更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 13 件 狩野永徳 作品收录于我们的目录中
简而言之
在 狩野永徳 留下的所有原作中，最著名的作品是 Birds and flowers of the four seasons (1590)。 紧随其后的是 Women at Chinese Court (1562) 和 Hermits and a Fairy (Right side) (1590)。 我们的目录收录了 狩野永徳 的 13 件作品；画廊完整保留了 13 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
The "Birds and flowers of the four seasons" by Kanō Eitoku emerges from the quietude of Kyoto, Japan. This pair of six-panel folding screens captures a specific moment in the late 16th century, dating from about 1573 to 1590. These screens exist as part of the Paintings on room partitions in the abbot's quarters (hōjō) (方丈障壁画) of Jukō-in (聚光院) of Daitoku-ji (大徳寺). Within this sacred space, the work holds a…
In this 1562 ink wash painting, the refined atmosphere of a Chinese-style courtly setting is rendered through the disciplined brushwork of the Kanō school. The composition focuses on a group of women gathered around a low table, their presence defined by the precise, flowing lines of their robes. Set against a backdrop of stylized clouds, jagged rocks, and delicate flowering branches, the scene emphasizes a quiet social interaction within a…
Hermits and a Fairy (Right side) is a triptych panel painting by Kanō Eitoku. Created about 1590, the work belongs to the Azuchi-Momoyama period of Japanese art history. The composition is divided into three distinct panels that establish a sense of narrative progression and spatial depth.
The work titled Hermits and a Fairy (Left Side) emerged from the brush of Kanō Eitoku. Created about 1590, this large-scale composition occupies a significant presence through its silk panels and gold leaf. The artist, Kanō Eitoku, was a central figure of the Kanō school during the Azuchi-Momoyama period in Japan.
Sunlight filters through the canopy of a palace garden, casting soft shadows over a lively gathering. Within this secluded sanctuary, a group of ladies and children congregate around a table laden with food, their movements suggesting a quiet, courtly grace. An umbrella stands poised in the center of the scene, offering a patch of shade to those gathered beneath it. The air feels thick with the gentle murmur of conversation…
The scene unfolds with a sudden, restless energy, capturing a slice of life within the bustling capital of Japan. Horses move through the composition, their forms suggesting a constant, rhythmic motion that mirrors the pulse of the city itself. In one corner, a dog watches from the periphery, a quiet observer amidst the unfolding activity. The brushwork feels urgent, as if the artist is racing to document a fleeting moment…
The painting titled Famous Views of Sagano (top) and Famous Views of Uji (bottom) emerges from the brush of Kanō Eitoku. This work captures a moment of life and movement, unfolding across two distinct landscapes. It dates to about 1560, a time when the artist's hand was already beginning to shape the visual language of his era. The scenes presented here offer a glimpse into the structured yet lively world…
In this 1590 handscroll, we encounter a quiet dialogue between the enduring and the fleeting. Kanō Eitoku captures a landscape where the rugged, weathered bark of an ancient pine tree meets the delicate, momentary presence of birds. The composition follows a sweeping diagonal flow, a fan-shaped arrangement that guides the eye through a misty, atmospheric space. It is a scene that feels both expansive and intimately focused, inviting a sense…
This painting has been attributed to Kano Eitoku, based on the appraisal inscribed by Kano Eino. Although today we have reservations about calling it an authentic work by Eitoku, it is nevertheless a fine example of the relaxed, unfettered style of Momoyama period painting. With rocky mountains in the background, two pine trees, one with a brown hawk and the other a white hawk perched on its branches, are arranged…
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 4 家博物馆。
| 博物馆 | 城市 | 狩野永徳 的作品 | 此列表中的画作 |
|---|---|---|---|
 大都会艺术博物馆 |
纽约 | 1 | Women at Chinese Court |
 印第安纳波利斯艺术博物馆 |
印第安纳波利斯 | 1 | Birds and Pine Tree |
 东京国立博物馆 |
东京 | 1 | Cypress Trees |
 Museum of the Imperial Collections |
Tokyo | 1 | Chinese Lions |
从 1560 到 1590，狩野永徳 创作了 31 年：本精选系列按年份追溯其漫长的艺术生涯，呈现其最杰出的原创佳作。
选择年份以查看原作。
The painting titled Famous Views of Sagano (top) and Famous Views of Uji (bottom) emerges from the brush of Kanō Eitoku. This work captures a moment of life and movement, unfolding across two distinct landscapes. It dates to about 1560, a time when the artist's hand was already beginning to shape the visual language of his era. The scenes presented here offer a glimpse into the structured yet lively world…
The scene unfolds with a sudden, restless energy, capturing a slice of life within the bustling capital of Japan. Horses move through the composition, their forms suggesting a constant, rhythmic motion that mirrors the pulse of the city itself. In one corner, a dog watches from the periphery, a quiet observer amidst the unfolding activity. The brushwork feels urgent, as if the artist is racing to document a fleeting moment…
In this 1562 ink wash painting, the refined atmosphere of a Chinese-style courtly setting is rendered through the disciplined brushwork of the Kanō school. The composition focuses on a group of women gathered around a low table, their presence defined by the precise, flowing lines of their robes. Set against a backdrop of stylized clouds, jagged rocks, and delicate flowering branches, the scene emphasizes a quiet social interaction within a…
The "Birds and flowers of the four seasons" by Kanō Eitoku emerges from the quietude of Kyoto, Japan. This pair of six-panel folding screens captures a specific moment in the late 16th century, dating from about 1573 to 1590. These screens exist as part of the Paintings on room partitions in the abbot's quarters (hōjō) (方丈障壁画) of Jukō-in (聚光院) of Daitoku-ji (大徳寺). Within this sacred space, the work holds a…
更多来自 1590
Birds and flowers of the four seasons (1590)。紧随其后的是 Women at Chinese Court (1562) 和 Hermits and a Fairy (Right side) (1590)。
47岁：Birds and flowers of the four seasons创作于1590年，狩野永徳出生于1543年。
Birds and flowers of the four seasons, Women at Chinese Court, Hermits and a Fairy (Right side), Hermits and a Fairy (Left Side), Chinese Women and Children in a Palace Garden, Views Inside and Outside the Capital, Kyoto (Left half), Famous Views of Sagano (top) and Famous Views of Uji (bottom), Birds and Pine Tree, Pines and falcons 及 Portrait of Kakinomoto no Hitomaro。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 13 件 狩野永徳 的作品，创作年代从 1560 年至 1590 年。
多见于 大都会艺术博物馆 (纽约), 印第安纳波利斯艺术博物馆 (印第安纳波利斯) 及 东京国立博物馆 (东京)。上方的博物馆列表列出了所有相关机构。
在 1590 期间：本页 13 件作品中有 5 件创作于该时期，其中包含 Birds and flowers of the four seasons 件作品。
在本页面中，最早的作品创作于 Famous Views of Sagano (top) and Famous Views of Uji (bottom) (1560)，最晚的创作于 Birds and flowers of the four seasons (1590)。
Birds (3), Trees (3) 及 Flowers (2)，共计 13 件作品。
Ink，共计 5 件（本页共有 13 件作品）。
根据本页面的原作，Kanō school 及 Kanō school style
狩野永徳生于1543年的京都，卒于1590年，他是日本著名的狩野派画坛中最具影响力的巨匠之一。他的生命轨迹与剧烈的安土桃山时代紧密交织——那是一个在长达一个世纪的内战后走向统一的时代，也是一个在新的稳定局势与赞助人支持下，艺术表现力蓬勃发展的时代。狩野永徳并非仅仅是狩野画派传统的继承者；他更是一位革命者，他为画作注入了强烈的生命力与宏大的规模感，使其成为了那个时代辉煌与壮丽的视觉代名词。
狩野永徳并非出身于默默无闻的平庸之家。他是狩野长信之子，而长信正是确立狩野派在京都艺术界统治地位的关键人物。长信巧妙地融合了早期各画派的元素——包括如雪舟透耀等室町时代的风格——为狩野永徳日后以非凡才华构建的艺术基石奠定了基础。在父亲的悉心教导下，他早年便对传统技法有了深刻的理解，尤其精通水墨晕染与细腻的色彩运用。然而，如果说长信更倾向于含蓄内敛的艺术表达，那么狩野永徳则天生拥有一种追求宏大与大胆的艺术倾向。
狩野永徳成熟的艺术风格极具辨识度，其动感十足的构图、绚丽的色彩以及对金箔的奢华运用，共同构成了他独特的视觉语言。他并未止步于其父笔下那种沉静内敛的山水意境，而是转向了充满生命律动的宏大场景——从狩猎远征、盛大游行到激烈的战争场面，乃至神话生物的奇幻描绘，无不跃然纸上。在他的作品中，常能见到细节精妙绝伦的巨木、翻腾流转、仿佛在不断运动的云气，以及神采奕奕、极具存在感的生命个体。他对金箔的运用绝非仅仅为了装饰，更是在视觉上彰显了其赞助者的权势与威严。他巧妙地借鉴了中国山水画的传统规范，并将其注入了独特的日本审美情趣，从而创造出一种在动荡政治局势背景下能引发深层共鸣的视觉表达。他的画作不仅仅是对自然或历史事件的再现，更是地位、正统性以及文化修养的有力宣言。
在织田信长与丰臣秀吉等强力大名的鼎力资助下，狩野永徳的艺术生涯迎来了辉煌的巅峰。他受命创作的大型屏风（byōbu）与障壁画（fusuma）装饰着一座座宏伟的城堡与宅邸，将这些空间转化为展现艺术造诣的壮丽舞台。在他最为传世的作品中，描绘伏见城之战场景的屏风尤为瞩目，它们不仅是信长军事胜利的见证，更是经过精心构思的叙事史诗，旨在强化统治精英的权威与威望。他在丰臣秀吉那座奢华的京都府邸——聚乐第所创作的艺术杰作，更进一步奠定了他作为那个时代首席画师的崇高地位。
狩野永徳对日本绘画艺术的影响是无可撼动的。他不仅臻于狩野派风格的化境，更为大规模装饰画确立了全新的标准。他那充满动感、色彩绚丽且装饰华丽的大胆美学，已成为安土桃山时代奢华品味的代名词。他有效地将画师的角色从单纯的工匠提升到了宫廷艺术家的地位，承担起通过视觉语言来体现赞助者权力和正统性的神圣使命。在狩野永徳逝世后的数个世纪里，狩野派依然蓬勃发展，后世艺术家不断在其创新精神的基础上开拓进取。时至今日，他的作品仍被尊为日本艺术的巅峰杰作，为人们窥见那段动荡却又极具创造力的历史时期提供了一个迷人的窗口。他的艺术遗产至今仍在激励着艺术家，并令全球观众为之倾倒。
