更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 39 件 里奥·赫斯特 作品收录于我们的目录中
简而言之
Woman at Makeup Table (also known as Lisette at Toilette) (1911) 是里奥·赫斯特最受瞩目的画作。 随后，目光会移向 Portrait of a Lady and Profile (1905) 和 Woman with Cigarette, hat (also known as Portrait of Lisette w Cigarette) (1911)。 在 里奥·赫斯特 的 39 件作品中，这 37 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
A woman sits before a mirror, caught in a moment of private preparation. She wears a blue dress that catches the light, her head adorned with a hat. One hand holds a brush, while the other rests against her chin, a gesture of quiet contemplation. The room is filled with the small, necessary objects of a morning ritual: bottles of cosmetics, a bowl on the table, and the soft presence…
In this 1905 portrait, we find ourselves drawn into a private, silent space. The subject is captured in a strict profile, her gaze directed toward the left of the frame, lost in a moment of profound introspection. There is a certain weight to her stillness, a sense of melancholy that settles over the composition. The lighting is deliberate, emerging from the front and left to illuminate the delicate planes of…
The air feels heavy with the scent of tobacco and the soft rustle of fabric as she sits, poised and still. This 1911 portrait captures a woman caught in a private, fleeting instant, her presence defined by a certain modern elegance. She is seated in a chair, her form composed of geometric lines and simplified shapes that suggest the burgeoning energy of the early twentieth century. A hat rests upon…
The poet J. Rensburg sits before us, caught in a moment of quiet, structured stillness. He is a slender figure, draped in a dark, patterned suit jacket and a light-colored shirt with a high collar, his hands resting calmly in his lap. A pair of glasses rests upon his face, catching the light in a way that suggests a mind preoccupied with rhythm and meter. The air around him feels…
A solitary figure sits within a small, open-fronted structure, positioned centrally against a backdrop of stylized foliage. The composition utilizes a flattened perspective, where depth is suggested through layered planes rather than traditional vanishing points. Muted ochre, terracotta, and soft greens define the landscape, creating a quiet, earthy atmosphere. The figure remains in a contemplative pose, surrounded by small vessels and organic forms that appear both structured and organic.
In this work, titled Lady with Large Hat in Summer House, we encounter a portrait of an elegant lady with a hat. The artist, Leo Gestel, captures the subject within a setting that suggests a quiet, seasonal repose. It is a study of form and presence, focusing on the silhouette of the woman and the distinctive scale of her headwear.
This high-contrast, black and white photograph from 1915 presents a close-up, profile view of two individuals. The figures are positioned on the far left and far right edges of the frame, appearing as dark silhouettes. Their heads are turned inward, directing their gaze toward a central mass of dense, textured terrain or foliage. The composition is split between these smooth, dark human profiles and a chaotic, irregular center. This central…
Created in 1920, this work reflects the shifting tides of early 20th-century modernism. The style leans toward expressionism, where the artist uses the medium to convey an internal state rather than a mere photographic likeness. The heavy application of paint and the blurred boundaries between the figure and her environment suggest a preoccupation with the psychological weight of the subject. This is a portrait of a person caught in a…
Leo Gestel captures the seasonal transition through a highly stylized, mosaic-like application of pigment. The composition centers on a large, weeping willow-style tree, its cascading yellow foliage dominating the upper two-thirds of the canvas. To the left, a smaller tree provides balance with orange and reddish tones. The background is a dense, patterned sky composed of short, rectangular brushstrokes in alternating shades of blue, light blue, white, and peach, creating…
Bending Again (Landscape near Montfoort)1909 · Centraal Museum
12
Wooded Valley1910 · Rijksmuseum Twenthe
13
Lezende vrouw (Marie Boendermaker-Schoenmaker)1910
14
Liggend naakt1910
15
Garden View1908 · 博伊曼斯·范·本宁根博物馆
16
Autumn Day1909 · 梵高博物馆
17
Portrait of Sluyters at Work (also known as Sluyters Studio sketch)
18
Self portrait
19
DECAYING Mallorca,1914 · 格罗宁根博物馆
20
Orchard1913 · 博伊曼斯·范·本宁根博物馆
21
Evening on Mallorca1914 · 博伊曼斯·范·本宁根博物馆
22
Farm at Beemster1915 · 格罗宁根博物馆
23
De dichter Jac. Rensburg1913
24
Self Portrait (also known as False Color)1913
25
Trees in Mallorca1914
26
Still Life with Peonies1913
27
Olive Grove (also known as Cubist Orchard)1914
28
Untitled1920
29
Church in KoedijkChurch in Koedijk1919 · Stedelijk Museum
30
Blooming Tree1921 · Stedelijk Museum
31
Landscape at De Beemster1921 · Rijksmuseum Twenthe
32
Return from the fields1919 · Stedelijk Museum
33
Still Life with Flowers1939 · Stedelijk Museum
34
Tree in moonlight (Blue Tree)
35
Mallorca, house海牙美术馆 (Hài yá měishù guǎn)
36
Gladiolen
37
Reclining nude
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 里奥·赫斯特 的作品 | 此列表中的画作 |
|---|---|---|---|
 Stedelijk Museum |
Alkmaar | 6 | Portrait of a Lady and Profile, Farmstead, Church in KoedijkChurch in Koedijk |
 Rijksmuseum Twenthe |
恩斯切德 | 3 | Landscape, Mallorca, Wooded Valley, Landscape at De Beemster |
 博伊曼斯·范·本宁根博物馆 |
鹿特丹 | 3 | Garden View, Orchard, Evening on Mallorca |
 海牙美术馆 (Hài yá měishù guǎn) |
海牙 | 2 | Autumn, Mallorca, house |
 格罗宁根博物馆 |
格罗宁根 | 2 | DECAYING Mallorca,, Farm at Beemster |
 弗朗斯·哈尔斯博物馆 |
海伦 | 1 | Lady with Large Hat in Summer House |
 Centraal Museum |
乌特勒支 | 1 | Bending Again (Landscape near Montfoort) |
 梵高博物馆 |
阿姆斯特丹 | 1 | Autumn Day |
选择一个年代，探索定义该时代的原创杰作。
In this 1905 portrait, we find ourselves drawn into a private, silent space. The subject is captured in a strict profile, her gaze directed toward the left of the frame, lost in a moment of profound introspection. There is a certain weight to her stillness, a sense of melancholy that settles over the composition. The lighting is deliberate, emerging from the front and left to illuminate the delicate planes of…
A woman sits before a mirror, caught in a moment of private preparation. She wears a blue dress that catches the light, her head adorned with a hat. One hand holds a brush, while the other rests against her chin, a gesture of quiet contemplation. The room is filled with the small, necessary objects of a morning ritual: bottles of cosmetics, a bowl on the table, and the soft presence…
Created in 1920, this work reflects the shifting tides of early 20th-century modernism. The style leans toward expressionism, where the artist uses the medium to convey an internal state rather than a mere photographic likeness. The heavy application of paint and the blurred boundaries between the figure and her environment suggest a preoccupation with the psychological weight of the subject. This is a portrait of a person caught in a…
Woman at Makeup Table (also known as Lisette at Toilette) (1911)。紧随其后的是 Portrait of a Lady and Profile (1905) 和 Woman with Cigarette, hat (also known as Portrait of Lisette w Cigarette) (1911)。
30岁：Woman at Makeup Table (also known as Lisette at Toilette)创作于1911年，里奥·赫斯特出生于1881年。
Woman at Makeup Table (also known as Lisette at Toilette), Portrait of a Lady and Profile, Woman with Cigarette, hat (also known as Portrait of Lisette w Cigarette), Portrait of the poet J. Rensburg, Landscape, Mallorca, Lady with Large Hat in Summer House, Farmstead, Untitled, Autumn 及 Amstel, Bending Weather。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 39 件 里奥·赫斯特 的作品，创作年代从 1905 年至 1939 年。
多见于 Stedelijk Museum (Alkmaar), Rijksmuseum Twenthe (恩斯切德) 及 博伊曼斯·范·本宁根博物馆 (鹿特丹)。上方的博物馆列表列出了所有相关机构。
在 1910s 期间：本页 37 件作品中有 21 件创作于该时期，其中包含 Woman at Makeup Table (also known as Lisette at Toilette) 件作品。
在本页面中，最早的作品创作于 Portrait of a Lady and Profile (1905)，最晚的创作于 Still Life with Flowers (1939)。
Woman (5), Dark background (2) 及 Portrait (2)，共计 37 件作品。
Oil On Canvas，共计 5 件（本页共有 37 件作品）。
Portrait of a Lady and Profile, Farmstead 及 Church in KoedijkChurch in Koedijk：Stedelijk Museum, Alkmaar收藏了本页中 6 件作品。
1881年出生于荷兰沃德伦的里奥·赫斯特，自幼便与艺术世界有着密不可分的联系。他的父亲威廉·赫斯特是一位备受尊敬的艺术家兼美术学校校长，而他的叔叔迪门·赫斯特甚至曾与文森特·梵高并肩创作——这种艺术世家的传承无疑塑造了里奥的艺术轨迹。早年的经济困境曾迫使他为飞利浦等公司从事广告工作，这种现实的无奈虽然是生存的必然，却也让他得以接触视觉传达与设计，并将这些技巧融入到他后来的绘画创作之中。里奥·赫斯特的艺术之路并非一蹴而就的成名之路，而是一场在多种艺术流派中不断演进的漫长旅程，深刻反映了20世纪初期艺术世界的蓬勃生命力。
在里奥·赫斯特的艺术发展历程中，巴黎岁月无疑是一个至关重要的转折点。置身于那片充满生命力的前卫艺术浪潮中，他邂逅了无数正在挑战艺术边界的艺术家，他们所倡导的立体主义、表现主义和未来主义，深刻地重塑了他的艺术风格。特别是1913年赫瓦特·瓦尔登发起的“第一届德国秋季沙龙”对他产生了深远的影响，这为他提供了一个重要的舞台，让他得以与当时欧洲其他极具创新精神的艺术家并肩展示其不断演进的作品。这种艺术视野的拓宽，点燃了他内心对实验性创作的渴望，也赋予了他打破传统艺术陈规的勇气。
里奥·赫斯特的艺术创作展现出令人惊叹的多样性，其作品涵盖了壮丽的风景、充满情感张力的自画像，以及刻画极其细腻的静物画。他从未被束缚在单一的风格之中；相反，他以大师级的笔触融合了各种艺术影响，创作出既具有强烈个人色彩，又广泛代表了那个时代精神的作品。尤其是他的自画像，为我们提供了窥视其内心世界的亲密窗口——这些作品往往呈现出一种宁静的自信，并与内省式的沉思时刻交织在一起。他的风景画频繁运用戏剧性的光影处理与大气磅礴的氛围效果，而他的静物画——尤其是那些描绘 gladioli（ gladioli ）的作品——则迸发出鲜艳的色彩与动态的能量，展现出他对野兽派原则的早期拥抱。
一场毁灭性的灾难成为了里奥·赫斯特艺术生涯的转折点：1929年的一场画室大火夺走了他几乎所有的画作。这场浩劫迫使他搬迁至布拉里克（Blaricum），在那里他继续投身于绘画，尽管创作产出有所减少，但内心却涌现出一种全新的紧迫感。尽管遭遇了如此沉重的挫折，里奥·赫斯特依然致力于探索全新的技法，并不断拓宽其艺术视野的边界。这场大火仿佛成为了他内省与实验的催化剂，促使他创作出那些至今仍保留着原始情感张力的杰作。
里奥·赫斯特对荷兰现代主义艺术的贡献是不容置疑的。他的作品以大胆的色彩、富有表现力的笔触以及对心理主题的深刻探索而著称，在荷兰的艺术遗产中占据着举足轻重的地位。如今，他的画作被收藏在荷兰多家著名的博物馆中，包括阿尔克马尔市立博物馆（Stedelijk Museum Alkmaar）、德伦特博物馆（Drents Museum）以及克勒勒-米勒博物馆（Kröller-Müller Museum），这确保了他的艺术遗产能够持续启发并吸引着一代又一代的观众。里奥·赫斯特对多元影响的包容精神，以及对艺术创新永不妥协的追求，奠定了他作为20世纪艺术发展进程中关键人物的地位。
