更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 77 件 罗伯特·斯米克 作品收录于我们的目录中
简而言之
The Cession Of Matavai 是罗伯特·斯米克最受瞩目的画作。 随后，目光会移向 The wreck of the 'Grosvenor' (1792) 和 The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay (1793)。 在 罗伯特·斯米克 的 77 件作品中，这 77 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
In The Cession Of Matavai, Robert Smirke presents a complex historical scene centered on the era of European colonization in the Pacific. The work captures a moment of profound cultural encounter, focusing on the tension between two distinct worlds. Smirke, an artist known for his ability to translate narrative depth into visual form, uses this setting to explore themes of power and the shifting dynamics of dominance and vulnerability.
In The wreck of the 'Grosvenor' by Robert Smirke, the chaos of a maritime disaster unfolds before the eyes. This scene captures the harrowing moment an East Indiaman meets its end. The vessel, a three-masted ship of 729 tons, struggles against the fury of the sea. It is a moment frozen in time, reflecting the tragedy that occurred on 4 August 1782. The water churns with a violent energy that…
The oil painting titled The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay was executed by the artist Robert Smirke. This work dates to about 1793. The canvas depicts a specific moment of naval combat, focusing on the central figure of the Earl of Sandwich. The subject matter centers on themes of courage, duty, and leadership during the Battle of Solebay.
The artwork titled Falstaff rebuked was painted by the English painter and illustrator Robert Smirke. This specific work dates to 1795. The piece is an oil on canvas that captures a scene of confrontation between a youthful, regal figure and an older, disheveled man.
The composition centers on a single female figure positioned within a dramatic setting. She is depicted in the role of Lady Macbeth, captured in a moment of intense psychological tension. The subject's posture and facial expression convey a sense of internal turmoil. Her gaze is directed away from the viewer, focused on an unseen point of distress. The lighting emphasizes the contours of her face and the heavy folds of…
The Awakening of King Lear by Robert Smirke centers on a dramatic moment of human interaction. An elderly man with a white beard sits in a large chair, serving as the focal point of the composition. Kneeling before him is a woman in white and light blue drapery, her posture suggesting a gesture of supplication or comfort. This central pairing is framed by two other men who observe the scene…
To gaze upon this depiction of the Port of Zakynthos is to be instantly transported across the azure expanse of the Aegean Sea, far from the clamor of modern life. This work captures not merely a harbor scene, but a moment suspended in time—a vibrant tableau vivant rendered with the delicate precision characteristic of early nineteenth-century topographical studies. The composition itself sings of industry and repose; boats, some moored peacefully…
A Scene From 'the Busybody' From By Mrs Centlivre is a painting by the artist Robert Smirke. This work depicts a specific moment taken from the play written by Mrs Centlivre. The composition captures a dramatic instance from the theatrical text, focusing on the interactions between the characters within a domestic setting.
Diana and Actaeon耶鲁英国艺术中心
12
Juliet Nurse
13
Lady Jane Grey
14
The Slaughter Of The Suitors Of Penelope
15
Title Not Known - (10)
16
The Soldier耶鲁英国艺术中心
17
Title Not Known -
18
The Afflicted Matron, The Countess Trifaldi, From 'don Quixote'
19
'henry Iv', Part I, Act Ii, Scene 1, The Inn Yard With Gadshill And The Carriers
20
King Lear
21
Mary Isabella Somerset
22
The Treachery Of Colonel Kirke
23
Ulysses And Nausicä
24
Children Playing
25
Cromwell suppressing the mutiny in the army
26
Ulysses Discovered By His Nurse
27
Sancho Panza And The Duchess
28
His Majesty Reviewing The Volunteer Corps Assembled In Hyde Park, In Honour Of His Birthday
29
The Deserter Apprehended
30
The Merry Wives Of Windsor
31
The Martyrdom of Archbishop Cranmer
32
The Schoolboy耶鲁英国艺术中心
33
Kneeling female figure with a cup
34
Title Not Known -
35
Title Not Known -
36
The Lover耶鲁英国艺术中心
37
Title Not Known
38
Title Not Known -
39
The Order Of Knighthood Conferred On Don Quixote By The Inn Keeper
40
Title Not Known - (9)
41
Title Not Known -
42
Casimire And Lady Pentweazel, From Samuel Foote's Taste
43
Title Not Known -
44
The Astronomers' Club国家海事博物馆
45
Don Quixote And Sancho Panza
46
The Justice耶鲁英国艺术中心
47
The Infant耶鲁英国艺术中心
48
The Rivals
49
Scene From Samuel Richardson's Pamela
50
Mrs Henry Siddons
51
Melinda And Lucy Consult Kite
52
He Seven Ages Of Man The Pantaloon耶鲁英国艺术中心
53
Title Not Known - (11)
54
Much Ado About Nothing
55
Lady Pentweazle From Samuel Foote's 'taste'Upton House
56
The Rivals from `Tom Jones
57
Title Not Known - (8)
58
The Two Sons Of Tipu Sahib, Sultan Of Mysore耶鲁英国艺术中心
59
Measure For Measure
60
Scene From Bickerstaffe's Play 'the Hypocrite'
61
Falstaff Disguised As Herne With Mrs Ford And Mrs Page
62
The Scandal
63
The Duel
64
Second Childishness耶鲁英国艺术中心
65
Young Man Lifted From A River, Apparently Drowned
66
The Merry Wives Of Windsor -
67
Scipio And The Hermit
68
Don Quixote At Home, After The Termination Of His Second Sally
69
'henry Iv', Part I, Act V, Scene 4, Falstaff And The Dead Body Of Hotspur
70
The Sleeper Awakened
71
Illustration From Francis Beaumont And John Fletcher's 'the Humorous Lieutenant'
72
Title Not Known -
73
Resuscitation By Doctor Hawes Of A Man Believed Drowned
74
A Scene From 'taste' A Play By Samuel Foote
75
Illustration To Le Strange's 'gil Blas'
76
'love For Love' By William Congreve
77
The Rival Waiting-womenHatchlands Park
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 4 家博物馆。
| 博物馆 | 城市 | 罗伯特·斯米克 的作品 | 此列表中的画作 |
|---|---|---|---|
 耶鲁英国艺术中心 |
纽黑文 | 13 | The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay, Port of Zakynthos, Greece, Woman Sleeping in the Nude in a Wooded Landscape |
 Upton House |
班伯里 | 2 | A Scene From 'the Busybody' From By Mrs Centlivre, Lady Pentweazle From Samuel Foote's 'taste' |
 国家海事博物馆 |
伦敦 | 1 | The Astronomers' Club |
 Hatchlands Park |
吉尔福德 | 1 | The Rival Waiting-women |
此处展示的 罗伯特·斯米克 的原作从 1790 到 1804，跨越了 15 年，每年的作品均按年份排列如下。
选择年份以查看原作。
The composition centers on a single female figure positioned within a dramatic setting. She is depicted in the role of Lady Macbeth, captured in a moment of intense psychological tension. The subject's posture and facial expression convey a sense of internal turmoil. Her gaze is directed away from the viewer, focused on an unseen point of distress. The lighting emphasizes the contours of her face and the heavy folds of…
In The wreck of the 'Grosvenor' by Robert Smirke, the chaos of a maritime disaster unfolds before the eyes. This scene captures the harrowing moment an East Indiaman meets its end. The vessel, a three-masted ship of 729 tons, struggles against the fury of the sea. It is a moment frozen in time, reflecting the tragedy that occurred on 4 August 1782. The water churns with a violent energy that…
更多来自 1792
The oil painting titled The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay was executed by the artist Robert Smirke. This work dates to about 1793. The canvas depicts a specific moment of naval combat, focusing on the central figure of the Earl of Sandwich. The subject matter centers on themes of courage, duty, and leadership during the Battle of Solebay.
The artwork titled Falstaff rebuked was painted by the English painter and illustrator Robert Smirke. This specific work dates to 1795. The piece is an oil on canvas that captures a scene of confrontation between a youthful, regal figure and an older, disheveled man.
To gaze upon this depiction of the Port of Zakynthos is to be instantly transported across the azure expanse of the Aegean Sea, far from the clamor of modern life. This work captures not merely a harbor scene, but a moment suspended in time—a vibrant tableau vivant rendered with the delicate precision characteristic of early nineteenth-century topographical studies. The composition itself sings of industry and repose; boats, some moored peacefully…
The Cession Of Matavai。紧随其后的是 The wreck of the 'Grosvenor' (1792) 和 The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay (1793)。
The Cession Of Matavai, The wreck of the 'Grosvenor', The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay, Falstaff rebuked, Sarah Siddons as Lady Macbeth, The Awakening of King Lear, Port of Zakynthos, Greece, A Scene From 'the Busybody' From By Mrs Centlivre, Woman Sleeping in the Nude in a Wooded Landscape 及 Figure Study of a Nude Woman in a Wooded Landscape。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 77 件 罗伯特·斯米克 的作品，创作年代从 1790 年至 1804 年。
多见于 耶鲁英国艺术中心 (纽黑文), Upton House (班伯里) 及 国家海事博物馆 (伦敦)。上方的博物馆列表列出了所有相关机构。
在 1792 期间：本页 77 件作品中有 2 件创作于该时期，其中包含 The wreck of the 'Grosvenor' 件作品。
在本页面中，最早的作品创作于 Sarah Siddons as Lady Macbeth (1790)，最晚的创作于 Port of Zakynthos, Greece (1804)。
Women (7), Scenes (4) 及 Historical scene (3)，共计 77 件作品。
Oil，共计 4 件（本页共有 77 件作品）。
根据本页面的原作，Romanticism 及 Neoclassicism
The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay, Port of Zakynthos, Greece 及 Woman Sleeping in the Nude in a Wooded Landscape：耶鲁英国艺术中心, 纽黑文收藏了本页中 13 件作品。
在英国艺术史的宏伟画卷中，当许多艺术家正试图通过气势磅礴的战争场面或纪念碑式的肖像画来寻求荣耀时，罗伯特·斯米克却开辟了一块细腻且充满深情私密感的艺术领地。1753年，他出生于卡莱尔附近宁静的威顿镇。对于斯米克而言，画笔的指引并非来自历史的戏剧冲突，而更多源自诗歌的韵律。作为一名巡回画家的儿子，他的童年沉浸在观察艺术的精髓之中，早在接受正式学徒训练之前，他就已经学会了透过光影与运动的棱镜去审视世界。这种早年对流动生活的接触，使他一生都对自然界中细微的纹理怀有敬畏之心，而这种特质后来也定义了他描绘文学风景时那独一无二的艺术手法。
斯米克的艺术旅程是一场持续且精益求精的修行。在伦敦的一位纹章画家门下磨炼技艺后，他于1775年通过艺术家联合会开始步入职业领域。尽管早期的展览规模并不宏大，但已然展现出捕捉场景静谧优雅的天赋。他不仅仅是在描绘风景，更是在诉说故事。他的真正造诣在于能够将文字转化为视觉诗篇，尤其专注于詹姆斯·汤姆森等英国诗人的作品。通过运用单色调的色板与错综复杂的构图，斯米克营造出一种永恒感，让观者仿佛能直接步入经典文学的诗行之中。
罗伯特·斯米克在享有盛誉的皇家艺术学院殿堂中的地位攀升，见证了他的技术实力以及吸引那个时代最挑剔评论家的能力。1791年他被选为院士（Associate Academician），随后在1793年正式成为全职院士，这标志着他从一名极具潜力的插画家转型为英国艺术界的基石。正是在这一时期，他最负盛名的作品开始引起公众的共鸣。诸如《纳西瑟斯与淑女》和《萨布丽娜》等作品——题材取自弥尔顿的《科姆斯》——展现了他对神话与传说中氛围感的深刻敏锐度。
斯米克的作品具有几个使其在同时代艺术家中脱颖而出的核心特征：
即便是在他的文凭作品《唐吉诃德与桑丘》中，也体现了他对人物刻画与叙事深度的执着。尽管他或许并未追求那些描绘帝国宏大史诗的画家所拥有的名声，但斯米克的历史意义在于他作为英国文学遗产视觉守护者的角色。他将画布转化为书页，确保了18世纪诗人的浪漫主义情怀能够通过其持久的图像力量流传后世。他的生命跨越了18世纪末至1845年，在英国艺术史中留下了一个美丽的篇章——这个故事并非通过响亮的宣言来叙述，而是通过一位大师级讲故事者那轻柔且动人心魄的低语娓娓道来。
