更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 438 件 亨利·雷布恩 作品收录于我们的目录中
简而言之
在 亨利·雷布恩 留下的所有原作中，最著名的当属收藏于 爱丁堡 苏格兰国家美术馆 的《罗伯特·沃克牧师博士 (1755–1808) 在达丁斯顿湖上滑冰 (1795)》。 紧随其后的是 Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814) (1810) 和 Young Girl Holding Flowers (1798)。 我们的目录收录了 亨利·雷布恩 的 438 件作品；画廊完整保留了 100 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
当一个孤独的身影滑过达丁斯顿湖那片冰封的广阔天地时，空气仿佛变得凛冽而寒冷。这是一位举止高雅的绅士，身着厚重的黑色大衣，头戴高顶礼帽，然而他的动作却轻盈得与其正式着装完全不符。他抬起一条腿，维持着一种微妙的平衡，双手向下抓向脚部，在冬日的寒意中捕捉到了一个转瞬即逝的俏皮瞬间。在他身后，景观向远方延伸，直至那崎岖的山脉，山峰在苏格兰天空的苍白光线下显得柔和而朦胧。这里有一种宁静感，唯有当世界被严霜掩盖，唯一的声响只剩下冰面上金属划过的节奏感时，这种宁静才会存在。
To gaze upon this portrait of Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse, is to step directly into the refined atmosphere of the early nineteenth century. Rendered with an exquisite mastery that speaks to the height of Neoclassicism, the painting captures more than just a likeness; it encapsulates an entire era's idealization of feminine dignity and quiet grandeur. The subject is presented in a pose of effortless elegance, seated…
Henry Raeburn's "Young Girl Holding Flowers," painted in 1798 and currently residing within the hallowed halls of the Musée du Louvre, is more than just a charming pastoral scene; it’s a profound meditation on youth, beauty, and the fleeting joys of nature. This exquisite oil-on-canvas work captures a young girl, seemingly lost in contemplation as she cradles a vibrant bouquet of wildflowers. Raeburn's masterful technique—characterized by soft, luminous colors and…
To stand before this portrait is to encounter not merely a likeness, but a carefully curated moment of intellectual gravity. Painted by the master of Scottish realism, Henry Raeburn in 1810, this work captures Henry Mackenzie with an arresting dignity that seems to transcend the passage of time. The composition itself speaks volumes; while the subject occupies a central space, his slight off-centering lends a subtle dynamism, preventing the formality…
To stand before Henry Raeburn’s portrait of Professor Dugald Stewart is to encounter not merely a likeness, but an embodiment of Enlightenment intellect. Painted in 1810, this work transcends simple portraiture; it is a carefully constructed meditation on genius itself. The subject, Professor Dugald Stewart, is presented in a three-quarter view that immediately draws the viewer into a direct, compelling dialogue. Raeburn masterfully isolates him against a background so deep…
To stand before this portrait of Pringle Fraser is to encounter not merely a likeness, but a carefully constructed moment of contemplation. Painted around 1804, this work captures the essence of early nineteenth-century masculine dignity. The subject commands attention through his direct, almost challenging gaze. He is presented in attire that speaks of respectable standing—the crisp white shirt contrasting sharply with the somber black vest and tie. This deliberate contrast…
To stand before Henry Raeburn’s portrait of Allan Maconochie is to encounter not merely a likeness, but a carefully curated study in character and societal standing. Painted in 1814, this work transcends simple portraiture; it is a document of early nineteenth-century British gentry, imbued with the quiet weight of authority. Raeburn, the master chronicler of Scottish life elevated to national prominence, captures Maconochie—the 1st Lord Meadowbank and Judge—with an unflinching…
This captivating portrait captures John Balmanno, MD, in a moment of considered repose. The sitter is presented with an air of profound accomplishment and quiet authority, hallmarks of the distinguished professional of the early nineteenth century. Dressed in the sober elegance expected of a man of his standing—a tailored suit and tie speak to a life navigated within academic and civic circles—he occupies a space that feels both intimate and…
To stand before this portrait of George Malcolm is to step directly into the refined drawing rooms of the late eighteenth century. Painted around 1790, this oil on canvas captures more than just a likeness; it arrests a moment of profound contemplation. The subject, depicted as a gentleman in his prime with distinguished white hair, meets the viewer's gaze with an intensity that is both direct and deeply thoughtful. His…
This meticulously rendered portrait of John James Audubon, executed in shades of gray, black, and white, offers a profound glimpse into the mind and character of one of history’s most celebrated ornithologists. Attributed to the masterful hand of Sir Henry Raeburn, a Scottish painter renowned for his realism and ability to capture the essence of his subjects, this artwork transcends a simple likeness; it's an embodiment of dedication, intellect, and…
Portrait of Catherine Vorontsova1810 · 普希金国家美术馆
12
Daniel Stewart (1741–1814)1812 · The Merchant's Hall
13
Mrs. Anne Hart1810 · 柏林州立博物馆
14
Charles Gordon of Buthlaw, Lonmay and Cairness (1747–1797)1790 · 苏格兰国家信托
15
William Law of Elvinston (1714-1806)1795 · 维也纳艺术史博物馆
16
A Young Lady1795 · 泰特美术馆
17
Mrs Downey1787 · 泰特美术馆
18
Rear-Admiral Charles Inglis1783 · 苏格兰国家美术馆
19
Mrs H.W. Lauzun1796 · 泰特美术馆
20
Adam Rolland of Gask II1800 · 芝加哥艺术学院
21
Robert Cunninghame Graham of Gartmore, d. 1797. Poet and politician1794 · 苏格兰国家肖像画廊
22
Lady Montgomery, née Helen Graham, d. 1828.1818 · 苏格兰国家肖像画廊
23
Ann Fraser, Mrs. Alexander Fraser Tytler1802 · 布鲁克林博物馆
24
Sir Walter Scott1822 · 苏格兰国家美术馆
25
Mrs John Campbell of Kilberry1802 · 巴伐利亚州绘画收藏馆
26
Lady Dalrymple泰特美术馆
27
Professor James Gregory (1753–1821)1798 · 苏格兰国家信托
28
William Glendonwyn1800 · Fitzwilliam 学院
29
Robert Brown of Newhall1792 · 芝加哥艺术学院
30
Sir James Montgomery, Second Baronet of Stanhope1804 · 底特律艺术学院
31
Portrait of David Cowan1823 · 奥克兰美术馆 Toi o Tāmaki
32
Eleanor Margaret Gibson-Carmichael1802 · 芝加哥艺术学院
33
Portrait of a Man.1810 · 华沙国家博物馆
34
Sir William Napier1810 · 旧金山美术馆
35
Mrs. Alexander Campbell of Possil1756 · 底特律艺术学院
36
Master James Hay1793 · 奥克兰美术馆 Toi o Tāmaki
37
Portrait of John Baillie (1772-1833)1817 · 明尼阿波利斯艺术学院
38
Andrew Spottiswoode1815 · 新南威爾士藝術畫廊
39
Portrait of a Man with Gray Hair1815 · 芝加哥艺术学院
40
E. Finley, Esquire1800 · 伯明翰艺术博物馆
41
Mrs. James Wedderburn, née Isabelle Clerk1819 · 耶鲁大学艺术馆
42
Sir Duncan Campbell of Barcaldine1812 · 旧金山美术馆
43
Resemblance of a Girl and a Boy1800 · 斯洛伐克国家美术馆
44
Alexander Murray, 8th Baron Elibank1800 · 底特律艺术学院
45
Portrait of a Man1812 · 斯泰恩斯博物馆艺术馆
46
Dr. Mackenzie of Edinburgh1790 · Augustiner Museum
47
Portrait of Mrs. George Bell1801 · 明尼阿波利斯艺术学院
48
Alexander Leith of Freeland苏格兰国家信托
49
William Stuart Forbes, elder son of Sir William Forbes of Pitsligo, 1802–18261811 · 苏格兰国家美术馆
50
Thomas Williamson Ramsay (1756–1838)1810 · National Trust
51
Portrait of Sir Patrick Inglis, Baronet of Sunnyside1790 · 明尼阿波利斯艺术学院
52
Bailie William Galloway (1716–1801)1798 · The Merchant's Hall
53
Admiral Adam Duncan (1731-1804), 1st Viscount Duncan1731 · 国家海事博物馆
54
Rev. Dr John Erskine, 1721 - 1803. Theologian1804 · 苏格兰国家肖像画廊
55
Quintin McAdam1815 · 耶鲁英国艺术中心
56
Lady Anne Torphicen芬兰国家美术馆
57
Mrs Robert Adam1780
58
Portrait of James Veitch, Lord Eliock1776
59
Portrait of Lady Cathcart1776
60
Portrait of Mrs Allan Maconochie of Meadowbank and one of her sons1787
61
Portrait of Thomas Wood1790 · 印第安纳波利斯艺术博物馆
62
Portrait of a Man Seated in an Armchair (said to be William Fairlie)1795 · 波士顿美术馆
63
Mr George Paterson of Castle Huntly (1734–1813)1790 · Mcmanus: Dundee's Art Galleries And Museums
64
Lady Anne Miller of Glenlee1788
65
Dr Nathaniel Spens in the uniform of the Royal Company of Archers1793
66
Miss Macartney1794
67
William Beveridge1795 · 苏格兰国家美术馆
68
Miss Eleanor Urquhart1795 · 国家美术馆
69
Portrait of Andrew Wauchope of Niddrie1800 · Dayton Art Institute
70
Lieutenant-General Sir Hildebrand Oakes, 1st Bt GCB (1754-1822)1802 · Killerton
71
Mrs. Macdowall1800 · 印第安纳波利斯艺术博物馆
72
Miss Elizabeth Haig1799
73
Edward Satchwell Fraser1803
74
John Tait of Harviestoun1800 · 旧金山美术馆
75
Frances Harriet Wynne (1786 1860), Mrs Hamilton of Kames1811 · 苏格兰国家美术馆
76
Professor Andrew Dalzel (1742–1806), Classical Scholar1798 · 苏格兰国家肖像画廊
77
Portrait of Mrs George Joseph Bell, née Barbara Shaw (1790-1883)1806
78
Sir Charles Forbes (1774-1849)1810 · National Library of Wales
79
Henry David Erskine, Twelfth Earl of Buchan1805 · 底特律艺术学院
80
Portrait of Robert Sym1810 · Rhode Island School of Design Museum of Art
81
Lieutenant General Duncan Campbell1810 · 克利夫兰艺术博物馆
82
Portrait of Hugh Hope1810 · 克利夫兰艺术博物馆
83
Robert Hay1805 · 波士顿美术馆
84
The Hon. Lady Jane Ogilvie1811
85
William Law (1756–1823), Depute Sherriff of East LothianJohn Muir House
86
Mrs Charles Steuart1794 · 泰特美术馆
87
John Playfair (1748–1819)1814
88
Samuel Anderson1811
89
The 1st Viscount Melville1805
90
John Rennie (1761–1821), Engineer1810 · 苏格兰国家肖像画廊
91
Portrait of Sir Walter Scott and his dogs1820
92
Peter Van Brugh Livingston (1792-1868)1819 · 纽约历史学会
93
Robert Shuttleworth (1784–1818)1818 · Gawthorpe Hall
94
William Scott Elliot of Arkleton (1811 1901)1815 · 大都会艺术博物馆
95
Charles Grant (1746–1823), MP1819 · Inverness Library
96
James Duff, 4th Earl of Fife1815 · University of Dundee
97
William Urquhart (c.1794–1840)1815
98
Dr Gardiner (1726–1807)1806 · 苏格兰国家美术馆
99
Portrait of The Reverend Robert Walker Skating
100
Mrs. Irvine J. Boswell1820 · 底特律艺术学院
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 亨利·雷布恩 的作品 | 此列表中的画作 |
|---|---|---|---|
 苏格兰国家肖像画廊 |
Edinburgh | 29 | Professor Dugald Stewart (1753–1828), Philosopher, Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge, Robert Cunninghame Graham of Gartmore, d. 1797. Poet and politician |
 苏格兰国家美术馆 |
爱丁堡 | 37 | 罗伯特·沃克牧师博士 (1755–1808) 在达丁斯顿湖上滑冰, Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814), William Stuart Forbes, elder son of Sir William Forbes of Pitsligo, 1802–1826 |
 泰特美术馆 |
伦敦 | 8 | Pringle Fraser, A Young Lady, Mrs Downey |
 底特律艺术学院 |
底特律 | 5 | Sir James Montgomery, Second Baronet of Stanhope, Mrs. Alexander Campbell of Possil, Alexander Murray, 8th Baron Elibank |
 芝加哥艺术学院 |
芝加哥 | 4 | Adam Rolland of Gask II, Robert Brown of Newhall, Eleanor Margaret Gibson-Carmichael |
 旧金山美术馆 |
旧金山 | 3 | Sir William Napier, Sir Duncan Campbell of Barcaldine, John Tait of Harviestoun |
 明尼阿波利斯艺术学院 |
明尼阿波利斯 | 3 | Portrait of John Baillie (1772-1833), Portrait of Mrs. George Bell, Portrait of Sir Patrick Inglis, Baronet of Sunnyside |
 苏格兰国家信托 |
特里夫 | 6 | Charles Gordon of Buthlaw, Lonmay and Cairness (1747–1797), Professor James Gregory (1753–1821) |
选择一个年代，探索定义该时代的原创杰作。
In this 1776 portrait, we encounter James Veitch, Lord Eliock, seated in a manner that suggests both the weight of his station and the quietude of a life dedicated to thought. The composition follows a classic pyramidal structure, anchoring the subject within a space that feels both intimate and profoundly dignified. He is positioned beside a table laden with books, a detail that speaks to his intellect and perhaps his…
Henry Raeburn's “Mrs Downey,” completed around 1787-90, stands as a cornerstone of Scottish portraiture and exemplifies the refined sensibilities of the late Enlightenment. Held proudly within the Tate Gallery’s collection—easily accessible at Tate Britain—this oil on canvas masterpiece transcends mere likeness, offering a glimpse into the social and artistic currents of its time.
当一个孤独的身影滑过达丁斯顿湖那片冰封的广阔天地时，空气仿佛变得凛冽而寒冷。这是一位举止高雅的绅士，身着厚重的黑色大衣，头戴高顶礼帽，然而他的动作却轻盈得与其正式着装完全不符。他抬起一条腿，维持着一种微妙的平衡，双手向下抓向脚部，在冬日的寒意中捕捉到了一个转瞬即逝的俏皮瞬间。在他身后，景观向远方延伸，直至那崎岖的山脉，山峰在苏格兰天空的苍白光线下显得柔和而朦胧。这里有一种宁静感，唯有当世界被严霜掩盖，唯一的声响只剩下冰面上金属划过的节奏感时，这种宁静才会存在。
To stand before this portrait of Pringle Fraser is to encounter not merely a likeness, but a carefully constructed moment of contemplation. Painted around 1804, this work captures the essence of early nineteenth-century masculine dignity. The subject commands attention through his direct, almost challenging gaze. He is presented in attire that speaks of respectable standing—the crisp white shirt contrasting sharply with the somber black vest and tie. This deliberate contrast…
To gaze upon this portrait of Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse, is to step directly into the refined atmosphere of the early nineteenth century. Rendered with an exquisite mastery that speaks to the height of Neoclassicism, the painting captures more than just a likeness; it encapsulates an entire era's idealization of feminine dignity and quiet grandeur. The subject is presented in a pose of effortless elegance, seated…
This captivating portrait captures John Balmanno, MD, in a moment of considered repose. The sitter is presented with an air of profound accomplishment and quiet authority, hallmarks of the distinguished professional of the early nineteenth century. Dressed in the sober elegance expected of a man of his standing—a tailored suit and tie speak to a life navigated within academic and civic circles—he occupies a space that feels both intimate and…
罗伯特·沃克牧师博士 (1755–1808) 在达丁斯顿湖上滑冰 (1795)，苏格兰国家美术馆, 爱丁堡。紧随其后的是 Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814) (1810) 和 Young Girl Holding Flowers (1798)。
39岁：罗伯特·沃克牧师博士 (1755–1808) 在达丁斯顿湖上滑冰创作于1795年，亨利·雷布恩出生于1756年。
罗伯特·沃克牧师博士 (1755–1808) 在达丁斯顿湖上滑冰, Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814), Young Girl Holding Flowers, Henry Mackenzie, Professor Dugald Stewart (1753–1828), Philosopher, Pringle Fraser, Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge, John Balmanno, MD, President, FPSG (1800–1802, 1806–1808, 1818–1820 1826–1828), George Malcolm 及 John James Audubon (1785–1851)。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 438 件 亨利·雷布恩 的作品，创作年代从 1776 年至 1823 年。
多见于 苏格兰国家肖像画廊 (Edinburgh), 苏格兰国家美术馆 (爱丁堡) 及 泰特美术馆 (伦敦)。上方的博物馆列表列出了所有相关机构。
在 1810s 期间：本页 100 件作品中有 34 件创作于该时期，其中包含 Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814) 件作品。
在本页面中，最早的作品创作于 Portrait of James Veitch, Lord Eliock (1776)，最晚的创作于 Portrait of David Cowan (1823)。
Portrait (43), Man (40) 及 Dark background (28)，共计 100 件作品。
Oil On Canvas，共计 90 件（本页共有 100 件作品）。
根据本页面的原作，Scottish neoclassicism 及 浪漫主义
Professor Dugald Stewart (1753–1828), Philosopher, Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge 及 Robert Cunninghame Graham of Gartmore, d. 1797. Poet and politician：苏格兰国家肖像画廊, Edinburgh收藏了本页中 7 件作品。
