1
天鹅公主
《天鹅公主》（Царевна-Лебедь）是俄罗斯艺术家 米哈伊尔·弗鲁贝尔 的传世杰作。这幅创作于1900年的布面油画捕捉到了一个深刻的蜕变瞬间。其题材植根于亚历山大·普希金的民间传说，特别是从《苏丹沙皇的故事》中汲取灵感。这是一部在文学神话与戏剧舞台之间架起桥梁的艺术作品。
100 幅最著名的 米哈伊尔·弗鲁贝尔 作品，画廊精选
更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 211 件 米哈伊尔·弗鲁贝尔 作品收录于我们的目录中
简而言之
在 米哈伊尔·弗鲁贝尔 留下的所有原作中，最著名的当属收藏于 莫斯科 特列季亚科夫画廊 的《天鹅公主》。 紧随其后的是 垂坐的恶魔 和 Swan-Princess (1904)。 我们的目录收录了 米哈伊尔·弗鲁贝尔 的 211 件作品；画廊完整保留了 100 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
1856 – 1910, 鄂木斯克
象征主义
藏品最多：特列季亚科夫画廊
米哈伊尔·弗鲁贝尔 的十大名画：画廊精选
2
垂坐的恶魔
在1890年创作的这部美得令人心碎的杰作《垂坐的恶魔》中，米哈伊尔·弗鲁贝尔邀请我们进入一个现实与超自然界限消融的领域。作为象征主义运动的典范之作，它捕捉到了一个深刻内省的瞬间，将恶魔形象呈现为一种精神渴望与宇宙哀伤的化身，而非单纯的邪恶生物。主体以一种沉思且近乎沉重的姿态坐着，其身形仿佛被生存本身的重量所压迫。在神秘气息的环绕下，整个场景沐浴在绯红落日的戏剧性光影之中，色彩渗入黑暗的山脉地平线，营造出一种梦幻般的氛围，将观者拉入一片深邃的心理景观之中。
3
Swan-Princess
To gaze upon Mikhail Vrubel's Swan-Princess is to step across a threshold into a realm woven from myth, moonlight, and profound introspection. This captivating oil on canvas, dating from 1904, is not merely a depiction of a woman by a river; it is an embodiment of the Symbolist spirit itself. The air around the figure seems thick with unspoken narratives—a delicate balance between ethereal beauty and deep, submerged mystery. Vrubel,…
4
Persian Prince
A man sits draped in red, his presence heavy with the weight of a silent history. He wears a turban, a crown of folded fabric, and a gold belt cinches his waist like a line of sunlight. One arm rests over his shoulder, a gesture of casual authority or perhaps a weary stillness. In his hand, he holds a large book or a heavy scroll, a vessel for words and…
5
Hamlet and Ophelia
In the quiet, evocative depths of Mikhail Vrubel’s 1883 watercolor, Hamlet and Ophelia, we are invited into a world that transcends the boundaries of mere illustration. This masterpiece does not simply depict a scene from William Shakespeare’s most famous tragedy; rather, it captures the very essence of the Symbolist movement through a lens of profound intimacy. The painting presents two women seated in an old-fashioned, perhaps timeless, interior, facing one…
6
Mermaid
In Mermaid, Mikhail Vrubel presents a mythological creature adrift in a natural setting. The figure reclines within the water, a pale shape amidst a cluster of lily pads and reeds. This scene, painted about 1891, captures a moment of quietude. The mermaid rests where the surface meets the depths, surrounded by the organic geometry of the aquatic plants.
7
Flight of Faust and Mephisto
The air feels heavy with the scent of ancient dust and magic as the scene unfolds. High above a sleeping town, the boundary between the physical and the supernatural thins to a translucent veil. A man rides a horse through the sky, his form caught in a moment of frantic, soaring motion. Beside him, the presence of Mephistopheles looms, a shadow cast against the heavens. They are not merely traveling;…
8
Sadko
The air feels heavy with the weight of ancient melody as Sadko stands at the center of a swirling human ring. He is a merchant of Novgorod, yet here he seems more a conduit for something supernatural than a man of commerce. Around him, friends and musicians lean in, their instruments poised to catch the notes that seem to ripple through the very atmosphere. The scene is alive with a…
9
Red Azaleas
In the quiet intimacy of his studio, Mikhail Vrubel approached the delicate medium of watercolor to compose Red Azaleas. Created about 1886, this work captures a specific moment in the artist's development. At this stage, Vrubel was refining a way of seeing that moved away from the rigid constraints of academic realism. He sought instead to find a more personal, idiosyncratic language through form and line.
10
Head of Demon with mountains
The eyes meet you first. They are piercing, heavy with an unsettling intensity that seems to pull the viewer into a private, dark encounter. This close-up portrait focuses tightly on the head and shoulders of a demonic figure, creating a sense of immediate, almost claustrophobic intimacy. The face is defined by sharp features and a gaze that conveys both power and menace. Around this central presence, thick, swirling brushstrokes move…
米哈伊尔·弗鲁贝尔 系列持续更新，第 11 至 100 项
11
Demon and Angel with Tamara's Soul1891
12
Eastern dance1887
13
Catania. Sicily.1894
14
Head of Demon
15
Anna Karenina meets her son1878
16
Self Portrait1880
17
Lady in furs1880
18
Salieri pours poison into a Mozart's glass1884
19
Hamlet and Ophelia1884
20
Karibeevich1891
21
The Flying Demon1890
22
Demon looking to the valley1891
23
Demon by the walls of monastery1891
24
Demon looking1891
25
Tamara Dancing1891
26
Resurrection1887
27
Walking on Water1891
28
Christ in Gethsemane1888
29
Bogatyr1898 · 俄罗斯国家博物馆
30
Portrait of a T. Lyubatovich in role of Carmen1895
31
Captured Pechenegs (Costume design for the opera "Rogneda")1896
32
The Demon Flying1899 · 俄罗斯国家博物馆
33
After the Concert, at the Fireplace1905 · 特列季亚科夫画廊
34
Night1900
35
Portrait of a young man1903
36
A bed1904
37
Self Portrait1904
38
Portrait of Doctor Fiodor Usoltsev1904
39
Princess Volhova1900
40
Pearl oister1904
41
Portrait of Savva Vrubel , the Artist's Son1901
42
Prince's huntsman (Costume design for the opera "The Enchantress")1900
43
Fallen Demon1901
44
Portrait of Nadezhda Zabela-Vrubel1903
45
The Six Winged Seraph1904
46
Nadezhda Zabela-Vrubel as Princess Volkhova1898
47
The Virgin and Child
48
The Rose
49
Pearl Oyster
50
Lilac
51
Spring1900 · The Art Museum RIGA BOURSE
52
The left artist's hand1882
53
Two gondolas on the quay1885
54
Odessa harbour1885 · 阿姆斯特丹博物馆
55
Field flowers1884
56
Archangel Gabriel1885
57
Briar1884
58
Moses1884
59
Male nude1882
60
A model with eastern dress1884
61
Italian fisherman1885
62
Virgin and Child1884
63
Portrait of student1882
64
Pieta1884
65
Still Life. Plaster mask, horn of chandelier.1885
66
Descent of Holy Spirit on the Apostles1885
67
Self Portrait1882
68
Sitter in the Renaissance Setting1883
69
Woman's Head (Emily L. Prahova)1884
70
Angel with Labara1884
71
Feasting Romans1883
72
Betrothal of Mary and Joseph1881
73
Horseman1890
74
Prince Guido (Costume design for the opera "The Tale of Tsar Saltan")1890
75
Italy. Scenes of ancient life. (Sketch for the curtain in Russian Private Opera)1891
76
Piet1887
77
Tamara Lying in State1891
78
Orchid1887
79
Hamlet and Ophelia1888
80
Flowers in a Blue Vase1886
81
Muse1890
82
Resurrection1887
83
Rider (''Is carried horse faster of fallow-deer...'')1891
84
Portrait of an Officer (Pechorin on a Sofa)1889
85
Farewell of Zara with Ismail1890
86
Portrait of M. V. Yakunchikova1887
87
Red Flowers and Leaves of Begonia in a Basket1887
88
A Man in a Russian Old Style Costume1886
89
Eastern Tale1886
90
Parting of the Sea King and Princess Volkhova1898
91
Playing naiads and tritons1897
92
Morning1897
93
Faust1896
94
Hansel and Gretel1896
95
Venice1893
96
Water Lilies1895
97
Knight1896
98
The Fortune Teller1895
99
Primavera1894
100
Viking Merchant (Costume design for the opera ''Sadko'')1897
Demon and Angel with Tamara's Soul1891
12Eastern dance1887
13Catania. Sicily.1894
14Head of Demon
15Anna Karenina meets her son1878
16Self Portrait1880
17Lady in furs1880
18Salieri pours poison into a Mozart's glass1884
19Hamlet and Ophelia1884
20Karibeevich1891
21The Flying Demon1890
22Demon looking to the valley1891
23Demon by the walls of monastery1891
24Demon looking1891
25Tamara Dancing1891
26Resurrection1887
27Walking on Water1891
28Christ in Gethsemane1888
29Bogatyr1898 · 俄罗斯国家博物馆
30Portrait of a T. Lyubatovich in role of Carmen1895
31Captured Pechenegs (Costume design for the opera "Rogneda")1896
32The Demon Flying1899 · 俄罗斯国家博物馆
33After the Concert, at the Fireplace1905 · 特列季亚科夫画廊
34Night1900
35Portrait of a young man1903
36A bed1904
37Self Portrait1904
38Portrait of Doctor Fiodor Usoltsev1904
39Princess Volhova1900
40Pearl oister1904
41Portrait of Savva Vrubel , the Artist's Son1901
42Prince's huntsman (Costume design for the opera "The Enchantress")1900
43Fallen Demon1901
44Portrait of Nadezhda Zabela-Vrubel1903
45The Six Winged Seraph1904
46Nadezhda Zabela-Vrubel as Princess Volkhova1898
47The Virgin and Child
48The Rose
49Pearl Oyster
50Lilac
51Spring1900 · The Art Museum RIGA BOURSE
52The left artist's hand1882
53Two gondolas on the quay1885
54Odessa harbour1885 · 阿姆斯特丹博物馆
55Field flowers1884
56Archangel Gabriel1885
57Briar1884
58Moses1884
59Male nude1882
60A model with eastern dress1884
61Italian fisherman1885
62Virgin and Child1884
63Portrait of student1882
64Pieta1884
65Still Life. Plaster mask, horn of chandelier.1885
66Descent of Holy Spirit on the Apostles1885
67Self Portrait1882
68Sitter in the Renaissance Setting1883
69Woman's Head (Emily L. Prahova)1884
70Angel with Labara1884
71Feasting Romans1883
72Betrothal of Mary and Joseph1881
73Horseman1890
74Prince Guido (Costume design for the opera "The Tale of Tsar Saltan")1890
75Italy. Scenes of ancient life. (Sketch for the curtain in Russian Private Opera)1891
76Piet1887
77Tamara Lying in State1891
78Orchid1887
79Hamlet and Ophelia1888
80Flowers in a Blue Vase1886
81Muse1890
82Resurrection1887
83Rider (''Is carried horse faster of fallow-deer...'')1891
84Portrait of an Officer (Pechorin on a Sofa)1889
85Farewell of Zara with Ismail1890
86Portrait of M. V. Yakunchikova1887
87Red Flowers and Leaves of Begonia in a Basket1887
88A Man in a Russian Old Style Costume1886
89Eastern Tale1886
90Parting of the Sea King and Princess Volkhova1898
91Playing naiads and tritons1897
92Morning1897
93Faust1896
94Hansel and Gretel1896
95Venice1893
96Water Lilies1895
97Knight1896
98The Fortune Teller1895
99Primavera1894
100Viking Merchant (Costume design for the opera ''Sadko'')1897
米哈伊尔·弗鲁贝尔 的传世名作，按时期分类
Early Period
1880 – 1890 · 11 件作品入选此列表
Mature Period
1878 – 1904 · 22 件作品入选此列表
Late Medieval
1884 – 1904 · 5 件作品入选此列表Late Period
1900 – 1905 · 6 件作品入选此列表令 米哈伊尔·弗鲁贝尔 驻足的创作主题
这些原作中反复出现的四个主题，各有一个最杰出的范例。
Woman 12 件作品
Man 10 件作品
Flowers 9 件作品
收藏有 米哈伊尔·弗鲁贝尔 原作的博物馆
收藏了本页中大部分画作的 5 家博物馆。
| 博物馆 | 城市 | 米哈伊尔·弗鲁贝尔 的作品 | 此列表中的画作 |
|---|---|---|---|
 特列季亚科夫画廊 |
莫斯科 | 15 | 天鹅公主, Swan-Princess, After the Concert, at the Fireplace |
 俄罗斯国家博物馆 |
圣彼得堡 | 3 | Bogatyr, The Demon Flying |
 Tereshchenko Museum |
基辅 | 1 | Head of Demon with mountains |
 The Art Museum RIGA BOURSE |
里加 | 1 | Spring |
 阿姆斯特丹博物馆 |
阿姆斯特丹 | 1 | Odessa harbour |
米哈伊尔·弗鲁贝尔 的年代演变：定义每个时代的原创之作
各年代作品数量
选择一个年代，探索定义该时代的原创杰作。
1870s
Anna Karenina meets her son
年龄 14 – 23
1 件作品，于本十年间
In Anna Karenina meets her son by Mikhail Vrubel, the composition centers on an intimate encounter between a woman and a young girl. The seated woman leans toward the child, creating a diagonal movement that draws the eye across the central figures. The girl is positioned to look at her own reflection in a mirror, a detail that introduces a secondary focal point within the domestic space. This arrangement emphasizes…
1880s
Persian Prince
年龄 24 – 33
47 件作品，于本十年间
A man sits draped in red, his presence heavy with the weight of a silent history. He wears a turban, a crown of folded fabric, and a gold belt cinches his waist like a line of sunlight. One arm rests over his shoulder, a gesture of casual authority or perhaps a weary stillness. In his hand, he holds a large book or a heavy scroll, a vessel for words and…
1890s
Mermaid
年龄 34 – 43
56 件作品，于本十年间
In Mermaid, Mikhail Vrubel presents a mythological creature adrift in a natural setting. The figure reclines within the water, a pale shape amidst a cluster of lily pads and reeds. This scene, painted about 1891, captures a moment of quietude. The mermaid rests where the surface meets the depths, surrounded by the organic geometry of the aquatic plants.
1900s
Swan-Princess
年龄 44 – 53
38 件作品，于本十年间
To gaze upon Mikhail Vrubel's Swan-Princess is to step across a threshold into a realm woven from myth, moonlight, and profound introspection. This captivating oil on canvas, dating from 1904, is not merely a depiction of a woman by a river; it is an embodiment of the Symbolist spirit itself. The air around the figure seems thick with unspoken narratives—a delicate balance between ethereal beauty and deep, submerged mystery. Vrubel,…
藏家关于 米哈伊尔·弗鲁贝尔 作品的常见问题
米哈伊尔·弗鲁贝尔 最著名的作品是哪一件？揭晓答案
天鹅公主，特列季亚科夫画廊, 莫斯科。紧随其后的是 垂坐的恶魔 和 Swan-Princess (1904)。
米哈伊尔·弗鲁贝尔 最著名的十幅画作是什么？揭晓答案
天鹅公主, 垂坐的恶魔, Swan-Princess, Persian Prince, Hamlet and Ophelia, Mermaid, Flight of Faust and Mephisto, Sadko, Red Azaleas 及 Head of Demon with mountains。上方排名显示了每件作品的创作年份及馆藏机构。
米哈伊尔·弗鲁贝尔 留下了多少幅画作？揭晓答案
我们的目录收录了 211 件 米哈伊尔·弗鲁贝尔 的作品，创作年代从 1878 年至 1905 年。
米哈伊尔·弗鲁贝尔 的杰作收藏在哪些博物馆中？揭晓答案
多见于 特列季亚科夫画廊 (莫斯科), 俄罗斯国家博物馆 (圣彼得堡) 及 Tereshchenko Museum (基辅)。上方的博物馆列表列出了所有相关机构。
米哈伊尔·弗鲁贝尔 在哪些年份创作了最著名的作品？揭晓答案
在 1880s 期间：本页 100 件作品中有 42 件创作于该时期，其中包含 Persian Prince 件作品。
米哈伊尔·弗鲁贝尔 的首件与末件名作原件分别是哪几件？揭晓答案
在本页面中，最早的作品创作于 Anna Karenina meets her son (1878)，最晚的创作于 After the Concert, at the Fireplace (1905)。
米哈伊尔·弗鲁贝尔 最常创作的主题是什么？揭晓答案
Woman (12), Man (10) 及 Flowers (9)，共计 100 件作品。
米哈伊尔·弗鲁贝尔 最常用的技法是什么？揭晓答案
Oil On Canvas，共计 15 件（本页共有 100 件作品）。
米哈伊尔·弗鲁贝尔 属于哪种艺术流派？揭晓答案
根据本页面的原作，象征主义
哪些 米哈伊尔·弗鲁贝尔 的作品在 特列季亚科夫画廊 展出？揭晓答案
天鹅公主, Swan-Princess 及 After the Concert, at the Fireplace：特列季亚科夫画廊, 莫斯科收藏了本页中 3 件作品。
米哈伊尔·弗鲁贝尔：生平与作品
早年生活与学院时期
米哈伊尔·亚历山德罗维奇·弗鲁贝尔出生于俄罗斯的鄂木斯克。他的成长环境深受显赫贵族血统以及父亲军旅生涯的影响。尽管他在1880年便从圣彼得堡大学法学院毕业，但他的灵魂始终寄托在画布之上。随后，他进入帝国艺术学院师从帕维尔·奇斯佳科夫，并在此过程中开始形成一种迥异于同时代写实主义传统的独特风格。他的早期艺术训练展现出一种独特的视觉感知方式，在处理形式与线条时，展现出极具个人色彩的特质。
1884年，他的艺术生涯迎来了重大转折，当时他受命重现基辅圣西里尔教堂中12世纪的壁画与马赛克艺术。这项任务促使他深入研习中世纪基督教艺术。通过对这些古代杰作的钻研，以及前往威尼斯的艺术之旅，他的色彩运用发生了蜕变。他开始采用强烈的、饱和度极高的色调，令观者联想到璀璨的宝石，从而彻底摆脱了学院派传统的沉闷色调。
象征主义的语言
弗鲁贝尔的作品往往游走于现实世界与神话领域的交界地带。他痴迷于波斯地毯的纹理与东方艺术的图案，并将其转化为绘画语言，采用一种模仿马赛克镶嵌块视觉效果的独特技法。他通过画刀施加大胆而平整的笔触，创造出锐利且具有刻面感的边缘。这种处理方式赋予了画面一种晶体般的质感，仿佛油彩本身是由彩色玻璃或宝石凝聚而成。
他对民间传说与超自然力量的痴迷，在他对神话人物的描绘中体现得最为淋漓尽致。他的画作常在孤独与渴望的主题中徘徊。在他广受讨论的杰作中，包括：
在这些作品中，他并不追求严谨的写实，而是利用装饰性的空间和非寻常的形态，去捕捉一种精神或心理层面的深度。他与歌剧伶人娜佳·扎贝拉的合作也深刻影响了他的创作，使他开始设计舞台布景与服装，从而将艺术触角延伸到了戏剧艺术领域。
晚年生活与艺术传承
弗鲁贝尔的晚年充满了个人挣扎。1906年，由于严重的精神崩溃及疾病的困扰，他被迫停止了创作。在度过了一段在精神病院度过的艰难岁月后，他于1910年溘然长逝。尽管生命最后的十年充满了苦痛，但他对俄罗斯象征主义与新艺术运动的影响，依然是现代艺术史中不可或缺的核心篇章。他为随后的前卫艺术运动铺平了道路，将俄罗斯绘画的重心转向了更具表现力与现代主义色彩的艺术语汇。