更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 115 件 莫里斯·路易斯 作品收录于我们的目录中
简而言之
在 莫里斯·路易斯 留下的所有原作中，最著名的当属收藏于 华盛顿特区 菲利普斯收藏馆 的《Seal (1959)》。 紧随其后的是 Ambi I (1960) 和 Number 28 (1961)。 我们的目录收录了 莫里斯·路易斯 的 115 件作品；画廊完整保留了 92 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
To stand before Seal is to witness a moment where the physical properties of paint and fabric become indistinguishable. Created in 1959, this work belongs to a period of intense experimentation with what is known as the "veil" technique. There are no visible brushstrokes here to guide the eye; instead, the artist utilized Magna acrylic paint, applied in thin, diluted layers onto unprimed linen. The pigment does not sit upon…
To stand before Ambi I is to step into a realm where pigment itself becomes the primary subject. This monumental canvas by Morris Louis is not merely a depiction of color, but an immersion within it—a breathtaking study in atmospheric depth and fluid movement. The work eschews any recognizable narrative or focal point, instead inviting the viewer into a vast, breathable space built entirely from washes of diluted acrylics. It…
In the realm of mid-century abstraction, few works capture the ethereal essence of movement as profoundly as Morris Louis’s Number 28. Created in 1961, this masterpiece stands as a definitive pillar of the Color Field painting movement, inviting the viewer into a meditative space where boundaries between form and pigment dissolve. At first glance, the composition presents a striking minimalist architecture: two vertical bands of vibrant, saturated color that descend…
In the pantheon of mid-century American abstraction, few works command the room with such visceral intensity as Morris Louis’s “Para III.” Created in 1959, this monumental canvas serves as a profound testament to the power of pure color to bypass the intellect and speak directly to the soul. As a cornerstone of the Washington Color School, Louis moved away from the frantic, gestural energy of his Abstract Expressionist contemporaries, opting…
In this 1958 work, Morris Louis presents "Broad Turning," a significant example of Color Field painting. The piece occupies a substantial presence within the space it inhabits. It measures 230 x 384 cm, which is approximately 9 ft. 10 in. x 15 ft. 7 in. This scale allows the color to expand across the viewer's field of vision.
Morris Louis's "VAV," painted in 1960, isn’t merely a canvas splashed with color; it’s an invitation to contemplate the very essence of perception and the interplay between surface and depth. This pivotal work, now residing within the esteemed collection of Tate Modern, marks a radical departure for Louis – a shift away from the gestural brushstrokes characteristic of Abstract Expressionism towards a revolutionary technique he termed “Veil Painting.” It’s a…
Morris Louis's “Delta Kappa,” painted in 1960, isn’t merely a canvas adorned with color; it’s an invitation to surrender to the ephemeral beauty of process and feeling. This seminal work from the Washington Color School represents a pivotal moment in American abstract expressionism, marking a decisive shift away from traditional figuration towards a radical exploration of pure color fields. Louis, deeply influenced by the European avant-garde – particularly the works…
In the vast landscape of mid-century modernism, few works capture the ethereal essence of movement quite like "Where" by Morris Louis. Created in 1960, this monumental masterpiece serves as a profound testament to the era of Abstract Expressionism, specifically the evolution into Color Field painting. At first glance, the viewer is met with a breathtaking vertical composition where elongated, rectangular forms of varying hues dance across the canvas. There is…
Morris Louis produced Number 1-82 in 1961. This work emerged during a period of intense experimentation for the artist, who was a central figure in the Washington Color School. By this stage of his career, Louis had moved toward the highly ordered and rhythmic structures that defined his later output.
Blue Veil by Morris Louis is an abstract composition created about 1958. The work is dominated by flowing washes of color that lack defined forms or representational imagery. Instead of recognizable objects, the surface is defined by the interaction of pigment and space. The arrangement appears spontaneous and organic, suggesting a process governed by gravity and the movement of liquid.
Beta Upsilon1960
12
Beth Chaf1959
13
Ambi II1959
14
伽玛 Λambda克莱斯勒艺术博物馆
15
Partition1962 · 泰特现代美术馆
16
Delta Lambda1961 · 克利夫兰艺术博物馆
17
Gamma Tau1960
18
Dalet Kaf1959 · 现代艺术博物馆 (Fort Worth)
19
Number 2-071961
20
Maxine's House1940
21![Drawing [D88] (1948) 由 莫里斯·路易斯](/media/artworks/images-thumb/7f/c2/7fc2898e415bb621fbaefab956334b74.jpg)
Drawing [D88]1948 · 菲利普斯收藏馆
22
Untitled1949
23![Drawing [D182] (1950) 由 莫里斯·路易斯](/media/artworks/images-thumb/62/4a/624a98babdb12a70dc3e181f7c3969c3.jpg)
Drawing [D182]1950 · 菲利普斯收藏馆
24
Trellis1953
25
Landscape (Mid-day)1953
26
Charred Journal Firewritten I1951
27
Number 11957 · 布法罗 AKG 艺术博物馆
28
Alpha Tau1961
29
Number 821961
30
Alpha Phi1961
31
Gamma Omicron1960
32
Blue Column1960 · 菲利普斯收藏馆
33
Alpha-Pi1960
34
Alpha Upsilon1960
35
Omega I1960
36
Beth Rash1959
37
Beth Chaf1959
38
Gamma Ro1960
39
Untitled1960
40
Yad1958
41
Number 321961
42
Floral V1960
43
Pillar of Fire1961
44
Alphard1961
45
Beth Zayin1959
46
Crest of Pillar1961
47
Pillar of Hope1961
48
Alpha1960 · 布法罗 AKG 艺术博物馆
49
Red Go1961
50
7 Bronze1958
51
Saf1959
52
Vertical Horizon1961
53
Spawn1960
54
Third Element1961
55
Dalet Chet1958
56
While Series II1960
57
Addition V1959
58
Saf Aleph1959
59
K S I1959 · Museum Folkwang
60
Gamma Pi1960
61
Delta Theta1961
62
Color Line1961
63
Bellatrix1961
64
Buskin1959
65
Point of Tranquility1960
66
Horizontal VIII1962
67
Number 61962
68
Horizontal I1962
69
2-681962
70
Gemma1962
71
1-331962
72
Number 391962
73
Hot Half1962
74
Number 1-361962
75
Green Picket1962
76
Apogee1962
77
Number 1-681962 · Museum Het Valkhof
78
High1959 · 达拉斯艺术博物馆
79
Dalet Tet1959 · 托莱多艺术博物馆
80
Saraband1959 · 古根海姆博物馆
81
Number 1-811961 · High Museum of Art
82
Approach1962 · 菲利普斯收藏馆
83
Janus1960 · 法兰克福现代艺术博物馆
84
Sub-Marine1948
85
Number 991960 · 克利夫兰艺术博物馆
86
Beta Kappa1961
87
Airborn1959
88
Untitled
89
Russet
90
Pungent Distances1961
91
Phi1961 · 泰特现代美术馆
92
Untitled1960
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 莫里斯·路易斯 的作品 | 此列表中的画作 |
|---|---|---|---|
 菲利普斯收藏馆 |
华盛顿特区 | 6 | Seal, Number 1-82, Drawing [D88] |
 达拉斯艺术博物馆 |
达拉斯 | 3 | Broad Turning, Delta Kappa, High |
 泰特现代美术馆 |
伦敦 | 3 | VAV, Partition, Phi |
 High Museum of Art |
亚特兰大 | 2 | Para III, Number 1-81 |
 克利夫兰艺术博物馆 |
克利夫兰 | 2 | Delta Lambda, Number 99 |
 布法罗 AKG 艺术博物馆 |
布法罗 | 2 | Number 1, Alpha |
 旧金山现代艺术博物馆 |
旧金山 | 1 | Ambi I |
 沃克艺术中心 |
明尼阿波利斯 | 1 | Number 28 |
选择一个年代，探索定义该时代的原创杰作。
To stand before Seal is to witness a moment where the physical properties of paint and fabric become indistinguishable. Created in 1959, this work belongs to a period of intense experimentation with what is known as the "veil" technique. There are no visible brushstrokes here to guide the eye; instead, the artist utilized Magna acrylic paint, applied in thin, diluted layers onto unprimed linen. The pigment does not sit upon…
To stand before Ambi I is to step into a realm where pigment itself becomes the primary subject. This monumental canvas by Morris Louis is not merely a depiction of color, but an immersion within it—a breathtaking study in atmospheric depth and fluid movement. The work eschews any recognizable narrative or focal point, instead inviting the viewer into a vast, breathable space built entirely from washes of diluted acrylics. It…
Seal (1959)，菲利普斯收藏馆, 华盛顿特区。紧随其后的是 Ambi I (1960) 和 Number 28 (1961)。
47岁：Seal创作于1959年，莫里斯·路易斯出生于1912年。
Seal, Ambi I, Number 28, Para III, Broad Turning, VAV, Delta Kappa, Where, Number 1-82 及 Blue Veil。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 115 件 莫里斯·路易斯 的作品，创作年代从 1940 年至 1962 年。
多见于 菲利普斯收藏馆 (华盛顿特区), 达拉斯艺术博物馆 (达拉斯) 及 泰特现代美术馆 (伦敦)。上方的博物馆列表列出了所有相关机构。
在 1960s 期间：本页 92 件作品中有 58 件创作于该时期，其中包含 Ambi I 件作品。
在本页面中，最早的作品创作于 Maxine's House (1940)，最晚的创作于 Partition (1962)。
Abstract (10), Flowing (9) 及 Layers (9)，共计 92 件作品。
Acrylic On Canvas，共计 24 件（本页共有 92 件作品）。
根据本页面的原作，Color field
Seal, Number 1-82 及 Drawing [D88]：菲利普斯收藏馆, 华盛顿特区收藏了本页中 6 件作品。
