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22 幅最著名的 Paul Bodifée 作品，每一件都独一无二
更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 23 件 Paul Bodifée 作品收录于我们的目录中
简而言之
Young Lady Amidst Wildflowers (1897) 是 Paul Bodifée 最受瞩目的画作；原作收藏于 德文特 的 Museum De Waag。 随后，目光会移向 Child Portrait of Oscar Bodifée (1905) 和 Peasant Woman Carrying Mandrake (1905)。 在 Paul Bodifée 的 23 件作品中，这 22 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
1866 – 1938, Deventer
藏品最多：Museum De Waag
画廊视角下的 Paul Bodifée 十大名作
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Paul Bodifée 的名画，第 11 至 22 幅
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Cornfields1900 · Museum De Waag
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Rear of houses on Smedenstraat, seen from Sijzenbaan1903 · Museum De Waag
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Winter Cityscape with Boats in the Harbor1910 · Museum De Waag
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Farmyard with Blooming Fruit Tree and Water Well1910 · Museum De Waag
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Landscape near Nijmegen1912 · Museum De Waag
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Front of Farm with Trees and Dog Kennel1915 · Museum De Waag
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Farm with Flowering Border1915 · Museum De Waag
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Fruit Orchard1915 · Museum De Waag
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Alley between Stadhuis left and Landshuis right, viewed towards Grote Kerkhof1915 · Museum De Waag
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Forest Landscape1915 · Museum De Waag
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Trees with Water Feature1915 · Museum De Waag
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View of Deventer at Evening1922 · Museum De Waag
Cornfields1900 · Museum De Waag
12Rear of houses on Smedenstraat, seen from Sijzenbaan1903 · Museum De Waag
13Winter Cityscape with Boats in the Harbor1910 · Museum De Waag
14Farmyard with Blooming Fruit Tree and Water Well1910 · Museum De Waag
15Landscape near Nijmegen1912 · Museum De Waag
16Front of Farm with Trees and Dog Kennel1915 · Museum De Waag
17Farm with Flowering Border1915 · Museum De Waag
18Fruit Orchard1915 · Museum De Waag
19Alley between Stadhuis left and Landshuis right, viewed towards Grote Kerkhof1915 · Museum De Waag
20Forest Landscape1915 · Museum De Waag
21Trees with Water Feature1915 · Museum De Waag
22View of Deventer at Evening1922 · Museum De Waag
收藏有 Paul Bodifée 原作的博物馆
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Paul Bodifée 的作品 | 此列表中的画作 |
|---|---|---|---|
 Museum De Waag |
德文特 | 22 | Young Lady Amidst Wildflowers, Child Portrait of Oscar Bodifée, Peasant Woman Carrying Mandrake |
跨越数十载的 Paul Bodifée：每一件皆为独一无二的原作
各年代作品数量
选择一个年代，探索定义该时代的原创杰作。
Paul Bodifée 的画作：画廊常见问题
Paul Bodifée 最著名的代表作是什么？揭晓答案
Young Lady Amidst Wildflowers (1897)，Museum De Waag, 德文特。紧随其后的是 Child Portrait of Oscar Bodifée (1905) 和 Peasant Woman Carrying Mandrake (1905)。
Paul Bodifée 是在多少岁时创作了 Young Lady Amidst Wildflowers？揭晓答案
31岁：Young Lady Amidst Wildflowers创作于1897年，Paul Bodifée出生于1866年。
Paul Bodifée 最著名的十幅画作是哪些？揭晓答案
Young Lady Amidst Wildflowers, Child Portrait of Oscar Bodifée, Peasant Woman Carrying Mandrake, Portrait of Girls with Blue Bow in the Hair, Autumn Landscape with Water and Row of Trees, Landscape with Farm, Trees and Pool of Water, Landscape with Village Church, Cornfield with Farm in the Distance, Farm with Water Well and Farmwoman 及 Puddle in Overijssel。上方排名显示了每件作品的创作年份及馆藏机构。
已知 Paul Bodifée 有多少件作品？揭晓答案
我们的目录收录了 23 件 Paul Bodifée 的作品，创作年代从 1890 年至 1922 年。
在哪里可以欣赏到最著名的 Paul Bodifée 原作？揭晓答案
多见于 Museum De Waag (德文特)。上方的博物馆列表列出了所有相关机构。
Paul Bodifée 的代表作创作于哪个时期？揭晓答案
在 1910s 期间：本页 22 件作品中有 10 件创作于该时期，其中包含 Portrait of Girls with Blue Bow in the Hair 件作品。
哪幅 Paul Bodifée 的名作创作年代最早，哪幅最晚？揭晓答案
在本页面中，最早的作品创作于 Autumn Landscape with Water and Row of Trees (1890)，最晚的创作于 View of Deventer at Evening (1922)。
在 Museum De Waag 可以看到哪些 Paul Bodifée 的原作？揭晓答案
Young Lady Amidst Wildflowers, Child Portrait of Oscar Bodifée 及 Peasant Woman Carrying Mandrake：Museum De Waag, 德文特收藏了本页中 22 件作品。
Paul Bodifée：艺术家肖像
A Life Rooted in Deventer
Johannes Petrus Paulus Bodifée, known to many as Paul, lived a life deeply connected to the landscapes of his home. Born in 1866 in Deventer, Holland, he was the son of Matthias Joseph Bodifée and Elizabeth Hendriks. His path toward art began with formal studies at the Normaalschool voor Tekenonderwijs and later at the Rijksacademie van Beeldende Kunsten, where he refined his skills in both painting and engraving. While his training took him to Amsterdam, his heart remained tied to the provinces of Overijssel.
After completing his education, Bodifée established an atelier in Nieuwer-Amstel before returning to Deventer. There, he balanced his creative pursuits with a role as a drawing teacher. In 1896, he married Rosa Elisa Leeuw, the daughter of a prominent architect from Nijmegen. Together, they raised four children, and their family life was often marked by travels through the countryside. This movement through the natural world provided the quiet observations that would later define his work.
The Spirit of the Landscape
Bodifée’s artistic approach was shaped by the traditions of the Haagse School and the Deventer School. He possessed a particular talent for capturing the atmosphere of the Salland region, a place characterized by its dry, sandy soil. His eyes were drawn to the subtle shifts in light over water scenes, tree landscapes, and the quiet corners of old Deventer neighborhoods. He found beauty in the simple presence of a peasant figure or the way blossoms appeared on trees in a farmyard.
His subject matter often focused on specific, localized environments:
- The water-filled landscapes of Giethoorn.
- The sandy stretches of the Overijssel province.
- City views and old corners within Deventer.
In works such as Field of flowers, he used oil on paper to capture delicate natural details. He also worked with oil on canvas and panel, often focusing on the interplay between birch trees and river views. His ability to translate the atmosphere of a specific place into paint allowed him to connect with prestigious groups like Arti et Amicitiae and Pulchri studio in Den Haag.
A Lasting Presence
Though he lived through a period of significant change, Bodifée remained focused on the enduring qualities of the Dutch landscape. His work as both a painter and a printmaker allowed him to explore texture and light through different mediums. By documenting the landscapes of Salland and the streets of Deventer, he left behind a visual record of the regions he loved.
His legacy is held in collections such as Museum De Waag, where pieces like Jongedame temidden van veldbloemen allow modern viewers to see the world through his eyes. He passed away in 1938, leaving a body of work that remains a quiet, steady reflection of the Dutch countryside.