更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 126 件 安东·拉斐尔·门斯 作品收录于我们的目录中
简而言之
约翰·约阿希姆·温克尔曼 (1717–1768) (1777) 是 安东·拉斐尔·门斯 最受瞩目的画作；原作收藏于 纽约 的 大都会艺术博物馆。 随后，目光会移向 Perseus and Andromeda (1774) 和 Parnassus (study) (1760)。 在 安东·拉斐尔·门斯 的 126 件作品中，这 100 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
安东·拉斐尔·门克斯于1777年创作的约翰·约阿希姆·温克尔曼肖像，绝不仅仅是一幅形似之作；它是当时蓬勃兴起的新古典主义运动的视觉化身，也是窥见18世纪罗马知识分子热忱的一扇动人窗口。这幅亲密的半身画捕捉了“艺术史之父”温克温克尔曼的神态，其姿态深刻地诉说着他对西方艺术思想的深远影响。画面瞬间将观者的目光吸引至温克尔曼的面庞——那是一场关于宁静智慧与沉思严肃性的视觉研究——而深色服饰厚重的褶皱则如画框般环绕着他。门克斯大师级地运用了精心编排的构图，将人物置于刻意暗化的背景中心，营造出一种静谧而强烈的氛围，恰好映照出温克尔曼自身的精神世界。
Anton Raphael Mengs’ “Perseus and Andromeda” stands as a cornerstone of Neoclassicism, capturing the spirit of Enlightenment ideals within a breathtaking depiction of Greek mythology. Painted in 1774, this monumental oil on canvas transcends mere representation; it embodies a profound philosophical statement about beauty, morality, and triumph over adversity—themes central to the artistic sensibilities of its time.
Anton Raphael Mengs' "Parnassus (Study)," painted in 1760, isn’t merely a depiction of a classical scene; it’s a carefully constructed meditation on knowledge, aspiration, and the burgeoning spirit of Neoclassicism. This intimate study, far removed from the grand scale of his later frescoes, offers an unparalleled intimacy with Mengs' artistic process – a rare opportunity to witness the genesis of a masterpiece. The painting captures a gathering around a statue…
A Portrait Steeped in Classical Grace: Exploring Anton Raphael Mengs’ Maria Luisa of Parma Anton Raphael Mengs' "Maria Luisa of Parma" stands as a testament to the burgeoning neoclassical movement that captivated Europe during the mid-18th century. More than just a depiction of royalty, this painting embodies the philosophical ideals of the Enlightenment – reason, order, and an unwavering admiration for antiquity – reflecting Mengs’ own formative years spent absorbing…
Anton Raphael Mengs' "Self Portrait," painted in 1774, isn’t merely a likeness; it’s a carefully constructed tableau of intellectual ambition and introspective melancholy. Captured with the precision characteristic of the Neoclassical movement, this painting offers a rare glimpse into the mind of an artist grappling with his burgeoning fame and the weighty expectations placed upon him. The image immediately draws the eye to the subject's face – a man in…
In the quietude of Anton Raphael Mengs’ “The Holy Family,” one finds more than just a religious tableau; one encounters a profound manifesto of the Neoclassical spirit. Created around 1760, this masterpiece serves as a deliberate and masterful departure from the swirling, ornamental excesses of the Rococo era. Instead of theatrical drama or gilded frivolity, Mengs invites the viewer into a realm of noble simplicity and rational grace. The painting…
Anton Raphael Mengs’ “The Penitent Magdalene,” painted in 1752, is not merely a depiction of a biblical figure; it's an immersive experience of sorrow, introspection, and the enduring power of repentance. The painting immediately draws the viewer into a scene of quietude – a woman, draped in simple robes, rests propped against what appears to be a natural embankment, her hand gently supporting her head. This isn’t a dramatic portrayal…
The air within the frame feels heavy with the weight of silk and ceremony. A young boy, Archduke Ferdinand, stands in the foreground, his presence anchored by a bright yellow coat that catches the light. He holds a medal, its golden surface glinting with the insignia of the Golden Fleece, a quiet declaration of his noble lineage. Behind him, the scene unfolds with a theatrical grace; an infant sits within…
The young Infante Francisco Javier sits with a heavy, quiet dignity that belies his years. He is wrapped in the weight of his station, dressed in a waistcoat of deep golden-orange, its surface crowded with intricate embroidery that catches the light. A bright orange sash cuts across his chest, a sharp line of ceremonial color against the dark, atmospheric background. To his side, a heavy curtain of emerald green falls…
Anton Raphael Mengs’ “Charles IV as Prince” is more than just a portrait; it's a meticulously crafted window into the heart of 18th-century Spanish courtly life. Completed in 1765, this oil on canvas painting residing within the Museo del Prado in Madrid stands as a testament to Mengs’ mastery of Neoclassical style and his profound understanding of capturing both likeness and character. The work immediately draws the eye with its…
Clytia1761 · 斯泰恩斯博物馆艺术馆
12
Antonio Pascual de Borbón y Sajonia, Infante of Spain1767 · 普拉多博物馆
13
Portrait of pope Clement XIII1775 · 华沙国家博物馆
14
Maria Carolina of Habsburg-Lorraine, Queen of Naples1768 · 普拉多博物馆
15
George, third Earl Cowper (1738-1789)1769 · 耶鲁英国艺术中心
16
Infanta Maria Theresa of Naples (1772-1807)1773 · 维也纳艺术史博物馆
17
Portrait of Maria Carolina of Austria1772 · 马德里王宫
18
Maria Luisa of Spain1770 · 普拉多博物馆
19
Portrait of cardinal Alberico Archinto (1698-1758)1756 · 里昂美术博物馆
20
Peter the Apostle1773 · 维也纳艺术史博物馆
21
Noli me tangere1771 · 国家美术馆
22
Maria Amalia of Saxony1761 · 普拉多博物馆
23
Portrait of William Burton Conyngham1754 · J·保罗·盖蒂博物馆
24
Maria Luisa of Parma1765 · 普拉多博物馆
25
Self-Portrait1773 · 巴伐利亚州绘画收藏馆
26
Madonna with Child and Two Angels1771 · 维也纳艺术史博物馆
27
Self-portrait1765 · 普拉多博物馆
28
Maria Josefa de Lorena, Archduchess of Austria1767 · 普拉多博物馆
29
Glory of St Eusebius1757 · Chiesa di Sant'Eusebio
30
The Archduchess Maria Teresa of Austria1771 · 普拉多博物馆
31
Portrait of a Boy1753 · 卡尔斯鲁厄州立美术馆
32
Portrait of a Woman1750 · 耶鲁大学艺术馆
33
Portrait of the Artist's Father, Ismael Mengs1747 · 芝加哥艺术学院
34
Father Francesco Pepe1758 · 普拉多博物馆
35
The Dream of St. Joseph1773 · 维也纳艺术史博物馆
36
The Annunciation1767 · 冬宫博物馆
37
Head of an Apostle1764 · 普拉多博物馆
38
St John the Baptist in the Desert1774 · 冬宫博物馆
39
Prince James Francis Edward Stuart1740 · 国家肖像美术馆
40
Portrait of Pope Clement XIII1759 · 沃尔特斯艺术博物馆
41
Portrait of State Minister Baron Wilhelm von Edelsheim1771 · 卡尔斯鲁厄州立美术馆
42
Cupid1761 · 斯泰恩斯博物馆艺术馆
43
The Archduke Francis of Austria as a child1770 · 普拉多博物馆
44
Portrait of Cardinal Zelada1773 · 芝加哥艺术学院
45
Portrait of Maria Luisa of Spain1764 · 维也纳艺术史博物馆
46
Portrait of John Viscount Garlies, Later 7th Earl of Galloway, as Master of Garlies1758 · 洛杉矶县立艺术博物馆
47
Pleasure1754 · 大都会艺术博物馆
48
Maria Luisa of Parma1765 · 普拉多博物馆
49
The Penitent Magdalene1765 · 普拉多博物馆
50
Capuchin Monk1755 · 巴伐利亚州绘画收藏馆
51
Ismael Mengs, the father of the artist1744 · 德累斯顿国家艺术收藏馆
52
Portrait of the Singer Domenico Annibaldi1750 · 布雷拉畫廊
53
The Singer Caterina Regina Mingotti (1722-1807)1750 · 德累斯顿国家艺术收藏馆
54
Epictetus1755 · 卡尔斯鲁厄州立美术馆
55
Greek Dancer1755 · 卡尔斯鲁厄州立美术馆
56
Portrait of an English Gentleman1754 · Rhode Island School of Design Museum of Art
57
Portrait of Johann Dietrich Heumann (1724-1774)1755 · 不来梅艺术馆
58
Self-portrait in a blue mantle1744 · 德累斯顿国家艺术收藏馆
59
Portrait of King Charles III of Spain1765 · 斯泰恩斯博物馆艺术馆
60
Crown Prince Frederick Christian of Saxony (1722-1763)1751 · 柏林国家美术馆
61
Portrait of Thomas Conolly (1738-1803)1758 · 爱尔兰国家美术馆
62
The Glory of Saint Eusebius1757 · 加拿大国家美术馆
63
Head of an Apostle1764 · 普拉多博物馆
64
Sir James Gray1761 · 耶鲁英国艺术中心
65
Lot and his Daughters1761 · 斯泰恩斯博物馆艺术馆
66
Procris1761 · 斯泰恩斯博物馆艺术馆
67
Portrait de Henry Edward Stuart, cardinal duc d'Yorck1756 · 法布尔博物馆
68
Portrait of Pope Clement XIII1760 · 新奥尔良艺术博物馆
69
Truth1756 · 休斯顿美术馆
70
Portrait of Pope Clement XIII Rezzonico1758 · 博洛尼亚国家画廊
71
Portrait of a Lady with a Book1766
72
Portrait of Carlota Joaquina of Spain (1775-1830)1775
73
Charles the Third, King of Spain1775 · 西班牙裔学会博物馆与图书馆
74
Portrait of Infante Don Luis de Borbon1776 · 克利夫兰艺术博物馆
75
Maria Antonia Walpurgis, Hereditary Electress of Saxony, 1724-17801779 · 国家博物馆
76
Joseph's dream1779 · 芬兰国家美术馆
77
The Immaculate Conception1750 · 普拉多博物馆
78
Gabriel de Borbón y Sajonia, Infante of Spain1767 · 普拉多博物馆
79
The Adoration of the Shepherds1770 · 普拉多博物馆
80
Annunciation to Mary1760 · 维也纳艺术史博物馆
81
Self-Portrait1744 · Gemäldegalerie
82
Maria Carolina of Habsburg-Lorraine, Queen of Naples普拉多博物馆
83
The Holy Family1769 · 布达佩斯美术博物馆
84
St. John the Baptist Preaching in the Wilderness1760 · 休斯顿美术馆
85
Portrait of Johann Joachim Winckelman1761 · 大都会艺术博物馆
86
William Fermor1757 · 阿什莫利博物馆
87
Richard Wilson (1714–1787)1752
88
François, Baron de Halleberg1760 · 伯明翰艺术博物馆
89
The Holy Family with the Infant St John the Baptist1763
90
Saint Eusebius Carried to Heaven1757
91
Portrait of Clement XIII Rezzonico1758 · Museum of 18th-century Venice
92
Octavius Caesar (Later the Emperor Augustus), and Cleopatra1760
93
Portrait of Isabel Parreño y Arce, Marquesa de Llano, Anton Raphael Mengs, 1771 - 17721772 · 国家博物馆
94
Portrait of a Man with a White Shawl1780 · Bratislava City Gallery
95
Portrait of a ManMusée Fesch
96
The Adoration of the Shepherds1765 · 国家美术馆
97
George Harry Grey (1737–1819), 5th Earl of Stamford1760 · National Trust
98
Architect and His Muse. Portrait of James Caulfield, Lord CharlemontNational Gallery Prague
99
Self-portraitMusée Fesch
100
Pope Clement XIII (1693–1769)瑞典国家肖像画廊
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 安东·拉斐尔·门斯 的作品 | 此列表中的画作 |
|---|---|---|---|
 普拉多博物馆 |
马德里 | 25 | Maria Luisa of Parma, Archduke Ferdinand and Archduchess Maria Anna of Austria, Infante Francisco Javier of Spain (1757-1771) |
 维也纳艺术史博物馆 |
维也纳 | 6 | Infanta Maria Theresa of Naples (1772-1807), Peter the Apostle, Madonna with Child and Two Angels |
 斯泰恩斯博物馆艺术馆 |
哥本哈根 | 5 | Clytia, Cupid, Portrait of King Charles III of Spain |
 冬宫博物馆 |
圣彼得堡 | 7 | Perseus and Andromeda, Parnassus (study), The Annunciation |
 卡尔斯鲁厄州立美术馆 |
卡尔斯鲁厄 | 4 | Portrait of a Boy, Portrait of State Minister Baron Wilhelm von Edelsheim, Epictetus |
 大都会艺术博物馆 |
纽约 | 5 | 约翰·约阿希姆·温克尔曼 (1717–1768), Pleasure, Portrait of Johann Joachim Winckelman |
 德累斯顿国家艺术收藏馆 |
德累斯顿 | 3 | Ismael Mengs, the father of the artist, The Singer Caterina Regina Mingotti (1722-1807), Self-portrait in a blue mantle |
 布达佩斯美术博物馆 |
布达佩斯 | 2 | The Holy Family, The Holy Family |
选择一个年代，探索定义该时代的原创杰作。
The portrait presents Ismael Mengs in a close-up bust composition, positioned slightly off-center against an indistinct, dark background. Light enters from the upper left, carving the facial structure through a precise use of chiaroscuro. This directional illumination defines the brow, cheekbones, and the subtle textures of the skin, while casting the right side of the face into soft shadow. The subject meets the viewer with a steady, calm gaze.
Anton Raphael Mengs’ “The Penitent Magdalene,” painted in 1752, is not merely a depiction of a biblical figure; it's an immersive experience of sorrow, introspection, and the enduring power of repentance. The painting immediately draws the viewer into a scene of quietude – a woman, draped in simple robes, rests propped against what appears to be a natural embankment, her hand gently supporting her head. This isn’t a dramatic portrayal…
Anton Raphael Mengs' "Parnassus (Study)," painted in 1760, isn’t merely a depiction of a classical scene; it’s a carefully constructed meditation on knowledge, aspiration, and the burgeoning spirit of Neoclassicism. This intimate study, far removed from the grand scale of his later frescoes, offers an unparalleled intimacy with Mengs' artistic process – a rare opportunity to witness the genesis of a masterpiece. The painting captures a gathering around a statue…
安东·拉斐尔·门克斯于1777年创作的约翰·约阿希姆·温克尔曼肖像，绝不仅仅是一幅形似之作；它是当时蓬勃兴起的新古典主义运动的视觉化身，也是窥见18世纪罗马知识分子热忱的一扇动人窗口。这幅亲密的半身画捕捉了“艺术史之父”温克温克尔曼的神态，其姿态深刻地诉说着他对西方艺术思想的深远影响。画面瞬间将观者的目光吸引至温克尔曼的面庞——那是一场关于宁静智慧与沉思严肃性的视觉研究——而深色服饰厚重的褶皱则如画框般环绕着他。门克斯大师级地运用了精心编排的构图，将人物置于刻意暗化的背景中心，营造出一种静谧而强烈的氛围，恰好映照出温克尔曼自身的精神世界。
约翰·约阿希姆·温克尔曼 (1717–1768) (1777)，大都会艺术博物馆, 纽约。紧随其后的是 Perseus and Andromeda (1774) 和 Parnassus (study) (1760)。
49岁：约翰·约阿希姆·温克尔曼 (1717–1768)创作于1777年，安东·拉斐尔·门斯出生于1728年。
约翰·约阿希姆·温克尔曼 (1717–1768), Perseus and Andromeda, Parnassus (study), Maria Luisa of Parma, Self Portrait, The Holy Family, The Penitent Magdalene, Archduke Ferdinand and Archduchess Maria Anna of Austria, Infante Francisco Javier of Spain (1757-1771) 及 Charles IV as Prince。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 126 件 安东·拉斐尔·门斯 的作品，创作年代从 1740 年至 1779 年。
多见于 普拉多博物馆 (马德里), 维也纳艺术史博物馆 (维也纳) 及 斯泰恩斯博物馆艺术馆 (哥本哈根)。上方的博物馆列表列出了所有相关机构。
在 1760s 期间：本页 100 件作品中有 36 件创作于该时期，其中包含 Parnassus (study) 件作品。
在本页面中，最早的作品创作于 Prince James Francis Edward Stuart (1740)，最晚的创作于 Maria Antonia Walpurgis, Hereditary Electress of Saxony, 1724-1780 (1779)。
Man (38), Woman (23) 及 Lace (20)，共计 100 件作品。
Oil On Canvas，共计 61 件（本页共有 100 件作品）。
根据本页面的原作，新古典主义
Maria Luisa of Parma, Archduke Ferdinand and Archduchess Maria Anna of Austria 及 Infante Francisco Javier of Spain (1757-1771)：普拉多博物馆, 马德里收藏了本页中 22 件作品。
