更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 111 件 菲利普·加斯顿 作品收录于我们的目录中
简而言之
在 菲利普·加斯顿 留下的所有原作中，最著名的作品是 The Pit (1976)。 紧随其后的是 The Room (1970) 和 Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office) (1938)。 我们的目录收录了 菲利普·加斯顿 的 111 件作品；画廊完整保留了 97 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
We are looking at The Pit, a significant work by Philip Guston from 1976. This oil on canvas belongs to his Cyclops series, a period where his approach to the canvas underwent a profound transformation. It is a piece that marks a definitive departure from his earlier explorations, settling instead into a highly personal and direct mode of expression.
The painting titled The Room was created by the artist Philip Guston. This work was produced in 1970. It is categorized within the Neo Expressionism style, a movement characterized by its departure from pure abstraction toward a more direct, figurative mode of representation.
Last Piece is not Guston's last Abstract Expressionist painting, but it represents a transition away from the shimmering forms of the early 1950s towards the recognizable motifs of his later, more figurative works. If Buddhism, and concepts of nothingness, had informed his earlier abstractions, this represents a move away from those inspirations.
Guston painted Gladiators in a social-realist style favored by many left-leaning artists in the 1930s, a style that reflected in part the political and aesthetic influence of the Mexican muralist movement led by Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros. At the time he painted Gladiators, Guston was painting murals in New York as part of a Works Progress Administration (WPA) program. Hooded Klansmen first appeared in his…
Philip Guston’s “The Palette,” painted in 1975, is a monumental work that offers a raw and unsettling glimpse into the artist's creative process. This large-scale canvas (132 x 202 cm) transcends traditional representation, plunging viewers into a dreamlike studio environment brimming with color, form, and implied narrative. It’s a piece that resonates deeply within the realm of Abstract Expressionism while hinting at later figurative explorations.
Bombardment1937
12
Monopoly1964 · Parrish Art Museum
13
Martial Memory1941
14
The Young Mother1944
15
Porch II1947
16
The Tormentors1948
17
Study for Tormentors1947
18
The Porch1947
19
Painting No. 61951
20
Painting No. 91952
21
Ischia1949
22
Untitled1950
23
Loft I1950
24
Review1949
25
Red Painting1950
26
Three things are necessary for the salvation of man to know what he ought to believe to know what he ought to desire and to know what he ought to do. St. Thomas Aquinas, Two Precepts of Charity, 1273. From the series Great Ideas of Western Man1952
27
Drawing Related to Zone (Drawing No. 19)1954
28
Late April1961 · 以色列博物馆
29
Duo1961
30
Rite1958 · 芝加哥艺术学院
31
Close Up III1961
32
To Fellini1958
33
Celebration1961
34
Inhabiter1965
35
Open Washes1966
36
Untitled (Book)1968
37
Untitled1968
38
City1968
39
Brushes1969
40
Discussion I1969
41
Shoes1968
42
Untitled1973
43
Untitled (Cup)1973
44
Untitled (Wall)1971
45
Painter in Bed1973
46
Roma1971
47
Painting, Smoking, Eating1972
48
Figure in Interior1970
49
Daydreams1970
50
The Street from Ten Lithographs by Ten Artists1971
51
Cerveteri1972
52
Pantheon1973
53
Web1975
54
The Street1977
55
Back View1977
56
Couple in bed1977
57
Deluge II1975
58
Ancient Wall1976
59
Midnight Pass Road1975
60
Monument1976
61
Inside - Outside1977
62
Head and Bottle1975
63
Summer1980
64
Wheel1980
65
Room1980
66
East Side1980
67
Untitled (8)1980
68
As It Goes1978
69
Painter's Forms No. 21978
70
Tomb1978
71
Door1981
72
Studio Corner1981
73
Remains from Eight Lithographs to Benefit the Foundation for Contemporary Performance Arts, Inc1981
74
Gulf1983
75
Painter1983
76
City Limits1969
77
Drawing for Conspirators1930 · 惠特尼美国艺术博物馆
78
Curtain
79
Days Work
80
Untitled (9)
81
Box Tree, Rome
82
Clock
83
The return
84
Room
85
Entrance
86
Green Rug
87
Inscapes. Words and Images
88
Talking
89
Sleeping
90
A Critical Study
91
The lesson
92
Outskirts
93
Moon
94
Box and Shadow
95
Two fat feet
96
Head
97
Transition1975
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 5 家博物馆。
| 博物馆 | 城市 | 菲利普·加斯顿 的作品 | 此列表中的画作 |
|---|---|---|---|
 史密森尼美国艺术博物馆 |
华盛顿特区 | 1 | Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office) |
 Parrish Art Museum |
沃特米尔 | 1 | Monopoly |
 以色列博物馆 |
耶路撒冷 | 1 | Late April |
 芝加哥艺术学院 |
芝加哥 | 1 | Rite |
 惠特尼美国艺术博物馆 |
纽约 | 1 | Drawing for Conspirators |
选择一个年代，探索定义该时代的原创杰作。
Guston painted Gladiators in a social-realist style favored by many left-leaning artists in the 1930s, a style that reflected in part the political and aesthetic influence of the Mexican muralist movement led by Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros. At the time he painted Gladiators, Guston was painting murals in New York as part of a Works Progress Administration (WPA) program. Hooded Klansmen first appeared in his…
We are looking at The Pit, a significant work by Philip Guston from 1976. This oil on canvas belongs to his Cyclops series, a period where his approach to the canvas underwent a profound transformation. It is a piece that marks a definitive departure from his earlier explorations, settling instead into a highly personal and direct mode of expression.
The Pit (1976)。紧随其后的是 The Room (1970) 和 Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office) (1938)。
63岁：The Pit创作于1976年，菲利普·加斯顿出生于1913年。
The Pit, The Room, Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office), Painter III, To B.W.T., The Studio, Agean, Last Piece, Gladiators 及 The Palette。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 111 件 菲利普·加斯顿 的作品，创作年代从 1930 年至 1980 年。
多见于 史密森尼美国艺术博物馆 (华盛顿特区), Parrish Art Museum (沃特米尔) 及 以色列博物馆 (耶路撒冷)。上方的博物馆列表列出了所有相关机构。
在 1970s 期间：本页 97 件作品中有 28 件创作于该时期，其中包含 The Pit 件作品。
在本页面中，最早的作品创作于 Drawing for Conspirators (1930)，最晚的创作于 Agean (1980)。
Symbols (9), Arts (4) 及 Buildings (4)，共计 97 件作品。
Oil On Canvas，共计 2 件（本页共有 97 件作品）。
根据本页面的原作，Neo expressionism
菲利普·古斯顿是一位享誉世界的加拿大裔美国画家与版画家，其艺术生涯跨越了四十余载。他的艺术旅程充满了风格与题材的剧烈变迁，通过将抽象表现主义与具象艺术的元素交织在一起，深刻地探讨了种族主义、反犹太主义、法西斯主义以及美国身份认同等复杂的主题。
古斯顿的早年生活曾深受悲剧的影响。1923年，他的父亲——一位来自乌克兰的犹太移民——自尽身亡，这一变故深刻地塑造了他的艺术人格。他自幼便开始习画，随后就读于洛杉展开曼艺术高中，并于1927年正式开启了绘画之路。在母亲的悉心支持下，他常常蜷缩在一个挂着单盏灯泡的小衣橱里，在那方寸之间构筑起最初的艺术世界。
古斯顿的艺术生涯大致可以分为两个截然不同的阶段。起初，他的作品带有明显的具象与写实色彩，展现出受文艺复兴大师如皮耶罗·德拉·弗朗切斯卡影响的早期痕迹。随后，他转向了抽象主义，并与杰克逊·波洛克、威廉·德·库宁等艺术家一同，成为了纽约画派中的领军人物。
古斯顿的晚期作品或许是他职业生涯中最具争议且最具冲击力的篇章。这些画作往往充满了阴郁而具有讽刺意味的元素，其中包括对理查德·尼克松以及戴着兜帽的库克卢克斯骑士（KKK）的描绘。他以一种挑战传统艺术规范的赤裸诚实，深入探索了种族主义、反犹太主义及美国身份认同等沉重主题。
菲利普·古斯顿留下的艺术遗产至今仍在激励着艺术家与艺术爱好者。他那独一无二的视角与艺术风格，已在世界艺术史上留下了不可磨灭的印记。
