简而言之
在 Rienk Keijert 留下的所有原作中,最著名的当属收藏于 列沃瓦德 Fries Museum 的《Allegory on the City of Leeuwarden (1742)》。 紧随其后的是 Portrait of an Unknown Man (1737) 和 Portrait of Antonia Cornelisdr. Schrevelius (1750)。 我们的目录收录了 Rienk Keijert 的 14 件作品;画廊完整保留了 14 件享誉世界的杰作,并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
Rienk Keijert 的十大名画:画廊精选
Rienk Keijert 系列持续更新,第 11 至 14 项
收藏有 Rienk Keijert 原作的博物馆
收藏了本页中大部分画作的 2 家博物馆。
| 博物馆 | 城市 | Rienk Keijert 的作品 | 此列表中的画作 |
|---|---|---|---|
| 列沃瓦德 | 13 | Allegory on the City of Leeuwarden, Portrait of an Unknown Man, Portrait of Antonia Cornelisdr. Schrevelius | |
| 华沙 | 1 | Athena and Odysseus |
Rienk Keijert 的年代演变:定义每个时代的原创之作
藏家关于 Rienk Keijert 作品的常见问题
Rienk Keijert 最著名的作品是哪一件?揭晓答案
Allegory on the City of Leeuwarden (1742),Fries Museum, 列沃瓦德。紧随其后的是 Portrait of an Unknown Man (1737) 和 Portrait of Antonia Cornelisdr. Schrevelius (1750)。
创作 Allegory on the City of Leeuwarden 时,Rienk Keijert 是多少岁?揭晓答案
33岁:Allegory on the City of Leeuwarden创作于1742年,Rienk Keijert出生于1709年。
Rienk Keijert 最著名的十幅画作是什么?揭晓答案
Allegory on the City of Leeuwarden, Portrait of an Unknown Man, Portrait of Antonia Cornelisdr. Schrevelius, Portrait of Daniel Antony Baron van Plettenberg, Portrait of Albertina Sophia Baroness van Plettenberg, Portrait of the family of Gosewijn Theodoor van Coehoorn (1679-1737), Portrait of Maria van Plettenberg, Portrait of Hans Willem Baron van Plettenberg, Athena and Odysseus 及 Solomon Worshipping the False Gods。上方排名显示了每件作品的创作年份及馆藏机构。
Rienk Keijert 留下了多少幅画作?揭晓答案
我们的目录收录了 14 件 Rienk Keijert 的作品,创作年代从 1737 年至 1773 年。
Rienk Keijert 的杰作收藏在哪些博物馆中?揭晓答案
多见于 Fries Museum (列沃瓦德) 及 华沙国家博物馆 (华沙)。上方的博物馆列表列出了所有相关机构。
Rienk Keijert 在哪些年份创作了最著名的作品?揭晓答案
在 1750s 期间:本页 14 件作品中有 6 件创作于该时期,其中包含 Portrait of Antonia Cornelisdr. Schrevelius 件作品。
Rienk Keijert 的首件与末件名作原件分别是哪几件?揭晓答案
在本页面中,最早的作品创作于 Portrait of an Unknown Man (1737),最晚的创作于 Portrait of Adolf IJpey (1773)。
哪些 Rienk Keijert 的作品在 Fries Museum 展出?揭晓答案
Allegory on the City of Leeuwarden, Portrait of an Unknown Man 及 Portrait of Antonia Cornelisdr. Schrevelius:Fries Museum, 列沃瓦德收藏了本页中 13 件作品。
Rienk Keijert:生平与作品
The Life of a Leeuwarden Painter
Rienk Keijert lived much of his life within the walls of Leeuwarden. Born in 1709, he was the son of Frans Keyert and Maria Jelgerhuis. His path as a painter began with formal training at the Hague drawing academy. By 1732, he was known in Leeuwarden as Renicus Keyert, having been admitted to the congregation after arriving from 's-Gravenhage. His presence in the city was marked by more than just his brush; he held several civic roles, including serving as a member of the Leeuwarden vroedschap from 1750 and acting as a chamberlain for the States of Friesland. He married Ymkje Meekma in 1740, a union that lasted roughly thirty-four years until his death in 1775.
A Hand in Civic Life and Decoration
His work often moved between the private and the public. He was tasked with decorative painting and the delivery of almanacs, and his hands were busy with the design of firework theaters, such as those created for the arrival of Willem Karel Hendrik Friso and Anna van Hannover in 1734. In 1760, he provided portraits of the stadtholder family for the newly built Leeuwarder raadzaal, though these specific works were not preserved. His skill extended to the creation of grisailes within that same council chamber. In the Fries Museum, one can find a large allegory of the city of Leeuwarden, a work that speaks to his role as a portrait and history painter.
The Final Years in Leeuwarden
Keijert’s life was tied to the rhythms of his city. He was a citizen of Leeuwarden by 1742 and held the position of vaandrig of the schutterij in Oost Minnema espel in 1743. Even his civic duties were sometimes tied to family, as he was appointed chamberlain in 1740 to provide income for his father. When he passed away on 10 January 1775, he was buried at the Jacobijnerkerkhof. Following his death, his collection of paintings, prints, and drawings was auctioned in February of that year.










