更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 88 件 約翰·馬丁 作品收录于我们的目录中
简而言之
在 約翰·馬丁 留下的所有原作中，最著名的当属收藏于 伦敦 泰特不列顛美术馆 的《他发怒的大日子 (1851)》。 紧随其后的是 The Destruction of Sodom And Gomorrah (1852) 和 The Evening of the Deluge (1828)。 我们的目录收录了 約翰·馬丁 的 88 件作品；画廊完整保留了 87 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
在十九世纪的核心时期，很少有图像能像约翰·马丁的“他发怒的大日子”那样，以如此剧烈的恐惧与敬畏感震撼维多利亚时代的灵魂。这幅宏伟的布面油画不仅仅是一件绘画作品，更是一场关于“崇高”的感官体验。当目光在广阔而动荡的景观中游走时，人们会立刻被那毁灭性的规模所震撼。画面捕捉了圣经启示录中末日降临的精确瞬间：天幕破碎，大地仿佛在火焰与阴影中消解。作为戏剧化浪漫主义的大师，马丁利用令人屏息的透视感将观众置于混沌之中，使那些巨大的山脉与翻腾、炽热的云层显得既遥不可及，又近在咫尺，令人胆战心惊。
The heavens do not merely darken; they fracture. A massive, swirling vortex of fiery clouds dominates the upper reaches of the canvas, a celestial furnace that seems to swallow the very air. Light does not fall from above in a gentle glow but erupts from the center of a cosmic explosion. It is a violent, directional radiance that carves the landscape into jagged silhouettes of deep black and shadowy blue.…
To stand before John Martin's monumental vision, The Evening of the Deluge, is not merely to observe a painting; it is to be submerged within an epochal moment of divine wrath and human fragility. Created in 1828, this work transcends simple depiction, becoming instead a profound meditation on humanity’s place against the overwhelming power of nature. Martin, a master chronicler of the sublime, utilized his immense scale—a staggering 597 x…
约翰·马丁（1789年－1854年）是英国浪漫主义画家、版画师和插画师，以其戏剧性的构图征服了维多利亚时代的大众。 他出生于英格兰北部的哈伊顿桥，于1789年7月19日，从卑微的出身崛起成为当时最受欢迎的艺术家之一，因其广阔的风景以及充满细小人物和描绘圣经场景和奇幻叙事的故事而闻名，这些故事具有强大的规模感和情感冲击力。
The canvas bears the title Great Day of His Wrath. It is a work by the English romantic painter John Martin. Created in 1851, the painting captures a moment of profound upheaval. It exists as a single movement within a larger triptych of judgement pictures. This series draws its heavy inspiration from the Book of Revelation.
John Martin's "Destruction of Tyre," completed in 1840, is not merely a depiction of a historical event; it is a visceral embodiment of Romanticism’s fascination with the sublime – that overwhelming feeling of awe and terror inspired by nature’s power. Measuring an imposing 95 x 838 cm, this oil on canvas transports the viewer directly into the heart of apocalyptic chaos. The scene, based on the biblical account in 2…
The scene unfolds through the vision of Satan in Council, a dramatic work by the English romantic painter John Martin. This composition captures a moment of intense celestial and infernal tension, pulling the viewer into a realm of shadow and light. The work is also recognized by the title Satan presiding at the Infernal Council, a name that speaks to the heavy authority commanding the assembly. It exists as a…
The Sublime Terror of the Infernal Capital In the annals of Romanticism, few images command the eye with such overwhelming dread and grandeur as John Martin’s Pandemonium. Painted in 1841, this oil on canvas is not merely a depiction of a scene; it is an immersive descent into the heart of cosmic chaos. The viewer is immediately confronted by the sheer, terrifying scale of Hell’s capital, where the architecture of…
The heavens fracture as the destruction of Babylon unfolds in this dramatic vision by John Martin. The scene captures a terrifying Old Testament biblical narrative, where the once-mighty city faces its ultimate end. Chaos reigns as the landscape is swallowed by upheaval, reflecting a moment of divine judgment that feels immediate and overwhelming. The scale of the catastrophe looms large, turning the sprawling cityscape into a site of profound human…
The scene unfolds within a vast, architectural interior where a long dining table occupies the central space. Around this table, fourteen figures are positioned in various states of repose and movement. Some individuals sit in chairs, while others kneel or stand near the edges of the gathering. The table is laden with food and drink, set against a backdrop of grand, structural elements. Above the assembly, a clock hangs upon…
The Plains of Heaven
12
The Great Day of His Wrath
13
Satan Arousing the Fallen Angels, Book 1, line 314, from John Milton, Paradise Lost1824
14
The Last Man1849 · 沃克艺术馆
15
Landscape with a Castle1815 · 耶鲁英国艺术中心
16
Plate from泰特不列顛美术馆
17
Ancestor Worship1964 · 加拿大国家美术馆
18
Moonlight - Chepstow Castle1815 · 南澳大利亚美术馆
19
Sadak in Search of the Waters of Oblivion波士顿美术馆
20
Kensington Garden1815 · 耶鲁英国艺术中心
21
Kensington Garden1815 · 耶鲁英国艺术中心
22
Kensington Gardens1815 · 耶鲁英国艺术中心
23
Landscape, Possibly the Isle of Wight or Richmond Hill1815 · 耶鲁英国艺术中心
24
Hyde Park1815 · 耶鲁英国艺术中心
25
The Court of God: Paradise Lost (Book 3, Line 365)1824 · 加拿大国家美术馆
26
Diogenes Throwing Away His Cup1833
27
Alpheus and Arethusa1832
28
The Deluge1834
29
Joshua Commanding the Sun to Stand Still1840 · 耶鲁英国艺术中心
30
The Assuaging of the Waters1840 · 旧金山美术馆
31
Twilight in the woodlands1850 · Fitzwilliam Museum
32
Landscape: View in Richmond Park1850 · Fitzwilliam Museum
33
The Last Judgement (study)1851 · 耶鲁英国艺术中心
34
Christ Stilleth the Tempest1852 · 约克美术馆
35
F shaw brothers tannery maine巴伐利亚州绘画收藏馆
36
Paradise Lost. Adam and Eve Driven out of Paradise
37
Seventh Plague
38
Gleaners in the Wheat Field
39
The Last Judgement泰特不列顛美术馆
40
The Isle of Man
41
The Destruction of Sodom and Gomorrah
42
The Valley of the Tyne, My Native Country, near Henshaw
43
Destruction of Pharaoh's Host
44
The Covenant
45
Figures Seated by a Lake in a Wooded Landscape
46
Psalm CXXVII (by the Waters of Babylon)
47
Moses Breaketh the Tables
48
A Man Playing a Harp with other Figures beside a Lake
49
Ruins of an Ancient City克利夫兰艺术博物馆
50
Joshua Commanding the Sun to Stand Still upon Gibeon
51
Landscape with a Ruined Castle
52
Edwin and Angelina (also known as The Hermit)
53
The Plains of Heaven1851 · 泰特不列顛美术馆
54
Repentance of Nineveh1840 · 耶鲁大学艺术馆
55
國土蜥龍1837 · Te Papa
56
Plate from泰特不列顛美术馆
57
Plate from泰特不列顛美术馆
58
Fall of the Rebel Angels哈佛艺术博物馆
59
Paradise Lost. The Creation of Light
60
Flood at night
61
David Spareth Saul at Hachilah
62
Fall of the Walls of Jericho
63
Fantastic Oriental Landscape
64
Fall of the Rebel Angels
65
Christ's glorious coming
66
The Assuaging of the Waters
67
Creation of Light
68
View on the River Wye, Looking towards Chepstow
69
Joshua commanding the Sun to stand still
70
Eve's Dream - Satan aroused
71
The Fallen Angels Entering Pandemonium, from Paradise Lost泰特不列顛美术馆
72
View of Dolbadern Castle, North Wales
73
A Country Graveyard, Possibly Bunhill Fields, Finsbury, A Wooded Landscape Beyond
74
Belshazzar1820 · 耶鲁英国艺术中心
75
Manfred and the Alpine Witch1837 · Whitworth Art Gallery
76
Pandemonium - John Martin2026
77
Sadak in Search of the Waters of Oblivion1812 · 圣路易斯艺术博物馆
78
Seventh Plague of Egypt波士顿美术馆
79
The Destruction of Pompeii and Herculaneum1822
80
Joshua Commanding the Sun to Stand Still upon Gibeon1816 · 国家美术馆
81
The Eve of the Deluge1840 · 皇家收藏馆
82
Manfred on the Jungfrau1837 · 伯明翰博物馆与美术馆
83
The Celestial City and the River of Bliss1841
84
Macbeth
85
The Coronation of Queen Victoria泰特不列顛美术馆
86
The Bard1817 · 耶鲁英国艺术中心
87
The Deluge1834 · 耶鲁英国艺术中心
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 約翰·馬丁 的作品 | 此列表中的画作 |
|---|---|---|---|
 耶鲁英国艺术中心 |
纽黑文 | 11 | Landscape with a Castle, Kensington Garden, Kensington Garden |
 泰特不列顛美术馆 |
伦敦 | 8 | 他发怒的大日子, Plate from, The Last Judgement |
 Te Papa |
惠灵顿 | 2 | Eve (艾芙), 國土蜥龍 |
 加拿大国家美术馆 |
渥太华 | 2 | Ancestor Worship, The Court of God: Paradise Lost (Book 3, Line 365) |
 波士顿美术馆 |
波士顿 | 2 | Sadak in Search of the Waters of Oblivion, Seventh Plague of Egypt |
 Fitzwilliam Museum |
2 | Twilight in the woodlands, Landscape: View in Richmond Park | |
 莱恩艺术馆 |
泰恩河畔纽卡斯尔 | 1 | The Destruction of Sodom And Gomorrah |
 维多利亚和阿尔伯特博物馆 |
伦敦 | 1 | The Evening of the Deluge |
选择一个年代，探索定义该时代的原创杰作。
A distant castle perches atop a jagged hill, silhouetted against a turbulent sky. The composition relies on heavy, dark foreground elements that direct the eye toward a luminous middle ground. Earthy tones of deep brown, ochre, and forest green dominate the terrain, while a dramatic sky of slate grey and pale yellow breaks through the clouds. Light emanates from behind the cloud cover, casting a sharp spotlight effect across the…
To stand before John Martin's monumental vision, The Evening of the Deluge, is not merely to observe a painting; it is to be submerged within an epochal moment of divine wrath and human fragility. Created in 1828, this work transcends simple depiction, becoming instead a profound meditation on humanity’s place against the overwhelming power of nature. Martin, a master chronicler of the sublime, utilized his immense scale—a staggering 597 x…
John Martin's "Destruction of Tyre," completed in 1840, is not merely a depiction of a historical event; it is a visceral embodiment of Romanticism’s fascination with the sublime – that overwhelming feeling of awe and terror inspired by nature’s power. Measuring an imposing 95 x 838 cm, this oil on canvas transports the viewer directly into the heart of apocalyptic chaos. The scene, based on the biblical account in 2…
他发怒的大日子 (1851)，泰特不列顛美术馆, 伦敦。紧随其后的是 The Destruction of Sodom And Gomorrah (1852) 和 The Evening of the Deluge (1828)。
62岁：他发怒的大日子创作于1851年，約翰·馬丁出生于1789年。
他发怒的大日子, The Destruction of Sodom And Gomorrah, The Evening of the Deluge, Eve (艾芙), Great Day of His Wrath, Destruction of Tyre, Satan in Council, Pandemonium, Fall of Babylon 及 Belshazzar's Feast。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 88 件 約翰·馬丁 的作品，创作年代从 1812 年至 1852 年。
多见于 耶鲁英国艺术中心 (纽黑文), 泰特不列顛美术馆 (伦敦) 及 Te Papa (惠灵顿)。上方的博物馆列表列出了所有相关机构。
在 1810s 期间：本页 87 件作品中有 10 件创作于该时期，其中包含 Landscape with a Castle 件作品。
在本页面中，最早的作品创作于 Sadak in Search of the Waters of Oblivion (1812)，最晚的创作于 The Destruction of Sodom And Gomorrah (1852)。
People (12), Landscape (12) 及 Biblical scene (7)，共计 87 件作品。
Oil On Canvas，共计 15 件（本页共有 87 件作品）。
根据本页面的原作，浪漫主义
Landscape with a Castle, Kensington Garden 及 Kensington Garden：耶鲁英国艺术中心, 纽黑文收藏了本页中 11 件作品。
约翰·马丁（John Martin，1789-1854）是一位著名的英国浪漫主义画家、版画家和插画家，他充满戏剧张力的作品深深吸引了维多利亚时代的公众。他于1789年7月19日出生在诺森伯兰的海登桥，从卑微的出身一路走来，成为了当时最受欢迎的艺术家之一。他的画作以广阔的风景为背景，点缀着无数渺小的人物，描绘了充满宏大尺度感和强烈情感的《圣经场景》与奇幻叙事。
马丁的早期生活充满了实践性的磨砺。他曾在纽卡斯尔上泰恩的一位马车制造商那里学徒，在那里学习了纹章绘画——这项技能后来影响了他对细节的一丝不苟的关注。1806年，他搬到伦敦，在十九岁时结婚，靠画画课程以及为瓷器和玻璃制作的水彩画和装饰品委托来维持生计。这段经历磨练了他的技术功底，同时也使他得以探索各种艺术媒介。他的早期作品已经展现出对戏剧性光影和构图日益浓厚的兴趣，预示了他日后标志性的风格。
马丁独特的风格以其宏大的气魄、强烈的戏剧张力和精密的细节描绘而著称。他经常描绘《圣经》题材，例如《所多玛和蛾摩拉的毁灭》和《波斯王宴会》，这些作品都带着一种能深深触动观众的戏剧性风采。他的风景画，如《萨尔茨伯里附近的哈恩汉姆教堂》，则展示了他捕捉宁静乡村场景的同时，依然保持着宏伟气势的能力。 展现其艺术造诣的关键作品包括：
约翰·马丁在其生前获得了极高的声誉。1821年，沃尔特·西克特称他为“当世最受欢迎的画家”，并获得了俄国沙皇尼古拉一世的金奖牌。他还从萨克森-科堡和哥达的利奥波德亲王那里获得了利奥波德勋章，成为利奥波德亲王的官方历史画家。他的作品曾在国家美术馆和泰特美术馆展出，巩固了他在英国艺术界的地位。
尽管在他于1854年2月17日去世后经历了一段相对低调的时期，但马丁的作品却重新获得了欣赏的热潮。如今，他的画作因其浪漫主义的戏剧性、精密的细节和丰富的想象力完美结合而备受推崇。他的影响可以从后来的艺术家身上看到，包括受到马丁宏大风景启发詹姆斯·弗朗西斯·丹比等人的作品。约翰·马丁仍然是英国艺术史上一个重要的名字，他以能将观者带入充满敬畏之美与恐怖力量的史诗世界的能力而备受赞誉。
