更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 160 件 克萊佛·史提 作品收录于我们的目录中
简而言之
PH-247 (1951) 是克萊佛·史提最受瞩目的画作。 随后，目光会移向 PH-1007 (1976) 和 Untitled (1946)。 在 克萊佛·史提 的 160 件作品中，这 100 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
The canvas known as PH-247 emerges from the year 1951, a moment when Clyfford Still was deep within his exploration of abstraction. Created in New York, NY, this oil on canvas work carries a nickname that speaks to its intense presence: "Big Blue." The title itself, a mere alphanumeric designation, reflects the artist's preference for a visual language that resists easy categorization or narrative labels.
PH-1007 is an oil on canvas painted by Clyfford Still. The work emerged in 1976, a period of late-career intensity for the artist. It exists today within the Clyfford Still Museum in Denver, CO.
Created in 1946, this oil on canvas avoids a central focal point to prioritize a dynamic interplay between colossal, irregular shapes. These vertical forms extend from the top to the bottom of the 178 x 107 cm surface, generating an upward thrust that disrupts visual equilibrium. The arrangement allows spaces between the masses to breathe, fostering a palpable sense of unease through carefully crafted asymmetry.
In the vast, emotive landscape of Abstract Expressionism, few works command the room with such primal intensity as Clyfford Still’s 1948 C. This monumental canvas is not merely a painting but an immersive environment, a swirling vortex of warmth that captures the very essence of elemental energy. Dominated by a radiant palette of sun-drenched yellows and searing oranges, the work feels as though it were forged in the heart of…
In the vast, emotive landscape of Abstract Expressionism, few works command the eye with such raw, elemental energy as PH-923. Created in 1974 by the master of organic abstraction, Clyfford Still, this painting serves as a profound testament to the power of non-figurative language. At first glance, the viewer is met with an expansive blue canvas, a deep and immersive field that suggests both the infinite reaches of a twilight…
Created in 1957, PH-160 by Clyfford Still exists as a field of pure color. The canvas holds a dialogue between blue and yellow. These hues do not merely sit upon the surface; they occupy the space with a heavy, physical presence. The blue carries a weight that anchors the composition, while the yellow provides a sharp, sudden light. It is a quiet collision of elements.
In the vast, turbulent landscape of mid-century American art, few voices resonate with as much primal intensity as that of Clyfford Still. His masterpiece, PH-272, stands as a monumental testament to the dawn of Abstract Expressionism, inviting the viewer into a world where color and texture transcend mere representation to touch the very essence of existence. Created in 1950, this work is not merely a painting but an immersive environment.…
Created in 1956, this oil on canvas composition operates through a language of fractured planes and intense chromatic tension. The work avoids representational forms, opting instead for a structural arrangement of blue and white fields. A sharp, white line cuts across the upper register, creating a stark boundary that disrupts the visual flow. Below, two distinct blue areas dominate the foreground, their irregular shapes suggesting a sense of geological or…
To stand before 1950 A No. 2 is to witness a profound dialogue between light and shadow, a visceral confrontation with the elemental forces of nature. As a seminal work from the height of Clyfford Still’s creative powers, this masterpiece transcends mere abstraction to become an existential landscape. The canvas erupts in a dramatic interplay of deep, pulsating reds and brilliant, sun-drenched yellows, creating a sense of movement that feels…
Clyfford Still's "1950-W," painted in 1950, stands as a pivotal work within the trajectory of Abstract Expressionism. More than simply a painting, it’s an immersive experience—a visceral confrontation with color and texture that speaks to the anxieties and burgeoning energy of postwar America. This piece, rendered in layers of intense yellow and gold punctuated by strategic reds and whites, isn't about depicting recognizable objects; instead, it plunges directly into the…
PH-2351944
12
PH-811935
13
PH-791935
14
PH-3251943
15
PH-6201942
16
PP-1131962
17
PH-6721923
18
PH-4481935
19
PD-241932
20
PH-6161929
21
PH-6441934
22
PH-2291935
23
PP-4931936
24
Portrait of Artist1941
25
1950 B1950 · 菲利普斯收藏馆
26
PH-10341973
27
PH-9451946
28
PH-761935
29
PH-2571935
30
PH-2151935
31
PH-7511944
32
PH-41952
33
PH-6531934
34
Untitled1964 · 毕尔巴鄂古根海姆博物馆
35
PH-771936
36
PP-1041952
37
PH-11231954
38
PH-2741920
39![PH-233 [formerly Self-Portrait] (1945) 由 克萊佛·史提](/media/artworks/images-thumb/ee/8d/ee8d64fde49d8167a8ef180934d1231c.jpg)
PH-233 [formerly Self-Portrait]1945 · 旧金山现代艺术博物馆
40
PH-45 (Field Rocks)1925
41
Row of Elevators1928 · 史密森尼美国艺术博物馆
42
PH-7821927
43
Moraine Lake1929
44
PH-6191931
45
PD-1021931
46
PH-445 (The Cripple)1929
47
PH-4191929
48
PH-6231930
49
Row of Elevators1929
50
PS-31938
51
PP-71935
52
PH-2311935
53
PH-2961935
54
PH-4161935 · 国家博物馆
55
PH-2971938
56
Untitled1938
57
PH-4351935
58
PH-3431937
59
PH-5921935
60
PH-6511934
61
PH-6241936
62
PH-2301935
63
PH-6381934
64
PH-2281935
65
PH-4141935
66
PH-3401935
67
PH-2751935
68
PH-2111936
69
Edge of town, Nespelem, WA (PP-491)1936
70
PH-781935
71
PP-2411936
72
PH-801935
73
PH-6451935
74
PS-21943
75
PH-5241943
76
PH-4861943
77
PH-4941939
78
1943 A1943
79
PH-4951943
80
PH-4871943
81
PNX-411942
82
PH-2861943
83
PH-5471943
84
PH-3131942
85
PH-5541942
86
PH-6131942
87
PH-851942
88
PH-5351943
89
PH-4731943
90
PH-5081943
91
PH-2991943
92
PH-6181942
93
PH-5251943
94
PN-21942
95
PN-41939
96
PH-2101942
97
PH-3821940
98
Figure1944
99
19481948
100
1944-N No. 21944
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 6 家博物馆。
| 博物馆 | 城市 | 克萊佛·史提 的作品 | 此列表中的画作 |
|---|---|---|---|
 大都会艺术博物馆 |
纽约 | 4 | Untitled, 1950-W |
 史密森尼美国艺术博物馆 |
华盛顿特区 | 2 | Row of Elevators |
 菲利普斯收藏馆 |
华盛顿特区 | 1 | 1950 B |
 毕尔巴鄂古根海姆博物馆 |
毕尔巴鄂 | 1 | Untitled |
 旧金山现代艺术博物馆 |
旧金山 | 1 | PH-233 [formerly Self-Portrait] |
 国家博物馆 |
斯德哥尔摩 | 1 | PH-416 |
选择一个年代，探索定义该时代的原创杰作。
A man sits in the center of the frame, his presence heavy and resolute. He wears a hat and a scarf, his attire suggesting a certain formality, perhaps a coat draped loosely over his shoulders. His glasses catch the light, framing eyes that look directly at the viewer with a serious, unyielding expression. He is not alone in this space; two other figures linger in the periphery, one to the…
Created in 1946, this oil on canvas avoids a central focal point to prioritize a dynamic interplay between colossal, irregular shapes. These vertical forms extend from the top to the bottom of the 178 x 107 cm surface, generating an upward thrust that disrupts visual equilibrium. The arrangement allows spaces between the masses to breathe, fostering a palpable sense of unease through carefully crafted asymmetry.
The canvas known as PH-247 emerges from the year 1951, a moment when Clyfford Still was deep within his exploration of abstraction. Created in New York, NY, this oil on canvas work carries a nickname that speaks to its intense presence: "Big Blue." The title itself, a mere alphanumeric designation, reflects the artist's preference for a visual language that resists easy categorization or narrative labels.
PH-247 (1951)。紧随其后的是 PH-1007 (1976) 和 Untitled (1946)。
47岁：PH-247创作于1951年，克萊佛·史提出生于1904年。
PH-247, PH-1007, Untitled, 1948 C, PH-923, PH-160, PH-272, PH-223, 1950 A No. 2 及 1950-W。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 160 件 克萊佛·史提 的作品，创作年代从 1920 年至 1976 年。
多见于 大都会艺术博物馆 (纽约), 史密森尼美国艺术博物馆 (华盛顿特区) 及 菲利普斯收藏馆 (华盛顿特区)。上方的博物馆列表列出了所有相关机构。
在 1930s 期间：本页 100 件作品中有 41 件创作于该时期，其中包含 PH-81 件作品。
在本页面中，最早的作品创作于 PH-274 (1920)，最晚的创作于 PH-1007 (1976)。
Color field (4), Color field painting (3) 及 Portrait (3)，共计 100 件作品。
Oil On Canvas，共计 17 件（本页共有 100 件作品）。
根据本页面的原作，Abstract expressionism
Untitled 及 1950-W：大都会艺术博物馆, 纽约收藏了本页中 2 件作品。
