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3 幅最著名的 Lazar Meyer 作品，每一件都独一无二
更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 3 件 Lazar Meyer 作品收录于我们的目录中
简而言之
The Maquis of Montmartre seen from Rue Caulaincourt in 1903 (1903) 是 Lazar Meyer 最受瞩目的画作；原作收藏于 巴黎 的 卡纳瓦勒博物馆。 随后，目光会移向 Saint-Lazare Prison (1908) 和 Saint-Lazare Prison (1908)。 在 Lazar Meyer 的 3 件作品中，这 3 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
1847 – 1935, Fegersheim
藏品最多：卡纳瓦勒博物馆
画廊视角下的 Lazar Meyer 十大名作
收藏有 Lazar Meyer 原作的博物馆
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Lazar Meyer 的作品 | 此列表中的画作 |
|---|---|---|---|
 卡纳瓦勒博物馆 |
巴黎 | 3 | The Maquis of Montmartre seen from Rue Caulaincourt in 1903, Saint-Lazare Prison, Saint-Lazare Prison |
Lazar Meyer 历年佳作：每一件都是独一无二的原作
从 1903 年到 1908 年，在短短 6 年间，Lazar Meyer 创作了此处展示的每一件有年份标识的原作：岁月流转，年年不辍。
年度作品数量
选择年份以查看原作。
Lazar Meyer 的画作：画廊常见问题
Lazar Meyer 最著名的代表作是什么？揭晓答案
The Maquis of Montmartre seen from Rue Caulaincourt in 1903 (1903)，卡纳瓦勒博物馆, 巴黎。紧随其后的是 Saint-Lazare Prison (1908) 和 Saint-Lazare Prison (1908)。
Lazar Meyer 是在多少岁时创作了 The Maquis of Montmartre seen from Rue Caulaincourt in 1903？揭晓答案
56岁：The Maquis of Montmartre seen from Rue Caulaincourt in 1903创作于1903年，Lazar Meyer出生于1847年。
已知 Lazar Meyer 有多少件作品？揭晓答案
我们的目录收录了 3 件 Lazar Meyer 的作品，创作年代从 1903 年至 1908 年。
在哪里可以欣赏到最著名的 Lazar Meyer 原作？揭晓答案
多见于 卡纳瓦勒博物馆 (巴黎)。上方的博物馆列表列出了所有相关机构。
Lazar Meyer 的代表作创作于哪个时期？揭晓答案
在 1908 期间：本页 3 件作品中有 2 件创作于该时期，其中包含 Saint-Lazare Prison 件作品。
哪幅 Lazar Meyer 的名作创作年代最早，哪幅最晚？揭晓答案
在本页面中，最早的作品创作于 The Maquis of Montmartre seen from Rue Caulaincourt in 1903 (1903)，最晚的创作于 Saint-Lazare Prison (1908)。
在 卡纳瓦勒博物馆 可以看到哪些 Lazar Meyer 的原作？揭晓答案
The Maquis of Montmartre seen from Rue Caulaincourt in 1903, Saint-Lazare Prison 及 Saint-Lazare Prison：卡纳瓦勒博物馆, 巴黎收藏了本页中 3 件作品。
Lazar Meyer：艺术家肖像
A life shaped by borders and streets
Lazar Meyer arrived in Paris from Fegersheim following the Franco-Prussian War of 1870. The occupation of Alsace-Lorraine by the German Empire had prompted him to move with his brother, Léopold, seeking a different life in the 18th arrondissement. His early years in the city were marked by the heavy atmosphere of the Commune. He served as a secretary for a section during those turbulent days and faced arrest and imprisonment near the Île de Ré. Though he was nearly deported, the court eventually acquitted him because he had not taken up arms.
He settled into a quiet routine in Paris, marrying Louise Albertine Macé in 1880. Together they raised three children: Éva, Léa, and Israël Maurice. While his personal life took root in the city, his professional path was built through steady study and teaching. He learned under Alexandre Laemlein, Alexandre Cabanel, and Émile Lévy. Later, he shared this knowledge as a drawing teacher at Lycée Condorcet.
The brush and the ceramic tile
His work often focused on the intimate details of daily life and the changing face of his surroundings. He was a painter of genre scenes and portraits, showing a particular skill for capturing the texture of silk in a dress or the quiet weight of a family scene. Some of his pieces, like Kaddish pour les morts, carry a heavy, somber tone. He also looked toward the landscape, documenting the hills and thickets of Montmartre before they were transformed by urban expansion.
Beyond the canvas, Meyer worked with different materials to leave a mark on the city itself. In collaboration with the earthenware maker Jules Paul Loebnitz, he helped create large ceramic panels for the 1878 Universal Exhibition. These pieces, titled L'Architecture, La Peinture, and La Sculpture, were based on drawings by Émile Lévy. They eventually found a place on the facade of the former Loebnitz earthenware factory.
His contributions to the art scene included:
- Exhibiting at the Paris Salon between 1870 and 1882.
- Capturing the landscape of Montmartre, such as in Le Maquis de Montmartre vu de la rue Caulaincourt en 1903.
- Creating works that documented the era of the Second Empire.
- Developing a style that placed him among the early painters of Montmartre and a precursor to the School of Paris.
The later years of his life saw the loss of much of his physical output. During the Second World War, several of his works were destroyed or vandalized. He remained in Paris until his death on January 28, 1935.