更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 99 件 艾米莉·卡尔 作品收录于我们的目录中
简而言之
Tanoo, Q.C.I. 是 艾米莉·卡尔 最受瞩目的画作；原作收藏于 维多利亚 的 Royal BC Museum。 随后，目光会移向 Strait of Juan de Fuca (1936) 和 Dancing Trees (1940)。 在 艾米莉·卡尔 的 99 件作品中，这 97 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
A Forest of Totems The air feels heavy with the scent of damp earth and cedar as we step into this lush, green expanse. Tall totem poles rise from the foreground, their surfaces etched with intricate, swirling designs that seem to pulse with a life of their own. These wooden sentinels stand guard over a quiet corner of the woods, where the light filters through a thick canopy of leaves.…
In the sweeping expanse of Emily Carr’s 1936 masterpiece, Strait of Juan de Fuca, the viewer is invited to witness a profound dialogue between the rugged earth and the restless sea. This evocative landscape captures more than just a geographical location; it captures a moment of atmospheric tension where the heavy, cloud-laden sky meets the enduring strength of the coastal mountains. The composition is anchored by two prominent rock formations…
Dancing Trees - Emily Carr (1871 - 1945) — A Pioneer's Vision of British Columbia Emily Carr’s *Dancing Trees*, painted in 1937-40, stands as a testament to her singular artistic vision—a fusion of Post-Impressionism and an unwavering connection to the landscape of British Columbia. More than just a depiction of trees; it embodies Carr's profound engagement with both the natural world and Indigenous culture, reflecting a period marked by significant…
In the heart of the dense, mist-shrouded landscapes of British Columbia, there exists a realm where the boundary between the physical world and the spiritual plane begins to dissolve. Emily Carr’s 1930 masterpiece, “British Columbia Forest,” serves as a profound gateway into this ethereal domain. This is not merely a landscape painting; it is an emotional excavation of the wild. Through her singular lens, the forest ceases to be a…
Emily Carr's “Tanoo,” painted in 1912, is more than just a depiction of totem poles; it’s a profound meditation on the spirit of the Pacific Northwest and the enduring connection between Indigenous peoples and their ancestral lands. Created during a pivotal period of change for both Canada and its First Nations communities, this watercolor offers a rare glimpse into a world largely untouched by modern influence – a world where…
In the 1931 painting House Near Woods, Emily Carr presents a serene and tranquil scene that captures a moment of quietude within the Canadian landscape. The composition centers on a small, white house with a red roof, positioned atop a hill as it overlooks a vast, surrounding forest. This wooden cabin sits nestled within a clearing, surrounded by the dense, thick growth of the woods.
Reforestation - A Vision of Resilience Emily Carr’s “Reforestation,” painted in 1936 during her prolific period exploring British Columbia's landscapes, stands as a testament to her unwavering fascination with the natural world and her ability to translate its spirit onto canvas. This monumental artwork embodies Group of Seven principles—bold brushstrokes, flattened perspective, and an uncompromising commitment to capturing raw emotion—resulting in a scene that transcends mere depiction; it communicates a…
In the quietude of the Pacific Northwest, where the mist clings to the rugged bark of ancient conifers, Emily Carr captures a moment of profound stillness in Young Pines And Sky. This evocative piece serves as a window into a world where the boundary between the earth and the heavens feels beautifully permeable. The composition centers on a cluster of resilient young pines, their silhouettes reaching upward with a quiet,…
The world settles into a quiet, silvered stillness. Before a modest wooden dwelling, a Haida ceremonial pole rises against the landscape, its carved face fixed in a steady, unblinking gaze. This black-and-white watercolor captures a moment of profound gravity, where the textures of wood and shadow merge. The house, with its dark walls and a hint of a red roof, sits tucked beneath the presence of the totem. There is…
Created in 1911, this oil on cardboard work captures a specific moment of transition in the artist's development. The composition focuses on the structural presence of a dwelling within the Brittany landscape. Through a controlled application of paint, the work explores the relationship between built forms and the surrounding environment. The medium of cardboard lends a specific texture to the surface, influencing the way the oil pigment sits upon the…
Trees in France1911 · McMichael Canadian Art Collection
12
(forest landscape)Royal BC Museum
13
Cha-atl, Field with PoleRoyal BC Museum
14
Crécy-en-BrieRoyal BC Museum
15
Brittany, France1911 · McMichael Canadian Art Collection
16
Totem Poles, Kitseukla1912 · 温哥华美术馆
17
Indian Totem pole, Yan, Queen Charlotte Islands1912
18
Totem Mother1928 · 温哥华美术馆
19
Kitwancool1928
20
Portrait of Woo1932 · 加拿大国家美术馆
21
Indian Hut, Queen Charlotte Islands1930 · 加拿大国家美术馆
22
Totem and Forest1931 · 温哥华美术馆
23
Guyasdoms D'Sonoqua1930 · 安大略美术馆
24
Tree In Autumn
25
Forest (Tree Trunks)1938 · 加拿大国家美术馆
26
Landscape1940 · 加拿大国家美术馆
27
Self-portrait1939 · 加拿大国家美术馆
28
Sawmills, Vancouver1912 · McMichael Canadian Art Collection
29
A Haida Village1929 · McMichael Canadian Art Collection
30
Logger’s Cull
31
Shoreline
32
Heart Of The Forest
33
A Rushing Sea Of Undergrowth
34
Yan Q.C.I.1912 · Art Gallery of Hamilton
35
Dancing Sunlight1937 · McMichael Canadian Art Collection
36
lampRoyal BC Museum
37
Self-portrait1924 · 温哥华美术馆
38
Four Children in a Breton Cottage1911 · 加拿大国家美术馆
39
Breton Farm Yard1911 · McMichael Canadian Art Collection
40
Autumn in France1911 · 加拿大国家美术馆
41
Indian Totem pole, Hazelton, Skeena River, BC1912
42
Graveyard Entrance, Campbell River1912 · 加拿大国家美术馆
43
The Welcome Man1913 · 加拿大国家美术馆
44
Totem Pole at Hazelton1912 · 加拿大国家美术馆
45
Memalilaqua, Knight Inlet1912 · 加拿大国家美术馆
46
Community House Ucluelet1912 · 蒙特利尔美术馆
47
Indian War Canoe1912 · 蒙特利尔美术馆
48
First Nations War Canoes in Alert Bay1912
49
Arbutus Tree1922 · 加拿大国家美术馆
50
Heina1928 · 加拿大国家美术馆
51
Vanquished1930 · 温哥华美术馆
52
Tree Trunk1931 · 温哥华美术馆
53
Tree (spiralling upward)1933 · 温哥华美术馆
54
Red Cedar1931 · 温哥华美术馆
55
Old Timer1932
56
Big Raven1931 · 温哥华美术馆
57
Forest Landscape1932 · 加拿大国家美术馆
58
Among the Firs1931
59
Untitled (Seascape)1935
60
In the Forest, BC1935 · 安大略美术馆
61
Blue Sky1936
62
A Forest Clearing1935
63
Sky1935 · 加拿大国家美术馆
64
Forest Landscape No. 21935 · 加拿大国家美术馆
65
Seascape1935 · 加拿大国家美术馆
66
Strait of Juan de Fuca1936 · 加拿大国家美术馆
67
Landscape1935 · 加拿大国家美术馆
68
Wind in the Tree Tops1939
69
Sombreness Sunlit1940
70
Happiness1939
71
Clearing1942 · 加拿大国家美术馆
72
Forest Landscape No. 11939 · 加拿大国家美术馆
73
Odds and Ends1939
74
Kispiox VillageRoyal BC Museum
75
MelonsRoyal BC Museum
76
Untitled (forest scene)Royal BC Museum
77
Kitseukla
78
Heina, Maude Island, Queen Charlotte IslandsRoyal BC Museum
79
Odds And Ends
80
Heina
81
Forest, British Columbia
82
Don’t pickle me away as a ‘done’
83
Self Portrait
84
Indian Church -
85
Sunshine And Tumult
86
Trees
87
Autumn Woods
88
Trees Love To Toss And Sway; They Make Such Happy Noises
89
Gitwangak, Queen Charlotte Islands
90
Totem Walk At Sitka
91![Untitled [Skedans, Queen Charlotte Islands] 由 艾米莉·卡尔](/media/artworks/images-thumb/d0/d7/d0d77f9fa039d25a761f21e549246072.jpg)
Untitled [Skedans, Queen Charlotte Islands]Royal BC Museum
92
Ada and Louise Outside Cedar CanimRoyal BC Museum
93
Mrs. Douse, Chieftainess of KitwancoolRoyal BC Museum
94
RootsRoyal BC Museum
95
Study in Colour and FormRoyal BC Museum
96
Scorned As Timber, Beloved Of The Sky温哥华美术馆
97
Indian Church安大略美术馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 艾米莉·卡尔 的作品 | 此列表中的画作 |
|---|---|---|---|
 加拿大国家美术馆 |
渥太华 | 22 | House in Brittany, Portrait of Woo, Indian Hut, Queen Charlotte Islands |
 Royal BC Museum |
维多利亚 | 15 | Tanoo, Q.C.I., Kitwangar Pole, (forest landscape) |
 McMichael Canadian Art Collection |
沃恩 | 11 | Strait of Juan de Fuca, Dancing Trees, British Columbia Forest |
 温哥华美术馆 |
温哥华 | 10 | Totem Poles, Kitseukla, Totem Mother, Totem and Forest |
 安大略美术馆 |
多伦多 | 3 | Guyasdoms D'Sonoqua, In the Forest, BC, Indian Church |
 蒙特利尔美术馆 |
蒙特利尔 | 2 | Community House Ucluelet, Indian War Canoe |
 The Robert McLaughlin Gallery |
Oshawa | 1 | House Near Woods |
 Art Gallery of Hamilton |
汉密尔顿 | 1 | Yan Q.C.I. |
选择一个年代，探索定义该时代的原创杰作。
Emily Carr's “Tanoo,” painted in 1912, is more than just a depiction of totem poles; it’s a profound meditation on the spirit of the Pacific Northwest and the enduring connection between Indigenous peoples and their ancestral lands. Created during a pivotal period of change for both Canada and its First Nations communities, this watercolor offers a rare glimpse into a world largely untouched by modern influence – a world where…
In the sweeping expanse of Emily Carr’s 1936 masterpiece, Strait of Juan de Fuca, the viewer is invited to witness a profound dialogue between the rugged earth and the restless sea. This evocative landscape captures more than just a geographical location; it captures a moment of atmospheric tension where the heavy, cloud-laden sky meets the enduring strength of the coastal mountains. The composition is anchored by two prominent rock formations…
Dancing Trees - Emily Carr (1871 - 1945) — A Pioneer's Vision of British Columbia Emily Carr’s *Dancing Trees*, painted in 1937-40, stands as a testament to her singular artistic vision—a fusion of Post-Impressionism and an unwavering connection to the landscape of British Columbia. More than just a depiction of trees; it embodies Carr's profound engagement with both the natural world and Indigenous culture, reflecting a period marked by significant…
Tanoo, Q.C.I.，Royal BC Museum, 维多利亚。紧随其后的是 Strait of Juan de Fuca (1936) 和 Dancing Trees (1940)。
Tanoo, Q.C.I., Strait of Juan de Fuca, Dancing Trees, British Columbia Forest, Tanoo, House Near Woods, Reforestation, Young Pines And Sky, Kitwangar Pole 及 House in Brittany。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 99 件 艾米莉·卡尔 的作品，创作年代从 1911 年至 1942 年。
多见于 加拿大国家美术馆 (渥太华), Royal BC Museum (维多利亚) 及 McMichael Canadian Art Collection (沃恩)。上方的博物馆列表列出了所有相关机构。
在 1930s 期间：本页 97 件作品中有 32 件创作于该时期，其中包含 Strait of Juan de Fuca 件作品。
在本页面中，最早的作品创作于 House in Brittany (1911)，最晚的创作于 Clearing (1942)。
Landscape (12), Forest (9) 及 Trees (9)，共计 97 件作品。
Oil On Canvas，共计 9 件（本页共有 97 件作品）。
根据本页面的原作，Post-impressionism 及 Modernism
House in Brittany, Portrait of Woo 及 Indian Hut, Queen Charlotte Islands：加拿大国家美术馆, 渥太华收藏了本页中 22 件作品。
