更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 55 件 史特拉 作品收录于我们的目录中
简而言之
Hyena Stomp (1962) 是史特拉最受瞩目的画作。 随后，目光会移向 Die Fahne Hoch! (1959) 和 Gran Cairo (1962)。 在 史特拉 的 55 件作品中，这 51 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
In the vast landscape of twentieth-century abstraction, few works capture the electric pulse of innovation quite like Frank Stella’s 1962 masterpiece, Hyena Stomp. This painting serves as a breathtaking testament to a pivotal moment in art history when the boundaries of the canvas were being radically redefined. At first glance, the viewer is met with an explosion of color—a rhythmic dance of concentric squares that seem to pulse with their…
Frank Stella’s 1959 painting, *Die Fahne Hoch!*, isn't merely a composition of black lines on white canvas; it’s an arresting declaration of form and a subtle provocation. Emerging from the vibrant, emotionally charged world of Abstract Expressionism, Stella deliberately distanced himself from its subjective gestures, seeking instead to establish art as an object in itself – a flat surface with paint on it, as he famously stated. This painting embodies…
In the vast landscape of twentieth-century abstraction, few works capture the hypnotic allure of pure form as effectively as Frank Stella’s Gran Cairo. Created in 1962, this masterpiece serves as a profound exploration of visual perception, where the boundaries between color and shape begin to dissolve into a mesmerizing dance. At first glance, the viewer is met with a striking interplay of concentric squares, each layer pulsating with a spectrum…
In 1958, Frank Stella entered his first year of independent work. This period marked a departure from his studies, as he moved to New York City to establish a singular practice. During this pivotal year, he produced a series of monumental abstract canvases. Composition (S/1) emerged from this intense period of production, a time when the artist began to assert a new visual language through scale and form.
To stand before Basra Gate III is to encounter a moment of pure, structured contemplation. This large-scale composition does not whisper; it declares with the confident precision of mathematical certainty. It presents itself as a magnificent semi-circular expanse, immediately drawing the eye into its vibrant, organized complexity. The dominant field of deep purple acts less as a background and more as a resonant void against which color can finally breathe…
Frank Stella: Exploring Minimalism Through Color and Texture – Manteneia II Manteneia II stands as a cornerstone of Frank Stella’s Protractor series, embodying his radical departure from Abstract Expressionism and establishing him as a pivotal figure in the minimalist movement. Completed in 1968, this monumental acrylic painting transcends mere visual representation; it delves into fundamental questions about perception and artistic intention. Stella's approach wasn't driven by emotional catharsis but rather…
This painting is part of Stella’s Morocco series (1964–65), which was inspired in part by Arabic tiles. Using fluorescent paint to disrupt the picture plane, Stella creates not only an illusion of depth but also a pulsating effect that belies the work’s simple, geometric lines.
The Darabjerd III painting by Frank Stella is a seminal work in the realm of geometric abstraction. Created in 1967, this acrylic on canvas piece measures 305 x 458 cm and is housed at the National Portrait Gallery in the United States. As a prominent artist of his time, Frank Stella was known for pushing the boundaries of traditional art forms, and Darabjerd III is a testament to his innovative…
Coxuria from The Geldzahler Portfolio1997
12
Harran II1967 · 古根海姆博物馆
13
Six Mile Bottom1960
14
Them Apples1958
15
Arundel Castle1959
16
Pagosa Springs1960
17
Haines City1963 · 大都会艺术博物馆
18
Haines City1963
19
Line Up1962
20
Concentric Squares1966
21
Damascus Gate1969 · 以色列博物馆
22
Lac Laronge IV1969 · 托莱多艺术博物馆
23
Untitled (AQZTY3)1967
24
Tahkt-I-Sulayman Variation II1969 · 明尼阿波利斯艺术学院
25
Flin Flon IV1969
26
Uzlany II1973 · 海牙美术馆 (Hài yá měishù guǎn)
27
Jablonow I1971 · 约翰和玛贝尔·林灵博物馆
28
Cieszowa III1973 · 施泰德美术馆
29
Firuzabad (Variation) I1970 · 加拿大国家美术馆
30
Flin Flon VI1970 · 伯明翰艺术博物馆
31
Michapol I1971
32
Chyrow II1972
33
Chodorow II1971
34
Maquette for Sāt bhāi1977
35
Maquette for Shoubeegi1977
36
Maquette for Thirthira1977
37
Maquette for Pachanak1977
38
Maquette for Jungli kowwa, Maquette for Jungli kowwa1977
39
Sacramento Mall Proposal #41978
40
Giufà, la luna, i ladri e le guardie1984
41
Quaqua Attaccati La1985
42
Prinz Friedrich von Homburg, Ein Schauspiel, 3X2001
43
The Marriage of Reason and Squalor1959 · 纽约现代艺术博物馆
44
Untitled (Kufa Gate Shape)1967
45
Empress of India
46
Pergusa Three from Circuits
47
Double gray scramble
48
Fez
49
Shoubeegi1978 · 旧金山现代艺术博物馆
50
Louisiana Lottery Co1962
51
Wolfeboro IV1966
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 史特拉 的作品 | 此列表中的画作 |
|---|---|---|---|
 惠特尼美国艺术博物馆 |
纽约 | 2 | Die Fahne Hoch!, Gran Cairo |
 加拿大国家美术馆 |
渥太华 | 2 | Maquette for the Mural in the Orchestra Level Lobby, Princess of Wales Theatre, Toronto, Firuzabad (Variation) I |
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 1 | Composition (S/1) |
 Museum Folkwang |
埃森 | 1 | Basra Gate III |
 克莱斯勒艺术博物馆 |
诺福克 | 1 | Manteneia II |
 澳大利亚国立美术馆 |
堪培拉 | 1 | The Fountain |
 古根海姆博物馆 |
纽约 | 1 | Harran II |
 大都会艺术博物馆 |
纽约 | 1 | Haines City |
选择一个年代，探索定义该时代的原创杰作。
Frank Stella’s 1959 painting, *Die Fahne Hoch!*, isn't merely a composition of black lines on white canvas; it’s an arresting declaration of form and a subtle provocation. Emerging from the vibrant, emotionally charged world of Abstract Expressionism, Stella deliberately distanced himself from its subjective gestures, seeking instead to establish art as an object in itself – a flat surface with paint on it, as he famously stated. This painting embodies…
In the vast landscape of twentieth-century abstraction, few works capture the electric pulse of innovation quite like Frank Stella’s 1962 masterpiece, Hyena Stomp. This painting serves as a breathtaking testament to a pivotal moment in art history when the boundaries of the canvas were being radically redefined. At first glance, the viewer is met with an explosion of color—a rhythmic dance of concentric squares that seem to pulse with their…
Hyena Stomp (1962)。紧随其后的是 Die Fahne Hoch! (1959) 和 Gran Cairo (1962)。
26岁：Hyena Stomp创作于1962年，史特拉出生于1936年。
Hyena Stomp, Die Fahne Hoch!, Gran Cairo, Composition (S/1), Basra Gate III, Manteneia II, Marrakech, The Fountain, Darabjerd III 及 Maquette for the Mural in the Orchestra Level Lobby, Princess of Wales Theatre, Toronto。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 55 件 史特拉 的作品，创作年代从 1958 年至 2001 年。
多见于 惠特尼美国艺术博物馆 (纽约), 加拿大国家美术馆 (渥太华) 及 巴伐利亚州绘画收藏馆 (慕尼黑)。上方的博物馆列表列出了所有相关机构。
在 1960s 期间：本页 51 件作品中有 19 件创作于该时期，其中包含 Hyena Stomp 件作品。
在本页面中，最早的作品创作于 Composition (S/1) (1958)，最晚的创作于 Prinz Friedrich von Homburg, Ein Schauspiel, 3X (2001)。
Abstract (4), Geometric (4) 及 Abstract art (4)，共计 51 件作品。
Acrylic On Canvas，共计 4 件（本页共有 51 件作品）。
根据本页面的原作，Post-painterly abstraction
Die Fahne Hoch! 及 Gran Cairo：惠特尼美国艺术博物馆, 纽约收藏了本页中 2 件作品。
