更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 23 件 托马斯·霍文登 作品收录于我们的目录中
简而言之
在 托马斯·霍文登 留下的所有原作中，最著名的当属收藏于 费城 费城艺术博物馆 的《Breaking Home Ties (1890)》。 紧随其后的是 Jerusalem the Golden (1892) 和 Study of a Man with Grindstone (1850)。 我们的目录收录了 托马斯·霍文登 的 23 件作品；画廊完整保留了 23 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
In 1890, Thomas Hovenden painted Breaking Home Ties, a work that captures a heavy moment of transition within an American rural household. The scene depicts the quiet necessity of departure, illustrating a period when young sons were forced to leave the family land to seek a living in the city or on the distant, shrinking frontier. It is a depiction of a fractured domesticity, where the soil of the farm…
A young woman reclines upon a chaise lounge, her form the apex of a silent pyramid. She rests within a softly lit room where muted tones and textured fabrics settle like dust in the afternoon light. Two men occupy the periphery; one watches her with a heavy, concerned gaze, while another lingers in the shadows behind. The air in this 1892–94 oil painting feels thick with stillness. Every brushstroke leans…
The oil study titled Study of a Man with Grindstone was created by Thomas Hovenden. This work emerged around 1850. It captures a singular, quiet moment of labor through the medium of oil.
This monochromatic drawing, executed in 1867, presents a central female figure rendered in heavy graphite and white gouache on tan wove paper. The woman is positioned in profile, facing toward the right side of the composition. Her head is bowed, casting her gaze downward. She wears a heavy, dark skirt with deep folds that suggest weight and texture through dense hatching and shading. Behind her, a second figure—a man—is indicated…
In this intimate oil on canvas, the artist Thomas Hovenden turns his gaze inward, capturing himself within the familiar confines of his workspace. Titled Self-Portrait of the Artist in His Studio, the work offers a glimpse into a private, lived-in world. The scene unfolds across a vertical plane, measuring 67.37 x 44.51cm, where the man and his surroundings exist in a quiet, suspended moment of repose.
In 1873, Thomas Hovenden captures a quiet, heavy moment within the walls of a private interior. The Discussion finds two men locked in a formal meeting, their presence commanding the space around them. One man offers a pipe to the other, a gesture that hangs in the air between them, suggesting a pause in a significant exchange. The atmosphere carries a weight of seriousness, as if the words spoken here…
In the oil painting "Chloe and Sam" by Thomas Hovenden, dated about 1882, the composition centers on two elderly figures within a rustic, dimly lit kitchen. The scene is captured from a straight-on medium shot, placing the viewer directly within the cluttered, lived-in interior of the cottage. On the left, a woman stands at a table covered with a striped cloth, appearing engaged in food preparation. She wears a white…
The Portrait of Frank Hamilton Cushing by Thomas Hovenden captures a moment of quiet presence. Painted in 1890, this oil on canvas presents the likeness of Frank Hamilton Cushing, an American anthropologist and ethnologist. He sits before us, his gaze meeting the observer with a steady, thoughtful expression that suggests a mind deeply engaged with the complexities of his studies.
To stand before Thomas Hovenden's Hoc Signo Vinces is to step across the threshold of time, into a richly textured moment plucked from the tumultuous heart of history. This oil on canvas, executed in 1880, transcends mere portraiture or genre scene; it is a profound meditation on conflict, faith, and the enduring human spirit. The painting draws its dramatic weight from the backdrop of the Wars of the Vendée during…
Self Portrait of the Artist in His Studio is an oil on canvas work by Thomas Hovenden. The painting is dated 1875. It depicts a solitary male artist within the confines of his studio. This specific composition is currently held at the Yale University Art Gallery in New Haven.
Still Life with Fan and Roses1874 · 史密森尼美国艺术博物馆
12
What O'Clock Is It.1878
13
Contentment1881 · Columbia Museum of Art
14
Dem Ws Good Ole Times1882
15
The Sailor's Return1892
16
Sketch of Arm and Sketch of Two Hands大都会艺术博物馆
17
Study of a Man
18
A Special Correspondent
19
Taking His Ease1885 · 旧金山美术馆
20
The Last Moments of John Brown1882 · 大都会艺术博物馆
21
The Village Blacksmith
22
The Flower of Scotland
23
The Last Moments of John Brown1884 · 旧金山美术馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 托马斯·霍文登 的作品 | 此列表中的画作 |
|---|---|---|---|
 大都会艺术博物馆 |
纽约 | 4 | Jerusalem the Golden, Standing Woman with Man in Outline, Sketch of Arm and Sketch of Two Hands |
 史密森尼美国艺术博物馆 |
华盛顿特区 | 2 | Portrait of Frank Hamilton Cushing, Still Life with Fan and Roses |
 旧金山美术馆 |
旧金山 | 2 | Taking His Ease, The Last Moments of John Brown |
 费城艺术博物馆 |
费城 | 1 | Breaking Home Ties |
 伯明翰艺术博物馆 |
伯明翰 | 1 | Study of a Man with Grindstone |
 耶鲁大学艺术馆 |
纽黑文 | 1 | Self-Portrait of the Artist in His Studio |
 阿蒙·卡特美国艺术博物馆 |
沃斯堡 | 1 | Chloe and Sam |
 底特律艺术学院 |
底特律 | 1 | Hoc Signo Vinces (also known as In This Sign Shalt Thou Conquer) |
选择一个年代，探索定义该时代的原创杰作。
The oil study titled Study of a Man with Grindstone was created by Thomas Hovenden. This work emerged around 1850. It captures a singular, quiet moment of labor through the medium of oil.
This monochromatic drawing, executed in 1867, presents a central female figure rendered in heavy graphite and white gouache on tan wove paper. The woman is positioned in profile, facing toward the right side of the composition. Her head is bowed, casting her gaze downward. She wears a heavy, dark skirt with deep folds that suggest weight and texture through dense hatching and shading. Behind her, a second figure—a man—is indicated…
In this intimate oil on canvas, the artist Thomas Hovenden turns his gaze inward, capturing himself within the familiar confines of his workspace. Titled Self-Portrait of the Artist in His Studio, the work offers a glimpse into a private, lived-in world. The scene unfolds across a vertical plane, measuring 67.37 x 44.51cm, where the man and his surroundings exist in a quiet, suspended moment of repose.
In the oil painting "Chloe and Sam" by Thomas Hovenden, dated about 1882, the composition centers on two elderly figures within a rustic, dimly lit kitchen. The scene is captured from a straight-on medium shot, placing the viewer directly within the cluttered, lived-in interior of the cottage. On the left, a woman stands at a table covered with a striped cloth, appearing engaged in food preparation. She wears a white…
In 1890, Thomas Hovenden painted Breaking Home Ties, a work that captures a heavy moment of transition within an American rural household. The scene depicts the quiet necessity of departure, illustrating a period when young sons were forced to leave the family land to seek a living in the city or on the distant, shrinking frontier. It is a depiction of a fractured domesticity, where the soil of the farm…
Breaking Home Ties (1890)，费城艺术博物馆, 费城。紧随其后的是 Jerusalem the Golden (1892) 和 Study of a Man with Grindstone (1850)。
50岁：Breaking Home Ties创作于1890年，托马斯·霍文登出生于1840年。
Breaking Home Ties, Jerusalem the Golden, Study of a Man with Grindstone, Standing Woman with Man in Outline, Self-Portrait of the Artist in His Studio, The Discussion, Chloe and Sam, Portrait of Frank Hamilton Cushing, Hoc Signo Vinces (also known as In This Sign Shalt Thou Conquer) 及 Self Portrait of the Artist in His Studio。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 23 件 托马斯·霍文登 的作品，创作年代从 1850 年至 1892 年。
多见于 大都会艺术博物馆 (纽约), 史密森尼美国艺术博物馆 (华盛顿特区) 及 旧金山美术馆 (旧金山)。上方的博物馆列表列出了所有相关机构。
在 1880s 期间：本页 23 件作品中有 7 件创作于该时期，其中包含 Chloe and Sam 件作品。
在本页面中，最早的作品创作于 Study of a Man with Grindstone (1850)，最晚的创作于 Jerusalem the Golden (1892)。
Man (7), Woman (4) 及 Portrait (4)，共计 23 件作品。
Oil On Canvas，共计 12 件（本页共有 23 件作品）。
根据本页面的原作，Contemporary realism
Jerusalem the Golden, Standing Woman with Man in Outline 及 Sketch of Arm and Sketch of Two Hands：大都会艺术博物馆, 纽约收藏了本页中 4 件作品。
