更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 67 件 托马斯·费德 作品收录于我们的目录中
简而言之
在 托马斯·费德 留下的所有原作中，最著名的作品是 Worn Out。 紧随其后的是 Faults on Both Sides (1861) 和 Highland Mary (1857)。 我们的目录收录了 托马斯·费德 的 67 件作品；画廊完整保留了 67 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
In 1868, Thomas Faed presented Worn Out at the Royal Academy. The oil on canvas captures a quiet, heavy moment within a Highland interior. It depicts a working man who has spent a restless night watching over his small boy. Now, as the grey light of dawn touches the room, both father and child have finally succumbed to sleep.
The air in the room feels heavy with the weight of unspoken words. A man and a woman sit close together, their presence anchoring the space. He holds a stick or cane, a silent companion to his posture, while she rests beside him. They are caught in a moment of shared existence, perhaps a conversation that has drifted into a comfortable silence or a shared glance that says more than…
is an oil on canvas work by the Scottish artist Thomas Faed. Executed in 1857, the portrait captures a woman dressed in a pink dress. The subject is positioned amidst a rugged landscape, her attire and presence anchoring the composition within a specific social and natural context.
In this 1889 oil painting, a domestic interior becomes a stage for a quiet, private drama. A woman lies in her bed, her presence defined by the stillness of her repose. Beside her, a man stands in a posture of attentive concern, while two other figures occupy the periphery of the room, their presence adding to the gravity of the scene. The composition is anchored by the mundane objects of…
The large-scale historical group portrait titled Sir Walter Scott and his friends at Abbotsford captures a specific gathering of distinguished men. Painted by Thomas Faed, the work places Sir Walter Scott and his contemporaries within a shared moment of social engagement. The scene is set around a dining table, where the figures are gathered in a dense, centralized arrangement.
In this 1850 oil portrait, we find ourselves in a moment of profound stillness. A young boy is positioned slightly off-center, his presence defined by a soft, direct gaze that establishes an immediate connection with the viewer. Beside him, a hound rests, their companionship forming the emotional core of the composition. The lighting, appearing to descend from the upper left, brushes against the boy's rosy cheeks and illuminates the side…
The wind carries the scent of salt and damp earth across a vast, turbulent landscape. A solitary woman moves through the field, her figure centered against a sky that churns with heavy, bruised clouds. She is a quiet presence in a world of movement, her hands steady as she works the harvested grain. The golden hues of the wheat stalks catch a filtered, dramatic light, creating a sharp contrast against…
A solitary female figure stands alone against a rugged, cliffside backdrop in A Seaside Toilet. This oil painting by Thomas Faed captures a quiet, mundane moment as the woman pauses to adjust her clothing by the sea. The scene unfolds in a coastal setting, where the salt air and the movement of the wind seem to linger around her. She exists in a private interval, caught in a simple act…
In this intimate oil on canvas, titled Forgiven, the Scottish artist Thomas Faed explores the quietude of domestic life. Created in 1874, the work offers a glimpse into the sentimental realism that defined much of Faed's career. The piece is modest in scale, measuring 36 x 48 cm, which encourages a close, personal encounter with the figures depicted.
In this 1860 oil on canvas, we find ourselves drawn into a private, domestic moment that feels almost overheard. The scene is set within a room bathed in soft light, where a woman sits while a man stands beside her. They are caught in a moment of quiet connection, perhaps sharing a thought or a passage from the books resting upon the dining table. A single potted plant introduces a…
Listeners Ne'er Hear Any Good Of Themselves
12
The First Break In The Family
13
Scottish Settlers In North America
14
Pot Luck
15
The Last of the Clan1865
16
The Gamekeeper's Cottage1845
17
Four Saints Saint George, Saint Catherine, Saint Margaret and Saint Andrew1848 · 苏格兰国家美术馆
18
Life Study of John Mongo, The Punka Walla1847 · 苏格兰国家美术馆
19
Molly's Toilet1855 · Grundy Art Gallery
20
The Fishergirl1859
21
The Listener Ne'er Hears Gude o' Himsel1858
22
Highland Lassie1871 · Touchstones Rochdale Arts And Heritage Centre
23
Jessie, the Flower of Dunblane1867
24
Milkmaid1869
25
Free from Care1878
26
In Time of War1876
27
Sunday In The Backwoods Of Canada
28
The Home Of The Faeds
29
The Flower of Dunblane
30
Seeing them off
31
Meg Merilees1861 · Gracefield Arts Center
32
A Highland Gypsy1870 · Guildhall Art Gallery
33
Ere Care Begins1865
34
Home and the Homeless1856 · 苏格兰国家美术馆
35
A Lowland Lassie1873
36
From Hand To Mouth
37
Highland lassie
38
The shooting match
39
Too Young To Be Married
40
Good News
41
Forgiven
42
Maternal joy
43
Lucy's Flittin
44
The Pedlar
45
Hard Times
46
Study For Head Of A Woman
47
Sunday In The Backwoods蒙特利尔美术馆
48
A highland gypsy
49
Self Portrait Of The Artist
50
Home and the Homeless
51
The Ray Of Sunlight
52
Taking rest
53
Sir Walter Scott And His Literary Friends
54
Lady Writing a Letter
55
The soldier's return
56
The End Of A Happy Day
57
The Pet Lamb
58
A Highland TrystBroughton House - Garden
59
The Silken Gown
60
Maternal JoyStirling Smith Art Gallery And Museum
61
Evangeline曼彻斯特艺术馆
62
The Mitherless Bairn
63
Interior with Figures
64
A Flower from Paddy's Land
65
A Game of Draughts谢菲尔德城市美术馆
66
God's AcreThe New Art Gallery
67
The Freedom of the Press
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 托马斯·费德 的作品 | 此列表中的画作 |
|---|---|---|---|
 苏格兰国家美术馆 |
爱丁堡 | 3 | Four Saints Saint George, Saint Catherine, Saint Margaret and Saint Andrew, Life Study of John Mongo, The Punka Walla, Home and the Homeless |
 Guildhall Art Gallery |
伦敦 | 2 | Forgiven, A Highland Gypsy |
 贝尔法斯特女王大学 |
贝尔法斯特 | 1 | The Doctor's Visit |
 苏格兰国家肖像画廊 |
Edinburgh | 1 | Sir Walter Scott and his friends at Abbotsford |
 The Hunterian Museum and Art Gallery |
Glasgow | 1 | Boy with a Hound |
 Grundy Art Gallery |
Blackpool | 1 | Molly's Toilet |
 Touchstones Rochdale Arts And Heritage Centre |
Rochdale | 1 | Highland Lassie |
 Gracefield Arts Center |
Dumfries | 1 | Meg Merilees |
选择一个年代，探索定义该时代的原创杰作。
The large-scale historical group portrait titled Sir Walter Scott and his friends at Abbotsford captures a specific gathering of distinguished men. Painted by Thomas Faed, the work places Sir Walter Scott and his contemporaries within a shared moment of social engagement. The scene is set around a dining table, where the figures are gathered in a dense, centralized arrangement.
is an oil on canvas work by the Scottish artist Thomas Faed. Executed in 1857, the portrait captures a woman dressed in a pink dress. The subject is positioned amidst a rugged landscape, her attire and presence anchoring the composition within a specific social and natural context.
The air in the room feels heavy with the weight of unspoken words. A man and a woman sit close together, their presence anchoring the space. He holds a stick or cane, a silent companion to his posture, while she rests beside him. They are caught in a moment of shared existence, perhaps a conversation that has drifted into a comfortable silence or a shared glance that says more than…
In this intimate oil on canvas, titled Forgiven, the Scottish artist Thomas Faed explores the quietude of domestic life. Created in 1874, the work offers a glimpse into the sentimental realism that defined much of Faed's career. The piece is modest in scale, measuring 36 x 48 cm, which encourages a close, personal encounter with the figures depicted.
In this 1889 oil painting, a domestic interior becomes a stage for a quiet, private drama. A woman lies in her bed, her presence defined by the stillness of her repose. Beside her, a man stands in a posture of attentive concern, while two other figures occupy the periphery of the room, their presence adding to the gravity of the scene. The composition is anchored by the mundane objects of…
Worn Out。紧随其后的是 Faults on Both Sides (1861) 和 Highland Mary (1857)。
Worn Out, Faults on Both Sides, Highland Mary, The Doctor's Visit, Sir Walter Scott and his friends at Abbotsford, Boy with a Hound, The Reaper, A Seaside Toilet, Forgiven 及 His Only Pair。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 67 件 托马斯·费德 的作品，创作年代从 1845 年至 1889 年。
多见于 苏格兰国家美术馆 (爱丁堡), Guildhall Art Gallery (伦敦) 及 贝尔法斯特女王大学 (贝尔法斯特)。上方的博物馆列表列出了所有相关机构。
在 1860s 期间：本页 67 件作品中有 9 件创作于该时期，其中包含 Faults on Both Sides 件作品。
在本页面中，最早的作品创作于 The Gamekeeper's Cottage (1845)，最晚的创作于 The Doctor's Visit (1889)。
Woman (8), Domestic scene (6) 及 Scottish art (6)，共计 67 件作品。
Oil On Canvas，共计 9 件（本页共有 67 件作品）。
根据本页面的原作，Realism
Four Saints Saint George, Saint Catherine, Saint Margaret and Saint Andrew, Life Study of John Mongo, The Punka Walla 及 Home and the Homeless：苏格兰国家美术馆, 爱丁堡收藏了本页中 3 件作品。
托马斯·费德在苏格兰艺术史上占据着举足轻重的地位，人们对他成就的推崇，往往不亚于对罗伯特·彭斯对苏格兰民歌深远影响的敬意。费德出生于柯克布赖特郡的巴莱磨坊，他出身于一个卓越的艺术家家族；他的兄弟詹姆斯和约翰，以及他的姐妹苏珊，都拥有这种深沉的艺术天赋。他的早年生活植根于加洛韦那崎岖而美丽的自然景观中，这种环境无疑滋养了他最珍视的作品中所蕴含的那种温暖与生活气息。在爱丁堡设计学院接受了正式的艺术教育后，他开启了一段漫长的旅程，从苏格兰的心脏地带走向了伦敦那些享有盛誉的艺术工作室。
他的职业生涯充满了重要的里程碑，包括在1849年当选为皇家苏格兰学院院士。随着名声的日益显赫，他在英国艺术界的影响力也随之增长；他于1861年成为皇家艺术学院院士，并最终在1864年获得了院士地位。这一进阶历程不仅反映了他精湛的技艺，更体现了他能够通过温柔的现实主义视角，捕捉到维多利亚时代生活的本质精髓。
费德的作品以其对风俗画和肖像画的卓越掌控而闻名，这些作品往往如同窥视人类存在于那些亲密、静谧时刻的窗口。他拥有一种罕见的能力，能通过细微的细节传达复杂的情感——一个低垂的目光、一次温柔的执手，或是壁炉散发的柔和光芒。在他1874年的杰作《宽恕》中，他描绘了一个温馨的家庭纽带场景，利用柔和的色彩和富有表现力的面部表情，唤起一种宁静与平和感。他的作品常常邀请观众步入一个私密的世界，在那里，孩童的纯真或母亲的慈爱几乎可以被感触得到。
除了家庭生活领域，费德精湛的技艺还让他能够探索更具沉思性甚至象征性的主题。在《梅格·梅里利斯》中，他利用布面油画创造出一种流光溢彩的质感，通过细腻的笔触以及对光影的巧妙运用，完成了一场对人类情感的深刻研究。这件作品，就像他的其他名作《氏族最后的传人》一样，展示了他赋予单一肖像深邃内涵与精神追求的能力。无论是描绘高地地区的崎岖壮丽，还是室内空间的静谧祥和，费德的画作始终是对人类生存状态的动人探索。
托马斯·费德的历史意义在于他能够弥合严谨的现实主义与那个时代特有的情感叙事之间的鸿沟。他的作品不仅仅是对主题的再现，更是诉说着19世纪中叶价值观与美学的叙事诗。他的许多重要作品已在世界一些最受尊敬的艺术机构中找到了永久的归宿，确保了他的艺术视野能够持续在一代又一代艺术爱好者中引起共鸣：
通过致力于捕捉人际关系的本质与苏格兰景观之美，费德留下了一份视觉叙事的遗产，这份遗产在当今时代依然如他在伦敦生活时期那样，散发着迷人的魅力。
