更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 35 件 吕西安·西蒙 作品收录于我们的目录中
简而言之
在画廊看来，吕西安·西蒙 最著名的作品是 On a Visit, Begging Sisters (1902)，其原作现收藏于 巴黎 的 Petit Palais。 The Friends (1899) 与 Cirque forain, Finistère (1900) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，吕西安·西蒙 共有 35 件作品，画廊为您精选了以下 32 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
The oil painting titled On a Visit, Begging Sisters captures a quiet, heavy moment of human connection. Created about 1902, the work is a product of the hand of Lucien Simon. The canvas holds a stillness that reflects the somber weight of the figures gathered within its frame.
The air in the room feels heavy, thick with the scent of old wood and the unspoken thoughts of five men. They sit closely, a dense cluster of figures pulled toward the center of a dimly lit interior. There is a profound sense of stillness here, as if the world outside has ceased to exist, leaving only this intimate circle of companionship. The light does not flood the space; instead,…
The oil painting depicts a circus scene set within a circular ring, viewed from the perspective of an observer situated within a darkened crowd. In the upper right quadrant, a female performer in a white tutu and pink tights is captured mid-motion, leaping or dancing while holding French tricolor flags. Below this central figure, the spectators are rendered as shadowed forms, their faces and bodies suggested through loose, expressive brushstrokes.…
In Jour d'été, portrait de mes enfants, Lucien Simon invites us into a quiet, sunlit interior where three children are positioned in a balanced triangular formation. This arrangement spans the foreground and middle ground, grounding the subjects within the airy space. A large open window serves as the primary source of light and depth, revealing a coastal landscape that extends toward a distant horizon. Through this aperture, the receding view…
In the Impressionist oil painting Bathers by Lucien Simon, a group of women is positioned at the edge of a body of water. The figures are shown in various states of undress, some engaged in the act of bathing while others prepare to enter the water. These women are situated near a large, dark cliff or rock formation that anchors the right side of the composition. The landscape consists of…
In this large-scale oil painting, The Communicants by Lucien Simon captures a moment of profound stillness. Created about 1911, the work presents a group of figures gathered within a solemn, architectural setting. These figures, who appear to be young girls or perhaps nuns, occupy the space with a quiet, ritualistic presence. They move through a dense and layered composition that draws the eye through the staggered formation of their bodies.
A group of figures gathers in a coastal village, their forms anchored against a heavy, overcast sky. The air feels thick, saturated with the moisture of the Atlantic. In the foreground, the people move with a quiet, stoic rhythm, their silhouettes defined by thick, textured brushstrokes that suggest the coarse fabric of their traditional attire. Earthy tones of ochre and muted brown settle over the scene, interrupted only by small,…
The oil painting titled Nausicaa presents a wide, horizontal scene set against a rugged, mountainous landscape. In the foreground and middle ground, a group of women are positioned near a body of water, such as a river or a coastline. The figures are distributed across the composition, creating a rhythmic movement through the space. Some women stand upon the rocky terrain, while others are situated within the water. The color…
In Le quai d'Audierne, Lucien Simon organizes the maritime landscape into distinct, layered planes. The foreground is anchored by the heavy presence of figures gathered upon a stone quay. These figures inhabit the immediate space, grounding the viewer in the physical reality of the harbor. Beyond them, the middle ground opens into a stretch of water where various sailing vessels rest. The composition relies on the diminishing size of these…
In "Sardine Fishery in Penmarc'h," Lucien Simon captures a bustling scene of a sardine fishery in Penmarc'h. Created about 1933, this impressionistic oil painting focuses on the labor and daily life of a fishing community. The work centers on the rhythmic, heavy movements of people engaged in their trade. It is a study of a coastal working area where the salt air meets the grit of manual toil.
Flower Volcano2004 · Royal Free Hospital
12
Wrestlers in Brittany1898 · Museum of Fine Arts Ghent (MSK)
13
Returning from Mass in Penmarch芬兰国家美术馆
14
Talking in the Twilight国家博物馆
15
The Fair
16
Le goûter1906
17
Intimité1944 · Musée des Beaux-Arts de Quimper
18
The Burning of the Seaweed in Front of the Chapelle Notre-Dame-de-la-Joie in Penmarc'h1913 · Musée des Beaux-Arts de Quimper
19
Staging Post1913
20
The Fairground Parade1919 · Musée des Beaux-Arts de Quimper
21
After the War1919
22
Cheval effrayé1931
23
Quai de Kérity1938 · 奥赛博物馆
24
Bigoudènes devant les tréteaux1940 · Musée des Beaux-Arts de Quimper
25
In the Breton Countryside1945
26
Abstract Design2005 · Edgware Community Hospital
27
Red Abstract2004 · Royal Free Hospital
28
Departure of the Leave-Takers of the Great War at the Gare de Pont-l'Abbé
29
A Gust of Wind普希金国家美术馆
30
A Parisian Funeral
31
Strata2004 · Royal Free Hospital
32
Famille bigoudène en deuil1910 · Musée des Beaux-Arts de Quimper
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 吕西安·西蒙 的作品 | 此列表中的画作 |
|---|---|---|---|
 Musée des Beaux-Arts de Quimper |
坎佩尔 | 5 | Intimité, The Burning of the Seaweed in Front of the Chapelle Notre-Dame-de-la-Joie in Penmarc'h, The Fairground Parade |
 Petit Palais |
巴黎 | 3 | On a Visit, Begging Sisters, The Friends, Nausicaa |
 奥赛博物馆 |
巴黎 | 3 | Jour d'été, portrait de mes enfants, The Communicants, Quai de Kérity |
 Royal Free Hospital |
伦敦 | 3 | Flower Volcano, Red Abstract, Strata |
 国家美术、建筑与设计博物馆 |
奥斯陆 | 1 | Cirque forain, Finistère |
 布宜诺斯艾利斯国家美术馆 |
布宜诺斯艾利斯 | 1 | Bathers |
 冬宫博物馆 |
圣彼得堡 | 1 | Bretons |
 下林登博物馆 |
科尔马 | 1 | Le quai d'Audierne |
选择一个年代，探索定义该时代的原创杰作。
The air in the room feels heavy, thick with the scent of old wood and the unspoken thoughts of five men. They sit closely, a dense cluster of figures pulled toward the center of a dimly lit interior. There is a profound sense of stillness here, as if the world outside has ceased to exist, leaving only this intimate circle of companionship. The light does not flood the space; instead,…
The oil painting titled On a Visit, Begging Sisters captures a quiet, heavy moment of human connection. Created about 1902, the work is a product of the hand of Lucien Simon. The canvas holds a stillness that reflects the somber weight of the figures gathered within its frame.
In this large-scale oil painting, The Communicants by Lucien Simon captures a moment of profound stillness. Created about 1911, the work presents a group of figures gathered within a solemn, architectural setting. These figures, who appear to be young girls or perhaps nuns, occupy the space with a quiet, ritualistic presence. They move through a dense and layered composition that draws the eye through the staggered formation of their bodies.
In Le quai d'Audierne, Lucien Simon organizes the maritime landscape into distinct, layered planes. The foreground is anchored by the heavy presence of figures gathered upon a stone quay. These figures inhabit the immediate space, grounding the viewer in the physical reality of the harbor. Beyond them, the middle ground opens into a stretch of water where various sailing vessels rest. The composition relies on the diminishing size of these…
In "Sardine Fishery in Penmarc'h," Lucien Simon captures a bustling scene of a sardine fishery in Penmarc'h. Created about 1933, this impressionistic oil painting focuses on the labor and daily life of a fishing community. The work centers on the rhythmic, heavy movements of people engaged in their trade. It is a study of a coastal working area where the salt air meets the grit of manual toil.
In the quiet corners of art history, certain works possess the unique ability to halt time, inviting the viewer into a sanctuary of stillness. Lucien Simon’s 1944 masterpiece, Intimité, is precisely such a work. This evocative portrait captures a profound moment of connection between two figures, seated amidst an abundance of floral arrangements that seem to breathe alongside them. The painting does not merely depict a room; it constructs an…
On a Visit, Begging Sisters (1902)，Petit Palais, 巴黎。紧随其后的是 The Friends (1899) 和 Cirque forain, Finistère (1900)。
41岁：On a Visit, Begging Sisters创作于1902年，吕西安·西蒙出生于1861年。
On a Visit, Begging Sisters, The Friends, Cirque forain, Finistère, Jour d'été, portrait de mes enfants, Bathers, The Communicants, Bretons, Nausicaa, Le quai d'Audierne 及 Sardine Fishery in Penmarc'h。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 35 件 吕西安·西蒙 的作品，创作年代从 1898 年至 1945 年。
多见于 Musée des Beaux-Arts de Quimper (坎佩尔), Petit Palais (巴黎) 及 奥赛博物馆 (巴黎)。上方的博物馆列表列出了所有相关机构。
在 1910s 期间：本页 32 件作品中有 7 件创作于该时期，其中包含 The Communicants 件作品。
在本页面中，最早的作品创作于 Wrestlers in Brittany (1898)，最晚的创作于 In the Breton Countryside (1945)。
People (6), Water (4) 及 Sky (4)，共计 32 件作品。
Oil，共计 6 件（本页共有 32 件作品）。
根据本页面的原作，Impressionism
Intimité, The Burning of the Seaweed in Front of the Chapelle Notre-Dame-de-la-Joie in Penmarc'h 及 The Fairground Parade：Musée des Beaux-Arts de Quimper, 坎佩尔收藏了本页中 5 件作品。
