莱塞·乌里 肖像

莱塞·乌里 作品:画廊视角下的 92 幅名作

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 92 件 莱塞·乌里 作品收录于我们的目录中

简而言之

在画廊看来,莱塞·乌里 最著名的作品是 Nude Lying Down (1889),其原作现收藏于 柏林 的 Berlinische Galerie。 Moses on Mount Nebo Looking at the Promised Land (1927) 与 Praying Jew (1931) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中,莱塞·乌里 共有 92 件作品,画廊为您精选了以下 92 件最著名的原作,并详细列出了每件作品的创作年份、馆藏机构及其独特之处。

1861 – 1931, 緬濟胡德 Impressionism 藏品最多:Berlinische Galerie

画廊中 莱塞·乌里 的十大名画

1
Nude Lying Down (1889) 由 莱塞·乌里

Nude Lying Down

1889 · Oil · Berlinische Galerie, 柏林

A woman rests upon a bed of deep red sheets. She lies on her side, her body a pale curve against the saturated fabric. The stillness of the room is heavy, held in place by the weight of shadows and the soft geometry of furniture. A chair sits near the edge of the frame, and a couch occupies the opposite side, anchoring the space in a domestic silence. High above,…

2
Moses on Mount Nebo Looking at the Promised Land (1927) 由 莱塞·乌里

Moses on Mount Nebo Looking at the Promised Land

1927 · Pastel

We are looking at Moses on Mount Nebo Looking at the Promised Land, a significant work by the German artist Lesser Ury. Created about 1928, this piece captures a profound moment of biblical history. The subject matter focuses on Moses as he gazes upon the Promised Land from the heights of Mount Nebo.

3
Praying Jew (1931) 由 莱塞·乌里

Praying Jew

1931 · Oil On Canvas · 犹太博物馆, 纽约市

Lesser Ury's "Praying Jew," painted in 1931, is more than just a portrait; it’s a poignant meditation on faith, solitude, and the quiet dignity of an aging man. Born Leo Lesser Ury in Birnbaum, Prussia (now Międzychód, Poland), his early life was marked by profound loss – the untimely death of his father instilled within him a sensitivity to the transient nature of existence, a theme that would permeate much…

4
Bülowstraße high station (1922) 由 莱塞·乌里

Bülowstraße high station

1922 · Oil

The scene depicts a city street at night, rendered in a black and white palette. Rain falls through the air, creating a sense of movement across the composition. On the asphalt road, several vehicles are positioned at varying distances from the viewer. A bus moves along the street, its form defined by the light and the wet surface of the road. Traffic lights are placed at intervals throughout the urban…

5
Strolling in the Forest (1923) 由 莱塞·乌里

Strolling in the Forest

1923

A man and a woman walk a narrow path carved through the woods. They move together, their figures small against the vertical lines of the trees. The forest closes in on both sides, creating a corridor of shade and light. Further ahead, a third figure drifts along the trail, a quiet presence in the distance. The air feels still, caught in the soft, dappled light of the canopy. It is…

6
Interior with Children (the Silblings) (1883) 由 莱塞·乌里

Interior with Children (the Silblings)

1883 · Oil · 巴伐利亚州绘画收藏馆, 慕尼黑

In Interior with Children (the Silblings), Lesser Ury presents an intimate, quiet scene within a domestic setting. The composition is vertically oriented, drawing the viewer into a private moment shared by three siblings. The figures are arranged in a deliberate triangular formation that guides the eye through the room. At the base of this arrangement, a child sits on the floor in the foreground, facing the viewer directly. This placement…

7
Interior with Woman at the Piano (1888) 由 莱塞·乌里

Interior with Woman at the Piano

1888 · Oil On Canvas

A dim hallway stretches into the distance, a narrow passage of receding walls that pulls the eye toward a doorway. The air feels heavy, thick with the quiet of a house at rest. A red sofa sits in the foreground, its saturated color anchoring the composition against a sea of dark tones. Light does not flood this space; it struggles through, creating sharp highlights and deep, velvet shadows that define…

8
Woman at a Desk (also known as At the Desk) (1898) 由 莱塞·乌里

Woman at a Desk (also known as At the Desk)

1898 · Oil On Canvas · 老国家美术馆, 柏林

The composition centers on a woman seated at a desk, positioned before a large window that divides the interior space from the exterior view. The scene is rendered in a grayscale palette, utilizing a range of black, white, and gray tones. The woman is oriented toward the desk, her posture suggesting she is engaged in reading or writing. To her side, a piano stool and various chairs are placed within…

9
Rebekka at the well (1908) 由 莱塞·乌里

Rebekka at the well

1908 · Oil · 柏林犹太博物馆, 柏林

The air feels heavy with the stillness of a fading afternoon. A solitary woman stands poised by a stone well, her figure caught in a moment of quiet contemplation. She holds a water jug, her presence anchoring the composition slightly to the right of center. Around her, the world seems to soften into a haze of muted, earthy tones. Deep blues and dark browns ground the scene, while ochre and…

10
In the café - Woman in red (1911) 由 莱塞·乌里

In the café - Woman in red

1911 · Oil · 老国家美术馆, 柏林

A single figure anchors the composition, a woman draped in a saturated red garment that pulls the eye through the dimness of the café. She sits slightly off-center, her presence heavy and immediate, as if the viewer has just pulled up a chair at her table. Her blonde hair catches a soft, ambient light, contrasting against the pale skin of her face and the deep, murky tones of the background.…

莱塞·乌里 的画作,排名第 11 至 92

11Street scene at Night, Berlin (1920) 由 莱塞·乌里Street scene at Night, Berlin1920 12Selfportrait (1921) 由 莱塞·乌里Selfportrait1921 13Café Scene in Paris (1928) 由 莱塞·乌里Café Scene in Paris1928 14The Red Carpet (1894) 由 莱塞·乌里The Red Carpet1894 · 以色列博物馆 15On Lake Garda (1897) 由 莱塞·乌里On Lake Garda1897 16The Pont Royal in Paris (1928) 由 莱塞·乌里The Pont Royal in Paris1928 · 汉堡美术馆 17Parisian Interior (1881) 由 莱塞·乌里Parisian Interior1881 18Woman at the Kitchen Stove (1882) 由 莱塞·乌里Woman at the Kitchen Stove1882 19Flowers on the Mantel (1882) 由 莱塞·乌里Flowers on the Mantel1882 20Estaminet - Flämische Schenke (1884) 由 莱塞·乌里Estaminet - Flämische Schenke1884 · 老国家美术馆 21Gargenlichtung am Zaun (1883) 由 莱塞·乌里Gargenlichtung am Zaun1883 22Siblings (1883) 由 莱塞·乌里Siblings1883 23Self-Portrait (1881) 由 莱塞·乌里Self-Portrait1881 24Newspaper Reader in a Café (also known as Woman in a Café or Café Interior) (1882) 由 莱塞·乌里Newspaper Reader in a Café (also known as Woman in a Café or Café Interior)1882 25In the Sunshine, near Volluvet (1884) 由 莱塞·乌里In the Sunshine, near Volluvet1884 26Village Road at the Edge of the Forest (1884) 由 莱塞·乌里Village Road at the Edge of the Forest1884 27Mountain Lake (1886) 由 莱塞·乌里Mountain Lake1886 · Berlinische Galerie 28View into a Valley (1890) 由 莱塞·乌里View into a Valley1890 29The Coast of Rügen (1892) 由 莱塞·乌里The Coast of Rügen1892 30Woman by the Chimney Fire (also known as Reverie by the Fireplace) (1890) 由 莱塞·乌里Woman by the Chimney Fire (also known as Reverie by the Fireplace)1890 31Rocky Shore at Capri (1890) 由 莱塞·乌里Rocky Shore at Capri1890 32Young Lady with a Large Hat (1886) 由 莱塞·乌里Young Lady with a Large Hat1886 33Leipzig Street (1889) 由 莱塞·乌里Leipzig Street1889 · Berlinische Galerie 34NIght Lights (1889) 由 莱塞·乌里NIght Lights1889 35Unter den Linden after the Rain (1888) 由 莱塞·乌里Unter den Linden after the Rain1888 36Lake Garda and Monte Baldo (1897) 由 莱塞·乌里Lake Garda and Monte Baldo1897 37Old Man in a Fur Coat (1895) 由 莱塞·乌里Old Man in a Fur Coat1895 38Moonrise on the Grunewaldsee (1898) 由 莱塞·乌里Moonrise on the Grunewaldsee1898 39Evening at Café Bauer (1898) 由 莱塞·乌里Evening at Café Bauer1898 40Interior (also known as Interior Scene with Woman Reading on a Terrace) (1894) 由 莱塞·乌里Interior (also known as Interior Scene with Woman Reading on a Terrace)1894 41Reader with Magnifying Glass (1895) 由 莱塞·乌里Reader with Magnifying Glass1895 42Sunset at Lake Grunewald (1900) 由 莱塞·乌里Sunset at Lake Grunewald1900 43Ludwig Geiger (1905) 由 莱塞·乌里Ludwig Geiger1905 44Eugen Schiffer (1905) 由 莱塞·乌里Eugen Schiffer1905 45Landscape at Sunset (1900) 由 莱塞·乌里Landscape at Sunset1900 46View over Nollendorfplatz (1901) 由 莱塞·乌里View over Nollendorfplatz1901 47Otto Brahm in His Loge at the German Theater (1901) 由 莱塞·乌里Otto Brahm in His Loge at the German Theater1901 48Stroller in Tiergarten (1905) 由 莱塞·乌里Stroller in Tiergarten1905 49Rainbow at Beelitzhof (also known as Brandenburg Landscape) (1899) 由 莱塞·乌里Rainbow at Beelitzhof (also known as Brandenburg Landscape)1899 50On the Kurfurstendamm (1910) 由 莱塞·乌里On the Kurfurstendamm1910 51Field workers in Thuringa (1911) 由 莱塞·乌里Field workers in Thuringa1911 52Berlin street scene with horse-drawn cabs (1910) 由 莱塞·乌里Berlin street scene with horse-drawn cabs1910 53Berlin, Alexanderplatz (1910) 由 莱塞·乌里Berlin, Alexanderplatz1910 54Lake Garda Motif (1906) 由 莱塞·乌里Lake Garda Motif1906 55Self-Portrait with Brush and Palette (1910) 由 莱塞·乌里Self-Portrait with Brush and Palette1910 56Promontory on Lake Garda (1909) 由 莱塞·乌里Promontory on Lake Garda1909 57Sunset over the Grunewaldsee (1909) 由 莱塞·乌里Sunset over the Grunewaldsee1909 58Rebecca at the Fountain (1908) 由 莱塞·乌里Rebecca at the Fountain1908 59On a Canal (1912) 由 莱塞·乌里On a Canal1912 60Lake Garda with Mount Baldo (1914) 由 莱塞·乌里Lake Garda with Mount Baldo1914 61Self-Portrait with Dark Hat (1914) 由 莱塞·乌里Self-Portrait with Dark Hat1914 62In Front of the Cafe (Berlin at Night) (1920) 由 莱塞·乌里In Front of the Cafe (Berlin at Night)1920 63Lilac Bouquet (1922) 由 莱塞·乌里Lilac Bouquet1922 64Street Scene with Woman, Berlin (1918) 由 莱塞·乌里Street Scene with Woman, Berlin1918 65Newspaper Reader at the Café (also known as Gentleman at a Coffee House) (1920) 由 莱塞·乌里Newspaper Reader at the Café (also known as Gentleman at a Coffee House)1920 66Two Girls walking along the Street (1921) 由 莱塞·乌里Two Girls walking along the Street1921 67Unter den Linden (1922) 由 莱塞·乌里Unter den Linden1922 68Vase of Flowers (1921) 由 莱塞·乌里Vase of Flowers1921 69Champs-Elysees with Arc de Triomphe, Paris (1928) 由 莱塞·乌里Champs-Elysees with Arc de Triomphe, Paris1928 70Paris, Sunrise (1928) 由 莱塞·乌里Paris, Sunrise1928 71Waterloo Bridge in the Fog (1926) 由 莱塞·乌里Waterloo Bridge in the Fog1926 72Eiffel Tower (1928) 由 莱塞·乌里Eiffel Tower1928 73Nollendorfplazt at Night (1925) 由 莱塞·乌里Nollendorfplazt at Night1925 74Lennéstraße (1925) 由 莱塞·乌里Lennéstraße1925 75Traffic Jam at Potsdamer Platz (1925) 由 莱塞·乌里Traffic Jam at Potsdamer Platz1925 76Schloß Rheinstein am Rhein (1924) 由 莱塞·乌里Schloß Rheinstein am Rhein1924 77Charing Cross, London (1926) 由 莱塞·乌里Charing Cross, London1926 78Tiergarten Avenue with Siegessäule (1925) 由 莱塞·乌里Tiergarten Avenue with Siegessäule1925 79Rainy Day in London, Thames Port (1926) 由 莱塞·乌里Rainy Day in London, Thames Port1926 80Waterloo Bridge Emerging in the Sunlight (1926) 由 莱塞·乌里Waterloo Bridge Emerging in the Sunlight1926 81Paris, Rainy Day at the Quai Voltaire (1928) 由 莱塞·乌里Paris, Rainy Day at the Quai Voltaire1928 82Untitled (Park Scene or Man in the Gray Suit) (1913) 由 莱塞·乌里Untitled (Park Scene or Man in the Gray Suit)1913 · 犹太博物馆 83Morning Sun (1924) 由 莱塞·乌里Morning Sun1924 84A Jewish Man in His Prayer Shawl (1931) 由 莱塞·乌里A Jewish Man in His Prayer Shawl1931 85Still Life with Fruit on a White Table (1920) 由 莱塞·乌里Still Life with Fruit on a White Table1920 86Thames Bridges in the Twilight (also known as London Bridge) (1926) 由 莱塞·乌里Thames Bridges in the Twilight (also known as London Bridge)1926 87Abendlicher Park bei Regenwetter 由 莱塞·乌里Abendlicher Park bei Regenwetter 88Tiergartenstrasse, Berlin 由 莱塞·乌里Tiergartenstrasse, Berlin 89Landscape 由 莱塞·乌里Landscape 90Self Portrait with Spread Fingers 由 莱塞·乌里Self Portrait with Spread Fingers 91The River Thames, London, Moonlight 由 莱塞·乌里The River Thames, London, Moonlight 92The Fence (also known as Farmyard with Well) (1888) 由 莱塞·乌里The Fence (also known as Farmyard with Well)1888

莱塞·乌里 的传世名作,按时期分类

令 莱塞·乌里 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 莱塞·乌里 原作的博物馆

收藏了本页中大部分画作的 7 家博物馆。

博物馆 城市 莱塞·乌里 的作品 此列表中的画作
Berlinische Galerie, 柏林Berlinische Galerie 柏林 3 Nude Lying Down, Mountain Lake, Leipzig Street
老国家美术馆, 柏林老国家美术馆 柏林 3 Woman at a Desk (also known as At the Desk), In the café - Woman in red, Estaminet - Flämische Schenke
犹太博物馆, 纽约市犹太博物馆 纽约市 2 Praying Jew, Untitled (Park Scene or Man in the Gray Suit)
巴伐利亚州绘画收藏馆, 慕尼黑巴伐利亚州绘画收藏馆 慕尼黑 1 Interior with Children (the Silblings)
柏林犹太博物馆, 柏林柏林犹太博物馆 柏林 1 Rebekka at the well
以色列博物馆, 耶路撒冷以色列博物馆 耶路撒冷 1 The Red Carpet
汉堡美术馆, 汉堡汉堡美术馆 汉堡 1 The Pont Royal in Paris

莱塞·乌里,每十年一件代表作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

莱塞·乌里 的画作:画廊解答

哪幅 莱塞·乌里 的画作最为闻名?揭晓答案

Nude Lying Down (1889),Berlinische Galerie, 柏林。紧随其后的是 Moses on Mount Nebo Looking at the Promised Land (1927) 和 Praying Jew (1931)。

莱塞·乌里 完成 Nude Lying Down 时多大年纪?揭晓答案

28岁:Nude Lying Down创作于1889年,莱塞·乌里出生于1861年。

莱塞·乌里 最受欢迎的 10 幅画作是哪些?揭晓答案

Nude Lying Down, Moses on Mount Nebo Looking at the Promised Land, Praying Jew, Bülowstraße high station, Strolling in the Forest, Interior with Children (the Silblings), Interior with Woman at the Piano, Woman at a Desk (also known as At the Desk), Rebekka at the well 及 In the café - Woman in red。上方排名显示了每件作品的创作年份及馆藏机构。

莱塞·乌里 创作了多少件作品?揭晓答案

我们的目录收录了 92 件 莱塞·乌里 的作品,创作年代从 1881 年至 1931 年。

莱塞·乌里 最著名的原作收藏于何处?揭晓答案

多见于 Berlinische Galerie (柏林), 老国家美术馆 (柏林) 及 犹太博物馆 (纽约市)。上方的博物馆列表列出了所有相关机构。

莱塞·乌里 是在什么时候创作出最著名的画作的?揭晓答案

在 1920s 期间:本页 92 件作品中有 29 件创作于该时期,其中包含 Moses on Mount Nebo Looking at the Promised Land 件作品。

莱塞·乌里 最早和最晚的代表作有哪些?揭晓答案

在本页面中,最早的作品创作于 Parisian Interior (1881),最晚的创作于 Praying Jew (1931)。

莱塞·乌里 最常创作的主题是什么?揭晓答案

Woman (8), Interior (7) 及 Night (6),共计 92 件作品。

莱塞·乌里 最常用的创作媒介是什么?揭晓答案

Oil On Canvas,共计 8 件(本页共有 92 件作品)。

莱塞·乌里 属于哪种艺术流派?揭晓答案

根据本页面的原作,Impressionism

Berlinische Galerie收藏了哪些莱塞·乌里的原作?揭晓答案

Nude Lying Down, Mountain Lake 及 Leipzig Street:Berlinische Galerie, 柏林收藏了本页中 3 件作品。

莱塞·乌里:艺术家

光影绘就的人生:里奥·莱瑟·乌里(Leo Lesser Ury)的世界

里奥·莱瑟·乌里的名字或许不如他同时代的那些印象派大师那样家喻户晓,但在德国绘画的历史长卷中,他却占据着一个至关重要且充满感染力的位置。1861年11月7日,乌里出生于普鲁士的比恩茨姆(现为波兰的米耶德希胡德)。他的生命旅程交织着艺术的辉煌与个人的坎坷。早年的生活笼罩在丧亲之痛中;1872年,身为面包师的父亲溘然长逝,迫使他随母亲迁往柏林。这种漂泊感或许在他心中种下了对城市景观和现代生活转瞬即逝之本质的终身敏感。起初,乌里曾跟随一名手艺人学习技艺,但艺术的召唤过于强烈,令他无法忽视,最终在1879年进入杜塞尔多夫艺术学院深造。自此,他开启了一段漫长的欧洲探索之旅——布鲁塞尔、巴黎、慕尼黑、斯图加特、卡尔斯鲁厄——每一座城市都为他不断演进的色调与视角贡献了养分,共同定义了他那独一无二的艺术风格。这些旅行不仅仅是地理上的移动,更是一场关于光影、氛围以及现代生活蓬勃生命力的沉浸式研习。

拥抱印象派:捕捉城市的灵魂

乌里的艺术发展与19世纪晚期的艺术潮流紧密相伴。尽管起初遭遇了阻力——他在1889年的首次展览引发了敌意——但他遇到了尊敬的阿道夫·门策尔(Adolph Menzel),这位大师的支持为他开启了通往柏林学院的大门。这一认可成为了转折点,使乌里能够进一步精炼他的技法与视野。他对印象派的拥抱并非仅仅是风格上的追随,更是一种捕捉现代都市生活瞬息万变时刻的手段。1893年,他加入了慕尼黑分离派,与一群挑战学院派传统、寻求全新表达方式的艺术家并肩作战。乌里的画布开始闪烁着灵动的笔触,厚涂法营造出丰富的纹理与深度,展现出对光线转化力量的敏锐感知。此时,他的创作主题逐渐明晰:充满氛围感的风景、私密细腻的室内场景,而最令人瞩目的,莫过于那些生机勃勃、往往带有夜色色彩的城市生活图景。他不仅仅是在描绘柏林,他是在捕捉它的灵魂——雨后湿滑街道上煤气灯的微光、咖啡馆里喧嚣的活力,以及阴影角落里那份静谧的孤独。

名声与复杂的艺术遗产

进入20世纪初,乌里回到柏林,并迅速成为这座城市艺术界的重要人物。自1915年起,他通过参与柏林分离派的展览,知名度稳步提升。1922年的一场里程碑式展览展出了他的15种油画与粉彩作品,奠定了他的声望;当时的柏林市长甚至赞誉他是“首都的艺术歌颂者”。这一时期是乌里艺术生涯的高峰,既有评论界的赞誉,也有商业上的成功。他因精通粉彩技法而闻名遐迩,利用这种媒介创作出具有非凡细腻感与氛围深度的作品。然而,这份成功也伴随着其创作实践中一个复杂的侧面。为了满足日益增长的市场需求,乌理开始重复构图,大量生产复制品——其中一些作品质量欠佳——这不幸地在部分评论家眼中稀释了他的艺术地位。这种务实的做法虽然带来了经济利益,但最终导致人们对他作品的评价呈现出某种矛盾性。

持久的印记:历史意义与永恒魅力

里奥·莱瑟·乌里的历史意义早已超越了他的技艺水平与审美感官。作为一名敏锐的观察者,他以极具感染力的笔触描绘现代都市生活,尤其是那些柏林的夜景,引起了渴望理解快速变迁世界的观众的共鸣。他的作品为我们提供了一个窥视特定时代与空间的窗口——那是一个处于现代化边缘、正与工业化、社会变革以及新时代焦虑感作斗争的城市。此外,作为一名在德国社会中求索的犹太艺术家,乌里的生活与创作也反映了复杂社会政治背景下犹太文化身份与经历的侧面。他的绘画虽然并非直白的政治表达,却微妙地传达出一种归属感与疏离感,为理解当时德国犹太社区所面临的挑战提供了独特的视角。尽管他于1931年10月18日逝世于柏林,并安葬在柏林魏斯恩塞的犹太公墓,但他的影响力至今仍能被感知。他独特的风格为后代艺术家开辟了道路,而他对城市生活的动人刻画,依然以其美感、氛围以及对时空深切的感悟,持续吸引着每一位观者。乌里的艺术遗产证明了艺术的力量:它不仅捕捉我们所见之物,更记录了身处特定瞬间时,生命跳动的真实感受。