Robert Herdman 肖像

Robert Herdman 作品:画廊视角下的 52 幅名作

更新于 October 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 52 件 Robert Herdman 作品收录于我们的目录中

简而言之

在画廊看来,Robert Herdman 最著名的作品是 John Campbell Shairp (1819–1885), LLD (1886)。 The young seamstress (1860) 与 The Arrochar Gleaner (1862) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中,Robert Herdman 共有 52 件作品,画廊为您精选了以下 52 件最著名的原作,并详细列出了每件作品的创作年份、馆藏机构及其独特之处。

1829 – 1888 Romanticism 藏品最多:苏格兰国家肖像画廊

画廊中 Robert Herdman 的十大名画

7
Morning (1861) 由 Robert Herdman

Morning

1861

The painting "Morning" by Robert Inerarity Herdman is a beautiful and captivating piece of art that showcases the artist's skill and attention to detail. Created in 1861, this oil on panel painting measures 31 x 23 cm and is currently displayed at the Glasgow Museums Resource Centre in the United Kingdom. Painting Description The painting features a young child wearing a blue hat with a bow on it, holding a…

Robert Herdman 的画作,排名第 11 至 52

11Evening (1862) 由 Robert HerdmanEvening1862 12'Who still in dreams can hear the heavenly harps' (1862) 由 Robert Herdman'Who still in dreams can hear the heavenly harps'1862 13Fern Gatherer (1866) 由 Robert HerdmanFern Gatherer1866 14After the Battle (1870) 由 Robert HerdmanAfter the Battle1870 · 苏格兰国家美术馆 15Sir Joseph Noel Paton (1821–1901) (1870) 由 Robert HerdmanSir Joseph Noel Paton (1821–1901)1870 16Aeneas Ranald McDonell (1820–1897) (1868) 由 Robert HerdmanAeneas Ranald McDonell (1820–1897)1868 17David Octavius Hill (1802–1870), RSA (1870) 由 Robert HerdmanDavid Octavius Hill (1802–1870), RSA1870 · 皇家苏格兰学院艺术与建筑展 18A Fountain Group, South Italy (1868) 由 Robert HerdmanA Fountain Group, South Italy1868 19Mary, Queen of Scots The Farewell to France (1867) 由 Robert HerdmanMary, Queen of Scots The Farewell to France1867 20Emily Merelina Meymott (1830–1911), Baroness Shand (1867) 由 Robert HerdmanEmily Merelina Meymott (1830–1911), Baroness Shand1867 · 苏格兰国家美术馆 21Execution of Mary, Queen of Scots (1867) 由 Robert HerdmanExecution of Mary, Queen of Scots1867 22Evening Thoughts (1864) 由 Robert HerdmanEvening Thoughts1864 · 苏格兰国家美术馆 23La culla – Study in Italy (1864) 由 Robert HerdmanLa culla – Study in Italy1864 · 皇家苏格兰学院艺术与建筑展 24Charles Shaw Lefevre (1794–1888), 1st Viscount Eversley, in the Uniform of the Hampshire Carabiniers (1875) 由 Robert HerdmanCharles Shaw Lefevre (1794–1888), 1st Viscount Eversley, in the Uniform of the Hampshire Carabiniers1875 25Sir James Falshaw (1810–1889), Bt, Lord Provost of Edinburgh (1874–1877) (1877) 由 Robert HerdmanSir James Falshaw (1810–1889), Bt, Lord Provost of Edinburgh (1874–1877)1877 26C. G. Shaw (1878) 由 Robert HerdmanC. G. Shaw1878 · County Buildings 27Sir George Harvey (1806–1876), Artist (1874) 由 Robert HerdmanSir George Harvey (1806–1876), Artist1874 · 苏格兰国家肖像画廊 28Sir James David Marwick (1826–1908), Town Clerk of Glasgow (1873–1903) (1873) 由 Robert HerdmanSir James David Marwick (1826–1908), Town Clerk of Glasgow (1873–1903)1873 29Sir George Harvey (1806–1876), PRSA (1874) 由 Robert HerdmanSir George Harvey (1806–1876), PRSA1874 · 皇家苏格兰学院艺术与建筑展 30Thomas Carlyle (1876) 由 Robert HerdmanThomas Carlyle1876 · The National Trust For Scotland 31Pleasures of Hope (1877) 由 Robert HerdmanPleasures of Hope1877 32Lochiel's Warning (1878) 由 Robert HerdmanLochiel's Warning1878 33David Laing (1793–1878), Antiquary (1874) 由 Robert HerdmanDavid Laing (1793–1878), Antiquary1874 · 苏格兰国家肖像画廊 34A Conventicle Preacher before the Justices (1876) 由 Robert HerdmanA Conventicle Preacher before the Justices1876 · 皇家苏格兰学院艺术与建筑展 35Sir Theodore Martin (1876) 由 Robert HerdmanSir Theodore Martin1876 · 国家肖像美术馆 36Thomas Carlyle (1795–1881) (1875) 由 Robert HerdmanThomas Carlyle (1795–1881)1875 · Dumfries Museum And Camera Obscura 37The Conference between Mary, Queen of Scots and John Knox at Holyrood Palace, 1561 (1875) 由 Robert HerdmanThe Conference between Mary, Queen of Scots and John Knox at Holyrood Palace, 15611875 38George Rough (1801–1888), Provost of Dundee (1853–1856) (1882) 由 Robert HerdmanGeorge Rough (1801–1888), Provost of Dundee (1853–1856)1882 39Wae's Me (1879) 由 Robert HerdmanWae's Me1879 40Alexander Laing, LLD, Newburgh (1885) 由 Robert HerdmanAlexander Laing, LLD, Newburgh1885 41Self Portrait (1883) 由 Robert HerdmanSelf Portrait1883 42Peter Clouston, Lord Provost of Glasgow (1860–1863) (1883) 由 Robert HerdmanPeter Clouston, Lord Provost of Glasgow (1860–1863)1883 43Reverend George S. Burns, Minister of Glasgow Cathedral (1881) 由 Robert HerdmanReverend George S. Burns, Minister of Glasgow Cathedral1881 44Sir William Collins (1817–1895), Lord Provost of Glasgow (1877–1880) (1881) 由 Robert HerdmanSir William Collins (1817–1895), Lord Provost of Glasgow (1877–1880)1881 45Sir James Watson (1801–1889), Lord Provost of Glasgow (1871–1874) (1882) 由 Robert HerdmanSir James Watson (1801–1889), Lord Provost of Glasgow (1871–1874)1882 46Bouverie Francis Primrose (1813–1898), Secretary to the Board of Trustees for Manufactures and Fisheries (1883) 由 Robert HerdmanBouverie Francis Primrose (1813–1898), Secretary to the Board of Trustees for Manufactures and Fisheries1883 · 苏格兰国家肖像画廊 47A Sprig of Arran Heather 由 Robert HerdmanA Sprig of Arran Heather 48A Pilot 由 Robert HerdmanA Pilot 49Saint Columba Rescuing a Captive (1883) 由 Robert HerdmanSaint Columba Rescuing a Captive1883 50Corrie, a Crofter's Harvest 由 Robert HerdmanCorrie, a Crofter's Harvest 51Sleep 由 Robert HerdmanSleep利兹美术馆 52Sir Joseph Noel Paton (1821–1901), RSA 由 Robert HerdmanSir Joseph Noel Paton (1821–1901), RSA皇家苏格兰学院艺术与建筑展

令 Robert Herdman 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 Robert Herdman 原作的博物馆

收藏了本页中大部分画作的 8 家博物馆。

博物馆 城市 Robert Herdman 的作品 此列表中的画作
苏格兰国家肖像画廊, Edinburgh苏格兰国家肖像画廊 Edinburgh 5 Thomas Carlyle (1795–1881), Historian and Essayist, Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University, Sir George Harvey (1806–1876), Artist
皇家苏格兰学院艺术与建筑展, 爱丁堡皇家苏格兰学院艺术与建筑展 爱丁堡 5 David Octavius Hill (1802–1870), RSA, La culla – Study in Italy, Sir George Harvey (1806–1876), PRSA
苏格兰国家美术馆, 爱丁堡苏格兰国家美术馆 爱丁堡 3 After the Battle, Emily Merelina Meymott (1830–1911), Baroness Shand, Evening Thoughts
County Buildings, AyrCounty Buildings Ayr 1 C. G. Shaw
The National Trust For Scotland, EcclesburnThe National Trust For Scotland Ecclesburn 1 Thomas Carlyle
国家肖像美术馆, 伦敦国家肖像美术馆 伦敦 1 Sir Theodore Martin
Dumfries Museum And Camera Obscura, DumfriesDumfries Museum And Camera Obscura Dumfries 1 Thomas Carlyle (1795–1881)
利兹美术馆, 利兹利兹美术馆 利兹 1 Sleep

Robert Herdman,每十年一件代表作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

Robert Herdman 的画作:画廊解答

哪幅 Robert Herdman 的画作最为闻名?揭晓答案

John Campbell Shairp (1819–1885), LLD (1886)。紧随其后的是 The young seamstress (1860) 和 The Arrochar Gleaner (1862)。

Robert Herdman 完成 John Campbell Shairp (1819–1885), LLD 时多大年纪?揭晓答案

57岁:John Campbell Shairp (1819–1885), LLD创作于1886年,Robert Herdman出生于1829年。

Robert Herdman 最受欢迎的 10 幅画作是哪些?揭晓答案

John Campbell Shairp (1819–1885), LLD, The young seamstress, The Arrochar Gleaner, Thomas Carlyle (1795–1881), Historian and Essayist, John Tulloch (1823–1886), Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University, Morning, The Time of Primroses, Bonny Bell 及 The Gleaner。上方排名显示了每件作品的创作年份及馆藏机构。

Robert Herdman 创作了多少件作品?揭晓答案

我们的目录收录了 52 件 Robert Herdman 的作品,创作年代从 1854 年至 1886 年。

Robert Herdman 最著名的原作收藏于何处?揭晓答案

多见于 苏格兰国家肖像画廊 (Edinburgh), 皇家苏格兰学院艺术与建筑展 (爱丁堡) 及 苏格兰国家美术馆 (爱丁堡)。上方的博物馆列表列出了所有相关机构。

Robert Herdman 是在什么时候创作出最著名的画作的?揭晓答案

在 1870s 期间:本页 52 件作品中有 19 件创作于该时期,其中包含 Thomas Carlyle (1795–1881), Historian and Essayist 件作品。

Robert Herdman 最早和最晚的代表作有哪些?揭晓答案

在本页面中,最早的作品创作于 The Time of Primroses (1854),最晚的创作于 John Campbell Shairp (1819–1885), LLD (1886)。

Robert Herdman 最常创作的主题是什么?揭晓答案

Victorian era (3), Portraiture (2) 及 Elderly man (2),共计 52 件作品。

Robert Herdman 属于哪种艺术流派?揭晓答案

根据本页面的原作,Romanticism

苏格兰国家肖像画廊收藏了哪些Robert Herdman的原作?揭晓答案

Thomas Carlyle (1795–1881), Historian and Essayist, Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University 及 Sir George Harvey (1806–1876), Artist:苏格兰国家肖像画廊, Edinburgh收藏了本页中 5 件作品。

Robert Herdman:艺术家

A Victorian Visionary: The Life and Legacy of Robert Inerarity Herdman

Robert Inerarity Herdman (1829–1888) stands as a luminous figure within the landscape of nineteenth-century Scottish art, a painter whose brush captured not merely the physical likeness of his subjects but the very soul of the Celtic Revival. Born in the quiet beauty of Rattray, near Blairgowrie, Perthshire, Herdman’s early life was marked by a profound intellectual depth. Though he initially turned his studies toward theology at St Andrews University, the calling of the canvas proved irresistible. This transition from the spiritual study of divinity to the visual exploration of light and form would define his career, allowing him to infuse his later works with a sense of sacredness and mythic resonance that few of his contemporaries could replicate. By 1847, Herdman had migrated to Edinburgh, seeking the mentorship of the era's most distinguished masters, Robert Scott Lauder and John Ballantyne. Under their rigorous tutelage, he developed a meticulous technique characterized by an extraordinary command over oil painting. His training was not merely technical but deeply philosophical; through his friendship with Professor John Stuart Blackie, Herdman became intimately acquainted with the richness of Celtic mythology and folklore. This influence acted as a guiding star for his artistic development, steering him away from mere academic realism toward a more evocative, narrative style that celebrated the pastoral beauty and spiritual heritage of Scotland.

Mastery of Portraiture and the Pastoral Ideal

Herdman’s professional ascent was marked by significant institutional recognition, including his election as an Associate of the Royal Scottish Academy in 1861 and his subsequent elevation to Fellow in 1863. His reputation as a premier portraitist was solidified through prestigious commissions from various Scottish city councils, where he captured the dignity, character, and gravitas of the nation's most prominent figures. In these works, one observes a masterful use of chiaroscuro, where light and shadow dance across the features of his subjects to reveal layers of psychological depth. His portrait of Thomas Carlyle in 1875 remains a hauntingly beautiful study, utilizing heavy impasto and somber tones to embody the intellectual intensity of the great historian. Yet, while his portraits commanded respect in the halls of power, it is perhaps his more intimate, idyllic scenes that have secured his place in the hearts of art lovers. Herdman possessed a unique ability to weave storytelling into the landscape, most notably through his celebrated series of paintings featuring young girls amidst picturesque, folkloric settings. In works such as "Morning", created in 1861, he presents a serene world where a child in a blue hat holds a musical instrument against a backdrop of tranquil mountains and water. These compositions are more than mere depictions of childhood; they are windows into a romanticized, pastoral Eden, reflecting a deep-seated nostalgia for a vanishing way of life.

Historical Significance and Artistic Endurance

The breadth of Herdman’s impact is evidenced by the enduring presence of his work in some of the world's most esteemed collections. From the National Portrait Gallery in London to the Royal Scottish Academy, his canvases continue to serve as vital touchstones for understanding the Victorian era's aesthetic and cultural shifts. His ability to bridge the gap between formal, high-society portraiture and the emotive, myth-driven landscapes of the Celtic movement allowed him to speak to a wide audience, from the political elite to the romantic dreamer. As we reflect on his life, several key elements define his enduring historical importance:
  • The Synthesis of Traditions: His unique ability to blend the rigorous academic training of Edinburgh with the burgeoning spirit of the Celtic Revival.
  • Narrative Depth: The use of landscape not just as a setting, but as a vessel for folklore, emotion, and spiritual contemplation.
  • Technical Versatility: A mastery that spanned from the somber, realistic studies of historical figures to the bright, delicate textures of his pastoral scenes.
Though he passed away in 1888, the vision of Robert Inerarity Herdman remains undimmed. His work continues to resonate as a testament to a period when art sought to reconcile the burgeoning modern world with the ancient, enchanting echoes of the Scottish past.