Martin Schaffner 肖像

36 幅最著名的 Martin Schaffner 作品,画廊精选

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 36 件 Martin Schaffner 作品收录于我们的目录中

简而言之

在 Martin Schaffner 留下的所有原作中,最著名的当属收藏于 慕尼黑 巴伐利亚州绘画收藏馆 的《Eitel Hans I. Besserer von Schnürpflingen (1529)》。 紧随其后的是 Portrait of a Man with Rosary (1521) 和 Wolfgang I. Count of Oettingen (1508)。 我们的目录收录了 Martin Schaffner 的 36 件作品;画廊完整保留了 36 件享誉世界的杰作,并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。

1478 – 1548, Ulm 藏品最多:巴伐利亚州绘画收藏馆

Martin Schaffner 的十大名画:画廊精选

1
Eitel Hans I. Besserer von Schnürpflingen (1529) 由 Martin Schaffner

Eitel Hans I. Besserer von Schnürpflingen

1529 · Oil On Panel · 巴伐利亚州绘画收藏馆, 慕尼黑

A man sits in the quiet weight of 1529. He is Eitel Hans I. Besserer von Schnürpflingen, captured in a moment of stillness that feels heavy with the gravity of his station. The light enters from the upper left, a soft, directional glow that carves the contours of a face marked by experience. His gaze is directed toward the right, looking past the viewer into an unseen space. He wears…

2
Portrait of a Man with Rosary (1521) 由 Martin Schaffner

Portrait of a Man with Rosary

1521 · Oil On Panel · 维也纳艺术史博物馆, 维也纳

The portrait presents a middle-aged man in a three-quarter view, positioned from the waist up against a solid, deep teal-blue background. He wears a red beret and a central red doublet, partially covered by a black cloak lined with fur. His sleeves exhibit a patterned design in shades of grey and white. The man's hands are positioned to hold a red rosary, which hangs against his clothing. Light enters from…

3
Wolfgang I. Count of Oettingen (1508) 由 Martin Schaffner

Wolfgang I. Count of Oettingen

1508 · Oil On Panel · 巴伐利亚州绘画收藏馆, 慕尼黑

Martin Schaffner executed this portrait of Wolfgang I. Count of Oettingen in 1508. The subject was the Count of Oettingen-Oettingen and the third son of Count Wilhelm of Oettingen and Beatrice della Scala. He was married to Anna of Waldburg and Waldsee in 1482.

Martin Schaffner 系列持续更新,第 11 至 36 项

11First Wettenhausen Altar: Christ before Pilate Reverse: Christ in Limbo (1515) 由 Martin SchaffnerFirst Wettenhausen Altar: Christ before Pilate Reverse: Christ in Limbo1515 · 巴伐利亚州绘画收藏馆 12Departure of Christ from Mary (1507) 由 Martin SchaffnerDeparture of Christ from Mary1507 · 巴伐利亚州绘画收藏馆 13Saint Anthony, Tempted by the Devil in the Form of a Woman, Salem Altar Panel 4 (1517) 由 Martin SchaffnerSaint Anthony, Tempted by the Devil in the Form of a Woman, Salem Altar Panel 41517 · 卡尔斯鲁厄州立美术馆 14The Temptation of St. Anthony by Demons, Salemer Altar Panel 2 (1517) 由 Martin SchaffnerThe Temptation of St. Anthony by Demons, Salemer Altar Panel 21517 · 卡尔斯鲁厄州立美术馆 15Saint Anthony, Praying Before the Deceased St. Paul, Salem Altar Panel 1 (1517) 由 Martin SchaffnerSaint Anthony, Praying Before the Deceased St. Paul, Salem Altar Panel 11517 · 卡尔斯鲁厄州立美术馆 16Saints Peter and Paul with the Sudarium of Saint Veronica (Vera Icon) (1518) 由 Martin SchaffnerSaints Peter and Paul with the Sudarium of Saint Veronica (Vera Icon)1518 · 卡尔斯鲁厄州立美术馆 17Saint Anthony, Tempted by Three Devils in Female Form, Salem Altar Panel 3 (1517) 由 Martin SchaffnerSaint Anthony, Tempted by Three Devils in Female Form, Salem Altar Panel 31517 · 卡尔斯鲁厄州立美术馆 18Plague Altarpiece: Angry God the Father and Virgin Mary (1514) 由 Martin SchaffnerPlague Altarpiece: Angry God the Father and Virgin Mary1514 · 巴伐利亚州绘画收藏馆 19Plague Altarpiece: Christ with Saints Roch and Sebastian (1514) 由 Martin SchaffnerPlague Altarpiece: Christ with Saints Roch and Sebastian1514 · 巴伐利亚州绘画收藏馆 20Wettenhauser High Altar: Presentation in the Temple Reverse: formerly Relief with Adoration of the Shepherds (1523) 由 Martin SchaffnerWettenhauser High Altar: Presentation in the Temple Reverse: formerly Relief with Adoration of the Shepherds1523 · 巴伐利亚州绘画收藏馆 21Wettenhauser High Altar: Annunciation to Mary Reverse: Farewell of Christ (left half) (1523) 由 Martin SchaffnerWettenhauser High Altar: Annunciation to Mary Reverse: Farewell of Christ (left half)1523 · 巴伐利亚州绘画收藏馆 22Battle of Saint George with the Dragon (1532) 由 Martin SchaffnerBattle of Saint George with the Dragon1532 · 巴伐利亚州绘画收藏馆 23Wettenhauser High Altar: Death of Mary Reverse: Farewell of Christ (right half) with Donor Ulrich Hieber (1523) 由 Martin SchaffnerWettenhauser High Altar: Death of Mary Reverse: Farewell of Christ (right half) with Donor Ulrich Hieber1523 · 巴伐利亚州绘画收藏馆 24Wettenhauser High Altar: Descent of the Holy Spirit Reverse Side: formerly Relief with Adoration of the Magi (1523) 由 Martin SchaffnerWettenhauser High Altar: Descent of the Holy Spirit Reverse Side: formerly Relief with Adoration of the Magi1523 · 巴伐利亚州绘画收藏馆 25male portrait (1524) 由 Martin Schaffnermale portrait1524 26Painted tabletop for Erasmus Stedelin (detail) (1533) 由 Martin SchaffnerPainted tabletop for Erasmus Stedelin (detail)1533 · Staatliche Museen 27Painted tabletop for Erasmus Stedelin (detail) (1533) 由 Martin SchaffnerPainted tabletop for Erasmus Stedelin (detail)1533 · Staatliche Museen 28Anweiler epitaph 由 Martin SchaffnerAnweiler epitaph 29The Adoration of the Magi 由 Martin SchaffnerThe Adoration of the Magi巴伐利亚州绘画收藏馆 30Adoration of the Magi 由 Martin SchaffnerAdoration of the Magi 31Bildnis des Eitel Besserer Martin Schaffner 由 Martin SchaffnerBildnis des Eitel Besserer Martin Schaffner 32The Adoration of the Magi. 由 Martin SchaffnerThe Adoration of the Magi.华沙国家博物馆 33Painted tabletop for Erasmus Stedelin, detail woman with musical instruments 由 Martin SchaffnerPainted tabletop for Erasmus Stedelin, detail woman with musical instruments 34Drachenkampf des Hl. Georg 由 Martin SchaffnerDrachenkampf des Hl. Georg 35Farewell Christ from his mother 由 Martin SchaffnerFarewell Christ from his mother 36Painted tabletop for Erasmus Stedelin (1533) 由 Martin SchaffnerPainted tabletop for Erasmus Stedelin1533 · Staatliche Museen

令 Martin Schaffner 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 Martin Schaffner 原作的博物馆

收藏了本页中大部分画作的 5 家博物馆。

博物馆 城市 Martin Schaffner 的作品 此列表中的画作
巴伐利亚州绘画收藏馆, 慕尼黑巴伐利亚州绘画收藏馆 慕尼黑 19 Eitel Hans I. Besserer von Schnürpflingen, Wolfgang I. Count of Oettingen, First Wettenhausen Altar: The Last Supper Reverse Side: Carrying of the Cross of Christ
卡尔斯鲁厄州立美术馆, 卡尔斯鲁厄卡尔斯鲁厄州立美术馆 卡尔斯鲁厄 5 Saint Anthony, Tempted by the Devil in the Form of a Woman, Salem Altar Panel 4, The Temptation of St. Anthony by Demons, Salemer Altar Panel 2, Saint Anthony, Praying Before the Deceased St. Paul, Salem Altar Panel 1
Staatliche Museen, 卡塞尔Staatliche Museen 卡塞尔 3 Painted tabletop for Erasmus Stedelin (detail), Painted tabletop for Erasmus Stedelin (detail), Painted tabletop for Erasmus Stedelin
维也纳艺术史博物馆, 维也纳维也纳艺术史博物馆 维也纳 1 Portrait of a Man with Rosary
华沙国家博物馆, 华沙华沙国家博物馆 华沙 1 The Adoration of the Magi.

Martin Schaffner 的年代演变:定义每个时代的原创之作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

藏家关于 Martin Schaffner 作品的常见问题

Martin Schaffner 最著名的作品是哪一件?揭晓答案

Eitel Hans I. Besserer von Schnürpflingen (1529),巴伐利亚州绘画收藏馆, 慕尼黑。紧随其后的是 Portrait of a Man with Rosary (1521) 和 Wolfgang I. Count of Oettingen (1508)。

创作 Eitel Hans I. Besserer von Schnürpflingen 时,Martin Schaffner 是多少岁?揭晓答案

51岁:Eitel Hans I. Besserer von Schnürpflingen创作于1529年,Martin Schaffner出生于1478年。

Martin Schaffner 最著名的十幅画作是什么?揭晓答案

Eitel Hans I. Besserer von Schnürpflingen, Portrait of a Man with Rosary, Wolfgang I. Count of Oettingen, First Wettenhausen Altar: The Last Supper Reverse Side: Carrying of the Cross of Christ, First Wettenhausen Altar: Capture of Christ Reverse: Christ before Pilate, First Wettenhausen Altar: Washing of the Feet of Christ Reverse: not preserved, First Wettenhausen Altar: Departure of Christ Reverse Side: Scourging of Christ, First Wettenhausen Altar: Entry of Christ into Jerusalem Reverse: Crowning with Thorns of Christ, First Wettenhausen Altar: Christ before Caiaphas Reverse: Resurrection of Christ 及 First Wettenhausen Altar: Denial of Peter and Mockery of Christ Reverse: not preserved。上方排名显示了每件作品的创作年份及馆藏机构。

Martin Schaffner 留下了多少幅画作?揭晓答案

我们的目录收录了 36 件 Martin Schaffner 的作品,创作年代从 1507 年至 1533 年。

Martin Schaffner 的杰作收藏在哪些博物馆中?揭晓答案

多见于 巴伐利亚州绘画收藏馆 (慕尼黑), 卡尔斯鲁厄州立美术馆 (卡尔斯鲁厄) 及 Staatliche Museen (卡塞尔)。上方的博物馆列表列出了所有相关机构。

Martin Schaffner 在哪些年份创作了最著名的作品?揭晓答案

在 1510s 期间:本页 36 件作品中有 15 件创作于该时期,其中包含 First Wettenhausen Altar: The Last Supper Reverse Side: Carrying of the Cross of Christ 件作品。

Martin Schaffner 的首件与末件名作原件分别是哪几件?揭晓答案

在本页面中,最早的作品创作于 Departure of Christ from Mary (1507),最晚的创作于 Painted tabletop for Erasmus Stedelin (detail) (1533)。

Martin Schaffner 最常创作的主题是什么?揭晓答案

Man (3), Dark background (2) 及 Religious (2),共计 36 件作品。

Martin Schaffner 最常用的技法是什么?揭晓答案

Oil On Panel,共计 3 件(本页共有 36 件作品)。

哪些 Martin Schaffner 的作品在 巴伐利亚州绘画收藏馆 展出?揭晓答案

Eitel Hans I. Besserer von Schnürpflingen, Wolfgang I. Count of Oettingen 及 First Wettenhausen Altar: The Last Supper Reverse Side: Carrying of the Cross of Christ:巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中 19 件作品。

Martin Schaffner:生平与作品

Martin Schaffner: A Master of Detail in the Dawn of the Renaissance

Born in Ulm, Germany, around 1478, Martin Schaffner emerged as a significant figure within the burgeoning artistic landscape of the mid-15th century. While details surrounding his early life remain somewhat sparse – he was a man who largely worked behind the scenes, often serving as an assistant to more prominent masters – his output speaks volumes about his skill and dedication. Schaffner’s career unfolded primarily in Ulm, where he established himself as a respected painter and medallist, contributing significantly to the religious art that dominated the era. He wasn't a flamboyant innovator; rather, he was a meticulous craftsman, a master of detail who honed his abilities through diligent apprenticeship and a deep understanding of established artistic conventions.

Schaffner’s early training is believed to have been under Jörg Stocker, a renowned painter in Ulm. This association provided him with a solid foundation in the techniques of oil painting and fresco, crucial skills for creating the intricate scenes that would become his hallmark. However, it was through his work alongside other masters – particularly as an assistant – that he truly developed his distinctive style: one characterized by remarkable precision, vibrant colors, and a profound sense of realism. He wasn’t interested in grand gestures or revolutionary approaches; instead, he focused on faithfully rendering the subjects before him with painstaking accuracy.

Biblical Narratives and Tabletop Masterpieces

Schaffner's artistic output primarily revolved around religious themes, reflecting the prevailing devotional climate of the time. He frequently produced altarpieces – large-scale paintings intended for church interiors – depicting scenes from the Bible. These works are notable for their detailed depictions of figures, architectural settings, and symbolic elements. The “Adoration of the Magi,” a particularly striking example, showcases his mastery of perspective and color theory, creating a richly layered scene brimming with biblical significance. The painting exemplifies Early Netherlandish style, characterized by its meticulous detail and use of symbolism to convey theological messages.

Beyond altarpieces, Schaffner also excelled in producing smaller-scale works, often commissioned for private patrons. These included portraits – typically of wealthy merchants or members of the clergy – and intricately decorated tabletop scenes. The “Painted tabletop for Erasmus Stedelin” is a testament to his skill in creating miniature worlds within panels, depicting biblical narratives and allegorical figures with astonishing detail. These tabletop compositions were not merely decorative; they served as visual sermons, educating viewers on religious teachings through carefully arranged imagery.

Technique and Influences

Schaffner’s technique was rooted in the traditions of Northern European painting, particularly those practiced by artists working in Germany and the Netherlands. He employed oil paints with a remarkable degree of control, layering thin glazes to achieve luminous colors and subtle gradations of tone. His meticulous attention to detail is evident in every brushstroke, from the folds of clothing to the texture of fabrics. While he didn’t radically depart from established conventions, Schaffner demonstrated an exceptional ability to execute these techniques with unparalleled precision.

It's believed that his work was influenced by artists like Stefan Lochner and Hans Memling, both masters of detail and religious illustration. However, Schaffner developed a unique style characterized by a quiet solemnity and a focus on the human figure. He avoided dramatic compositions or overly expressive gestures, instead prioritizing clarity and accuracy in his depictions.

Legacy and Historical Significance

Martin Schaffner’s contribution to 15th-century art is often overshadowed by more flamboyant figures of the era, but his work holds considerable historical significance. He represents a crucial link between the Gothic and Renaissance periods, embodying the meticulous craftsmanship that characterized Northern European painting during this transitional time. His altarpieces and tabletop scenes provide valuable insights into the religious beliefs and artistic practices of the period.

Schaffner’s legacy lies not in groundbreaking innovations but in his unwavering commitment to excellence. He was a master of his craft, a diligent artist who dedicated his life to faithfully rendering the world around him with remarkable skill and precision. His work continues to be studied by art historians today as a testament to the enduring power of detail and the importance of craftsmanship in the creation of great art.