更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 86 件 安东尼奥·卡诺瓦 作品收录于我们的目录中
简而言之
在 安东尼奥·卡诺瓦 留下的所有原作中，最著名的当属收藏于 纽约 大都会艺术博物馆 的《持有美杜莎首级的珀耳修斯 (1804)》。 紧随其后的是 丘比特与普赛克 (1793) 和 赫拉克勒斯与利卡斯 (1795)。 我们的目录收录了 安东尼奥·卡诺瓦 的 86 件作品；画廊完整保留了 81 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
伫立在安东尼奥·卡诺瓦的《持有美杜莎首级的珀耳修斯》面前，你所面对的不仅仅是一尊雕塑，更是一个被凝固的神话升华时刻。这件作品由晶莹剔透的大理石雕琢而成，捕捉到了古典英雄主义的精髓——那是神圣天命与凡人勇气交织的危险瞬间。从作品中散发出的叙事力量如此真切，人们仿佛能听到战斗的回响，以及在最终胜利前夕那令人屏息的紧张感。作为无可争议的新古典主义大师，卡诺瓦不仅仅是在雕刻石头；他为传奇注入了生命，呈现出一个处于恐怖与崇高行为之后的英雄形象。
The Divine Union of Love and Soul In the quiet stillness of white marble, Antonio Canova captures a moment that transcends time itself. Cupid and Psyche is not merely a sculpture; it is a breathtaking manifestation of the eternal struggle and ultimate triumph of love over adversity. As the viewer approaches this Neoclassical masterpiece, they are immediately drawn into the intimate orbit of the two figures. The god of desire,…
伫立在安东尼奥·卡诺瓦的《赫拉克勒斯与利卡斯》面前，仿佛是在直面一个从神话织锦中撕裂而出的瞬间——这是一幅用冰冷而永恒的大理石所呈现的“活生生的画面”。这座雕塑不仅仅是在描绘一个场景，它捕捉的是冲突爆发的巅峰时刻。构图本身跳动着动能，将赫拉克勒斯与强悍的利卡斯之间激烈的搏斗定格在这一瞬。人们几乎能听到空气中紧绷的张力，能感受到这位神圣英雄在粗犷、写实的基座上与对手搏斗时，肌肉群中涌动的紧绷感。卡诺瓦的天才之处在于，他将原始的神话力量转化为了一个精致且克制的审美对象。
Theseus and the Minotaur is a white marble sculpture by the artist Antonio Canova. The work was completed in 1782. This piece depicts a scene from Greek mythology, specifically the narrative found in Ovid's Metamorphoses. The subject matter was suggested by Gavin Hamilton.
Within the hallowed, quiet air of the Augustinian Church in Vienna, the Tomb of Duchess Maria Christina of Saxony-Teschen waits in silent repose. This marble monument, sculpted by Antonio Canova, honors the memory of Maria Christina of Austria, who lived from 1742 to 1798. As the daughter of Empress Maria Theresia, her presence lingers through the stone, a tribute commissioned by her husband, Albert of Saxe-Teschen, to ensure her legacy…
Within the hallowed, echoing expanse of St. Peter’s Basilica, there exists a profound dialogue between the mortal and the divine, captured most exquisitely in Antonio Canova’s Tomb of Pope Clement XIII. Completed in 1792, this monumental masterpiece serves as much more than a mere funerary marker; it is a breathtaking testament to the Neoclassical ideal, where the weight of history meets the lightness of spiritual transcendence. As one approaches this…
Antonio Canova's “Napoleon as Mars the Peacemaker” isn’t merely a sculpture; it’s a carefully constructed declaration, a potent blend of Roman grandeur and Napoleonic ambition. Completed in 1806, this colossal marble figure transcends its physical form to embody an ideal of power – not through brute force or military conquest, but through a reimagining of leadership as a symbol of enduring peace. The sheer scale of the work—standing over three…
To stand before Antonio Canova's "Orpheus and Eurydice" is to encounter not merely a sculpture, but a profound meditation on the fragile boundaries between life and oblivion. This masterpiece, rendered in exquisite white marble, captures the very essence of human longing—the desperate reach for what we love, even when that love resides just beyond our grasp. The composition itself seems suspended in an eternal moment: Orpheus, the legendary musician whose…
In the quiet, hallowed halls of Neoclassical mastery, few works resonate with as much profound tenderness as Antonio Canova’s Monument to Archduchess Maria Christina. This exquisite detail captures a moment suspended in eternal grief, where the cold rigidity of marble is transformed into a breathing, weeping testament to lost love. As we gaze upon the reclining figure, we are not merely looking at stone, but witnessing the delicate intersection of…
To stand before this magnificent depiction of Daedalus and Icarus is to confront not merely a sculpture, but the very breath of human ambition. Antonio Canova’s masterful rendering captures that exquisite, terrifying moment suspended between genius and hubris. The marble itself seems imbued with the memory of sunlight and wind; it possesses a polished luminescence that speaks volumes about both the artist's skill and the enduring power of the myth…
Cupid and Psyche1796 · 卢浮宫
12
Tomb of Pope Clement XIII1792 · 圣彼得大教堂
13
Orpheus1776 · 科雷尔博物馆
14
赫柏塑像The Art Museum RIGA BOURSE
15
The Penitent Magdalene1796 · Palazzo Bianco
16
Feed the Hungry1795 · 科雷尔博物馆
17
Venus and Mars1816 · 柯尔德美术馆
18
Paris1816 · 新画廊
19
Paolina Borghese as Venus Victrix1804 · 博尔盖塞美术馆
20
Monumento funerario a Clemente XIII 1783-1792
21
Ercole e Lica 1795-1815
22
Paolina Borghese 1804-1808
23
Apollo 1782-1783
24
Psyche Revived by Cupid's Kiss1793
25
Tomb of Pope Clement XIII (detail)1792 · 圣彼得大教堂
26
Tomb of Duchess Maria Christina of Saxony-Teschen1799
27
Hebe1799
28
Eurydice1799
29
Napoleon I1800
30
Theseus and the Centaur1800
31
Head of a Vestal Virgin1822
32
Venus Italica1819
33
Venus Italica1823 · 大都会艺术博物馆
34
Reclining Naiad1824 · 大都会艺术博物馆
35
Theseus and the Minotaur1781 · 维多利亚和阿尔伯特博物馆
36
Teseo sul Minotauro (bozzetto) 1781-1783
37
Self-Portrait1790 · 乌菲兹美术馆
38
Napoleon as Mars the Peacemaker1800
39
The Three Graces Dancing1799
40
Paolina Borghese as Venus Victrix (detail)1800
41
Daedalus and Icarus1799
42
Amor and Psyche (detail)1799
43
Theseus and the Centaur (detail)1800
44
Teach the Ignorant1799
45
Letizia Ramolino Bonaparte1800
46
Danzatrice con dito al mento 1809-1814
47
Monumento funerario a Clemente XIV 1783-1787
48
Danzatrice con mani sui fianchi 1811-1812
49
Untitled (DAQNX9)
50
Venere vincitrice dettaglio 1801-1807
51
Amore e Pische (particolare)
52
Caino 1846
53
Ninfa dormiente 1820-1824
54
Athena 1821
55
Napoleone Bonaparte come Marte pacificatore 1803-1806
56
Amore e Psiche 1809
57
Bust of NapoleonMuseo Glauco Lombardi
58
Amore e Psiche (particolare)
59
La morte del mito
60
Danzatrice 1812
61
Busto del Cardinale Joseph Fesh
62
Amore e Psiche 1798
63
Amore e Psiche 1787-1793
64
La musa Polyhymnia 1812-1816
65
Teseo e il Centauro 1805-1819
66
Le Tre Grazie 1812-1816
67
Ebe 1816-1817
68
La morte di Priamo 1757-1822
69
Elena 1757-1822
70
Monumento a Clemente XIII dettaglio - l'angelo della morte 1792
71
Amore e Psiche (bozzetto)
72
Maddalena penitente 1809
73
Monumento a Maria Cristina d'Austria 1798-1805
74
Cupido
75
Venere Italica 1804-1811
76
Bozetto di due figure femminili 1806
77
Monumento a Maria Cristina d'Austria (particolare) genio alato
78
Venere Italica 1804-1811 (dettaglio)
79
Endimione 1757-1822
80
Perseo con testa di medusa 1804-1806
81
Portrait of Amadeo Svajer科雷尔博物馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 安东尼奥·卡诺瓦 的作品 | 此列表中的画作 |
|---|---|---|---|
 科雷尔博物馆 |
威尼斯 | 5 | Orpheus and Eurydice, Daedalus and Icarus, Orpheus |
 大都会艺术博物馆 |
纽约 | 3 | 持有美杜莎首级的珀耳修斯, Venus Italica, Reclining Naiad |
 圣彼得大教堂 |
梵蒂冈城 | 3 | Tomb of Pope Clement XIII, Tomb of Pope Clement XIII, Tomb of Pope Clement XIII (detail) |
 卢浮宫 |
巴黎 | 2 | 丘比特与普赛克, Cupid and Psyche |
 维多利亚和阿尔伯特博物馆 |
伦敦 | 2 | Theseus and the Minotaur, Theseus and the Minotaur |
 奥格斯丁教堂 |
维也纳 | 2 | Tomb of Duchess Maria Christina of Saxony-Teschen, Monument to Archduchess Maria Christina (detail) |
 Gipsoteca |
波萨尼奥 | 1 | 赫拉克勒斯与利卡斯 |
 布雷拉畫廊 |
米蘭 | 1 | Napoleon as Mars the Peacemaker |
选择一个年代，探索定义该时代的原创杰作。
To stand before Antonio Canova's "Orpheus and Eurydice" is to encounter not merely a sculpture, but a profound meditation on the fragile boundaries between life and oblivion. This masterpiece, rendered in exquisite white marble, captures the very essence of human longing—the desperate reach for what we love, even when that love resides just beyond our grasp. The composition itself seems suspended in an eternal moment: Orpheus, the legendary musician whose…
Theseus and the Minotaur is a white marble sculpture by the artist Antonio Canova. The work was completed in 1782. This piece depicts a scene from Greek mythology, specifically the narrative found in Ovid's Metamorphoses. The subject matter was suggested by Gavin Hamilton.
The Divine Union of Love and Soul In the quiet stillness of white marble, Antonio Canova captures a moment that transcends time itself. Cupid and Psyche is not merely a sculpture; it is a breathtaking manifestation of the eternal struggle and ultimate triumph of love over adversity. As the viewer approaches this Neoclassical masterpiece, they are immediately drawn into the intimate orbit of the two figures. The god of desire,…
伫立在安东尼奥·卡诺瓦的《持有美杜莎首级的珀耳修斯》面前，你所面对的不仅仅是一尊雕塑，更是一个被凝固的神话升华时刻。这件作品由晶莹剔透的大理石雕琢而成，捕捉到了古典英雄主义的精髓——那是神圣天命与凡人勇气交织的危险瞬间。从作品中散发出的叙事力量如此真切，人们仿佛能听到战斗的回响，以及在最终胜利前夕那令人屏息的紧张感。作为无可争议的新古典主义大师，卡诺瓦不仅仅是在雕刻石头；他为传奇注入了生命，呈现出一个处于恐怖与崇高行为之后的英雄形象。
Antonio Canova's "Venus and Mars," completed in 1822, is more than just a sculpture; it’s a carefully orchestrated tableau of opposing forces achieving an unexpected harmony. This magnificent marble work, currently residing within the Royal Collection at Buckingham Palace, offers a profound meditation on love, war, peace, and the enduring power of artistic creation. Commissioned by Prince Regent George IV during his visit to London, the sculpture represents a pivotal…
A pale, polished surface emerges from a dark void. The marble carries the warmth of cream and off-white, catching a soft light that descends from the upper left. This light traces the bridge of a nose and the curve of a cheek, carving deep, quiet shadows into the folds of drapery. The subject is a Vestal Virgin, her gaze fixed and pupil-less, looking through the viewer rather than at them.…
持有美杜莎首级的珀耳修斯 (1804)，大都会艺术博物馆, 纽约。紧随其后的是 丘比特与普赛克 (1793) 和 赫拉克勒斯与利卡斯 (1795)。
47岁：持有美杜莎首级的珀耳修斯创作于1804年，安东尼奥·卡诺瓦出生于1757年。
持有美杜莎首级的珀耳修斯, 丘比特与普赛克, 赫拉克勒斯与利卡斯, Theseus and the Minotaur, Tomb of Duchess Maria Christina of Saxony-Teschen, Tomb of Pope Clement XIII, Napoleon as Mars the Peacemaker, Orpheus and Eurydice, Monument to Archduchess Maria Christina (detail) 及 Daedalus and Icarus。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 86 件 安东尼奥·卡诺瓦 的作品，创作年代从 1775 年至 1822 年。
多见于 科雷尔博物馆 (威尼斯), 大都会艺术博物馆 (纽约) 及 圣彼得大教堂 (梵蒂冈城)。上方的博物馆列表列出了所有相关机构。
在 1790s 期间：本页 81 件作品中有 19 件创作于该时期，其中包含 丘比特与普赛克 件作品。
在本页面中，最早的作品创作于 Orpheus and Eurydice (1775)，最晚的创作于 Head of a Vestal Virgin (1822)。
Sculpture (21), Marble (18) 及 Mythology (9)，共计 81 件作品。
Marble，共计 28 件（本页共有 81 件作品）。
根据本页面的原作，Neo-classicism
Orpheus and Eurydice, Daedalus and Icarus 及 Orpheus：科雷尔博物馆, 威尼斯收藏了本页中 5 件作品。
在西方艺术史上，安东尼奥·卡诺瓦（Antonio Canova）是一位巍然屹立的巨匠，被公认为新古典主义雕塑艺术的巅峰代表。他凭借对大理石雕刻近乎神迹的掌控力，以及将古典形式与深邃情感完美融合的非凡能力，在人类艺术史的长河中确立了其无可撼动的地位。卡诺瓦出生于意大利波萨尼奥的一个石匠家庭，其父皮埃特罗·卡诺瓦（Pietro Canova）的职业背景，为他早年的艺术启蒙铺就了基石，使他在充满艺术气息的环境中度过了童年。
