品收录于我们的目录中
简而言之
在 盧西安·弗洛伊德 留下的所有原作中，最著名的作品是 福利主管睡眠 (又名：大苏) (1995)。 紧随其后的是 与两个孩子在一起的反思（自画像） (1965) 和 画家的房间 (1944)。 我们的目录收录了 盧西安·弗洛伊德 的 121 件作品；画廊完整保留了 100 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
露西恩·弗洛伊德 (Lucian Freud) 的 1995 年杰作《福利监督员睡眠》（又名“大苏”），是一幅令人震撼、坦率地描绘人体的作品，它挑战了传统的审美观念，并引发人们对深刻内涵的沉思。这幅大幅油画呈现出苏·蒂利 (Sue Tilley)——一位表演艺术家，以“大苏”之名闻名——躺在一张带有花卉图案沙发上的裸体形象，其表现强度既具有高度个人色彩，又令人印象深刻地公开化。它是一件引人注目的作品，并非通过煽情来吸引眼球，而是通过其原始的情感诚实和高超的技巧而脱颖而出。
1965年创作的《反光，与两个孩子》（自画像），是英国画家卢西恩·弗洛伊德（Lucian Freud）的一幅引人深思的作品。它不仅仅是一张肖像画，更是一次对身份、家庭关系以及存在之重的深刻心理探索。这幅作品以其坦率的诚实和精湛的技巧，将观者带入一个充满复杂情感的世界。
伫立在卢西安·弗洛伊德的《画家的房间》面前，不仅仅是在观赏一幅画作；这更像是跨越了一道门槛，步入了一个刻画精细却又完全梦幻般的室内空间。这件创作于1944年的作品，捕捉到了一种弥漫着创作残留气息与潜意识奇特重量的氛围。场景本身呈现出一种“活生生的画面”——在这个房间里，艺术创作的平凡物件与荒野那令人惊愕的存在相互碰撞。请注意其中的并置关系：那张浅米色沙发透着一种陈旧的优雅，暗示着居家生活的舒适；而与之形成对话的，则是那极具异域风情、近乎戏剧化的斑马头标本，它正俯视着一只轻盈地栖息在它鼻尖上的黑色小鸟。这种文明与原始自然之间的初步邂逅，为整部作品奠定了基调。
In the intimate theater of Reflection (Self-Portrait), created in 1985, we encounter one of the most profound encounters with the human psyche ever captured on canvas. Lucian Freud, a titan of 20th-century realism, does not merely present a likeness; he presents an excavation of the self. The painting serves as a window into a moment of deep introspection, where the artist’s gaze drifts toward a distant, unseen horizon, inviting the…
The artwork, titled Interior with Plant, Reflection Listening (Self-Portrait), is an oil on canvas painting created between 1967 and 1968. The composition is dominated by a large, lush indoor plant housed in a terracotta pot, which occupies the majority of the frame. The plant features variegated green and yellow leaves rendered with meticulous attention to detail, focusing on the texture and form of the foliage.
A heavy silence settles over the bed. The canvas holds a scene of physical presence, where the human form is stripped of all pretense. A male figure, dressed in a suit and tie, sits with his back to the viewer, yet his head turns to meet the gaze of the observer. His expression is one of quiet contemplation. Beside him, the composition shifts into a more raw, visceral territory. The…
In the quiet, heavy atmosphere of Double Portrait, created in 1986, we are invited into a private sanctuary of rest and vulnerability. This masterpiece by Lucian Freud, one of the most formidable portraitists of the twentieth century, transcends mere representation to capture a profound moment of shared existence. The painting depicts Freud’s daughter and her dog, caught in a state of deep, undisturbed slumber. There is an undeniable weight to…
A voluminous female figure reclines upon an upholstered couch, her limbs splayed in a state of deep repose. The skin possesses a pinkish hue, rendered with meticulous attention to the physical presence of the body. In the background, two chairs are visible, one positioned behind the sofa and another further back on the right, anchoring the subject within a muted, understated interior.
In the pantheon of twentieth-century portraiture, few works possess the visceral, psychological weight found in Lucian Freud’s 1974 masterpiece, Ali. This evocative oil on canvas is far more than a mere depiction of a seated figure; it is an intimate encounter with the human condition. Through his signature approach to Expressionism, Freud transcends the boundaries of traditional portraiture to present a subject that feels both profoundly exposed and deeply introsive.…
In this 1951 oil on canvas, a man stands within a room in Paddington, London, positioned before a window that looks out toward a wall bordering the Grand Union Canal. The subject, Harry Diamon, is captured in a pose that mirrors the aggressive stance of Holbein’s full-length portraits of Henry VIII, yet the regal associations are stripped away. Instead of velvet or silk, he wears a drab, dirty mackintosh. His…
Girl white dog
12
After Chardin1999
13
After Cezanne2000
14
The Butcher's Daughter2000
15
The Painter's Mother Reading1975
16
Head of Bruce Bernard1985
17
Bruce Bernard Seated1996
18
Self-Portrait2002
19
Buttercups1968
20
Blond Girl, Night Portrait1985
21
Pregnant Girl1961
22
Red Haired Man on a Chair1963
23
The Painter's Father1970
24
Girl Writing1976
25
Annabel1975
26
Blond Girl1985
27
Bella Final Version State II1987
28
Girl in Striped Nightshirt1985
29
Bella in her Pluto T-Shirt1995
30
Bella1996
31
Portrait of Christian Berard1948
32
The Painter's Doctor2006
33
Bella1981
34
Paper (24)
35
Paper (27)
36
The Big Man1977
37
Man's Head, Self Portrait1963
38
Paper (52)
39
Paper (53)
40
Paper (21)
41
Paper (76)
42
Paper (75)
43
Paper (36)
44
Paper (32)
45
Paper (46)
46
Paper (29)
47
Paper (11)
48
Interior with Hand Mirror (Self-Portrait)
49
Paper (19)
50
Fragment Head of Gerald Wilde1943
51
Untitled1948
52
Self-Portrait with Hyacinth in a Pot1948
53
Man at Night (Self-Portrait)1948
54
Boy's Head1952
55
Man in a Headscarf (also known as The Procurer)1954
56
Child with a Toy Dog1958
57
Man's Head, Small Portrait III (Self-Portrait)1963
58
Annie1962
59
Annabel1972
60
Wasteground with Houses, Paddington1972
61
Large Interior, London W.9.1973
62
Acacia1975
63
The Painter's Mother Resting I1976
64
The Painter's Daughter Ib1978
65
Blonde Girl on a Bed1987
66
The Painter's Brother, Stephen1986
67
Bella1986
68
Bella and Esther1988
69
Annabel Sleeping1988
70
Bruce Bernard1992
71
Still-Life with a Book1992
72
Seated Nude1991
73
Annabel and Rattler1998
74
Sleeping by the Lion Carpet (also known as Sue Tilley)1996
75
Armchair by the Fireplace1997
76
Aline2000
77
Alice and Okie1999
78
Alice Costelloe2003
79
After Breakfast2001
80
The Painter's Garden2004
81
Albie2004
82
Naked Portrait2005
83
Annie and Alice1975
84
Self-Portrait, Reflection2004
85
Naked Girl Asleep I1967
86
Naked Man, Back View1991
87
Paper (68)
88
Paper (18)
89
Paper (58)
90
Paper (31)
91
Paper (33)
92
John minton
93
Paper (45)
94
Paper (51)
95
Annabel
96
Paper (44)
97
Paper (57)
98
Paper (55)
99
Paper (54)
100
Kingcups Souvenir of Glen Artney
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | 盧西安·弗洛伊德 的作品 | 此列表中的画作 |
|---|---|---|---|
 提森·博爾涅米薩博物館 |
馬德里 | 1 | 与两个孩子在一起的反思（自画像） |
选择一个年代，探索定义该时代的原创杰作。
伫立在卢西安·弗洛伊德的《画家的房间》面前，不仅仅是在观赏一幅画作；这更像是跨越了一道门槛，步入了一个刻画精细却又完全梦幻般的室内空间。这件创作于1944年的作品，捕捉到了一种弥漫着创作残留气息与潜意识奇特重量的氛围。场景本身呈现出一种“活生生的画面”——在这个房间里，艺术创作的平凡物件与荒野那令人惊愕的存在相互碰撞。请注意其中的并置关系：那张浅米色沙发透着一种陈旧的优雅，暗示着居家生活的舒适；而与之形成对话的，则是那极具异域风情、近乎戏剧化的斑马头标本，它正俯视着一只轻盈地栖息在它鼻尖上的黑色小鸟。这种文明与原始自然之间的初步邂逅，为整部作品奠定了基调。
In this 1951 oil on canvas, a man stands within a room in Paddington, London, positioned before a window that looks out toward a wall bordering the Grand Union Canal. The subject, Harry Diamon, is captured in a pose that mirrors the aggressive stance of Holbein’s full-length portraits of Henry VIII, yet the regal associations are stripped away. Instead of velvet or silk, he wears a drab, dirty mackintosh. His…
1965年创作的《反光，与两个孩子》（自画像），是英国画家卢西恩·弗洛伊德（Lucian Freud）的一幅引人深思的作品。它不仅仅是一张肖像画，更是一次对身份、家庭关系以及存在之重的深刻心理探索。这幅作品以其坦率的诚实和精湛的技巧，将观者带入一个充满复杂情感的世界。
In the pantheon of twentieth-century portraiture, few works possess the visceral, psychological weight found in Lucian Freud’s 1974 masterpiece, Ali. This evocative oil on canvas is far more than a mere depiction of a seated figure; it is an intimate encounter with the human condition. Through his signature approach to Expressionism, Freud transcends the boundaries of traditional portraiture to present a subject that feels both profoundly exposed and deeply introsive.…
In the intimate theater of Reflection (Self-Portrait), created in 1985, we encounter one of the most profound encounters with the human psyche ever captured on canvas. Lucian Freud, a titan of 20th-century realism, does not merely present a likeness; he presents an excavation of the self. The painting serves as a window into a moment of deep introspection, where the artist’s gaze drifts toward a distant, unseen horizon, inviting the…
露西恩·弗洛伊德 (Lucian Freud) 的 1995 年杰作《福利监督员睡眠》（又名“大苏”），是一幅令人震撼、坦率地描绘人体的作品，它挑战了传统的审美观念，并引发人们对深刻内涵的沉思。这幅大幅油画呈现出苏·蒂利 (Sue Tilley)——一位表演艺术家，以“大苏”之名闻名——躺在一张带有花卉图案沙发上的裸体形象，其表现强度既具有高度个人色彩，又令人印象深刻地公开化。它是一件引人注目的作品，并非通过煽情来吸引眼球，而是通过其原始的情感诚实和高超的技巧而脱颖而出。
A heavy silence settles over the bed. The canvas holds a scene of physical presence, where the human form is stripped of all pretense. A male figure, dressed in a suit and tie, sits with his back to the viewer, yet his head turns to meet the gaze of the observer. His expression is one of quiet contemplation. Beside him, the composition shifts into a more raw, visceral territory. The…
福利主管睡眠 (又名：大苏) (1995)。紧随其后的是 与两个孩子在一起的反思（自画像） (1965) 和 画家的房间 (1944)。
73岁：福利主管睡眠 (又名：大苏)创作于1995年，盧西安·弗洛伊德出生于1922年。
福利主管睡眠 (又名：大苏), 与两个孩子在一起的反思（自画像）, 画家的房间, Reflection (Self-Portrait), Interior with Plant, Reflection Listening (Self-Portrait), And the Bridegroom, Double Portrait, Benefits Supervisor Sleeping II, Ali 及 Interior at Paddington。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 121 件 盧西安·弗洛伊德 的作品，创作年代从 1943 年至 2006 年。
多见于 提森·博爾涅米薩博物館 (馬德里)。上方的博物馆列表列出了所有相关机构。
在 1990s 期间：本页 100 件作品中有 14 件创作于该时期，其中包含 福利主管睡眠 (又名：大苏) 件作品。
在本页面中，最早的作品创作于 Fragment Head of Gerald Wilde (1943)，最晚的创作于 The Painter's Doctor (2006)。
Men (14), Nudes (12) 及 Introspection (11)，共计 100 件作品。
Oil On Canvas，共计 11 件（本页共有 100 件作品）。
根据本页面的原作，Expressionism 及 Contemporary realism
