更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 21 件 Louis Lafitte 作品收录于我们的目录中
简而言之
在 Louis Lafitte 留下的所有原作中，最著名的作品是 A Dying Warrior (1795)。 紧随其后的是 General Servan (1741-1808) (1800) 和 Prairial , ninth month of the Republican Calendar。 我们的目录收录了 Louis Lafitte 的 21 件作品；画廊完整保留了 21 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
A pale, muscular body lies diagonally across a dark, rocky landscape. The man’s skin is the color of alabaster, catching a sharp light that spills from the upper left. He reclines in a state of physical collapse, his limbs heavy against the jagged stone. A crimson loincloth provides the only sudden shock of color against the deep, earthy browns and blacks of the cavernous setting. His face is turned upward,…
Louis Lafitte captures the essence of military prestige in this 1800 portrait. The composition centers on a large grey horse, its musculature defined by precise brushwork and soft textures. A standing figure dominates the foreground, draped in a blue uniform accented by a sharp red sash. To the left, a seated man offers a contemplative contrast to the central figure's authoritative posture. The scene is set within an outdoor landscape,…
The artwork titled Prairial , ninth month of the Republican Calendar is a painting by Louis Lafitte. This piece belongs to a specific series consisting of twelve allegories created to represent the months of the French Republican Calendar. The work functions as a seasonal representation within that historical calendar system.
Thermidor , Eleventh Month Of The Republican
12
Ventose , sixth month of the Republican Calendar
13
Vendemiaire , first month of the Republican
14
Messidor , tenth month of the Republican Calendar
15
Frimaire , Third Month Of The Republican Calendar
16
Nivose , fourth month of the Republican Calendar
17
Germinal , seventh month of the Republican Calendar
18
Fructidor Twelfth Month Of The Republican Calendar
19
Brumaire , Second Month Of The Republican CalendarPlantin-Moretus Museum
20
Le Vengeur Du Peuple' Sinking At The Battle Of.
21
Brutus Listening To The Ambassadors From The Tarquins洛杉矶县立艺术博物馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 3 家博物馆。
| 博物馆 | 城市 | Louis Lafitte 的作品 | 此列表中的画作 |
|---|---|---|---|
 卡纳瓦勒博物馆 |
巴黎 | 1 | General Servan (1741-1808) |
 Plantin-Moretus Museum |
安特卫普 | 1 | Brumaire , Second Month Of The Republican Calendar |
 洛杉矶县立艺术博物馆 |
洛杉矶 | 1 | Brutus Listening To The Ambassadors From The Tarquins |
Louis Lafitte 在此精选作品中的创作跨度仅为 6 年，从 1795 年至 1800 年：这是一段短暂的艺术生涯，在此按年份逐一呈现。
选择年份以查看原作。
A pale, muscular body lies diagonally across a dark, rocky landscape. The man’s skin is the color of alabaster, catching a sharp light that spills from the upper left. He reclines in a state of physical collapse, his limbs heavy against the jagged stone. A crimson loincloth provides the only sudden shock of color against the deep, earthy browns and blacks of the cavernous setting. His face is turned upward,…
Louis Lafitte captures the essence of military prestige in this 1800 portrait. The composition centers on a large grey horse, its musculature defined by precise brushwork and soft textures. A standing figure dominates the foreground, draped in a blue uniform accented by a sharp red sash. To the left, a seated man offers a contemplative contrast to the central figure's authoritative posture. The scene is set within an outdoor landscape,…
A Dying Warrior (1795)。紧随其后的是 General Servan (1741-1808) (1800) 和 Prairial , ninth month of the Republican Calendar。
25岁：A Dying Warrior创作于1795年，Louis Lafitte出生于1770年。
A Dying Warrior, General Servan (1741-1808), Prairial , ninth month of the Republican Calendar, Ferdinand De Bertier De Sauvigny, Almighty God - My Mother', From 'the Monk, While She Sang, Ambrosio Listened With Delight, Improvements for Paris, study for a low relief, Floreal , eighth month of the Republican Calendar, Massacre Of The Patriots At The Champ De Mars, - (17th) 及 Pluviose fifth month of the Republican Calendar。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 21 件 Louis Lafitte 的作品，创作年代从 1795 年至 1800 年。
多见于 卡纳瓦勒博物馆 (巴黎), Plantin-Moretus Museum (安特卫普) 及 洛杉矶县立艺术博物馆 (洛杉矶)。上方的博物馆列表列出了所有相关机构。
在本页面中，最早的作品创作于 A Dying Warrior (1795)，最晚的创作于 General Servan (1741-1808) (1800)。
根据本页面的原作，Neoclassicism
The story of Louis Lafitte begins in the vibrant atmosphere of Paris, France, where his early years were profoundly influenced by a chance encounter that would alter the course of his destiny. As the son of a master barber, his path seemed destined for a different trade, yet the arrival of the painter Simon Mathurin Lantara into his father's home ignited a transformative passion. It was Lantara who recognized a burgeoning talent within the young boy, nurturing an interest in painting that would eventually lead Lafitte to study under the esteemed engraver Gilles Demarteau and later with the renowned Jean-Baptiste Regnault.
Lafitte’s journey through the prestigious corridors of French art was marked by both immense triumph and the turbulent shifts of history. His admission to the Académie royale de peinture et de sculpture signaled his arrival among the elite, and in 1791, he achieved the monumental distinction of winning the Prix de Rome. This accolade was awarded for his evocative painting of Regulus returning to Carthage, a feat that made him the final painter sent to Rome during the reign of Louis XVI. However, the political tremors of the era soon forced him from the tranquil halls of the Villa Medici; as protests against French incursions into Italy intensified, he was compelled to seek refuge in Florence, where his artistic spirit continued to flourish through teaching.
Upon returning to Paris, Lafitte demonstrated a remarkable ability to adapt his talents to the changing needs of a nation in transition. While his heart remained tethered to the grand traditions of painting, financial pressures necessitated a diversification of his craft. He became a master of many forms, working as a designer, illustrator, and muralist. His hand was seen in the delicate allegories created for the months of the French Republican Calendar, where he infused symbolic depth into each seasonal transition. This period of his life showcased a profound command over both the intimacy of engraving and the grandeur of decorative arts.
His contributions to the architectural landscape of France were equally significant. Collaborating with the architect Charles Percier, Lafitte brought a touch of classical elegance to the Château de Malmaison, where his work featured Pompeian-style dancers that breathed life into the dining rooms. His decorative prowess extended to the Théâtre de l'Impératrice, working alongside Jean-François Chalgrin to create an immersive environment of splendor. Even in the monumental scale of public works, such as his involvement with the proposed Arc de Triomphe and his paintings for the Palais du Luxembourg, Lafitte’s work remained a testament to the enduring power of Neoclassical beauty and historical narrative.
Through his diverse body of work—ranging from dramatic charcoal drawings like Massacre of the Patriots at the Champ De Mars to serene, glazed masterpieces such as Thermidor—Louis Lafitte left an indelible mark on the French visual identity. His ability to navigate the complexities of political upheaval while maintaining a commitment to classical excellence ensures his place in the annals of art history as a true polymath of the late eighteenth and early nineteenth centuries.
