更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 98 件 亚历山大·考尔德 作品收录于我们的目录中
简而言之
在 亚历山大·考尔德 留下的所有原作中，最著名的当属收藏于 佛罗伦萨 Biennale Internazionale dell'Antiquariato di Firenze 的《Untitled》。 紧随其后的是 Mobile (1932) 和 Romulus and Remus (1928)。 我们的目录收录了 亚历山大·考尔德 的 98 件作品；画廊完整保留了 98 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
This work, titled Untitled, is an original lithograph in colors by the artist Alexander Calder. It emerged from the studio about 1967. The paper holds the ink in a way that captures a specific moment of graphic intent, a quiet intersection of line and pigment.
Alexander Milne Calder's "Romulus and Remus," crafted in 1928, isn’t merely a sculpture; it’s a distilled essence of myth rendered in delicate wire. This piece, a testament to the artist’s pioneering approach to three-dimensional form, transcends its subject matter – the legendary founders of Rome – to become a profound meditation on beginnings, brotherhood, and the very act of creation itself. Calder, deeply influenced by Constructivism and early Modernism, sought…
Alexander Milne Calder's "Red Lily Pads (Nénuphars rouges)" isn’t merely a depiction of a serene pond; it’s an invitation to lose oneself in the delicate balance of form, color, and movement. Created in 1956, this captivating sculpture – captured through a masterful photograph – embodies Calder's signature approach: embracing chance and celebrating the ephemeral beauty of nature within a distinctly modern aesthetic. The piece resides within a contemporary architectural space,…
Alexander Milne Calder's "Black Sun," painted in 1953, isn’t merely a depiction of abstract forms; it’s an invitation to contemplate the interplay between chaos and order, darkness and light. Born in Aberdeen, Scotland, and later establishing himself as a pivotal figure in American sculpture alongside his son Alexander Stirling Calder and grandson Alexander ‘Sandy’ Calder, Milne Calder possessed a singular vision – one that sought to capture dynamic movement and…
In Colored Spots, created in 1970, we encounter a moment of pure rhythmic energy. This gouache work moves away from the heavy permanence of sculpture to explore the lightness of color and shape. The composition is defined by a series of circles, varying in scale, that appear to drift across the surface. There is a specific tension in how these forms are placed; they do not sit static but seem…
Calder's Circus1931 · 惠特尼美国艺术博物馆
12
紅日1968 · Des Moines Art Center
13
Lobster Trap and Fish Tail1939 · 纽约现代艺术博物馆
14
Violin1960
15
Untitled (400)
16
Untitled (2)
17
Untitled (362)
18
Sculpture in montreal
19
Untitled1937
20
Untitled1948 · 菲利普斯收藏馆
21
Three Fingers1944
22
The Antlers1944
23
The Vine1944
24
The Fawn1944
25
The Racket1944
26
The Flower1944
27
Yellow Tights1945
28
Spiral Composition1946
29
Four Fish in Water1947
30
The Acrobats1944
31
"Calder #1" Textile (Model No. 1-145)1949 · 大都会艺术博物馆
32
Antennae with Red and Blue Dots1953
33
Reef Fringe1953
34
Black Widow1959
35
Chevrons Noir sur Rouge et Jaune1960
36
Saucers1965
37
7 Circles Abstract1966
38
Grid with Symbols1966
39
Like Two Discs Sculpture1962
40
A R
41
Red, Blue and Black Balls on a Yellow Ground1967 · 达拉斯艺术博物馆
42
Untitled1968 · 布法罗 AKG 艺术博物馆
43
Across the Orange Moons1967 · 史密森尼美国艺术博物馆
44
Model for Nenuphar1968
45
Nenuphar1968
46
Gwenfritz1968
47
Across the Orange Moons1967
48
Pryamids and Clouds1970
49
Maquette for Flamingo1972
50
Spiral1970
51
The Big Wheel1970
52
Yellow, Red, Blue Flowers1970
53
Tableau Noir1970
54
Pyramids1975
55
Crosshatch
56
Fish at Sunrise1974
57
Red Polygons菲利普斯收藏馆
58
Untitled (665)
59
Untitled (226)
60
Untitled (728)
61
Untitled (3)纽约历史学会
62
Untitled (227)
63
Untitled (230)
64
Untitled (391)
65
Untitled (208)
66
Untitled (121)
67
Untitled (778)
68
Untitled (527)
69
Untitled (4)
70
Untitled (890)
71
Untitled (647)
72
Untitled (282)
73
Untitled (318)
74
Flamingo
75
Untitled, (1976)
76
Untitled (5)
77
Hair Comb
78
Untitled (210)
79
Untitled (937)
80
Untitled (571)
81
Winter Landscape
82
Untitled
83
The Boston Society of Architects
84
Red, Yellow, Blue
85
Baluster
86
Pin
87
Boney
88
Four wings, (1972)
89
Necklace
90
Smoke Rings
91
Untitled (6)
92
Bracelet
93
Trois Spirales
94
On Yellow
95
NemoBiennale Internazionale dell'Antiquariato di Firenze
96
Red, Yelloe and Blue Gongs卡佩萨罗宫 - 国际现代艺术馆
97
Tache Bleu
98
Red Mobile都灵市立现代与当代艺术馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 亚历山大·考尔德 的作品 | 此列表中的画作 |
|---|---|---|---|
 Biennale Internazionale dell'Antiquariato di Firenze |
佛罗伦萨 | 2 | Untitled, Nemo |
 古根海姆博物馆 |
纽约 | 2 | Romulus and Remus, Red Lily Pads (Nénuphars rouges) |
 菲利普斯收藏馆 |
华盛顿特区 | 2 | Untitled, Red Polygons |
 泰特不列顛美术馆 |
伦敦 | 1 | Black Sun |
 惠特尼美国艺术博物馆 |
纽约 | 1 | Calder's Circus |
 Des Moines Art Center |
德梅因 | 1 | 紅日 |
 纽约现代艺术博物馆 |
纽约 | 1 | Lobster Trap and Fish Tail |
 大都会艺术博物馆 |
纽约 | 1 | "Calder #1" Textile (Model No. 1-145) |
选择一个年代，探索定义该时代的原创杰作。
Alexander Milne Calder's "Romulus and Remus," crafted in 1928, isn’t merely a sculpture; it’s a distilled essence of myth rendered in delicate wire. This piece, a testament to the artist’s pioneering approach to three-dimensional form, transcends its subject matter – the legendary founders of Rome – to become a profound meditation on beginnings, brotherhood, and the very act of creation itself. Calder, deeply influenced by Constructivism and early Modernism, sought…
Alexander Milne Calder's "Red Lily Pads (Nénuphars rouges)" isn’t merely a depiction of a serene pond; it’s an invitation to lose oneself in the delicate balance of form, color, and movement. Created in 1956, this captivating sculpture – captured through a masterful photograph – embodies Calder's signature approach: embracing chance and celebrating the ephemeral beauty of nature within a distinctly modern aesthetic. The piece resides within a contemporary architectural space,…
In Colored Spots, created in 1970, we encounter a moment of pure rhythmic energy. This gouache work moves away from the heavy permanence of sculpture to explore the lightness of color and shape. The composition is defined by a series of circles, varying in scale, that appear to drift across the surface. There is a specific tension in how these forms are placed; they do not sit static but seem…
Untitled，Biennale Internazionale dell'Antiquariato di Firenze, 佛罗伦萨。紧随其后的是 Mobile (1932) 和 Romulus and Remus (1928)。
Untitled, Mobile, Romulus and Remus, Abstraction, Red Lily Pads (Nénuphars rouges), Orange and Black Composition, Puppet Man, Slanting Red Nose, Black Sun 及 Colored Spots。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 98 件 亚历山大·考尔德 的作品，创作年代从 1928 年至 1975 年。
多见于 Biennale Internazionale dell'Antiquariato di Firenze (佛罗伦萨), 古根海姆博物馆 (纽约) 及 菲利普斯收藏馆 (华盛顿特区)。上方的博物馆列表列出了所有相关机构。
在 1960s 期间：本页 98 件作品中有 17 件创作于该时期，其中包含 Abstraction 件作品。
在本页面中，最早的作品创作于 Romulus and Remus (1928)，最晚的创作于 Pyramids (1975)。
Sculpture (6), Calder (6) 及 Geometric (5)，共计 98 件作品。
Acrylic On Canvas，共计 4 件（本页共有 98 件作品）。
根据本页面的原作，Abstract expressionism
Untitled 及 Nemo：Biennale Internazionale dell'Antiquariato di Firenze, 佛罗伦萨收藏了本页中 2 件作品。
