更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 82 件 托马斯·德·凯泽 作品收录于我们的目录中
简而言之
在 托马斯·德·凯泽 留下的所有原作中，最著名的当属收藏于 哥本哈根 斯泰恩斯博物馆艺术馆 的《Portrait of a Young Woman (1631)》。 紧随其后的是 Frederick van Velthuysen and his wife, Josina (1636) 和 Portrait of a Gentleman (1631)。 我们的目录收录了 托马斯·德·凯泽 的 82 件作品；画廊完整保留了 77 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
A single light source from the upper left carves the subject out of the darkness. She sits in a quiet, three-quarter pose, her presence anchored by the heavy folds of a black silk dress. The fabric catches the light in sharp, white highlights, revealing the meticulous texture of the weave. Above her, a deep red drapery hangs in thick, sculptural curves, providing a heavy contrast to the pale, luminous skin…
Thomas de Keyser rendered Frederick van Velthuysen and his wife, Josina, in 1636. The portrait captures a wealthy merchant family, presenting a visual record of the social standing and prosperity of Utrecht’s elite. Through this depiction, the subjects are presented not merely as individuals, but as representatives of a specific mercantile class during the Dutch Golden Age.
In this 1632 portrait, we encounter a man who commands the space through a quiet, steady composure. He is positioned in a three-quarter length view, his body angled slightly away while his gaze meets the viewer with an intelligence that suggests a life of significant social standing. The lighting, arriving from the upper left, carves his features out of the surrounding shadows, a technique that lends a palpable sense of…
The man turns his head, his light brown eyes catching the light as they lock onto ours. He sits in a quiet, shadowed space, his presence filling the frame with a heavy, dignified stillness. A thick, cream-white ruff, pleated with meticulous precision, encircles his neck, its lace edges brushing against his jawline. This starched collar frames a face marked by the passage of time; wrinkles trace the corners of his…
The gaze of the subject meets us in Portrait of an elderly Man, a work that captures a specific moment of quiet dignity. Painted by Thomas de Keyser, this bust-length portrait presents an elderly man who seems to exist in a space of stillness. The subject sits before us, his presence defined by the weight of his years and the steady manner in which he holds his position. It is…
Loef Vredericx is presented not as the silversmith and dean of the Amsterdam guild he was in daily life, but as an officer of the civic militia. He is captured in the role of an Ensign, a position of honor within the Amsterdam militia. He wears the costume of a marksman, characterized by a green sash cinched at the waist and a rapier hanging at his side. His posture is…
In this vertical oil on canvas, three young brothers are arranged in a tiered composition against a dark, receding background. Two older boys flank a seated infant, creating a triangular structure that directs the eye through the group. The eldest boy, Henricus, is twelve years old, positioned to one side with a steady gaze. Beside him, five-year-old Johannes is depicted in structured clothing. The youngest, Simon, sits at the base…
A man emerges from a shadow, framed by an illusion of carved rock. This 1622 portrait presents a figure from the waist up, his body turned at a slight angle while his gaze meets the viewer with steady sobriety. He wears a dark doublet, the heavy fabric absorbing the light, contrasted sharply by the crisp, white geometry of a pleated lace ruff. The collar sits like a bright ring of…
A vertical composition centers a young man against a landscape of classical ruins and a muted sky. The subject is positioned in the middle ground, wearing a heavy black cloak that absorbs much of the light. This dark attire contrasts with the pale skin of the face and the lighter tones of the background. To the left and right, architectural elements such as pedestals and draped statues frame the figure,…
The artwork titled Portrait of an Horseman with two Dogs is a painting after Thomas de Keyser. It captures a moment of stillness within the Dutch Golden Age, rendered in oil. The brushwork traces the heavy textures of a rider and his companions. This specific piece is dated ca. 1660 – 1670.
Huych Jansz. van Crayesteyn (1572-1638)1631 · 阿姆斯特丹博物馆
12
Portrait of a Scholar1631 · 玛乌里诗博物馆
13
Portrait of a seated woman and two children1635 · 国家博物馆
14
Portrait of three children and a man1622 · 国家博物馆
15![Portrait of a Gentleman [possibly Jacob van Campen] (1659) 由 托马斯·德·凯泽](/media/artworks/images-thumb/fb/9a/fb9a6cb996cf3a5874676f71a7518755.jpg)
Portrait of a Gentleman [possibly Jacob van Campen]1659 · 费城艺术博物馆
16
Portrait of a Man1621 · Museum Gouda
17
Portrait of a Man1631 · 斯泰恩斯博物馆艺术馆
18
Lady with Account Book1631 · 巴伐利亚州绘画收藏馆
19
Interior with Figures1632 · 爱尔兰国家美术馆
20
Portrait of a Gentleman1626 · 北卡罗来纳美术馆
21
Portrait of Carolus Niëllius (1576-1652)1634 · Museum Catharijneconvent
22
Portrait of van Aertgen Steck (1585-....)1634 · Museum Catharijneconvent
23
Portrait of an unknown woman1630 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
24
Portrait of an unknown man1630 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
25
Family Scene1631 · 国家美术、建筑与设计博物馆
26
Portrait d'un homme âgé1631
27
Portrait historié of Moses and Aaron beholding the promised land, 16331633
28
Portrait of a man, possibly Hendrick de Keyser (1565-1621)1625 · 阿姆斯特丹博物馆
29
Civic guardsmen from the company of captain Jacob Symonszn de Vries and lieutenant Dirck Jacobszn de Graeff1633 · 阿姆斯特丹博物馆
30
Portrait of a Man1631 · 阿姆斯特丹博物馆
31
Christ Before the Scourging1637 · Museum Catharijneconvent
32
Crucifixion with Multiple Figures1639 · Museum Catharijneconvent
33
Portrait of a Man1639 · Rijksmuseum Twenthe
34
Portrait of Anna Hunthums (1595-1639), wife of Wemberich van Berchem1637
35
Portrait of a seated woman1640
36
Portrait of a seated man1640
37
Family portrait1643 · 柏林国家美术馆
38
Portrait of two unknown man on horseback1661 · 德累斯顿国家艺术收藏馆
39
Odysseus and Nausicaa1657 · 阿姆斯特丹皇家宫
40
Portrait of a Man with a Greyhound1650
41
A Lady and Gentleman Riding through a Wood1660 · 皇家收藏馆
42
Portrait of a man by a ruin, pointing at a skull and a vase with flowers1656
43
Portrait of a Woman, 16311650 · Musée Massey
44
Cyrus restores the treasures of the temple1660 · Fondation Custodia
45
King Cyrus returns the treasures of the temple1660 · Fondation Custodia
46
The Four Burgomasters of Amsterdam Learning of the Arrival of Maria de’ Medici on 1 September 16381638 · 玛乌里诗博物馆
47
Portrait of a Man1632 · 冬宫博物馆
48
Constantijn Huygens and his Clerk1627 · 国家美术馆
49
Equestrian Portrait of Pieter Schout1660 · 国家博物馆
50
Portrait of a Woman with a Balance1625 · 大都会艺术博物馆
51
The Syndics of the Amsterdam Goldsmiths Guild1627 · 托莱多艺术博物馆
52
Group Portrait of an Unidentified Board of Governors, Thomas de Keyser, c. 1625 - c. 16301630 · 国家博物馆
53
Portrait of a Man with a Shell1625 · 大都会艺术博物馆
54
Portrait of a Young Boy1620
55
Portrait of a man, 16311631
56
Portrait of a Gentleman1629
57
Portrait of a Silversmith1630 · Richard Green Fine Paintings
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Portrait of a Lady1632 · 柏林国家美术馆
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Portrait of Constantijn Huygens and his ( ) Clerk1627 · 国家美术馆
60
The Militia Company of Captain Allaert Cloeck1632 · 国家博物馆
61
Virgin Mary1630 · Amstelkring Museum
62
Apostle St John1630 · Amstelkring Museum
63
Portrait of an Older Lady (Foundress) and Her Daughter1643 · 柏林国家美术馆
64
Portrait of a Man, probably Hans van Hogendorp1636 · 玛乌里诗博物馆
65
Portrait of a Gentleman1632 · 卢浮宫
66
A Lady1632 · 柏林州立博物馆
67
Portrait of a manMuseum of Fine Arts Ghent (MSK)
68
Portrait d'Elizabeth van der Aa
69
Portrait d'Henrick Verburg
70
PORTRAIT D'UN JEUNE BOTANISTE
71
La leçon de musique鲁昂美术馆
72
Lady sitting before a column
73
Portrait of Constantijn Huygens and his
74
Les argentiers d'Amsterdam Die regenten der goldschmiedegilde in Amsterdam斯特拉斯堡美术馆
75
Man on Horseback with a PageFerens Art Gallery
76
A Musician and His Daughter1629 · 大都会艺术博物馆
77
Officers and Other Civic Guardsmen of the IIIrd District of Amsterdam, under the Command of Captain Allaert Cloeck and Lieutenant Lucas Jacobsz Rotgans, Thomas de Keyser, 16321632 · 国家博物馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 托马斯·德·凯泽 的作品 | 此列表中的画作 |
|---|---|---|---|
 国家博物馆 |
阿姆斯特丹 | 7 | Group Portrait of Three Brothers, Portrait of a seated woman and two children, Portrait of three children and a man |
 玛乌里诗博物馆 |
海牙 | 4 | Portrait of Loef Vredericx (1590-1668) as an Ensign, Portrait of a Scholar, The Four Burgomasters of Amsterdam Learning of the Arrival of Maria de’ Medici on 1 September 1638 |
 阿姆斯特丹博物馆 |
阿姆斯特丹 | 4 | Huych Jansz. van Crayesteyn (1572-1638), Portrait of a man, possibly Hendrick de Keyser (1565-1621), Civic guardsmen from the company of captain Jacob Symonszn de Vries and lieutenant Dirck Jacobszn de Graeff |
 Museum Catharijneconvent |
乌得勒支 | 4 | Portrait of Carolus Niëllius (1576-1652), Portrait of van Aertgen Steck (1585-....), Christ Before the Scourging |
 柏林国家美术馆 |
柏林 | 3 | Family portrait, Portrait of a Lady, Portrait of an Older Lady (Foundress) and Her Daughter |
 大都会艺术博物馆 |
纽约 | 3 | Portrait of a Woman with a Balance, Portrait of a Man with a Shell, A Musician and His Daughter |
 斯泰恩斯博物馆艺术馆 |
哥本哈根 | 2 | Portrait of a Young Woman, Portrait of a Man |
 施泰德美术馆 |
法兰克福 | 2 | Portrait of an elderly Man, Portrait of an Horseman with two Dogs |
选择一个年代，探索定义该时代的原创杰作。
The man turns his head, his light brown eyes catching the light as they lock onto ours. He sits in a quiet, shadowed space, his presence filling the frame with a heavy, dignified stillness. A thick, cream-white ruff, pleated with meticulous precision, encircles his neck, its lace edges brushing against his jawline. This starched collar frames a face marked by the passage of time; wrinkles trace the corners of his…
A single light source from the upper left carves the subject out of the darkness. She sits in a quiet, three-quarter pose, her presence anchored by the heavy folds of a black silk dress. The fabric catches the light in sharp, white highlights, revealing the meticulous texture of the weave. Above her, a deep red drapery hangs in thick, sculptural curves, providing a heavy contrast to the pale, luminous skin…
A vertical composition centers a young man against a landscape of classical ruins and a muted sky. The subject is positioned in the middle ground, wearing a heavy black cloak that absorbs much of the light. This dark attire contrasts with the pale skin of the face and the lighter tones of the background. To the left and right, architectural elements such as pedestals and draped statues frame the figure,…
![Portrait of a Gentleman [possibly Jacob van Campen] (1659) 由 托马斯·德·凯泽](/media/artworks/images-full/06/a7/06a7976b9a80ff978274a25948cf3248.jpg)
Portrait of a Gentleman [possibly Jacob van Campen] is an oil portrait executed by Thomas de Keyser. Dating to 1659, the work presents an older man in a formal, bust-length composition. The subject is positioned centrally, facing the viewer with a serious and contemplative expression.
The artwork titled Portrait of an Horseman with two Dogs is a painting after Thomas de Keyser. It captures a moment of stillness within the Dutch Golden Age, rendered in oil. The brushwork traces the heavy textures of a rider and his companions. This specific piece is dated ca. 1660 – 1670.
Portrait of a Young Woman (1631)，斯泰恩斯博物馆艺术馆, 哥本哈根。紧随其后的是 Frederick van Velthuysen and his wife, Josina (1636) 和 Portrait of a Gentleman (1631)。
35岁：Portrait of a Young Woman创作于1631年，托马斯·德·凯泽出生于1596年。
Portrait of a Young Woman, Frederick van Velthuysen and his wife, Josina, Portrait of a Gentleman, Portrait of a Gentleman Wearing a Fancy Ruff, Portrait of an elderly Man, Portrait of Loef Vredericx (1590-1668) as an Ensign, Group Portrait of Three Brothers, Male Portrait in Oval Stone Cartouche, Portrait of a Young Man 及 Portrait of an Horseman with two Dogs。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 82 件 托马斯·德·凯泽 的作品，创作年代从 1620 年至 1665 年。
多见于 国家博物馆 (阿姆斯特丹), 玛乌里诗博物馆 (海牙) 及 阿姆斯特丹博物馆 (阿姆斯特丹)。上方的博物馆列表列出了所有相关机构。
在 1630s 期间：本页 77 件作品中有 36 件创作于该时期，其中包含 Portrait of a Young Woman 件作品。
在本页面中，最早的作品创作于 Portrait of a Young Boy (1620)，最晚的创作于 Portrait of an Horseman with two Dogs (1665)。
Man (39), Woman (19) 及 Ruff collar (15)，共计 77 件作品。
Oil On Canvas，共计 32 件（本页共有 77 件作品）。
根据本页面的原作，Dutch golden age 及 Baroque
Group Portrait of Three Brothers, Portrait of a seated woman and two children 及 Portrait of three children and a man：国家博物馆, 阿姆斯特丹收藏了本页中 7 件作品。
在十七世纪阿姆斯特丹那充满活力且繁华喧嚣的心脏地带，在一个由前所未有的繁荣与文化盛放所定义的时代，托马斯·德·凯泽作为肖像画领域一股不可忽视的力量脱颖而出。他出生于1596年，成长于一个充满建筑宏伟感的环境中；他是传奇人物亨德里克·德·凯泽之子，这位建筑师的手笔曾塑造了阿姆斯特丹的天际线。这种匠人血脉带来的不仅是一个显赫的名字，更赋予了他对结构、空间以及物体物理存在感的深刻理解，这在后来成为了他描绘人体形态时的核心准则。在阿姆斯特尔河畔石料场的陪伴下长大，德·凯泽沉浸在一个艺术与建筑密不可分的世界里，这种环境孕育了他日后成为标志性的技术精准度。
他的艺术旅程通过科内利斯·范·德·福特的正式训练得到了进一步升华，这段教育经历让他接触到了那个时代的人文主义理想与精妙的构图技巧。随着艺术造诣的成熟，德·凯泽的风格开始凝聚成一种真正独特的语言——它成为了晚期文艺复兴那细致入微的细节与新兴巴洛克运动那充满戏剧性、心理强度的桥梁。尽管他的早期作品展现出对前辈们那种正式优雅风格的浓厚兴趣，但他很快便发展出了一种捕捉受众真实生活状态的能力，超越了单纯的面貌相似，转而触及人物性格的灵魂本质。
要理解德·凯泽的卓越之处，必须探究他的作品与伦勃朗·范·莱因之间那复杂而迷人的关系。他常被描述为与伦勃朗拥有共同革命精神的同代人，德·凯索对光影的处理——即著名的明暗对照法——呼应了由伦勃朗所倡导的戏剧性创新。然而，德·凯泽拥有一种独特的清晰感；如果说伦勃朗倾向于将形体消融在深邃而神秘的阴影中，那么德·凯泽则往往能保持线条的干脆利落以及纹理中的明亮质感。他是触觉表现的大师，能够以近乎科学般的准确度，呈现出丝绸厚重的光泽、蕾丝错综复杂的图案，以及年迈商人脸上细微的沧桑纹路。
这种对写实主义的执着，使他成为了荷兰共和国新兴商人阶层首选的肖像画家。他能够将模特的身分地位与深刻的心理真实感完美平衡，从而创作出既是身份象征又是亲密性格研究的作品。在他的团体肖像画中，他展现了组织复杂人物构图的非凡能力，确保每个个体在保持独特身份的同时，共同构建出一幅凝聚着集体公民自豪感的叙事画卷。他的笔触虽然精准，却从未显得呆板；其构图中蕴含着一种律动的生命力，为十七世纪那些凝固的瞬间注入了鲜活的气息。
托马斯·德·凯泽的成就远超画布本身，他代表了北欧艺术史上至关重要的一章。他的职业生涯正值荷兰黄金时代的巅峰，那是荷兰通过商业、科学和艺术确立自身身份的时代。通过记录那个时代的容颜——从富有的市民到举足轻重的城市领袖——他为这个处于转型期的社会提供了珍贵的视觉档案。他的作品如同一扇窗户，让我们得以窥见那个由海上霸权与新教勤勉精神所定义的时代之社会等级、时尚风尚与价值观。
在其一生及其留下的艺术遗产中，有几个关键元素定义了他对艺术界的贡献：
尽管历史有时将他置于伦勃朗的阴影之下，但德·凯泽的重要性从未减损。他不仅仅是一位伟大的追随者，更是一位开拓者，为荷兰艺术传统贡献了一种独特的清晰感与结构优雅感。时至今日，他的作品依然令学者与艺术爱好者为之倾倒，作为一位能够捕捉时代外在辉煌与内在灵魂的大师，留下了永恒的见证。
