更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 1 件 Nikolay Koshelev 作品收录于我们的目录中
简而言之
在 Nikolay Koshelev 留下的所有原作中，最著名的当属收藏于 圣彼得堡 冬宫博物馆 的《Self-Portrait (1865)》。 我们的目录收录了 Nikolay Koshelev 的 1 件作品；画廊完整保留了 1 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
The oil painting titled Self-Portrait by Nikolay Koshelev presents a single male figure. This work emerged from Russia in 1865. The artist captures his own likeness, fixing a gaze that meets the viewer through the stillness of the canvas. It is a quiet confrontation between the painter and the painted.
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Nikolay Koshelev 的作品 | 此列表中的画作 |
|---|---|---|---|
 冬宫博物馆 |
圣彼得堡 | 1 | Self-Portrait |
此精选系列中每件 Nikolay Koshelev 作品的创作年份均为 1865：以下按知名度排序。
选择年份以查看原作。
The oil painting titled Self-Portrait by Nikolay Koshelev presents a single male figure. This work emerged from Russia in 1865. The artist captures his own likeness, fixing a gaze that meets the viewer through the stillness of the canvas. It is a quiet confrontation between the painter and the painted.
Self-Portrait (1865)
25岁：Self-Portrait创作于1865年，Nikolay Koshelev出生于1840年。
我们的目录中收录了 1 件 Nikolay Koshelev 的作品。
多见于 冬宫博物馆 (圣彼得堡)。上方的博物馆列表列出了所有相关机构。
Born to a peasant family of serfs, Nikolay Koshelev began his artistic path in the city of Arzamas. His early years were marked by a self-taught determination; after an unsuccessful apprenticeship to a decorative painter in Nizhni-Novgorod, he taught himself to paint while in the service of a local landowner. His talent eventually led him to the art school in Kazan, where he studied under an expatriate Italian artist named Botelli. This period of development, which included independent work on a monastery wall and an iconostasis, paved the way for his acceptance at the Imperial Academy of Arts in 1860.
As his career progressed, Koshelev became a versatile figure in the Russian art world, specializing in portraits, genre scenes, and icon painting. He was a member of the Artel of Artists and worked alongside Ivan Kramskoi. His technical skill was recognized through various honors, including a gold medal in 1864 and being named an "Academician" in 1873, followed by the title of Professor in 1878. His monumental contributions included painting the main dome at the Cathedral of Christ the Saviour and creating sketches for the mosaics and murals in the Church of the Savior on Blood.
Koshelev's reach extended far beyond Russia. He traveled to Rome in 1880 and later undertook an extended trip to create icons for the new Cathedral of the Most Holy Trinity in Buenos Aires. His professional life was also defined by his involvement in institutional art history; he was one of the founders of the Nizhni-Novgorod Art and Historical Museum and served as an "Inspector" at the Stroganov Moscow State Academy of Arts and Industry. His work can be found in several significant collections, including:
His mural work also left a lasting mark on religious architecture, with frescoes from a cathedral in Warsaw being moved to the Intercession Cathedral in Baranavichy, Belarus.
