亨利·莱巴斯克 肖像

100 幅最著名的 亨利·莱巴斯克 作品,画廊精选

更新于 October 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 539 件 亨利·莱巴斯克 作品收录于我们的目录中

简而言之

在 亨利·莱巴斯克 留下的所有原作中,最著名的作品是 Street by the Port at Collioure (1921)。 紧随其后的是 Young woman on a hammock (1923) 和 On the Beach (1921)。 我们的目录收录了 亨利·莱巴斯克 的 539 件作品;画廊完整保留了 100 件享誉世界的杰作,并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。

1865 – 1937, 尚皮涅 Post-impressionism 藏品最多:羅爾富萊茨博物館

亨利·莱巴斯克 的十大名画:画廊精选

1
Street by the Port at Collioure (1921) 由 亨利·莱巴斯克

Street by the Port at Collioure

1921 · Oil

In this 1921 work, we find ourselves standing at the edge of a quiet harbor, looking out toward the water. The scene captures a narrow street leading down to the port, where the architecture of the town meets the movement of the sea. Several boats are scattered throughout the harbor, their forms resting upon the water, while small figures move along the waterfront. There is a sense of a lived-in…

2
Young woman on a hammock (1923) 由 亨利·莱巴斯克

Young woman on a hammock

1923 · Oil On Canvas

Sunlight filters through a dense canopy of leaves, casting dappled patterns across a secluded garden. In the center of this lush sanctuary, a young woman reclines within the gentle embrace of a hammock. The fabric, marked by distinct stripes of red, yellow, and blue, sways almost imperceptibly between two sturdy trees. She rests in a state of profound contentment, her body softly contoured by the weight of her repose. Around…

3
On the Beach (1921) 由 亨利·莱巴斯克

On the Beach

1921 · Oil On Canvas

On the Beach is an oil on canvas by the French artist Henri Lebasque. Created about 1921, the work reflects the artist's established interest in the interplay of light and leisure. Lebasque, born in Champigné, France, developed a style characterized by a natural brush-stroke and a focus on the serene atmosphere of the outdoors.

4
Girls in the Garden (1905) 由 亨利·莱巴斯克

Girls in the Garden

1905 · Oil

Two young figures occupy a sun-dappled garden, their presence framed by the protective canopy of a large tree. One girl finds balance atop a fence, while her companion sits nearby on the ground. A handbag rests on the earth, a small, domestic detail that anchors the scene in a specific, unscripted moment of childhood. Throughout the composition, birds move through the foliage, adding a sense of life to the stillness.…

5
In the Flowers (1903) 由 亨利·莱巴斯克

In the Flowers

1903 · Oil

In this 1903 composition, we find ourselves drawn into a quiet, sun-drenched corner of a garden. Three women inhabit this lush space, their presence felt through a soft, intimate arrangement of figures and flora. On the left, a woman in a white dress leans down to kiss a child, a gesture of tenderness that anchors the scene in a sense of domestic peace. Behind her, another figure in white observes…

6
bather (1910) 由 亨利·莱巴斯克

bather

1910 · Oil

Created about 1910, bather by Henri Lebasque captures a moment of leisure at the water's edge. The central figure is a woman positioned in the water, appearing to sit upon a bench. Her presence establishes a sense of quietude amidst a lively setting. Around her, several other people are gathered, some standing and others seated, observing or interacting within the shared space.

7
Summer Afternoon at Frejus (1906) 由 亨利·莱巴斯克

Summer Afternoon at Frejus

1906 · Oil

Summer Afternoon at Frejus, painted in 1906, captures a peaceful outdoor scene set near a body of water, such as a lake or the ocean. The composition centers on a woman sitting in the grass, appearing to enjoy her time in nature. The landscape is lush, featuring several trees and bushes that contribute to the tranquil atmosphere.

8
Bathers at a fountain in Saint Tropez (1906) 由 亨利·莱巴斯克

Bathers at a fountain in Saint Tropez

1906 · Oil On Canvas

In this 1906 work, we find ourselves in a secluded corner of a forest, where the heat of the day seems to soften against the cool presence of a stone fountain. Two women, stripped of the complexities of social life, stand near the water, their forms integrated into the lush surroundings. One figure is positioned toward the left, while the other occupies the right, both seemingly lost in a shared,…

9
Woman in a Boat with an Umbrella (1915) 由 亨利·莱巴斯克

Woman in a Boat with an Umbrella

1915 · Oil

A woman sits within a boat characterized by a green hull, positioned upon a body of water. She holds an open umbrella, shielding herself while appearing to exist in a state of quiet repose despite the presence of rain. The water's surface reflects the light and the forms of the figures present. In the background, several other people are visible, some positioned near the shoreline, adding a sense of communal…

10
Blue Reflection in the Fountain at Pradet (1917) 由 亨利·莱巴斯克

Blue Reflection in the Fountain at Pradet

1917 · Oil

Two women sit by the water's edge, seeking repose in a park-like setting. One holds an umbrella, a gesture of shade against the midday sun. Behind them, the landscape rises in soft silhouettes of trees and mountains, framing a scene of stillness. The composition focuses on the intersection of human presence and the natural world, captured during a period when the light of the South of France began to transform…

亨利·莱巴斯克 系列持续更新,第 11 至 100 项

11The Terrace at Prefailles (1922) 由 亨利·莱巴斯克The Terrace at Prefailles1922 12Le Pradet Jeune Femme au Hamac (1923) 由 亨利·莱巴斯克Le Pradet Jeune Femme au Hamac1923 13Blue Mountains in Cannes (1926) 由 亨利·莱巴斯克Blue Mountains in Cannes1926 14Women and Children in the Parc de Dammartin (1896) 由 亨利·莱巴斯克Women and Children in the Parc de Dammartin1896 15Young Woman Seated with Hydrangeas (1920) 由 亨利·莱巴斯克Young Woman Seated with Hydrangeas1920 16Girls in a Mediterranean landscape 由 亨利·莱巴斯克Girls in a Mediterranean landscape 17Young Girls in a Wood (1897) 由 亨利·莱巴斯克Young Girls in a Wood1897 · Museo de Arte de Ponce 18Girls in the Forest at Sunset (1898) 由 亨利·莱巴斯克Girls in the Forest at Sunset1898 19Girls in the Garden (1905) 由 亨利·莱巴斯克Girls in the Garden1905 20Fillette à la Fenêtre (1904) 由 亨利·莱巴斯克Fillette à la Fenêtre1904 21The Marne at Lagny (1905) 由 亨利·莱巴斯克The Marne at Lagny1905 22Madame Lebasque and Her Daughters (1903) 由 亨利·莱巴斯克Madame Lebasque and Her Daughters1903 23bathers (1910) 由 亨利·莱巴斯克bathers1910 24Marthe and Madame Lebasque at the Fountain (1907) 由 亨利·莱巴斯克Marthe and Madame Lebasque at the Fountain1907 25ms zambelli (1912) 由 亨利·莱巴斯克ms zambelli1912 26Cannes in Spring (1921) 由 亨利·莱巴斯克Cannes in Spring1921 27Naked on the Red Carpet (1925) 由 亨利·莱巴斯克Naked on the Red Carpet1925 28Nude with Necklace (1923) 由 亨利·莱巴斯克Nude with Necklace1923 29The Terrace in Pradet 由 亨利·莱巴斯克The Terrace in Pradet 30Two Bathers by the Beach 由 亨利·莱巴斯克Two Bathers by the Beach 31Rest on the Banks of the Yaudet (1897) 由 亨利·莱巴斯克Rest on the Banks of the Yaudet1897 32The Siesta (1923) 由 亨利·莱巴斯克The Siesta1923 33Nude in Provence 由 亨利·莱巴斯克Nude in Provence 34Terrace in the Garden 由 亨利·莱巴斯克Terrace in the Garden 35Nude in Repose 由 亨利·莱巴斯克Nude in Repose 36a woman reading 由 亨利·莱巴斯克a woman reading 37woman tying up her sandle 由 亨利·莱巴斯克woman tying up her sandle 38Young girls in a boat on the Marne 由 亨利·莱巴斯克Young girls in a boat on the Marne 39Garden with Urn (1913) 由 亨利·莱巴斯克Garden with Urn1913 40Women Sewing (1922) 由 亨利·莱巴斯克Women Sewing1922 41Street in Lagny, in Chessy (1906) 由 亨利·莱巴斯克Street in Lagny, in Chessy1906 42Young woman with Umbrella at St Maxime (1918) 由 亨利·莱巴斯克Young woman with Umbrella at St Maxime1918 43Madame Lebasque and Her Daughters (1903) 由 亨利·莱巴斯克Madame Lebasque and Her Daughters1903 44Nono and a guitar (1910) 由 亨利·莱巴斯克Nono and a guitar1910 45Bathers in the Sea 由 亨利·莱巴斯克Bathers in the Sea 46Woman in a White Dress (1923) 由 亨利·莱巴斯克Woman in a White Dress1923 47Garden in Spring (1904) 由 亨利·莱巴斯克Garden in Spring1904 48Portrait of Basler (1912) 由 亨利·莱巴斯克Portrait of Basler1912 49Le Cannet Madame Lebasque Reading in the Garden (1923) 由 亨利·莱巴斯克Le Cannet Madame Lebasque Reading in the Garden1923 50Reading in the Garden (1886) 由 亨利·莱巴斯克Reading in the Garden1886 51Reading in the Garden (1886) 由 亨利·莱巴斯克Reading in the Garden1886 52Sheep in the Village Street (1895) 由 亨利·莱巴斯克Sheep in the Village Street1895 53Conversation in the Park (1898) 由 亨利·莱巴斯克Conversation in the Park1898 54Landscape at Champetre (1894) 由 亨利·莱巴斯克Landscape at Champetre1894 55Country Road Bridge and Carriage (1895) 由 亨利·莱巴斯克Country Road Bridge and Carriage1895 56Conversation in the Park (1898) 由 亨利·莱巴斯克Conversation in the Park1898 57Portrait of Marcelle Mezieres Nine Years Old (1896) 由 亨利·莱巴斯克Portrait of Marcelle Mezieres Nine Years Old1896 58Country Road Bridge and Carriage (1895) 由 亨利·莱巴斯克Country Road Bridge and Carriage1895 59Market Place (1893) 由 亨利·莱巴斯克Market Place1893 60Le Château (1897) 由 亨利·莱巴斯克Le Château1897 61Madame Lebasque and her daughter Marthe (1898) 由 亨利·莱巴斯克Madame Lebasque and her daughter Marthe1898 62Young Bather by the River (1897) 由 亨利·莱巴斯克Young Bather by the River1897 63Village of Champigne (1893) 由 亨利·莱巴斯克Village of Champigne1893 · 羅爾富萊茨博物館 64By the Marne (1898) 由 亨利·莱巴斯克By the Marne1898 65Garden at Champigny (1894) 由 亨利·莱巴斯克Garden at Champigny1894 66Sheep in the Village street (1895) 由 亨利·莱巴斯克Sheep in the Village street1895 67Young Girl in a Clearing (1897) 由 亨利·莱巴斯克Young Girl in a Clearing1897 68Landscape at Champetre (1894) 由 亨利·莱巴斯克Landscape at Champetre1894 69A Square in Monterain (1895) 由 亨利·莱巴斯克A Square in Monterain1895 70Madame Lebasque in a Breton landscape (1898) 由 亨利·莱巴斯克Madame Lebasque in a Breton landscape1898 71The Farm at Lagny in Winter (1905) 由 亨利·莱巴斯克The Farm at Lagny in Winter1905 72The Marne at Lagny (1905) 由 亨利·莱巴斯克The Marne at Lagny1905 73Pont Pierre at the Lagny River (1902) 由 亨利·莱巴斯克Pont Pierre at the Lagny River1902 74The Marne at Lagny (1905) 由 亨利·莱巴斯克The Marne at Lagny1905 75Child's Head in Profile (1905) 由 亨利·莱巴斯克Child's Head in Profile1905 76The Marne at Ponponne (1905) 由 亨利·莱巴斯克The Marne at Ponponne1905 77By the River (1900) 由 亨利·莱巴斯克By the River1900 78Child Playing in the Garden (1903) 由 亨利·莱巴斯克Child Playing in the Garden1903 79Le Parc Monceau (1900) 由 亨利·莱巴斯克Le Parc Monceau1900 80Youn Girl in a Garden at St Tropez (1903) 由 亨利·莱巴斯克Youn Girl in a Garden at St Tropez1903 81Mother and Child in a Landscape (1900) 由 亨利·莱巴斯克Mother and Child in a Landscape1900 82Lunchtime at Lagny (1905) 由 亨利·莱巴斯克Lunchtime at Lagny1905 83Girls by the River (1905) 由 亨利·莱巴斯克Girls by the River1905 84Girls by the River (1905) 由 亨利·莱巴斯克Girls by the River1905 85Madame Lebasque with Daughter (1900) 由 亨利·莱巴斯克Madame Lebasque with Daughter1900 86Madame Lebasque and daughter by the Marne (1899) 由 亨利·莱巴斯克Madame Lebasque and daughter by the Marne1899 87Landscape with Haystack (1900) 由 亨利·莱巴斯克Landscape with Haystack1900 88Partie de Campagne (1903) 由 亨利·莱巴斯克Partie de Campagne1903 89Le Parc de Saint-Cloud (1900) 由 亨利·莱巴斯克Le Parc de Saint-Cloud1900 90fishing party (1905) 由 亨利·莱巴斯克fishing party1905 91Madame Lebasque with daughter (1900) 由 亨利·莱巴斯克Madame Lebasque with daughter1900 92LIttle White Dog (1905) 由 亨利·莱巴斯克LIttle White Dog1905 93In the Forest the Harvest (1904) 由 亨利·莱巴斯克In the Forest the Harvest1904 94The Banks of the Marne at Lagny (1905) 由 亨利·莱巴斯克The Banks of the Marne at Lagny1905 95The Seine at Paris (1904) 由 亨利·莱巴斯克The Seine at Paris1904 96Two girls by the Eau river (1900) 由 亨利·莱巴斯克Two girls by the Eau river1900 97young painter (1905) 由 亨利·莱巴斯克young painter1905 98autumn (1900) 由 亨利·莱巴斯克autumn1900 99A Small Girl with Her Doll (1900) 由 亨利·莱巴斯克A Small Girl with Her Doll1900 100Lagny, View of the Quai de Pamponne (1904) 由 亨利·莱巴斯克Lagny, View of the Quai de Pamponne1904

亨利·莱巴斯克 的传世名作,按时期分类

令 亨利·莱巴斯克 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 亨利·莱巴斯克 原作的博物馆

收藏了本页中大部分画作的 2 家博物馆。

博物馆 城市 亨利·莱巴斯克 的作品 此列表中的画作
羅爾富萊茨博物館, Köln羅爾富萊茨博物館 Köln 3 Village of Champigne
Museo de Arte de Ponce, 庞塞Museo de Arte de Ponce 庞塞 1 Young Girls in a Wood

亨利·莱巴斯克 的年代演变:定义每个时代的原创之作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

藏家关于 亨利·莱巴斯克 作品的常见问题

亨利·莱巴斯克 最著名的作品是哪一件?揭晓答案

Street by the Port at Collioure (1921)。紧随其后的是 Young woman on a hammock (1923) 和 On the Beach (1921)。

创作 Street by the Port at Collioure 时,亨利·莱巴斯克 是多少岁?揭晓答案

56岁:Street by the Port at Collioure创作于1921年,亨利·莱巴斯克出生于1865年。

亨利·莱巴斯克 最著名的十幅画作是什么?揭晓答案

Street by the Port at Collioure, Young woman on a hammock, On the Beach, Girls in the Garden, In the Flowers, bather, Summer Afternoon at Frejus, Bathers at a fountain in Saint Tropez, Woman in a Boat with an Umbrella 及 Blue Reflection in the Fountain at Pradet。上方排名显示了每件作品的创作年份及馆藏机构。

亨利·莱巴斯克 留下了多少幅画作?揭晓答案

我们的目录收录了 539 件 亨利·莱巴斯克 的作品,创作年代从 1886 年至 1926 年。

亨利·莱巴斯克 的杰作收藏在哪些博物馆中?揭晓答案

多见于 羅爾富萊茨博物館 (Köln) 及 Museo de Arte de Ponce (庞塞)。上方的博物馆列表列出了所有相关机构。

亨利·莱巴斯克 在哪些年份创作了最著名的作品?揭晓答案

在 1900s 期间:本页 100 件作品中有 41 件创作于该时期,其中包含 Girls in the Garden 件作品。

亨利·莱巴斯克 的首件与末件名作原件分别是哪几件?揭晓答案

在本页面中,最早的作品创作于 Reading in the Garden (1886),最晚的创作于 Blue Mountains in Cannes (1926)。

亨利·莱巴斯克 最常创作的主题是什么?揭晓答案

Rivers (13), Women (12) 及 Woman (11),共计 100 件作品。

亨利·莱巴斯克 最常用的技法是什么?揭晓答案

Oil On Canvas,共计 15 件(本页共有 100 件作品)。

亨利·莱巴斯克 属于哪种艺术流派?揭晓答案

根据本页面的原作,Post-impressionism 及 Impressionism

我可以定制一幅 亨利·莱巴斯克 作品的复刻画吗?揭晓答案

是的,作为复制品:原作仍保存在博物馆中,但您可以通过该画作的专属页面,为您定制任何一幅此页面上的手绘作品,每一件均为您量身打造。

亨利·莱巴斯克:生平与作品

A Painter of Joy and Light: The Life and Art of Henri Lebasque

Henri Lebasque, a name perhaps less immediately recognized than some of his Post-Impressionist contemporaries, nevertheless occupies a significant place in the artistic landscape of early 20th-century France. Born in Champigné, Maine-et-Loire, in 1865, Lebasque’s journey toward becoming a celebrated painter was one marked by diligent study, evolving influences, and an unwavering commitment to capturing beauty in everyday life. His early education at the École régionale des beaux-arts d'Angers provided a foundational grounding, but it was his move to Paris in 1886 that truly ignited his artistic development. There, under the tutelage of Léon Bonnat and through assisting Ferdinand Humbert with decorative murals at the Panthéon, he honed his technical skills while immersing himself in the vibrant Parisian art scene. This period proved crucial, bringing him into contact with pivotal figures like Camille Pissarro and Auguste Renoir, whose emphasis on light and color would profoundly shape his aesthetic sensibilities.

Embracing Intimacy: Influences and Artistic Development

Lebasque’s artistic trajectory wasn't solely defined by the established masters; it was equally influenced by a younger generation of artists pushing the boundaries of painting. His association with Les Nabis, particularly Édouard Vuillard and Pierre Bonnard, proved transformative. These Intimist painters prioritized domestic scenes and intimate moments, fostering in Lebasque a similar inclination toward capturing the quiet poetry of everyday existence. The Nabis’ emphasis on flattened forms, decorative patterns, and subtle color harmonies resonated deeply with his own artistic inclinations. Simultaneously, exposure to the theories of Georges Seurat and Paul Signac introduced him to the principles of Chromoluminarism – the scientific application of complementary colors to create luminous effects. This knowledge became a cornerstone of his technique, allowing him to imbue his canvases with an extraordinary vibrancy and sense of light. He wasn’t merely replicating what he saw; he was interpreting it through a lens of color and emotion, creating scenes that felt both familiar and dreamlike. Lebasque's artistic vision stemmed from a profound appreciation for the subtleties of human experience—a fascination with capturing fleeting emotions and portraying ordinary life with remarkable tenderness. Influenced by Impressionism’s exploration of light and atmosphere, he skillfully blended these techniques with the expressive dynamism characteristic of Post-Impressionism. This fusion resulted in paintings that possessed both visual splendor and psychological depth, reflecting Lebasque's belief that art could illuminate the human condition. His meticulous attention to detail—particularly in rendering fabrics and textures—further distinguished his work from more abstract styles, grounding it firmly in observation and conveying a palpable sense of materiality.

A Palette of Serenity: Themes and Techniques

The hallmark of Lebasque's work lies in its serene atmosphere and harmonious palette. He found inspiration in the simple pleasures of life – family portraits, leisurely moments in gardens, landscapes bathed in sunlight. His paintings are not grand historical narratives or dramatic allegories; instead, they offer glimpses into intimate domesticity and the beauty of the natural world. Madame Lebasque and Her Daughters exemplifies his ability to capture a tender moment with remarkable grace and sensitivity. The figures are rendered with soft brushstrokes and bathed in warm light, creating an atmosphere of peaceful contentment. He skillfully employed complementary color pairings – blues and oranges, reds and greens – to create visual excitement while maintaining an overall sense of harmony. Works like Rest on the Banks of the Yaudet demonstrate his mastery of landscape painting, capturing the tranquility of nature with a delicate touch. Lebasque’s technique involved building up layers of thin, translucent paint, allowing the underlying colors to shimmer through, resulting in a luminous quality that is characteristic of his style. He achieved this remarkable effect by applying pigment in successive glazes—thin washes of color applied over previously painted surfaces—a method perfected during his formative years under Bonnat’s guidance. This layering technique not only enhanced the vibrancy of his canvases but also created a sense of depth and illusion, mirroring the way light interacts with surfaces in real life. Furthermore, Lebasque's masterful handling of brushstrokes—often loose and expressive—added to the dynamism of his compositions, conveying movement and capturing fleeting impressions.

Legacy and Recognition: A Lasting Impression

Throughout his career, Lebasque enjoyed considerable success, participating in prestigious exhibitions such as the Salon d’Automne – which he helped found alongside Henri Matisse – and the Salon des Indépendants. He even received commissions for decorative projects, including work at the Champs-Élysées theatre and on transatlantic liners. His paintings are now held in numerous prominent museum collections, including the Musée d’Orsay in Paris, the Petit Palais in Geneva, and museums in Lille and Nantes, attesting to his enduring artistic significance. While perhaps not as widely celebrated as some of his more avant-garde contemporaries, Henri Lebasque's contribution to Post-Impressionism is undeniable. He offered a unique vision – one that prioritized beauty, harmony, and the quiet joys of everyday life. His paintings continue to resonate with viewers today, offering a welcome respite from the complexities of the modern world and reminding us of the enduring power of art to uplift and inspire.

亨利·莱巴斯克 的全部 539 件作品 →