仇英 肖像

33 幅最著名的 仇英 作品,每一件都独一无二

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 33 件 仇英 作品收录于我们的目录中

简而言之

Up the River During Qingming (1644) 是 仇英 最受瞩目的画作;原作收藏于 臺北 的 國立故宮博物院。 随后,目光会移向 Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea (1542) 和 Lady Su Hui and Her Verse Puzzle (501)。 在 仇英 的 33 件作品中,这 33 件最为闻名;每一件都是独一无二的原作,并附有创作年份、馆藏机构及其经久不衰的原因。

1494 – 1552, 太仓市 藏品最多:大都会艺术博物馆

画廊视角下的 仇英 十大名作

1
Up the River During Qingming (1644) 由 仇英

Up the River During Qingming

1644 · Ink · 國立故宮博物院, 臺北

The scene unfolds in "Up the River During Qingming," a work attributed to the hand of Qiu Ying. This creation, dated about 1644, captures a moment of intense activity along the water. The brushwork brings a sense of life to the riverbanks, where the bustle of a festival meets the steady flow of the current. Every figure and vessel seems caught in a perpetual state of motion, frozen in a…

2
Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea (1542) 由 仇英

Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea

1542 · Ink On Paper · 克利夫兰艺术博物馆, 克利夫兰

The scene unfolds within the quietude of the Ming dynasty, a period in China that breathes through the brushstrokes of Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea. This work, created by the hand of Qiu Ying, captures a moment of profound spiritual and social connection. The artist, Qiu Ying, brings a sense of lived presence to the silk or paper, inviting the viewer into a world…

3
Lady Su Hui and Her Verse Puzzle (501) 由 仇英

Lady Su Hui and Her Verse Puzzle

501 · Silk · 大都会艺术博物馆, 纽约

In this silk work, we find ourselves invited into a quiet, intimate moment of companionship. A group of women are gathered on the ground, their figures arranged with a natural ease against a backdrop of weathered rock formations. There is a sense of shared purpose in their posture, a stillness that suggests the conversation has momentarily paused to allow for music or thought. The composition draws the eye through the…

4
Up the River During Qingming (1644) 由 仇英

Up the River During Qingming

1644 · Oil On Canvas · 國立故宮博物院, 臺北

“Up the River During Qingming” – a title that conjures images of a vibrant, bustling scene, yet within its painted surface lies a profound meditation on life, death, and the ephemeral beauty of the natural world. Attributed to the masterful Qiu Ying, a painter who defied conventional artistic paths to forge his own legacy during the Ming Dynasty (1494-1552), this handscroll offers an unparalleled window into 17th-century China – a…

5
The Seven sages of the bamboo grove (1552) 由 仇英

The Seven sages of the bamboo grove

1552 · Ink

In the quietude of a bamboo grove, the figures of The Seven sages of the bamboo grove emerge from the ink. This work, created by the Ming Dynasty painter Qiu Ying, captures a moment of profound stillness. The scene unfolds around a group of elderly scholars, their presence a meditation on wisdom and the deep camaraderie shared among those who seek contemplation. Every brushstroke seems to hold the breath of…

6
Garden for Solitary Enjoyment (1533) 由 仇英

Garden for Solitary Enjoyment

1533 · Ink · 克利夫兰艺术博物馆, 克利夫兰

We are looking at Garden for Solitary Enjoyment, a work created by the Ming Dynasty painter Qiu Ying. This piece dates to about 1533, a period when the artist was refining his distinctive approach to landscape and figural composition. The painting offers a quiet glimpse into the aesthetic sensibilities of the sixteenth century, captured through the hand of a man who rose from humble beginnings to achieve significant standing in…

7
Divinities of the Planets and Constellations (501) 由 仇英

Divinities of the Planets and Constellations

501 · Ink · 大都会艺术博物馆, 纽约

Divinities of the Planets and Constellations is a work by the Ming Dynasty painter Qiu Ying. The imagery finds its roots in a composition attributed to the Tang dynasty artist Liang Lingzan. It maps the celestial order through the five primary elements: wood, represented by Jupiter; fire, seen in Mars; earth, embodied by Saturn; metal, found in Venus; and water, signified by Mercury. These planetary forces move alongside the twenty-eight…

9
Handscroll (1530) 由 仇英

Handscroll

1530 · Acrylic On Canvas · 大都会艺术博物馆, 纽约

“Up the River During Qingming,” painted by Qiu Ying during the mid-16th century, is more than just a landscape; it's a carefully constructed meditation on harmony, leisure, and the enduring beauty of nature. Attributed to one of China’s Four Masters of the Ming Dynasty – alongside Shen Zhou, Tang Yin, and Wen Zhengming – this exquisite handscroll offers a rare glimpse into the refined aesthetic sensibilities of Suzhou during that…

10
Parting under a willow tree (1552) 由 仇英

Parting under a willow tree

1552

Fan Paintings by or Attributed to Qiu Ying (approx. 1500-1552)During the 1500s, colorful paintings in the fan format were immensely popular among the wealthy and sophisticated population of Suzhou. These fans, when folded up, could be carried in the long, loose sleeves of gowns worn by both men and women, and casually displayed at a desired moment. Due to this casual use, such fans were prone to damage and loss;…

仇英 的名画,第 11 至 33 幅

令 仇英 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 仇英 原作的博物馆

收藏了本页中大部分画作的 8 家博物馆。

博物馆 城市 仇英 的作品 此列表中的画作
大都会艺术博物馆, 纽约大都会艺术博物馆 纽约 6 Lady Su Hui and Her Verse Puzzle, Divinities of the Planets and Constellations, Handscroll
华沙国家博物馆, 华沙华沙国家博物馆 华沙 4 Przeprawa przez górski potok - pejzaż w stylu niebiesko-zielonym, Spotkanie Ośmiu Nieśmiertelnych, Architektura pałacowa z parkiem i postaciami uczonych
國立故宮博物院, 臺北國立故宮博物院 臺北 3 Up the River During Qingming, Up the River During Qingming, Towers and Pavilions in Mountains of the Immortals
克利夫兰艺术博物馆, 克利夫兰克利夫兰艺术博物馆 克利夫兰 2 Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea, Garden for Solitary Enjoyment
Rhode Island School of Design Museum of Art, 普罗维登斯Rhode Island School of Design Museum of Art 普罗维登斯 2 Landscape with Pavilion and Willows, RIVERS AND MOUNTAINS WITHOUT END
耶鲁大学艺术馆, 纽黑文耶鲁大学艺术馆 纽黑文 1 Lady preparing for a journey
纳尔逊-阿特金斯艺术博物馆, 堪萨斯城纳尔逊-阿特金斯艺术博物馆 堪萨斯城 1 Saying Farewell at Xunyang
明尼阿波利斯艺术学院, 明尼阿波利斯明尼阿波利斯艺术学院 明尼阿波利斯 1 Beauty with Pine and Plum

跨越数十载的 仇英:每一件皆为独一无二的原作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

仇英 的画作:画廊常见问题

仇英 最著名的代表作是什么?揭晓答案

Up the River During Qingming (1644),國立故宮博物院, 臺北。紧随其后的是 Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea (1542) 和 Lady Su Hui and Her Verse Puzzle (501)。

仇英 最著名的十幅画作是哪些?揭晓答案

Up the River During Qingming, Zhao Mengfu Writing the Heart (Hridaya) Sutra in Exchange for Tea, Lady Su Hui and Her Verse Puzzle, Up the River During Qingming, The Seven sages of the bamboo grove, Garden for Solitary Enjoyment, Divinities of the Planets and Constellations, Lady preparing for a journey, Handscroll 及 Parting under a willow tree。上方排名显示了每件作品的创作年份及馆藏机构。

已知 仇英 有多少件作品?揭晓答案

我们的目录收录了 33 件 仇英 的作品,创作年代从 1530 年至 1552 年。

在哪里可以欣赏到最著名的 仇英 原作?揭晓答案

多见于 大都会艺术博物馆 (纽约), 华沙国家博物馆 (华沙) 及 國立故宮博物院 (臺北)。上方的博物馆列表列出了所有相关机构。

仇英 的代表作创作于哪个时期?揭晓答案

在 1530s 期间:本页 33 件作品中有 2 件创作于该时期,其中包含 Garden for Solitary Enjoyment 件作品。

哪幅 仇英 的名作创作年代最早,哪幅最晚?揭晓答案

在本页面中,最早的作品创作于 Handscroll (1530),最晚的创作于 The Seven sages of the bamboo grove (1552)。

仇英 偏好哪些题材?揭晓答案

Landscape (5), Ming dynasty (4) 及 Figures (3),共计 33 件作品。

仇英 最常使用哪些材料进行创作?揭晓答案

Ink,共计 5 件(本页共有 33 件作品)。

在 大都会艺术博物馆 可以看到哪些 仇英 的原作?揭晓答案

Lady Su Hui and Her Verse Puzzle, Divinities of the Planets and Constellations 及 Handscroll:大都会艺术博物馆, 纽约收藏了本页中 6 件作品。

仇英:艺术家肖像

笔墨铸就的一生:丘应的艺术世界

1494年,丘应出生于今江苏省附近的太仓小镇,出身寒微。然而,正是这位平凡的少年,最终成长为明代最负盛名的画家之一。与那个时代许多受益于书香门第、在既定艺术圈内接受正统教育的艺术家不同,丘应的成名之路充满了白手起家的传奇色彩。他的艺术启蒙并非源自传统的书斋路径,而是始于漆艺学徒的磨炼。在精细的装饰工艺中,他日复一日地打磨着技艺——这段早年的经历为他日后画作中那种极尽严谨、丝毫不差的精准度奠定了深厚的基础。这种对线条与色彩的敏锐掌控力,随后在明代文化重镇苏州,经由周臣的悉心指导得到了进一步升华。正是在这样一个充满活力的文化环境中,丘应开始真正绽放光彩,他汲取各家之长,逐渐形成了独树一帜的艺术语言。

变幻无穷的大师:风格与技法

丘应的天才之处并不在于墨守成规地追随某一流派,而在于其超凡脱俗的驾驭能力。当时的苏州虽是吴门画派所推崇的细腻水墨画的阵地,但丘应却展现出了惊人的天赋,能够游刃有余地在含蓄婉约的水墨意境与色彩鲜艳、细节繁复的工笔技法之间自由切换。这种极强的适应性使他能够满足不同审美趣味的广泛客户群,从而确立了其备受追捧的艺术家地位。他巧妙地融合了多种技法,常在构图中融入青绿山水的元素——这种风格以色彩浓郁、细节精微而著称。他的画作以极其考究的色彩运用、对细节近乎痴迷的刻画,以及在宏大全景式山水与细腻私密场景之间切换自如的能力而闻名。这种技艺的精湛不仅在于技巧本身,更在于他通过笔墨进行叙事,传达情感,使一个个动人的故事在绢帛或纸张上跃然生动。

赞助人与艺术生涯的鼎盛

丘应艺术生涯的繁荣,离不开那些慷慨赞助者的支持,他们委托他创作了涵盖广泛题材的作品。他的画笔下,既有充满大气透视感的山水,也有散发着虔诚宗教气息的宗教场景,还有生机盎然、细腻入微的花卉园林,以及捕捉人物神韵的动人人物构图。在他最负盛名的杰作中,既有受北宋经典启发而创作的《清明上河图》式宏伟演绎,也有展现其在自然景致中描绘优雅仕女功底的《竹林夫人》,更有体现他对古典文学主题深刻理解的《竹林七贤》,以及生动呈现宫廷生活的《汉宫春晓》。苏州的陈观,以及后来的著名艺术收藏家周凤来与项元汴,这些关键赞助人在支持他的艺术探索中发挥了举足轻重的作用,为他提供了自由探索创意与精进技艺的空间。

传承与深远影响

丘应的才华与多变性使他荣登“明代四家”之列,这足以证明他对中国绘画产生的深远影响。他在传统风格与当代审美之间架起了一座桥梁,创作出了既具技术高度又具美学价值的作品。他的画作虽承袭了早期大师(尤其是宋代大师)的影响,但他并非简单的模仿,而是巧妙地将这些历史先例与时代的审美精神相融合。他通过综合、创新,最终创造出了一种完全属于自己的风格。在有生之年之外,丘应的影响力延续到了后世无数仰慕其精湛技艺与创新精神的艺术家身上。作为中国艺术史上的一位璀璨人物,他因捕捉美、传递意蕴以及在艺术版图上留下的不可磨灭的印记而受人景仰。即便在今天,他的名字还出现在水星的一个陨石坑中——这对于一位视野超越尘世边界的艺术家来说,无疑是最贴切的致敬。他的艺术遗产至今仍在全世界艺术爱好者心中激起震撼与赞叹。