更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 55 件 乔瓦尼·兰弗兰科 作品收录于我们的目录中
简而言之
在 乔瓦尼·兰弗兰科 留下的所有原作中，最著名的当属收藏于 罗马 博尔盖塞美术馆 的《The Council of Gods (1624)》。 紧随其后的是 Roman Naumachia (1635) 和 Madonna and Child with the Infant Saint John the Baptist (1630)。 我们的目录收录了 乔瓦尼·兰弗兰科 的 55 件作品；画廊完整保留了 55 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
Giovanni Lanfranco’s fresco “The Council of Gods,” adorning the Galleria Borghese in Rome, stands as a testament to the artistic fervor of the Baroque period. Painted in 1624 during the reign of Pope Urbano VIII, this monumental artwork transcends mere decoration; it embodies the theological debates and intellectual currents shaping Renaissance Europe.
A panoramic naval engagement unfolds across a wide horizontal plane, capturing the violent energy of a Roman Naumachia. The composition is crowded, pulling the viewer into a frantic struggle between wooden vessels. Figures are locked in combat, their muscular forms straining against the weight of spears and the pull of the sea. The scene is defined by a sense of immense scale and continuous, churning movement.
In the heart of Rome, a quiet intimacy unfolds within Madonna and Child with the Infant Saint John the Baptist. The Italian artist Giovanni Lanfranco breathes life into this scene, capturing a tender moment that feels as though it is happening in the present. Created about 1630–1632, the work emerges from a period of intense creative energy in the city. The figures exist in a space of soft light and…
In this large-scale oil on canvas, we find ourselves witnessing a moment of profound upheaval. The scene, titled Funeral Rites of a Roman Emperor, captures the chaotic energy of a historical transition. A diagonal composition directs the eye through a crowded, swirling mass of figures, leading upward toward the central, deceased emperor. There is a palpable sense of movement here, driven by the muscular, twisting bodies of combatants in the…
Giovanni Lanfranco’s 1610 fresco, located within the San Carlo ai Catinari church in Rome, captures the moment the angel Gabriel delivers the divine message to the Virgin Mary. The composition is structured through a pyramidal arrangement, anchoring the kneeling Mary at the base and directing the eye upward toward the celestial messenger. Light functions as a primary narrative tool; an unseen source bathes Mary in a luminous glow, while Gabriel’s…
Gladiators Fighting by Giovanni Lanfranco captures a violent struggle within a grand, classical arena. The scene centers on muscular male figures engaged in intense combat, their bodies defined by forceful, diagonal lines and twisting poses. In the foreground, fallen combatants lie prone upon the dusty ground, rendered with anatomical detail. This central conflict is framed by an imposing classical structure, where tall columns and a colonnade rise into the background.…
The Allocution of a Roman Emperor is a significant oil on canvas by Giovanni Lanfranco. This work, also attributed to the artist as Giovanni di Stefano Lanfranco, captures a moment of intense oratorical address within a Roman setting. The painting depicts a leader delivering a formal speech to an assembly of troops and onlookers, a subject that allows for a profound exploration of human emotion and physical presence.
In the evocative engraving Christ Served by Angels, created in 1616, the Italian master Giovanni Lanfranco invites viewers into a profound moment where the earthly and the divine intersect. This work is far more than a mere religious illustration; it is a masterful display of Baroque dynamism, capturing a scene that vibrates with both tension and spiritual grace. Through his expert use of line and shadow, Lanfranco orchestrates a narrative…
We are looking at Gladiators at a Banquet, a significant work by the Italian painter Giovanni Lanfranco. This oil on canvas was executed about 1638, a period when the artist was establishing his presence within the Baroque movement. The scale of the piece is substantial, measuring 232.0 x 355.0cm, which lends a certain physical weight to the scene it depicts.
In the sweeping, dramatic tradition of the Italian Baroque, Giovanni Lanfranco’s "Norandino and Lucina Discovered by the Ogre" serves as a breathtaking window into a world where myth and peril collide. Painted in 1624, this masterpiece captures a pivotal moment of high drama: the sudden, terrifying intrusion of a monstrous force into a pastoral sanctuary. The composition is masterfully orchestrated to guide the viewer’s eye through a landscape of both…
Penitent Mary Magdalene1614 · 巴伐利亚州绘画收藏馆
12
Roger Arriving in Bretagne Dismounts Angélique from the Hippogriff1616 · Galleria Nazionale delle Marche
13
Young Naked Man on a Bed with Cat1621
14
The Glorification of Christ surrounded by Saints1614 · 斯泰恩斯博物馆艺术馆
15
Miracle of Saint Veranus1610
16
Assumption of Mary1631 · 巴伐利亚州绘画收藏馆
17
Alexander and the Physician Filippo1630
18
Alexander Refuses the Water1630
19
The Last Supper1624 · 爱尔兰国家美术馆
20
Three Capuchin Saints and a Bishop Worshipping Christ and the Cross1630 · 施泰德美术馆
21
Elijah and the Raven1625
22
Saint Andrew Kneeling Before the Cross1637 · 柏林国家美术馆
23
Coronation of the Virgin with St Augustine and St William of Aquitaine1616 · 卢浮宫
24
Mary Magdalen Raised by Angels1616 · 卡波迪蒙特博物馆
25
Miracle of the Bread and Fish1620 · 爱尔兰国家美术馆
26
Ecstasy of St Margaret of Cortona1622
27
The Prophet Elijah Awakened in the Desert by an Angel, Giovanni Lanfranco, 1624 - 16251625 · 国家博物馆
28
Madonna and Child with Sts Anthony Abbot and James the Greater1622 · 维也纳艺术史博物馆
29
LE COURONNEMENT DE LA VIERGE AVEC SAINT AUGUSTIN ET SAINT GUILLAUME D'AQUITAINE卢浮宫
30
St Ursula and the Virgins1622 · 国家古美术馆
31
Saint Sebastian斯泰恩斯博物馆艺术馆
32
SAINT CONRAD里昂美术博物馆
33
AGAR DANS LE DESERT
34
Angélica e MedoroMuseu Nacional de Belas Artes
35
Liberation of Saint Peter伯明翰艺术博物馆
36
Senecas död国家博物馆
37
Angelica and MedoroFondantico di Tiziana Sassòli
38
Right nave of Fidenza cathedralMuseo del Duomo e Cattedrale di Fidenza
39
Left nave of Fidenza cathedralMuseo del Duomo e Cattedrale di Fidenza
40
Saint OctaviusPinacoteca Stuard
41
Fidenza cathedral insideMuseo del Duomo e Cattedrale di Fidenza
42
Christ and the Woman of Samaria1620 · 阿什莫利博物馆
43
Hagar in the Wilderness卢浮宫
44
Saint LukeMusei Civici di Palazzo Farnese
45
Ecstasy of Saint Margaret of Cortona1622 · 皮蒂宫
46
St Peter Healing St Agatha1614 · 帕尔马国家美术馆
47
Moses and the Messengers from Canaan1621 · J·保罗·盖蒂博物馆
48
A Priest sacrificing for a Roman Emperor1635 · 普拉多博物馆
49
Elijah Receiving Bread from the Widow of Zarephath1621 · J·保罗·盖蒂博物馆
50
Nativity1600
51
Annunciation1620 · San Carlo ai Catinari
52
Christ Served by Angels1616 · 卡波迪蒙特博物馆
53
Venus Playing the Harp (Allegory of Music)1630 · 国家古美术馆
54
La séparation de saint Paul et de saint Pierre allant au martyre凡尔赛宫
55
St Andrea Avellino1624 · 圣安德烈亚·德拉·瓦莱大教堂
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 乔瓦尼·兰弗兰科 的作品 | 此列表中的画作 |
|---|---|---|---|
 普拉多博物馆 |
马德里 | 6 | Roman Naumachia, Funeral Rites of a Roman Emperor, Gladiators Fighting |
 J·保罗·盖蒂博物馆 |
洛杉矶 | 3 | Madonna and Child with the Infant Saint John the Baptist, Moses and the Messengers from Canaan, Elijah Receiving Bread from the Widow of Zarephath |
 卡波迪蒙特博物馆 |
那不勒斯 | 3 | Christ Served by Angels, Mary Magdalen Raised by Angels, Christ Served by Angels |
 卢浮宫 |
巴黎 | 3 | Coronation of the Virgin with St Augustine and St William of Aquitaine, LE COURONNEMENT DE LA VIERGE AVEC SAINT AUGUSTIN ET SAINT GUILLAUME D'AQUITAINE, Hagar in the Wilderness |
 Museo del Duomo e Cattedrale di Fidenza |
Fidenza | 3 | Right nave of Fidenza cathedral, Left nave of Fidenza cathedral, Fidenza cathedral inside |
 博尔盖塞美术馆 |
罗马 | 2 | The Council of Gods, Norandino and Lucina Discovered by the Ogre |
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 2 | Penitent Mary Magdalene, Assumption of Mary |
 斯泰恩斯博物馆艺术馆 |
哥本哈根 | 2 | The Glorification of Christ surrounded by Saints, Saint Sebastian |
选择一个年代，探索定义该时代的原创杰作。
Gladiators Fighting by Giovanni Lanfranco captures a violent struggle within a grand, classical arena. The scene centers on muscular male figures engaged in intense combat, their bodies defined by forceful, diagonal lines and twisting poses. In the foreground, fallen combatants lie prone upon the dusty ground, rendered with anatomical detail. This central conflict is framed by an imposing classical structure, where tall columns and a colonnade rise into the background.…
Giovanni Lanfranco’s 1610 fresco, located within the San Carlo ai Catinari church in Rome, captures the moment the angel Gabriel delivers the divine message to the Virgin Mary. The composition is structured through a pyramidal arrangement, anchoring the kneeling Mary at the base and directing the eye upward toward the celestial messenger. Light functions as a primary narrative tool; an unseen source bathes Mary in a luminous glow, while Gabriel’s…
Giovanni Lanfranco’s fresco “The Council of Gods,” adorning the Galleria Borghese in Rome, stands as a testament to the artistic fervor of the Baroque period. Painted in 1624 during the reign of Pope Urbano VIII, this monumental artwork transcends mere decoration; it embodies the theological debates and intellectual currents shaping Renaissance Europe.
A panoramic naval engagement unfolds across a wide horizontal plane, capturing the violent energy of a Roman Naumachia. The composition is crowded, pulling the viewer into a frantic struggle between wooden vessels. Figures are locked in combat, their muscular forms straining against the weight of spears and the pull of the sea. The scene is defined by a sense of immense scale and continuous, churning movement.
The Council of Gods (1624)，博尔盖塞美术馆, 罗马。紧随其后的是 Roman Naumachia (1635) 和 Madonna and Child with the Infant Saint John the Baptist (1630)。
42岁：The Council of Gods创作于1624年，乔瓦尼·兰弗兰科出生于1582年。
The Council of Gods, Roman Naumachia, Madonna and Child with the Infant Saint John the Baptist, Funeral Rites of a Roman Emperor, The Annunciation, Gladiators Fighting, The Allocution of a Roman Emperor, Christ Served by Angels, Gladiators at a Banquet 及 Norandino and Lucina Discovered by the Ogre。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 55 件 乔瓦尼·兰弗兰科 的作品，创作年代从 1600 年至 1638 年。
多见于 普拉多博物馆 (马德里), J·保罗·盖蒂博物馆 (洛杉矶) 及 卡波迪蒙特博物馆 (那不勒斯)。上方的博物馆列表列出了所有相关机构。
在 1620s 期间：本页 55 件作品中有 16 件创作于该时期，其中包含 The Council of Gods 件作品。
在本页面中，最早的作品创作于 Nativity (1600)，最晚的创作于 The Allocution of a Roman Emperor (1638)。
Man (13), People (11) 及 Woman (8)，共计 55 件作品。
Oil On Canvas，共计 25 件（本页共有 55 件作品）。
根据本页面的原作，Baroque
Roman Naumachia, Funeral Rites of a Roman Emperor 及 Gladiators Fighting：普拉多博物馆, 马德里收藏了本页中 6 件作品。
乔凡尼·加斯帕雷·兰弗兰科于1582年出生在意大利帕尔马，是斯特凡诺与科内利亚·兰弗兰奇的第三个儿子。他的艺术天赋在幼年时期便脱颖而出，这使他得以跟随博洛尼亚著名艺术家安尼巴莱·卡拉奇的兄弟阿戈斯蒂诺·卡拉奇学习艺技。随后，他在帕尔马的法尔内塞宫殿中与西斯托·巴达洛基并肩工作。兰弗兰科的艺术磨炼在罗马安尼巴莱·卡拉奇的大型工作室中得以延续，期间他参与了法尔内塞美术馆等重要项目的创作，包括波吕斐穆斯与伽拉忒亚画板的绘制。这段时期让他沉浸在充满活力的艺术氛围之中，为他日后的艺术生涯奠定了坚实的基础。
1609年安尼巴莱·卡拉奇逝世后，兰弗兰科曾短暂回到帕尔马，并于1612年重新在罗马确立了自己的地位。他逐渐形成了一种极具辨识度的个人风格，其特点在于充满动感的构图、戏剧性的光影运用，以及一种特别适用于天顶湿壁画的远见卓识。虽然他的作品受到了路多维科·卡拉奇晚期作品以及可能存在的卡拉瓦乔的影响，但他同时也展现出对科雷乔装饰风格的强烈亲和力。他的早期作品呈现出一种博采众长的特质，在吸收多位大师精髓的同时，也逐渐开辟出属于自己的艺术道路。他艺术发展中的一个核心成就，在于能够通过湿壁画创造出令人惊叹的错觉效果，从而为巴洛克美学做出了卓越贡献。
在教皇保罗五世的支持下，兰弗兰科的艺术生涯迎来了鼎盛时期，后者曾多次向他委任创作。他的诸多杰作中，最为人称道的是：
乔凡尼·兰弗兰科在塑造17世纪罗马艺术版图的过程中扮演了至关重要的角色。他曾与多梅尼基诺在争取重大委任项目上展开激烈竞争，这种良性竞争也推动了当时顶尖艺术家之间的艺术碰撞。他在湿壁画创作上的创新方法，尤其是对错觉技法和戏剧化构图的精妙运用，深刻影响了后世的一代艺术家。兰弗兰科的作品精准地捕捉了巴洛克时代的大趋势——即对动态、情感与宏伟感的专注——并确立了他作为那个时代最重要画家之一的历史地位。他的艺术印记在后来的弗朗切斯科·索利梅纳及其他意大利艺术家的作品中依然清晰可见。
