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2 幅最著名的 Marie Großmann 作品，画廊精选
更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 2 件 Marie Großmann 作品收录于我们的目录中
简而言之
在 Marie Großmann 留下的所有原作中，最著名的当属收藏于 弗赖堡 Augustiner Museum 的《Portrait of Hermann Krebs (1874)》。 我们的目录收录了 Marie Großmann 的 2 件作品；画廊完整保留了 2 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
1853 – 1890, Freiburg im Breisgau
藏品最多：Augustiner Museum
Marie Großmann 的十大名画：画廊精选
收藏有 Marie Großmann 原作的博物馆
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Marie Großmann 的作品 | 此列表中的画作 |
|---|---|---|---|
 Augustiner Museum |
弗赖堡 | 2 | Portrait of Hermann Krebs, Portrait of Sophie Krebs, née Schaal |
Marie Großmann 的年度历程：定义其艺术风格的原创之作
此精选系列中每件 Marie Großmann 作品的创作年份均为 1874：以下按知名度排序。
年度作品数量
选择年份以查看原作。
藏家关于 Marie Großmann 作品的常见问题
Marie Großmann 最著名的作品是哪一件？揭晓答案
Portrait of Hermann Krebs (1874)
创作 Portrait of Hermann Krebs 时，Marie Großmann 是多少岁？揭晓答案
21岁：Portrait of Hermann Krebs创作于1874年，Marie Großmann出生于1853年。
Marie Großmann 留下了多少幅画作？揭晓答案
我们的目录中收录了 2 件 Marie Großmann 的作品。
Marie Großmann 的杰作收藏在哪些博物馆中？揭晓答案
多见于 Augustiner Museum (弗赖堡)。上方的博物馆列表列出了所有相关机构。
Marie Großmann 在哪些年份创作了最著名的作品？揭晓答案
在 1874 期间：本页 2 件作品中有 2 件创作于该时期，其中包含 Portrait of Hermann Krebs 件作品。
哪些 Marie Großmann 的作品在 Augustiner Museum 展出？揭晓答案
Portrait of Hermann Krebs 及 Portrait of Sophie Krebs, née Schaal：Augustiner Museum, 弗赖堡收藏了本页中 2 件作品。
Marie Großmann：生平与作品
The Quiet Presence of the Portraitist
In the small, focused world of nineteenth-century German portraiture, Marie Großmann occupied a space defined by the faces of others. Her life, marked by the years 1853 to 1890, was spent capturing the likenesses of those within her immediate circle. She did not seek the broad strokes of grand movements, but instead turned her attention to the specific, steady gaze of the individuals who shared her time and her name.
Her brushwork found its purpose in the study of character through likeness. In 1874, she produced a series of works that captured the Krebs family, including Portrait of Hermann Krebs and Figurative Portrait of Sophie Krebs, née Schaal. These were not mere studies of form, but records of presence. She followed this with the Figurative Portrait of Theophil Krebs, showing a commitment to the people who populated her daily life.
A Legacy in Likeness
The work of Marie Großmann is found in the quiet details of a sitter's expression. One of her notable pieces, Figurative Portrait of the Husband Dr. Viktor Grossmann, dating to approximately 1880, shows her ability to settle into the likeness of a subject. There is a stillness in these paintings, a sense of a moment held steady under the light.
Her contribution to the visual record is seen in these specific, intimate studies. While her life was relatively brief, her ability to translate a person into paint remains visible in the surviving works. Her focus remained on the human figure, capturing the weight of a gaze or the set of a jaw, ensuring that the people she painted were seen as they were.