尼古拉斯·波科克 肖像

尼古拉斯·波科克 作品:画廊视角下的 53 幅名作

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 55 件 尼古拉斯·波科克 作品收录于我们的目录中

简而言之

在画廊看来,尼古拉斯·波科克 最著名的作品是 The Battle Of Quiberon Bay,其原作现收藏于 伦敦 的 国家海事博物馆。 The Battle of Frigate Bay, 26 January 1782 (1784) 与 Town and Harbour of Montego Bay, Jamaica (1790) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中,尼古拉斯·波科克 共有 55 件作品,画廊为您精选了以下 53 件最著名的原作,并详细列出了每件作品的创作年份、馆藏机构及其独特之处。

1740 – 1821, 布里斯托尔 藏品最多:国家海事博物馆

画廊中 尼古拉斯·波科克 的十大名画

尼古拉斯·波科克 的画作,排名第 11 至 53

11Ships in a Gale (1800) 作 尼古拉斯·波科克Ships in a Gale1800 · 皇家收藏馆 12The 'Defence' at the Battle of the First of June, 1794 (1811) 作 尼古拉斯·波科克The 'Defence' at the Battle of the First of June, 17941811 · 国家海事博物馆 13The Battle of Trafalgar, 21 October 1805: End of the Action (1808) 作 尼古拉斯·波科克The Battle of Trafalgar, 21 October 1805: End of the Action1808 · 国家海事博物馆 14The Battle of Trafalgar, 21 October 1805: Beginning of the Action (1808) 作 尼古拉斯·波科克The Battle of Trafalgar, 21 October 1805: Beginning of the Action1808 · 国家海事博物馆 15The 'Royal Sovereign' Conveying Louis XVIII to France, 24 April 1814 (1814) 作 尼古拉斯·波科克The 'Royal Sovereign' Conveying Louis XVIII to France, 24 April 18141814 · 国家海事博物馆 16Sir Richard Strachan's Action off Ferrol (1812) 作 尼古拉斯·波科克Sir Richard Strachan's Action off Ferrol1812 · 皇家收藏馆 17Sir Robert Calder's Action off Cape Finisterre (1812) 作 尼古拉斯·波科克Sir Robert Calder's Action off Cape Finisterre1812 · 皇家收藏馆 18Self Portrait 作 尼古拉斯·波科克Self Portrait 19Trafalgar 作 尼古拉斯·波科克Trafalgar 20Combat Du Brick Anglais Le Speedy 作 尼古拉斯·波科克Combat Du Brick Anglais Le Speedy 21Boat Repairing 作 尼古拉斯·波科克Boat Repairing 22Cargo Handling Scene, Beached Coasters 作 尼古拉斯·波科克Cargo Handling Scene, Beached Coasters 23The Battle of Copenhagen, 2 April 1801 作 尼古拉斯·波科克The Battle of Copenhagen, 2 April 1801国家海事博物馆 24The cutting out of HMS Hermione, 24 October 1799 作 尼古拉斯·波科克The cutting out of HMS Hermione, 24 October 1799国家海事博物馆 25The capture of the Resistance and Constance by HMS San Fiorenzo and Nymphe, 9 March 1797 作 尼古拉斯·波科克The capture of the Resistance and Constance by HMS San Fiorenzo and Nymphe, 9 March 1797国家海事博物馆 26The Battle of the Saints, 12 April 1782 作 尼古拉斯·波科克The Battle of the Saints, 12 April 1782国家海事博物馆 27Capture Of The Étoile By The Hebrus Off Cape La Hogue 作 尼古拉斯·波科克Capture Of The Étoile By The Hebrus Off Cape La Hogue 28Battle Of Copenhagen 作 尼古拉斯·波科克Battle Of Copenhagen 29A Cutter Off Calshot Castle 作 尼古拉斯·波科克A Cutter Off Calshot Castle 30A Fleet Of East Indiamen At Sea 作 尼古拉斯·波科克A Fleet Of East Indiamen At Sea国家海事博物馆 31Trafalgar - 作 尼古拉斯·波科克Trafalgar - 32Duckworth's Action Off San Domingo - 作 尼古拉斯·波科克Duckworth's Action Off San Domingo - 33The frigate HMS Amazon 作 尼古拉斯·波科克The frigate HMS Amazon 34A View Of Ye Jason Privateer, C.1760 (pen ^ink And Wash) 作 尼古拉斯·波科克A View Of Ye Jason Privateer, C.1760 (pen ^ink And Wash) 35The Frigate 'triton' 作 尼古拉斯·波科克The Frigate 'triton'国家海事博物馆 36Duckworth's Action Off San Domingo - 作 尼古拉斯·波科克Duckworth's Action Off San Domingo -国家海事博物馆 37The Spanish Frigate 'la Fama' Having Outsailed The 'medusa' Engages With And Surrenders To H.M.S. 'l 作 尼古拉斯·波科克The Spanish Frigate 'la Fama' Having Outsailed The 'medusa' Engages With And Surrenders To H.M.S. 'l国家海事博物馆 38Cleopatra 32 Guns Launched At Bristol 作 尼古拉斯·波科克Cleopatra 32 Guns Launched At Bristol 39Duckworth's Action Off San Domingo 作 尼古拉斯·波科克Duckworth's Action Off San Domingo 40Regatta 作 尼古拉斯·波科克Regatta 41Battle Of The Nile 作 尼古拉斯·波科克Battle Of The Nile国家海事博物馆 42View Of The Southwell Frigate Trading On The Coast Of Africa, C.1760 (pen ^ Ink And Wash) 作 尼古拉斯·波科克View Of The Southwell Frigate Trading On The Coast Of Africa, C.1760 (pen ^ Ink And Wash) 43Woolwich Dockyard 作 尼古拉斯·波科克Woolwich Dockyard国家海事博物馆 44Sketch Of A Battle ^ Early Ships Off Madeira On Reverse 作 尼古拉斯·波科克Sketch Of A Battle ^ Early Ships Off Madeira On Reverse 45Portrait Of Nicholas Pocock 作 尼古拉斯·波科克Portrait Of Nicholas Pocock 46The Day After Trafalgar 作 尼古拉斯·波科克The Day After Trafalgar 47Views Of The Blandford Frigate On The Passage To The West Indies And Trading On The Coast Of Africa 作 尼古拉斯·波科克Views Of The Blandford Frigate On The Passage To The West Indies And Trading On The Coast Of Africa 48A Landscape With Figures 作 尼古拉斯·波科克A Landscape With Figures耶鲁英国艺术中心 49Landscape With A Figure On Horse 作 尼古拉斯·波科克Landscape With A Figure On Horse普拉多博物馆 50The 'brunswick' And The 'vengeur Du Peuple' At The Battle Of The First 作 尼古拉斯·波科克The 'brunswick' And The 'vengeur Du Peuple' At The Battle Of The First国家海事博物馆 51Men working on beached fishing vessels 作 尼古拉斯·波科克Men working on beached fishing vessels 52Hood's anchored fleet repels De Grasse at the Battle of Frigate Bay off St Kitts 作 尼古拉斯·波科克Hood's anchored fleet repels De Grasse at the Battle of Frigate Bay off St Kitts 53Nelson's Flagships at Anchor (1807) 作 尼古拉斯·波科克Nelson's Flagships at Anchor1807 · 国家海事博物馆

令 尼古拉斯·波科克 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 尼古拉斯·波科克 原作的博物馆

收藏了本页大部分画作的 7 家博物馆。

博物馆 城市 尼古拉斯·波科克 的作品 此列表中的画作
国家海事博物馆, 伦敦国家海事博物馆 伦敦 23 The Battle Of Quiberon Bay, The Battle of Frigate Bay, 26 January 1782, The 'Brunswick' and the 'Vengeur du Peuple' at the Battle of the First of June, 1794
皇家收藏馆, 伦敦皇家收藏馆 伦敦 3 Ships in a Gale, Sir Richard Strachan's Action off Ferrol, Sir Robert Calder's Action off Cape Finisterre
伯明翰博物馆与美术馆, 伯明翰伯明翰博物馆与美术馆 伯明翰 1 Town and Harbour of Montego Bay, Jamaica
TyntesfieldTyntesfield 1 View of Milford Haven, Pembrokeshire
Sizergh Castle, KendalSizergh Castle Kendal 1 Conway Castle
耶鲁英国艺术中心, 纽黑文耶鲁英国艺术中心 纽黑文 1 A Landscape With Figures
普拉多博物馆, 马德里普拉多博物馆 马德里 1 Landscape With A Figure On Horse

尼古拉斯·波科克,每十年一件代表作

各年代作品统计

选择一个年代,探索定义该时代的原创杰作。

尼古拉斯·波科克 的画作:画廊解答

哪幅 尼古拉斯·波科克 的画作最为闻名?揭晓答案

The Battle Of Quiberon Bay,国家海事博物馆, 伦敦。紧随其后的是 The Battle of Frigate Bay, 26 January 1782 (1784) 和 Town and Harbour of Montego Bay, Jamaica (1790)。

尼古拉斯·波科克 最受欢迎的 10 幅画作是哪些?揭晓答案

The Battle Of Quiberon Bay, The Battle of Frigate Bay, 26 January 1782, Town and Harbour of Montego Bay, Jamaica, View of Milford Haven, Pembrokeshire, Conway Castle, The 'Brunswick' and the 'Vengeur du Peuple' at the Battle of the First of June, 1794, HMS Brunswick after the battle of the First of June, 1794, The capture of Trinidad, 17 February 1797, The 'Captain' capturing the 'San Nicolas' and the 'San José' at the Battle of Cape St Vincent, 14 February 1797 及 Plymouth Dockyard。上方排名显示了每件作品的创作年份及馆藏机构。

尼古拉斯·波科克 创作了多少件作品?揭晓答案

我们的目录收录了 55 件 尼古拉斯·波科克 的作品,创作年代从 1784 年至 1814 年。

尼古拉斯·波科克 最著名的原作收藏于何处?揭晓答案

多见于 国家海事博物馆 (伦敦), 皇家收藏馆 (伦敦) 及 伯明翰博物馆与美术馆 (伯明翰)。上方的博物馆列表列出了所有相关机构。

尼古拉斯·波科克 是在什么时候创作出最著名的画作的?揭晓答案

在 1800s 期间:本页 53 件作品中有 6 件创作于该时期,其中包含 The capture of Trinidad, 17 February 1797 件作品。

尼古拉斯·波科克 最早和最晚的代表作有哪些?揭晓答案

在本页面中,最早的作品创作于 The Battle of Frigate Bay, 26 January 1782 (1784),最晚的创作于 The 'Royal Sovereign' Conveying Louis XVIII to France, 24 April 1814 (1814)。

尼古拉斯·波科克 最常创作的主题是什么?揭晓答案

Wars (5), Beach (3) 及 Portraits (2),共计 53 件作品。

国家海事博物馆收藏了哪些尼古拉斯·波科克的原作?揭晓答案

The Battle Of Quiberon Bay, The Battle of Frigate Bay, 26 January 1782 及 The 'Brunswick' and the 'Vengeur du Peuple' at the Battle of the First of June, 1794:国家海事博物馆, 伦敦收藏了本页中 23 件作品。

尼古拉斯·波科克:艺术家

A Life Forged by Sea and Salt

The story of Nicholas Pocock is one inextricably linked to the rhythmic pulse of the ocean and the spray of the Atlantic. Born in Bristol, United Kingdom, he was the son of a seaman, a heritage that would profoundly shape his artistic vision and technical precision. Before he ever held a brush with the intent of professional artistry, Pocock lived the life of a mariner, mastering the complexities of merchant vessels by the age of twenty-six. This early immersion in maritime life provided him with an unparalleled perspective; his formative years were spent not merely observing the sea, but navigating its unpredictable temperament. During his time at sea, he developed a foundational skill for capturing the essence of naval life through ink-and-wash sketches within his logbooks, documenting ships and coastal vistas with the keen eye of a man who understood the vital importance of every mast and sail.

The transition from navigator to painter was born of necessity and historical upheaval. In 1778, the financial instability caused by the American Revolutionary War led to the insolvency of his employer, Richard Champion, effectively ending Pocock's career at sea. Rather than retreating from the maritime world, he turned his gaze toward it through the medium of art. He began to devote himself entirely to painting, a transition that allowed him to translate his lived experiences into enduring visual narratives. By 1782, his works were being exhibited by the Royal Academy, marking the beginning of a distinguished career in both oils and watercolour.

Mastery of the Marine Canvas

Pocock’s artistry was defined by an extraordinary commitment to historical accuracy and meticulous research. He did not merely paint scenes of naval combat; he reconstructed them with the rigor of a historian. To achieve this, he engaged in extensive investigations, interviewing eyewitnesses to grasp the subtle nuances of wind conditions, weather patterns, and the precise positioning of vessels during pivotal engagements. This dedication ensured that his large-scale oil paintings possessed a profound sense of realism and drama. His reputation grew significantly after moving to London in 1789, where he became a favourite of influential figures such as Samuel Hood and was eventually appointed Marine Painter to George III.

His body of work encompasses a wide range of maritime subjects, from the grand, sweeping scale of naval battles to the quiet, nostalgic beauty of coastal life. Some of his notable contributions include:

  • The Battle of Quiberon Bay: A stunning depiction that captures the intense realism and historical drama of naval warfare.
  • The Battle of the Saintes: A commissioned series illustrating George Rodney's significant victory.
  • Coastal and Ship Scenes: Numerous watercolours that offer a tranquil glimpse into maritime life, such as his evocative depictions of beached coasters and cargo handling.

Beyond the grand scale of battle, Pocock’s watercolours reveal a more intimate side of his talent. These works often capture the atmospheric qualities of the sea—the play of light on waves and the subtle textures of coastal landscapes—blending a sense of realism with an almost impressionistic touch. His ability to move between the monumental and the minute allowed him to document the maritime era with both its heroic triumphs and its everyday rhythms.

A Lasting Maritime Legacy

The significance of Nicholas Pocock extends far beyond his individual achievements; he established a profound artistic lineage. His influence flowed through his family, as his sons and grandsons also pursued paths in the arts. His son Isaac became an artist and dramatist, while his second son, William Innes Pocock, followed in his father's footsteps as both a Royal Navy Officer and a marine artist. This familial dedication to capturing the sea ensured that his aesthetic and technical standards continued to resonate through subsequent generations.

Pocock’s historical importance lies in his role as a visual chronicler of an era defined by naval supremacy and global maritime expansion. By combining the technical expertise of a master mariner with the sensitive eye of a fine artist, he created a record of naval history that is as much about the atmosphere and emotion of the sea as it is about the ships themselves. His work remains a vital window into the maritime soul of the eighteenth and nineteenth centuries, preserving the drama, the danger, and the quiet beauty of the ocean for posterity.