更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 12 件 James Brooks 作品收录于我们的目录中
简而言之
在画廊看来，James Brooks 最著名的作品是 Number 13 (1965)，其原作现收藏于 达拉斯 的 达拉斯艺术博物馆。 Untitled (1952) 与 Black and White (1965) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，James Brooks 共有 12 件作品，画廊为您精选了以下 12 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
In the realm of Abstract Expressionism, few works command attention with such stark, visceral intensity as James Brooks's Number 13. Created in 1965, this masterpiece serves as a profound dialogue between light and shadow, order and chaos. The composition is defined by a striking monochrome palette, where the deep, commanding presence of black paint meets the luminous clarity of white space. Upon first encounter, the viewer is swept into a…
The canvas is a field of deep blue, a heavy sky or a midnight sea. Across this expanse, yellow and orange splashes break the stillness. These are not controlled strokes but sudden interruptions. They appear as liquid bursts, bleeding into the surrounding darkness. The paint moves in drips, long vertical streaks that pull the eye downward. It is a record of gravity and momentum captured in 1952.
The Oran painting, created by James Brooks in 1969, is a remarkable piece of art that showcases the artist's unique style and technique. Measuring 270 x 233 cm, this acrylic on canvas painting is a prime example of Abstract Expressionism. The painting is currently housed at the Smithsonian American Art Museum in the United States. Artistic Style and Technique James Brooks was known for his innovative use of staining, dilution,…
收藏了本页中大部分画作的 4 家博物馆。
| 博物馆 | 城市 | James Brooks 的作品 | 此列表中的画作 |
|---|---|---|---|
 达拉斯艺术博物馆 |
达拉斯 | 3 | Number 13, Ipswich, Quand |
 Parrish Art Museum |
沃特米尔 | 2 | Untitled, Untitled |
 宾夕法尼亚美术学院 |
费城 | 1 | Mohan |
 底特律艺术学院 |
底特律 | 1 | Nado |
18 年间 James Brooks 的艺术历程，从 1952 到 1969：画廊逐年追溯，呈现其最具代表性的传世原作。
选择年份以查看原作。
The canvas is a field of deep blue, a heavy sky or a midnight sea. Across this expanse, yellow and orange splashes break the stillness. These are not controlled strokes but sudden interruptions. They appear as liquid bursts, bleeding into the surrounding darkness. The paint moves in drips, long vertical streaks that pull the eye downward. It is a record of gravity and momentum captured in 1952.
James Brooks grew up in Texas and attended Southern Methodist University from 1923 to 1925. He arrived in New York in the mid-1920s, and supported himself as a commercial artist while studying painting at the Art Students League. Brooks took up teaching, first at Columbia, and then for more extended periods at Pratt Institute and Yale His first solo show at Peridot Gallery in 1950, featured stained and dripped canvases…
In the realm of Abstract Expressionism, few works command attention with such stark, visceral intensity as James Brooks's Number 13. Created in 1965, this masterpiece serves as a profound dialogue between light and shadow, order and chaos. The composition is defined by a striking monochrome palette, where the deep, commanding presence of black paint meets the luminous clarity of white space. Upon first encounter, the viewer is swept into a…
更多来自 1965
Number 13 (1965)，达拉斯艺术博物馆, 达拉斯。紧随其后的是 Untitled (1952) 和 Black and White (1965)。
59岁：Number 13创作于1965年，James Brooks出生于1906年。
Number 13, Untitled, Black and White, Mohan, Nado, Ipswich, Quand, Harmagh, Oran 及 Ipswich。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 12 件 James Brooks 的作品，创作年代从 1952 年至 1969 年。
多见于 达拉斯艺术博物馆 (达拉斯), Parrish Art Museum (沃特米尔) 及 宾夕法尼亚美术学院 (费城)。上方的博物馆列表列出了所有相关机构。
在 1965 期间：本页 12 件作品中有 2 件创作于该时期，其中包含 Number 13 件作品。
在本页面中，最早的作品创作于 Untitled (1952)，最晚的创作于 Quand (1969)。
根据本页面的原作，Abstract expressionism
Number 13, Ipswich 及 Quand：达拉斯艺术博物馆, 达拉斯收藏了本页中 3 件作品。
