更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 201 件 埃米尔·贝尔纳 作品收录于我们的目录中
简而言之
在 埃米尔·贝尔纳 留下的所有原作中，最著名的当属收藏于 纽约 纽约现代艺术博物馆 的《Iron Bridges at Asnières (1887)》。 紧随其后的是 Portrait of Marie Lemasson (1892) 和 Self-Portrait 1918 (1919)。 我们的目录收录了 埃米尔·贝尔纳 的 201 件作品；画廊完整保留了 100 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Buckwheat Harvesters at Pont Aven is an oil on canvas work by Émile Bernard, executed in 1888. The piece captures a scene of buckwheat harvesting within a rural landscape, focusing on the labor of women in the Brittany region. It is currently held at the Musée de Pont-Aven in Hastenparck.
In Après le bain (les nymphes), the artist Émile Bernard invites us into a quiet, secluded moment of repose. Three nude female figures occupy the scene, their bodies arranged in a way that suggests a lingering sense of intimacy. Based on the title, these women appear to be nymphs, mythical beings caught in a state of languid rest within a natural setting. The air feels still around them, as if…
The gaze of the subject meets the viewer in Portrait of a Black Woman, a work that captures a quiet, heavy stillness. Painted by Émile Bernard, this piece emerges from a period of intense creative exploration. It exists under the title Portrait of a Black Woman, though some records identify the work as Study Of A Mulatto Woman, 1895. This distinction offers a glimpse into how the subject is perceived…
The evening air feels heavy and alive in Night Festival, an oil painting by Émile Bernard. Created about 1888, this work captures a moment of communal celebration suspended in the dark. The scene pulls the viewer into a nocturnal gathering where the glow of light meets the deep shadows of the night. It is a piece that belongs firmly to the Post-Impressionist movement, marking a departure from the fleeting light…
The Harvest by Émile Bernard depicts a rural scene centered on agricultural labor. Within a field that slopes upward toward the top of the frame, several figures engage in the process of harvesting grain. Two figures are shown bending over the crop, while a third figure stands facing forward. The scene captures a moment of manual work in a landscape characterized by trees and harvested grain.
Portrait du père Tanguy1887 · 巴塞尔艺术博物馆
12
Victorine Lelopin1891 · Ackland Art Museum
13
The Wave1892 · Ackland Art Museum
14
The Salon1890 · 达拉斯艺术博物馆
15
Confirmand's Procession1891 · Davis Museum and Cultural Center
16
The Breton wrestlers1889
17
Portrait of Madeline, the Artist's Sister1889 · Art Museum at The University of Kentucky
18
Breton Girl with a Red Umbrella1888 · 休斯顿美术馆
19
Self-Portrait as a Troubadour1892 · 国立西洋美术馆
20
The Annunciation1890 · 提森·博爾涅米薩博物館
21
Inside a Shop in Pont-Aven1887 · 提森·博爾涅米薩博物館
22
The Artist's Grandmother1887 · 波士顿美术馆
23
Woman Sitting in a Field: Brittany1890 · 梵高博物馆
24
Symbolic Self-Portrait1891 · 奥赛博物馆
25
Portrait of my sister Madeleine1888 · 图卢兹-洛特雷克博物馆
26
Gaulish apple pickers1892
27
Portrait de Madame Lemasson1891
28
Death of the Knight (La Mort du cavalier)1892
29
Woman in Profile1895
30
Three Women on the Banks of a River1895
31
Fellah Women at the Bath1900 · 兰斯美术馆
32
Bathing Men1904 · 下林登博物馆
33
Breton Women in a Ferry Boat1900 · 圣地亚哥艺术博物馆
34
Toilet of Venus1911 · 兰斯美术馆
35
Woman's Head1920 · 哈佛艺术博物馆
36
Melancholy1935 · 巴黎市立现代艺术博物馆
37
Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941)1908 · 梵高博物馆
38
Breton Women1940 · 巴黎市立现代艺术博物馆
39
Self-Portrait1888 · 巴恩斯基金会
40
Board decorated with tendrils and flowers1906 · 梵高博物馆
41
Landscape at Pont-Aven with Poplars1888 · Musée de Pont-Aven
42
Still life with flowers in a jug1904 · 梵高博物馆
43
The Adoration of the Shepherds1889 · Musée de Pont-Aven
44
Study for The Buckwheat Harvesters1888 · Musée de Pont-Aven
45
Breton Women with Seaweed印第安纳波利斯艺术博物馆
46
Funeral palls 11885 · Musée des Beaux-Arts de Quimper
47
Funeral palls 21885 · Musée des Beaux-Arts de Quimper
48
Houses in Pont-Aven1890 · 壁拉夫·莱克哈茨美术馆
49
Landscape, Saint-Briac1888 · Kelvingrove Art Gallery and Museum
50
Still Life with Fruit, Cup and Pitcher1888 · Des Moines Art Center
51
Two Breton women in a meadow1886 · 梵高博物馆
52
Boy sitting in the grass1886 · 梵高博物馆
53
Woman Walking on the Banks of the Aven1890 · 休斯顿美术馆
54
The Cliffs at Le Pouldu1887 · 提森·博爾涅米薩博物館
55
Still Life with Fruit1890 · 芝加哥艺术学院
56
House Among Trees: Pont-Aven1888 · 梵高博物馆
57
Vase with Flowers and Cup1887 · 梵高博物馆
58
Landscape at Pont-Aven1889 · 梵高博物馆
59
Still Life with Flowers1887 · 诺顿·西蒙博物馆
60
Brittany Landscape1888 · 诺顿·西蒙博物馆
61
Still Life with Jug1890 · Gothenburg Museum of Art
62
Still Life with Teapot, Apples and Dishes1892
63
Still Life with Pears on a White Tablecloth1891
64
Catalogue for the Van Gogh Exhibition at Le Barc de Boutteville and Lottery Ticket1891
65
Springtime1892
66
Woman at Saint-Briac1886
67
Landscape, Saint Briac1889
68
Orchard at Pont Aven1886 · Musée des Beaux-Arts de Quimper
69
Still Life with Fruit and Pitcher1896
70
Still Life with Grapes1893
71
Spanish street musician and his family1897
72
Landscape, Aix-les-Bains1904 · Hood Museum of Art
73
View of Castle in Semur1905 · 东京富士美术馆
74
Jeune Fille Sur La Colline1904 · 旧金山美术馆
75
Parisian Woman国立西洋美术馆
76
2 men .... sitting in a cellar
77
Woman standing
78
On the boulevard
79
Working bretones
80
Mercury and Two Women
81
Apple picking
82
Bretons with umbrellas
83
Annunciation
84
Woman Sewing
85
Bearing apple
86
Death
87
Banquet Scene
88
Breton Peasant Women in a field
89
Street Scene
90
La Dame au Manchon (Woman with a Muff)
91
Sleep
92
Madeleine at the tree of love波特兰艺术博物馆
93
Study of bretons
94
Au bord de la Marne
95
Portrait of Paul Sérusier
96
The Archer
97
Christ Carrying the Cross with Saint Veronica near him
98
Bridge at Pont-Aven达拉斯艺术博物馆
99
Portrait of a painter in a red robe
100
Nude with a plate of cherries
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 埃米尔·贝尔纳 的作品 | 此列表中的画作 |
|---|---|---|---|
 梵高博物馆 |
阿姆斯特丹 | 11 | Self-Portrait 1918, Woman Sitting in a Field: Brittany, Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941) |
 Musée de Pont-Aven |
哈斯滕帕克 | 7 | Landscape at Pont-Aven with Poplars, The Adoration of the Shepherds, Study for The Buckwheat Harvesters |
 提森·博爾涅米薩博物館 |
馬德里 | 4 | The Annunciation, Inside a Shop in Pont-Aven, The Cliffs at Le Pouldu |
 Musée des Beaux-Arts de Quimper |
Quimper | 4 | Funeral palls 1, Funeral palls 2, Orchard at Pont Aven |
 壁拉夫·莱克哈茨美术馆 |
科隆 | 3 | Loving Couple, Houses in Pont-Aven |
 达拉斯艺术博物馆 |
达拉斯 | 3 | The Salon, Bridge at Pont-Aven |
 兰斯美术馆 |
兰斯 | 3 | Fellah Women at the Bath, Toilet of Venus |
 Ackland Art Museum |
查珀尔希尔 | 2 | Victorine Lelopin, The Wave |
选择一个年代，探索定义该时代的原创杰作。
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Iron Bridges at Asnières (1887)，纽约现代艺术博物馆, 纽约。紧随其后的是 Portrait of Marie Lemasson (1892) 和 Self-Portrait 1918 (1919)。
19岁：Iron Bridges at Asnières创作于1887年，埃米尔·贝尔纳出生于1868年。
Iron Bridges at Asnières, Portrait of Marie Lemasson, Self-Portrait 1918, Buckwheat Harvesters at Pont Aven, Après le bain (les nymphes), Portrait of a Black Woman, Night Festival, The Harvest, Loving Couple 及 The Harvest at Saint-Briac。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 201 件 埃米尔·贝尔纳 的作品，创作年代从 1885 年至 1940 年。
多见于 梵高博物馆 (阿姆斯特丹), Musée de Pont-Aven (哈斯滕帕克) 及 提森·博爾涅米薩博物館 (馬德里)。上方的博物馆列表列出了所有相关机构。
在 1880s 期间：本页 100 件作品中有 29 件创作于该时期，其中包含 Iron Bridges at Asnières 件作品。
在本页面中，最早的作品创作于 Funeral palls 1 (1885)，最晚的创作于 Breton Women (1940)。
Women (12), People (7) 及 Woman (4)，共计 100 件作品。
Oil On Canvas，共计 9 件（本页共有 100 件作品）。
根据本页面的原作，Post-impressionism
Self-Portrait 1918, Woman Sitting in a Field: Brittany 及 Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941)：梵高博物馆, 阿姆斯特丹收藏了本页中 10 件作品。
埃米尔·伯纳德（1868-1941）是法国后印象派运动中一位重要的画家，以其对色彩和形式的独特探索而闻名。他不仅是一位才华横溢的艺术家，也是一位富有思想的理论家，对现代艺术的发展产生了深远的影响。伯纳德的作品常常带有强烈的象征意义和情感表达，与同时代的梵高、高更等艺术家共同推动了绘画从客观现实向主观体验的转变。
