更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 96 件 尼古拉·阿斯特鲁普 作品收录于我们的目录中
简而言之
在 尼古拉·阿斯特鲁普 留下的所有原作中，最著名的当属收藏于 卑尔根 Bergen Kunstmuseum 的《Early Snow (1926)》。 紧随其后的是 Foxgloves (1920) 和 Landscape with Seated Woman (1892)。 我们的目录收录了 尼古拉·阿斯特鲁普 的 96 件作品；画廊完整保留了 96 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
In Early Snow, Nikolai Astrup captures a quiet moment within a winter landscape. The scene focuses on a rustic wooden cabin nestled in a snowy environment, where the weight of the season begins to settle over the terrain. It is a depiction of rural life, showing a profound connection to the natural world through the presence of a simple dwelling amidst the elements. The subject matter suggests a stillness that…
In the heart of the Norwegian landscape, where the mist clings to the valleys of Vestlandet, Nikolai Astrup captured a world that feels simultaneously grounded in reality and touched by magic. His 1920 masterpiece, Foxgloves, is far more than a mere botanical study; it is an immersive journey into a thriving, breathing ecosystem. The canvas unfolds as a lush forest sanctuary, where the dense canopy of healthy green leaves creates…
In Landscape with Seated Woman, Nikolai Astrup presents a serene rural scene that invites a quiet contemplation of the Norwegian countryside. Painted in 1892, the work captures a moment of stillness within the natural world. The landscape unfolds with a sense of calm, focusing on the quietude of a remote setting. It is a scene that feels lived-in and deeply connected to the earth.
In this intimate oil portrait, titled Portrait of a young Girl, the artist Nikolai Astrup captures a quiet moment of introspection. The work, dating to 1904, presents a close-up bust view of the subject. A young girl gazes downward, her expression heavy with a sense of melancholy that pulls the viewer into her private, somber world.
In this oil painting, Cowshed Courting by Nikolai Astrup, we find ourselves drawn into a private, dimly lit space. Created about 1903, the work captures a romantic encounter held within the rustic confines of a cowshed. On the left side of the foreground, a young man and woman are locked in an embrace. Their figures form a quiet, vertical focal point amidst the shadows of the barn. The man is…
In this intimate oil portrait, Nikolai Astrup turns his gaze toward a deeply personal subject: his father. Painted about 1900, the work captures an older man in a moment of quiet presence. It is a study of character and lineage, rendered with a focus on the individual's physical presence and the weight of years. The portrait moves beyond a mere likeness to offer a glimpse into the artist's own domestic…
is an oil portrait by the Norwegian artist Nikolai Astrup. Executed about 1900, the work captures an intimate moment of domestic life. The subject is an elderly woman captured in a medium close-up, presented from the waist up as she engages in the quiet task of knitting.
Landscape with Figures is a landscape painting by the Norwegian artist Nikolai Astrup. Executed in oil on canvas, the work dates to about 1906. The composition focuses on a nocturnal or low-light environment where the natural terrain meets several human or spectral forms.
Spring Evening in Jølster is a landscape painting by Nikolai Astrup. Executed in 1926, the work captures a specific moment in the Norwegian countryside. The scene focuses on a woman tending to large-leafed plants within a garden setting.
Executed in 1926, Sandalstrand by Nikolai Astrup presents a serene rural scene in Norway. The work captures a specific moment of pastoral life, focusing on the quietude of the Norwegian countryside. It reflects the artist's deep connection to the landscape of Vestlandet, specifically the area around Jølster.
In ParadiseBergen Kunstmuseum
12
JobBergen Kunstmuseum
13
From Sunde1921 · Bergen Kunstmuseum
14
June Night and Old West Country Farmyard1908 · Bergen Kunstmuseum
15
Gethsemane1926 · Bergen Kunstmuseum
16
Svanøybukta1905 · KODE Art museums and composer homes
17
Landscape with Children1903 · 国家美术、建筑与设计博物馆
18
Autumnrain in the Mountain Valley1899 · 国家美术、建筑与设计博物馆
19
Night1902 · Sogn og Fjordane Kunstmuseum
20
Going to the Mill1905 · Bergen Kunstmuseum
21
Landscape in Spring1908 · 国家美术、建筑与设计博物馆
22
Mountainlandscape1908 · 国家美术、建筑与设计博物馆
23
Foxgloves1909 · 国家美术、建筑与设计博物馆
24
Landscape in Moonlight1907 · 国家美术、建筑与设计博物馆
25
Landscape with Figures国家美术、建筑与设计博物馆
26
The white Horse in Spring1910 · 国家美术、建筑与设计博物馆
27
Warmth Enters the Earth1908 · Lillehammer Art Museum
28
RhubarbKODE Art museums and composer homes
29
Spring night in the garden1909 · KODE Art museums and composer homes
30
Midsummer Eve Bonfire by Lake Jølstravatnet1909
31
Night in Spring1909 · Bergen Kunstmuseum
32
Old Man with BeardSogn og Fjordane Kunstmuseum
33
The FarewellBergen Kunstmuseum
34
Head, Old Man with BeardBergen Kunstmuseum
35
Man Plowing (also known as Ploughman)Bergen Kunstmuseum
36
The FishermanBergen Kunstmuseum
37
Bird on Stone1912 · KODE Art museums and composer homes
38
Downy Night1912 · Bergen Kunstmuseum
39
Mill Water1916 · Bergen Kunstmuseum
40
Midsummer Night Bonfire1915 · Bergen Kunstmuseum
41
Corn Store1920 · KODE Art museums and composer homes
42
March Morning1920 · Bergen Kunstmuseum
43
Kari Motif from Sunde1918 · Bergen Kunstmuseum
44
Spring in Jølster1925 · 国家美术、建筑与设计博物馆
45
Interior with Cradle1925 · Bergen Kunstmuseum
46
The Goose1926 · Bergen Kunstmuseum
47
Clear June NightKODE Art museums and composer homes
48
The Parsonage GardenKODE Art museums and composer homes
49
At 2 PM July 14th
50
The Old Woman with the LanternKODE Art museums and composer homes
51
Grain StacksSogn og Fjordane Kunstmuseum
52
Storehouse in Jølster国家美术、建筑与设计博物馆
53
Wood in Winter国家美术、建筑与设计博物馆
54
MyklebustSogn og Fjordane Kunstmuseum
55
Fisherman
56
Landscape from ÅlhusBergen Kunstmuseum
57
Naked TreesBergen Kunstmuseum
58
The FarmerBergen Kunstmuseum
59
Girl SpinningBergen Kunstmuseum
60
Marigold Night (also known as Soleienatt)
61
Menu 9 7.22Bergen Kunstmuseum
62
Jølster Woman with HoodBergen Kunstmuseum
63
Juninatt i haven (A Night in June in the Garden)
64
Man's Head with CapBergen Kunstmuseum
65
Ålhustunet, Jølster
66
Landscape ÅlhusdalenBergen Kunstmuseum
67
Landscape with PineBergen Kunstmuseum
68
Men Binding Hay RacksBergen Kunstmuseum
69
Kari paa Sunde
70
Inger Grimsbø, Old Jølster GirlBergen Kunstmuseum
71
The Hat ThiefBergen Kunstmuseum
72
May MoonBergen Kunstmuseum
73
Man Cutting Branches from SallowBergen Kunstmuseum
74
Landscape with Hay Rack and HouseBergen Kunstmuseum
75
Elements from Spring and WillBergen Kunstmuseum
76
The Godly CobblerBergen Kunstmuseum
77
Landscape with White HouseBergen Kunstmuseum
78
Knitting WomanBergen Kunstmuseum
79
Great Grandfather of Half the VillageBergen Kunstmuseum
80
The Eager SuitorBergen Kunstmuseum
81
June NightBergen Kunstmuseum
82
Jølster TaleBergen Kunstmuseum
83
Early Summer in JølsterBergen Kunstmuseum
84
Home from WorkBergen Kunstmuseum
85
Marigold NightBergen Kunstmuseum
86
Growing Weather in SandalstrandBergen Kunstmuseum
87
Large StookBergen Kunstmuseum
88
Midsummer Night Bonfire (sketch)Bergen Kunstmuseum
89
Mill Water (woodcut)Bergen Kunstmuseum
90
The Gypsy GirlBergen Kunstmuseum
91
May Moon, Winter NightBergen Kunstmuseum
92
HaymakingBergen Kunstmuseum
93
Midsummer Night Bonfire (woodcut)Bergen Kunstmuseum
94
The Doll HouseBergen Kunstmuseum
95
Mother and Child(ren ) by the Garden TableBergen Kunstmuseum
96
Bonfire celebrating Midsummer Night1912 · 国家美术、建筑与设计博物馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 5 家博物馆。
| 博物馆 | 城市 | 尼古拉·阿斯特鲁普 的作品 | 此列表中的画作 |
|---|---|---|---|
 Bergen Kunstmuseum |
卑尔根 | 56 | Early Snow, Foxgloves, In Paradise |
 国家美术、建筑与设计博物馆 |
奥斯陆 | 15 | Portrait of a young Girl, Landscape with Figures, Spring Evening in Jølster |
| KODE Art museums and composer homes | Bergen | 10 | Cowshed Courting, Sandalstrand, Svanøybukta |
 Sogn og Fjordane Kunstmuseum |
Førde | 7 | Landscape with Seated Woman, The Artist's Father, The Artist's Mother |
 Lillehammer Art Museum |
利勒哈默尔 | 1 | Warmth Enters the Earth |
选择一个年代，探索定义该时代的原创杰作。
In Landscape with Seated Woman, Nikolai Astrup presents a serene rural scene that invites a quiet contemplation of the Norwegian countryside. Painted in 1892, the work captures a moment of stillness within the natural world. The landscape unfolds with a sense of calm, focusing on the quietude of a remote setting. It is a scene that feels lived-in and deeply connected to the earth.
In this intimate oil portrait, titled Portrait of a young Girl, the artist Nikolai Astrup captures a quiet moment of introspection. The work, dating to 1904, presents a close-up bust view of the subject. A young girl gazes downward, her expression heavy with a sense of melancholy that pulls the viewer into her private, somber world.
In Early Snow, Nikolai Astrup captures a quiet moment within a winter landscape. The scene focuses on a rustic wooden cabin nestled in a snowy environment, where the weight of the season begins to settle over the terrain. It is a depiction of rural life, showing a profound connection to the natural world through the presence of a simple dwelling amidst the elements. The subject matter suggests a stillness that…
Early Snow (1926)，Bergen Kunstmuseum, 卑尔根。紧随其后的是 Foxgloves (1920) 和 Landscape with Seated Woman (1892)。
46岁：Early Snow创作于1926年，尼古拉·阿斯特鲁普出生于1880年。
Early Snow, Foxgloves, Landscape with Seated Woman, Portrait of a young Girl, Cowshed Courting, The Artist's Father, The Artist's Mother, Landscape with Figures, Spring Evening in Jølster 及 Sandalstrand。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 96 件 尼古拉·阿斯特鲁普 的作品，创作年代从 1892 年至 1926 年。
多见于 Bergen Kunstmuseum (卑尔根), 国家美术、建筑与设计博物馆 (奥斯陆) 及 KODE Art museums and composer homes (Bergen)。上方的博物馆列表列出了所有相关机构。
在 1900s 期间：本页 96 件作品中有 18 件创作于该时期，其中包含 Portrait of a young Girl 件作品。
在本页面中，最早的作品创作于 Landscape with Seated Woman (1892)，最晚的创作于 Early Snow (1926)。
Trees (6), Woman (5) 及 Landscape (4)，共计 96 件作品。
Oil On Canvas，共计 7 件（本页共有 96 件作品）。
根据本页面的原作，Neo-romanticism
Early Snow, Foxgloves 及 In Paradise：Bergen Kunstmuseum, 卑尔根收藏了本页中 56 件作品。
尼古拉·阿斯特鲁普在挪威艺术史上是一个独一无二的存在——这位画家与西挪威（Vestlandet）壮丽景观及传统文化之间深厚的情感纽带，奠定了他作为那个时代最杰出新浪漫主义艺术家之一的地位。1880年8月30日，他出生在布雷芒厄地区崎岖的沿海村庄卡尔沃格（Kalvåg），早年生活沉浸在峡湾与山脉那充满氛围感的自然之美中。作为一名教区牧师的长子，他的成长岁月带有某种家族式的虔诚色彩，然而他的心却无可救药地被自然界那充满生命力的律动所吸引。这种与祖辈根脉的深刻连接，最终驱使他走向一种独特的艺术风格，其特征是浓郁的色彩组合，以及对挪威乡村日常生活与民俗不懈的描绘。
他通往艺术大师之路并非坦途，而是一场对传统与现代性的灵魂探索。尽管最初的倾向暗示他可能会投身神学研究，但阿斯特鲁普对绘画的热爱促使他离开了特隆赫姆大教堂学校，转而前往当时艺术氛围蓬勃发展的克里斯蒂安尼亚（今奥斯陆）追求艺术事业。正是在这里，在哈丽特·巴克（Harriet Backer）的悉心指导下，他开始磨炼自己的绘画技艺。随后在巴黎一段短暂但具有变革意义的时光进一步丰富了他的艺术视野，使他接触到了当时的先锋派运动，并与克里斯蒂安·克罗格（Christian Krohg）等艺术家建立了联系。这些与印象派技法的邂逅以及更广阔的欧洲视角，为他最终将传统与创新编织进一种统一且连贯的艺术语言中提供了必要的工具。
1902年，阿斯特鲁普做出了一个关键的决定，回到他的故乡约勒（Jølster），定居在桑达尔斯特兰德（Sandalstrand）。这次回归不仅是回到了家乡，更是一场与终身缪斯的沉浸式邂逅。他与妻子恩格尔·松德（Engel Sunde）在充满挑战的乡村经济现实中抚养了八个孩子，然而正是这种艰辛激发了他的创作动力。他成为了捕捉挪威景观中魔幻现实主义色彩的大师，无论是夏季郁郁葱葱的绿意，还是冬季那肃穆、宁静的孤独感，都被他以一种近乎超自然的强度呈现出来。他的作品往往超越了单纯的再现，利用鲜艳夺目的色彩来唤起山脉的神秘氛围以及峡湾的季节更迭。
阿斯特鲁普的技法不仅关乎观察，更关乎情感。他是一位出色的版画家和园艺家，这些特质赋予了他复杂的构图方式。在他的木刻画和油画中，人们可以观察到他如何通过色彩的微妙变化以及对母题的战略性增减来改变画面的情绪。他的作品因能够捕捉到崇高感——即美与敬畏心那令人屏息的交汇点——而备受赞誉。无论是描绘如《米尔河水》（Mill Water）般宁静的冬景，还是如《裸树》（Naked Trees）般具有忧郁美感的单色景观，阿斯特鲁普的作品都邀请观众进入一个物理景观与精神领域完美模糊的境界。
除了个人画布上的成就，尼古拉·阿斯特鲁普的历史意义更在于他为捕捉一种“民族视觉语言”所做的开创性努力。他不仅仅是在描绘风景，他是在记录挪威身份的本质，赞美定义了西挪威地区的传统生活方式与民俗传说。他将地方色彩与普世情感融合的能力，使得他的作品能够产生跨越挪威国界的共鸣，尽管他在世时在国际艺术界并不广为人知。他始终是挪威现代主义的基石，一位在细微之处发现无限可能的艺术家。
他生命与艺术的持久影响力可以通过以下核心元素来概括：
尽管他的生命在1928年不幸戛然而止，年仅四十七岁，但尼古拉·阿斯特鲁普的艺术遗产却在持续绽放。他的画作依然是通往那个逝去时代的生动窗口，为人们提供了窥见挪威荒野核心的永恒视角。
