更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 30 件 西蒙·贝宁 作品收录于我们的目录中
简而言之
在 西蒙·贝宁 留下的所有原作中，最著名的当属收藏于 洛杉矶 J·保罗·盖蒂博物馆 的《The Seven Sorrows of the Virgin (1530)》。 紧随其后的是 Landscape with St Jerome (1515) 和 Self-Portrait (1558)。 我们的目录收录了 西蒙·贝宁 的 30 件作品；画廊完整保留了 30 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
Simon Bening produced The Seven Sorrows of the Virgin in 1530. This miniature focuses on the spiritual suffering of the Virgin Mary, specifically the grief experienced throughout her life. The work is held within the J. Paul Getty Museum in Los Angeles, United States of America.
To gaze upon Simon Bening's Landscape with St Jerome is to step through a portal into the early sixteenth century, a world rendered with meticulous devotion and profound tranquility. This painting, executed in 1515, transcends mere depiction; it is an immersive experience of nature’s enduring peace. The composition immediately draws the eye into a pastoral dreamscape, anchored by the dramatic presence of a large rock formation on the left. This…
The miniature portrait of Simon Bening, created in 1558, is more than just a likeness; it's a meticulously crafted window into the mind and spirit of a master Flemish illuminator. Housed within the Metropolitan Museum of Art, this small panel – measuring a mere 9 x 6 centimeters – belies the profound depth of its artistic statement. Bening, a pivotal figure bridging the late Gothic and early Renaissance traditions, wasn’t…
Within the hushed reverence of the Musée du Louvre in Paris resides a miniature painting that transcends its diminutive size, offering an intimate glimpse into the life and artistic vision of Simon Bening. His “Self-Portrait,” created in 1535, is not merely a likeness; it’s a carefully constructed statement about identity, skill, and the burgeoning humanist ideals of the Renaissance. Measuring just 9 x 7 centimeters on vellum, this work embodies…
The morning air feels crisp and still as a small procession of villagers meanders along a winding path. They move with a rhythmic, steady purpose, their figures silhouetted against a landscape of rolling hills and skeletal trees. A soft, diffused light bathes the scene, suggesting the pale glow of a late winter morning. This is the season of Candlemas, and the flickering light held by the faithful seems to pierce…
To gaze upon this miniature is to enter a rarefied moment of profound spiritual confrontation. The scene captures the biblical narrative of The Temptation of Christ, an episode rich with theological weight and dramatic tension. It is not merely a depiction of temptation, but rather a visual meditation on divine will versus worldly allure. The composition masterfully frames Jesus, steadfast in his resolve, against the seductive whispers of the devil.…
The Pietà is a work by the Netherlandish artist Simon Bening. This miniature was created about 1522. Bening, who was born in Ghent (?) in 1483/84 and died in 1561 in Bruges, captured this sacred scene on a small scale. The image focuses on the heavy, quiet weight of the moment.
In Pentecost by Simon Bening, the composition organizes a multitude of figures within a structured architectural environment. The scene is set inside a space resembling a Gothic cathedral, where the geometry of the building provides a framework for the religious event. This architectural setting functions as a sacred space, grounding the spiritual narrative in a tangible, physical realm. The arrangement of the figures creates a sense of depth through overlapping…
Two distinct biblical narratives occupy these narrow, vertical panels, separated by a gold-colored border. In the left segment, John the Baptist preaches to a gathered assembly near the water's edge, framed by towering, lush green trees that emphasize the verticality of the composition. The right panel depicts the Baptism of Christ, where Jesus stands in the water with hands clasped in prayer while John reaches toward him. A white dove…
The composition is divided into two distinct registers. In the upper, larger scene, a woman identified as St. Gertrude de Nivelles sits within a wooden interior. She wears a black and white habit and a white wimple, with a golden halo encircling her head. Her hands are occupied with a drop spindle, spinning wool. The room is constructed of dark, grained wood, and several small black mice are scattered across…
Adoration of the Magi1520
12
Triptych of Virgin and Child; Saints Catherine and Barbara1520 · 休斯顿美术馆
13
Peter's Denial1527 · 盖蒂中心
14
Christ Washing the Apostles' Feet1527 · 盖蒂中心
15
Portrait of Henry III, Count of Nassau-Breda1550 · 柏林国家美术馆
16
Book of Hours1530 · 大都会艺术博物馆修道院分馆
17
Manuscript Leaf with Adoration of the Holy Name, from a Book of Hours1530
18
Henry III, Count of Nassau-Breda and Mencía de Mendoza1531 · 柏林州立博物馆
19
Scenes from the Creation
20
Penitent St Jerome1515 · 圣洛伦索修道院
21
Virgin and ChildMuseum of Fine Arts Ghent (MSK)
22
Jesus Among the Doctors1530 · J·保罗·盖蒂博物馆
23
The annunciation
24
Gathering twigs
25
The nativity
26
Villagers on Their Way to Church
27
Leaf from the Munich-Montserrat Hours
28
Prayer Book of Cardinal Albrecht of Brandenburg
29
Self-portrait1558
30
Calendar Miniatures from a Book of HoursJ·保罗·盖蒂博物馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 西蒙·贝宁 的作品 | 此列表中的画作 |
|---|---|---|---|
 J·保罗·盖蒂博物馆 |
洛杉矶 | 5 | The Seven Sorrows of the Virgin, Villagers on Their Way to Church, The Temptation of Christ |
 卢浮宫 |
巴黎 | 2 | Landscape with St Jerome, Self-Portrait |
 大都会艺术博物馆 |
纽约 | 2 | Self-Portrait, Pietà |
 盖蒂中心 |
洛杉矶 | 2 | Peter's Denial, Christ Washing the Apostles' Feet |
 博伊曼斯·范·本宁根博物馆 |
鹿特丹 | 1 | Pentecost |
 Groeningemuseum |
布鲁日 | 1 | John the Baptist preaching and the Baptism of Christ |
 卡内基美术馆 |
匹兹堡 | 1 | St. Gertrude de Nivelles, from the Hours of Cardinal Albrecht of Brandenburg (1490-1545), Archibishop and Elector of Mainz |
 休斯顿美术馆 |
休斯顿 | 1 | Triptych of Virgin and Child; Saints Catherine and Barbara |
选择一个年代，探索定义该时代的原创杰作。
To gaze upon Simon Bening's Landscape with St Jerome is to step through a portal into the early sixteenth century, a world rendered with meticulous devotion and profound tranquility. This painting, executed in 1515, transcends mere depiction; it is an immersive experience of nature’s enduring peace. The composition immediately draws the eye into a pastoral dreamscape, anchored by the dramatic presence of a large rock formation on the left. This…
The Pietà is a work by the Netherlandish artist Simon Bening. This miniature was created about 1522. Bening, who was born in Ghent (?) in 1483/84 and died in 1561 in Bruges, captured this sacred scene on a small scale. The image focuses on the heavy, quiet weight of the moment.
Simon Bening produced The Seven Sorrows of the Virgin in 1530. This miniature focuses on the spiritual suffering of the Virgin Mary, specifically the grief experienced throughout her life. The work is held within the J. Paul Getty Museum in Los Angeles, United States of America.
The miniature portrait of Simon Bening, created in 1558, is more than just a likeness; it's a meticulously crafted window into the mind and spirit of a master Flemish illuminator. Housed within the Metropolitan Museum of Art, this small panel – measuring a mere 9 x 6 centimeters – belies the profound depth of its artistic statement. Bening, a pivotal figure bridging the late Gothic and early Renaissance traditions, wasn’t…
The Seven Sorrows of the Virgin (1530)，J·保罗·盖蒂博物馆, 洛杉矶。紧随其后的是 Landscape with St Jerome (1515) 和 Self-Portrait (1558)。
47岁：The Seven Sorrows of the Virgin创作于1530年，西蒙·贝宁出生于1483年。
The Seven Sorrows of the Virgin, Landscape with St Jerome, Self-Portrait, Self-Portrait, Villagers on Their Way to Church, The Temptation of Christ, Pietà, Pentecost, John the Baptist preaching and the Baptism of Christ 及 St. Gertrude de Nivelles, from the Hours of Cardinal Albrecht of Brandenburg (1490-1545), Archibishop and Elector of Mainz。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 30 件 西蒙·贝宁 的作品，创作年代从 1510 年至 1558 年。
多见于 J·保罗·盖蒂博物馆 (洛杉矶), 卢浮宫 (巴黎) 及 大都会艺术博物馆 (纽约)。上方的博物馆列表列出了所有相关机构。
在 1530s 期间：本页 30 件作品中有 7 件创作于该时期，其中包含 The Seven Sorrows of the Virgin 件作品。
在本页面中，最早的作品创作于 John the Baptist preaching and the Baptism of Christ (1510)，最晚的创作于 Self-Portrait (1558)。
People (5), Woman (4) 及 Figures (4)，共计 30 件作品。
Gouache，共计 3 件（本页共有 30 件作品）。
根据本页面的原作，Northern renaissance 及 Ghent-bruges school
The Seven Sorrows of the Virgin, Villagers on Their Way to Church 及 The Temptation of Christ：J·保罗·盖蒂博物馆, 洛杉矶收藏了本页中 5 件作品。
在细腻且充满光泽的佛兰德细密画领域，很少有名字能像西蒙·贝宁那样享有如此崇高的声望。作为尼德兰传统中最后一位伟大的艺术大师，西蒙·贝宁拥有一种非凡的能力，能够将微小的羊皮纸表面转化为广阔、生动的景观，以及深刻的精神冥想。他的生命深深植根于低地国家的丰富艺术遗产之中；他出生于根特或安特卫普，很可能是在父亲——受人尊敬的细密画大师亚历山大·贝宁的指导下，在家族作坊中开启了他的艺术之旅。这种血脉传承为他奠定了卓越的技术基础，并最终使他能够领导布鲁日最繁荣的作坊之一。
随着西蒙·贝宁在根特和布鲁日这两个艺术中心的名声日益显赫，他的微缩画技艺也达到了登峰造极的境界。到1508年，他正式加入了布鲁日的圣约翰与圣卢克行会，这足以证明他在专业精英中的地位。他的职业生涯标志着一种无缝的转型，连接了前辈们的晚期哥特式审美与早期文艺复兴中蓬勃发展的细微差别。这段艺术演进时期在《自画像》中得到了最动人的体现，这件作品的作用远不止于单纯的肖像。在这幅微缩画中，西蒙·贝宁呈现出的形象不仅是一名工匠，更是一位知识分子，他坐在画架前，手中拿着眼镜——这既是对其手艺所需的严谨观察的象征性致敬，也表达了与画家守护神圣卢克的精神契合。
西蒙·贝宁作品真正的魔力在于他创造“微缩世界”的能力，这种能力能引导观者进入一种静谧冥想的状态。他的《时祷书》是这种虔诚艺术的典范，每一页都如同一颗充满祈祷意味的宝石，旨在提醒信徒神性的无处不在。通过对光影的精妙操控，西蒙·贝宁创造出了一种超越其媒介微小尺度的立体感。他的技艺实现了令人屏息的细节表现力，从奢华织物的微妙纹理，到仿佛延伸至页面边界之外的景观大气深度，无不令人惊叹。
除了卓越的技术造诣，西蒙·贝宁的历史意义更在于他作为时代桥梁的角色。虽然他继承了根特-布鲁日画派严谨的传统，但他的作品也拥抱了新兴的人文主义对细节和自然主义的关注。他的成就体现在其作品在世界最负盛名的收藏馆中的持久生命力，这些作品持续为世人提供窥见十六世纪精神与美学灵魂的窗口。通过他的双手，细密画那转瞬即逝的美达到了完美的巅峰，留下了光影、色彩与深沉虔诚的永恒遗产。
