更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 32 件 约翰·沃拉斯顿 作品收录于我们的目录中
简而言之
在 约翰·沃拉斯顿 留下的所有原作中，最著名的当属收藏于 罗切斯特 Guildhall Museum 的《Alderman David Wharam, Mayor of Rochester (1744) (1740)》。 紧随其后的是 Captain Jacob Elton (1712–1745), RN (1741) 和 Ryland Randolph (1756)。 我们的目录收录了 约翰·沃拉斯顿 的 32 件作品；画廊完整保留了 30 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
The subject is presented in a formal, centered composition, gazing directly at the viewer from a dark, indeterminate background. He wears a red coat accented with white trim, a garment that signals both status and official capacity. A black hat and a white shirt complete the attire of a gentleman of the mid-eighteenth century. His long hair and beard frame a face marked by age, suggesting a life of experience…
The year is 1756, and the air in the room feels heavy with the quiet dignity of a bygone era. Ryland Randolph sits in a poised profile, his gaze directed outward with a serious, contemplative expression that demands immediate respect. He exists in a moment of stillness, a man of high-ranking status and military prestige caught in a permanent state of readiness. His midnight blue coat, deep and commanding, catches…
In this oil painting on canvas, John Wollaston presents a formal study of Mrs. Cadwallader Colden. Created about 1749, the work captures a woman of significant social standing through a quiet, dignified presence. The portrait measures 76 x 64 cm, a scale that allows for an intimate encounter with the sitter's likeness and the intricate details of her period attire.
This oil on canvas portrait depicts a man identified as John Stevens (?). Executed by the artist John Wollaston, the work dates to 1752. The subject is presented in a formal, Neoclassical style, focusing on the head and shoulders of the sitter against a dark, indistinct background. This composition directs the viewer's attention toward the facial features and the specific textures of the subject's attire.
A Gentleman of the Morris Family is a portrait painting of a gentleman, executed by the artist John Wollaston. The work dates to 1752. The sitter is identified as Lewis Morris, a man of significant political weight who served as a statesman and a signer of the Declaration of Independence.
The Portrait of Lucy Parry, Wife of Admiral Parry by John Wollaston presents a seated woman positioned centrally within the frame. The composition follows a balanced arrangement that directs the viewer's gaze toward the subject's face and her detailed attire. She is set against a dark, somewhat blurred background where elements of foliage and sky are visible. This arrangement creates a sense of depth through atmospheric perspective, as the distant…
The gaze of Joseph Reade meets yours with an unwavering clarity, pulling you into a moment frozen in 1749. He sits with a quiet authority, his posture upright and composed, as if the weight of his political and social responsibilities in New York City rests lightly upon his shoulders. A deep crimson velvet backdrop wraps around him, its heavy texture providing a dark, dramatic stage that pushes his figure forward…
The portrait presents a man in formal military attire, his posture commanding and his arms outstretched to claim the space. He is positioned centrally, dominating the frame against a backdrop of soft foliage and a heavy, clouded sky. The lighting is deliberate, casting strong highlights across his face and upper body to define the sharp contours of his features. Every detail of his presence is rendered with meticulous precision, from…
George Whitefield1742 · 国家肖像美术馆
12
John Colson (1680–1759), Lucasian Professor of Mathematics (1739)1741 · Old Schools
13
Sir Theodore Turquet de Mayerne (1573–1655)1734 · 博德利图书馆
14
Mary Walton Morris1752 · 国家美术馆
15
Unidentified British Navy Officer1745 · 国家美术馆
16
Cadwallader Colden1749 · 大都会艺术博物馆
17
Mrs. Joseph Reade1749 · 大都会艺术博物馆
18
Mrs. Charles Carroll1754 · 底特律艺术学院
19
Captain Samuel Hood (1724–1816)1748 · 国家海事博物馆
20
Sir William Johnson (1715-1774)1752 · Albany Institute of History - Art
21
Walter Charleton (1619–1707)博德利图书馆
22
Judith Smith (Mrs. James Ladson)1767 · Gibbes Museum of Art
23
William Axtell1749 · 大都会艺术博物馆
24
Thomas Willis (1621–1675)博德利图书馆
25
Portrait of Thomas Willing
26
Sir Thomas Browne (1605–1682)博德利图书馆
27
Thomas Sydenham (1624–1689)博德利图书馆
28
Portrait of Captain Saumarez (1710 1747)
29
William Harvey (1578–1657)博德利图书馆
30
Francis Glisson (1599 –1677)博德利图书馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 约翰·沃拉斯顿 的作品 | 此列表中的画作 |
|---|---|---|---|
 博德利图书馆 |
牛津 | 7 | Sir Theodore Turquet de Mayerne (1573–1655), Walter Charleton (1619–1707), Thomas Willis (1621–1675) |
 大都会艺术博物馆 |
纽约 | 5 | Mrs. Cadwallader Colden, Joseph Reade, Cadwallader Colden |
 国家美术馆 |
华盛顿 | 4 | John Stevens (?), A Gentleman of the Morris Family, Mary Walton Morris |
 国家肖像美术馆 |
伦敦 | 2 | Thomas Britton, George Whitefield |
 Guildhall Museum |
罗切斯特 | 1 | Alderman David Wharam, Mayor of Rochester (1744) |
 National Trust |
克利夫顿 | 1 | Captain Jacob Elton (1712–1745), RN |
 Wilton House Museum |
Richmond | 1 | Ryland Randolph |
 史密森尼美国艺术博物馆 |
华盛顿特区 | 1 | Portrait of Lucy Parry, Wife of Admiral Parry |
从 1752 到 1767，约翰·沃拉斯顿 创作了 16 年：本精选系列按年份追溯其漫长的艺术生涯，呈现其最杰出的原创佳作。
选择年份以查看原作。
This oil on canvas portrait depicts a man identified as John Stevens (?). Executed by the artist John Wollaston, the work dates to 1752. The subject is presented in a formal, Neoclassical style, focusing on the head and shoulders of the sitter against a dark, indistinct background. This composition directs the viewer's attention toward the facial features and the specific textures of the subject's attire.
更多来自 1752
The year is 1756, and the air in the room feels heavy with the quiet dignity of a bygone era. Ryland Randolph sits in a poised profile, his gaze directed outward with a serious, contemplative expression that demands immediate respect. He exists in a moment of stillness, a man of high-ranking status and military prestige caught in a permanent state of readiness. His midnight blue coat, deep and commanding, catches…
It is presumed that John Wollaston was the son of the noted London portraitist John Wollaston. He was likely trained by his father, though it has also been suggested that he received instruction from Joseph van Acken, a highly successful drapery painter who completed costume and background detail in portraits by leading British Rococo artists, Allan Ramsay and Thomas Hudson. Trained in the English Rococo tradition, Wollaston arrived in America…
Alderman David Wharam, Mayor of Rochester (1744) (1740)，Guildhall Museum, 罗切斯特。紧随其后的是 Captain Jacob Elton (1712–1745), RN (1741) 和 Ryland Randolph (1756)。
Alderman David Wharam, Mayor of Rochester (1744), Captain Jacob Elton (1712–1745), RN, Ryland Randolph, Mrs. Cadwallader Colden, John Stevens (?), A Gentleman of the Morris Family, Portrait of Lucy Parry, Wife of Admiral Parry, Joseph Reade, Portrait of General Staats Long Morris 及 Thomas Britton。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 32 件 约翰·沃拉斯顿 的作品，创作年代从 1752 年至 1767 年。
多见于 博德利图书馆 (牛津), 大都会艺术博物馆 (纽约) 及 国家美术馆 (华盛顿)。上方的博物馆列表列出了所有相关机构。
在 1752 期间：本页 30 件作品中有 4 件创作于该时期，其中包含 John Stevens (?) 件作品。
在本页面中，最早的作品创作于 John Stevens (?) (1752)，最晚的创作于 Judith Smith (Mrs. James Ladson) (1767)。
Portrait (7), Portraiture (6) 及 18th century (5)，共计 30 件作品。
Oil On Canvas，共计 8 件（本页共有 30 件作品）。
根据本页面的原作，Rococo
Sir Theodore Turquet de Mayerne (1573–1655), Walter Charleton (1619–1707) 及 Thomas Willis (1621–1675)：博德利图书馆, 牛津收藏了本页中 7 件作品。
在十八世纪中叶，当美洲殖民地开始萌发一种崭新的身份认同感时，一阵来自伦敦的精致气息随之抵达了这些海岸，而这股气息正是通过约翰·沃拉斯顿的画笔传递而来的。作为一位拥有深厚优雅气质与精湛技艺的画家，沃拉斯顿在美国艺术史上是一个独一无二的人物——这位英国大师不可逆转地塑造了殖民地的审美景观。虽然后来像本杰明·韦斯特和吉尔伯特·斯图尔特这样的巨匠将占据美国肖像画舞台的聚光灯，但沃拉斯顿真正的贡献在于他作为先驱的角色，他将洛可可风格那细腻的优雅与闪耀的精致感引入了北美。他不仅仅是容貌的记录者，更是欧洲精致文化的使者，标志着一场真正的洲际艺术运动开始在大西洋两岸蓬勃发展。
沃拉斯顿的早年生活仍笼罩在历史的迷雾之中，留给学者们许多想象空间。他出生于伦敦，很可能是画家的后裔，尽管关于其家族血统的记录一直存在争议。一些记载将他的父亲确认为约翰·沃拉斯顿，而另一些则引用了霍勒斯·沃波尔的诙谐轶事，暗示其原名可能是 Woolston——这种改名是为了迎合那个时代追求更显赫头衔的贵族潮流。虽然他的正式受训过程并无详细记载，但他展现出的才华却是毋庸置疑的。查尔斯·威尔逊·皮尔的信件暗示，沃拉斯顿曾跟随一位伦敦大师学习复杂的织物褶皱艺术，这成为了他的标志性特长。无论他是受教于父亲，还是受到著名织物画家约瑟夫·范·阿肯的影响，沃拉斯顿在处理织物与光影时展现出的掌控力，都足以媲美英国洛可可传统的顶尖水准。
沃拉斯顿的艺术身份深深植根于英国洛可可风格之中，这种风格的特征在于其轻盈、优雅，以及对质感近乎触觉式的痴迷。他的作品与托马斯·哈德逊和艾伦·拉姆齐的肖像画有着明显的相似之处，他捕捉到的不仅是受画者的容貌，更是其社会地位的精髓。他拥有一种非凡的能力来表现丝绸沉稳的光泽、衣领上精致的蕾丝以及天鹅绒复杂的褶皱，创造出一种令殖民地精英阶层为之倾倒的奢华视觉语言。这种对织物处理的精通并非仅仅为了装饰；它赋予了受画者一种动感与生命力，使静态的肖像画媒介仿佛拥有了呼吸与灵魂。
他在1749年跨越太平洋的旅程，成为了艺术家与殖民地共同的历史转折点。最初定居在纽约市后，沃拉斯顿开启了一段充满创造力的游历时期，沿着大西洋海岸旅行，将伦敦最新的时尚潮流带给美国的赞助人。他的存在促进了英国与其殖民地之间日益增长的艺术对话，为随后的几代人奠定了风格实验的先例。尽管旅途奔波，沃拉斯顿始终与他的英国根源保持着深刻的联系。这种坚定的身份认同在他为威廉·史密斯二世创作的肖像画背后的铭文中得到了动人的体现，他在画中自称为“Johnannes Wollaston Londoniensis”，在美洲荒野之中，这是一种对他伦敦出身的骄傲宣言。
尽管他的生命在1775年不幸戛然而止，但约翰·沃拉斯顿的职业生涯所产生的影响已深深铭刻在早期美国艺术的历史长河中。他为殖民地权贵阶层提供了一面视觉之镜，映射出他们对欧洲精致文明的向往。他将伦敦的高级时尚转化为殖民地语境的能力，在旧世界与新世界之间架起了一座共享的文化桥梁。以下元素定义了他持久的历史足迹：
今天，当我们凝视那些归属于沃拉斯顿的作品时，我们看到的不仅仅是殖民时代的肖像；我们看到的是一个优雅时代的降临。他的画笔捕捉到了一个殖民地开始梦想宏伟未来的瞬间，而通过他的艺术，那个梦想被具象化为丝绸、蕾丝与流动的光影。
