更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 93 件 儒勒·勒費弗爾 作品收录于我们的目录中
简而言之
在画廊看来，儒勒·勒費弗爾 最著名的作品是 Portrait of James A. Campbell (1895)。 Graziella (1878) 与 Nymph and Bacchus (1866) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，儒勒·勒費弗爾 共有 93 件作品，画廊为您精选了以下 80 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
A gentleman sits in repose upon a bench, framed by a lush, soft-focus landscape. He is dressed in the formal attire of the late nineteenth century, wearing a dark suit, waistcoat, and tie that signal a position of wealth and social standing. His expression is calm, marked by a gentle demeanor that suggests a moment of quiet reflection. Beside him, three dogs are positioned within the composition, their presence adding…
The oil painting titled Graziella was executed by Jules Lefebvre in 1878. This work was commissioned by Catharine Lorillard Wolfe. The subject of the portrait is the daughter of a Neapolitan fisherman, a figure drawn from the narrative of Alphonse de Lamartine’s tale of the same name.
Step closer to observe the quietude of this scene. Here, within a lush, natural setting, we find a nymph seated amidst the soft textures of the forest. The composition centers on her form, alongside a small child reaching upward, while a male figure remains partially obscured by the surrounding foliage in the background. There is a certain stillness to the way the light falls from the upper left, casting gentle…
Jules Lefebvre painted Alexander Agassiz (1835-1910) in 1901 in Paris, France. The subject was a Swiss-American zoologist and oceanographer who made significant contributions to the study of marine life and ocean beds. He was the son of the Swiss naturalist Louis Agassiz.
In the oil painting Slave with a Bowl of Fruit by Jules Lefebvre, an idealized female figure is presented in a vertical format. The subject is shown from the waist up in a side profile, facing toward the left of the frame. She is positioned centrally within the composition. The figure holds a platter containing a collection of fruit, specifically oranges or tangerines. This subject matter suggests an Orientalist theme.…
This formal portrait depicts Eugene Louis Napoleon Bonaparte. The subject is presented in a bust-length format, focusing on the head and upper torso. The composition centers the figure against a muted green background, establishing a sense of formality through the direct gaze of the subject toward the viewer.
Seated Woman1887 · 哈佛艺术博物馆
12
An Elderly Greek Woman1888
13
Diana, Chasseresse
14
Sketch for the Salon of Letters of the Hôtel de Ville de Paris: The Parisian Muses (ceiling)1893 · Petit Palais
15
Portrait of the Countess Oswald de Kerchove de Denterghem1898 · Museum of Fine Arts Ghent (MSK)
16
Portrait of Count Oswald de Kerchove de Denterghem1898 · Museum of Fine Arts Ghent (MSK)
17
Sleeping Vestal1902 · Musée de Picardie
18
Young Woman with Morning Glories in Her Hair
19
clemence isaure
20
A Reclining Nude
21
真理1870 · 奥赛博物馆
22
La jeune rieuse1861 · Musée de Picardie
23
Diana1879 · Dahesh Museum of Art
24
Maid Servant (also known as Serving tea)1880 · 佩拉博物馆
25
The Feathered Fan1884
26
Portrait of Edna Barger of Connecticut1884
27
The Language of the Fan1882
28
Ophelia1890
29
A Pensive Moment1886
30
Lauretta1895 · 爱尔兰国家美术馆
31
The Transteverinemusée Muséum départemental des Hautes-Alpes
32
An Allegory of Victory
33
La poesie antique
34
Lia
35
Study for Psyche
36
A Bride of Sorrento
37
La Cigale photogravure
38
La Cigale photogravure dt
39
Venitienne
40
untitled (415)
41
untitled (9898)
42
Eve
43
Nude woman sitting on a saddle, front
44
Chloe (study)
45
Mediterranean Beauty
46
A Young Girl in Profile
47
Variation on 'La Cigale'
48
Mignon
49
The Italian Girl wih orange
50
A Bathing Nude
51
Yvonne
52
Nymph with Morning Glory Flowers
53
Pandora 1布宜诺斯艾利斯国家美术馆
54
Girl with a Mandolin
55
untitled (533)
56
Arms folded across chest
57
untitled (678)
58
untitled
59
Morning Glory
60
Nymph et bacchus
61
untitled (4362)
62
Demi nude
63
truth
64
Portrait of a Lady
65
Portrait of a Young Lady
66
untitled (755)
67
Susanne (Unfinished)
68
Portrait of an Ottoman
69
Mary magdalene in the cave
70
The Language of the Fan克莱斯勒艺术博物馆
71
la fiancee
72
Love Hurts
73
Portrait_of_Julia_Foster_Ward big
74
portrait of a women
75
Chloé1875
76
La Cigale1872 · 维多利亚州国立美术馆
77
The Death of Priam1861
78
Lady godivaMusée de Picardie
79
Odalisque1874 · 芝加哥艺术学院
80
Diana surprised1879 · 布宜诺斯艾利斯国家美术馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 儒勒·勒費弗爾 的作品 | 此列表中的画作 |
|---|---|---|---|
 Museum of Fine Arts Ghent (MSK) |
根特 | 3 | Slave with a Bowl of Fruit, Portrait of the Countess Oswald de Kerchove de Denterghem, Portrait of Count Oswald de Kerchove de Denterghem |
 Musée de Picardie |
阿眠斯 | 3 | Sleeping Vestal, La jeune rieuse, Lady godiva |
 奥赛博物馆 |
巴黎 | 2 | Nymph and Bacchus, 真理 |
 哈佛艺术博物馆 |
剑桥 | 2 | Alexander Agassiz (1835-1910), Seated Woman |
 布宜诺斯艾利斯国家美术馆 |
布宜诺斯艾利斯 | 2 | Pandora 1, Diana surprised |
 大都会艺术博物馆 |
纽约 | 1 | Graziella |
 Joslyn Art Museum |
奥马哈 | 1 | Study for Chloé |
 鲁昂美术馆 |
鲁昂 | 1 | Grisélidis |
选择一个年代，探索定义该时代的原创杰作。
Step closer to observe the quietude of this scene. Here, within a lush, natural setting, we find a nymph seated amidst the soft textures of the forest. The composition centers on her form, alongside a small child reaching upward, while a male figure remains partially obscured by the surrounding foliage in the background. There is a certain stillness to the way the light falls from the upper left, casting gentle…
The oil painting titled Graziella was executed by Jules Lefebvre in 1878. This work was commissioned by Catharine Lorillard Wolfe. The subject of the portrait is the daughter of a Neapolitan fisherman, a figure drawn from the narrative of Alphonse de Lamartine’s tale of the same name.
A gentleman sits in repose upon a bench, framed by a lush, soft-focus landscape. He is dressed in the formal attire of the late nineteenth century, wearing a dark suit, waistcoat, and tie that signal a position of wealth and social standing. His expression is calm, marked by a gentle demeanor that suggests a moment of quiet reflection. Beside him, three dogs are positioned within the composition, their presence adding…
Jules Lefebvre painted Alexander Agassiz (1835-1910) in 1901 in Paris, France. The subject was a Swiss-American zoologist and oceanographer who made significant contributions to the study of marine life and ocean beds. He was the son of the Swiss naturalist Louis Agassiz.
Portrait of James A. Campbell (1895)。紧随其后的是 Graziella (1878) 和 Nymph and Bacchus (1866)。
59岁：Portrait of James A. Campbell创作于1895年，儒勒·勒費弗爾出生于1836年。
Portrait of James A. Campbell, Graziella, Nymph and Bacchus, Alexander Agassiz (1835-1910), Study for Chloé, Grisélidis, Slave with a Bowl of Fruit, Eugene Louis Napoleon Bonaparte, Frances Margaret Lawrance, Lady Vernon (d 1940) 及 Ondine。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 93 件 儒勒·勒費弗爾 的作品，创作年代从 1861 年至 1902 年。
多见于 Museum of Fine Arts Ghent (MSK) (根特), Musée de Picardie (阿眠斯) 及 奥赛博物馆 (巴黎)。上方的博物馆列表列出了所有相关机构。
在 1870s 期间：本页 80 件作品中有 11 件创作于该时期，其中包含 Graziella 件作品。
在本页面中，最早的作品创作于 La jeune rieuse (1861)，最晚的创作于 Sleeping Vestal (1902)。
Women (6), Nude figure (6) 及 Woman (5)，共计 80 件作品。
Oil On Canvas，共计 7 件（本页共有 80 件作品）。
根据本页面的原作，学院派写实主义
Slave with a Bowl of Fruit, Portrait of the Countess Oswald de Kerchove de Denterghem 及 Portrait of Count Oswald de Kerchove de Denterghem：Museum of Fine Arts Ghent (MSK), 根特收藏了本页中 3 件作品。
在19世纪法国艺术史上，朱尔·约瑟夫·勒费弗（Jules Joseph Lefebvre）无疑是一位闪耀的人物。作为一名画家，他的画笔拥有一种罕见的天赋，既能捕捉人体形态的完美物理结构，又能传达出一种深邃而空灵的优雅感。1834年出生于图尔奈，勒费弗的艺术之路是一段充满严谨磨炼与艺术奉献的旅程。年仅十六岁时，他便移居巴黎，全身心地沉浸在巴黎国立高等美术学院（École nationale supérieure des Beaux-Arts）那严谨的学术氛围之中。在备受推崇的莱昂·科涅（Léon Cogniet）的悉心指导下，勒费弗不仅习得了精湛的技艺，更继承了一种古典卓越的艺术传统，而这种传统也将定义他此后的全部作品。他在早期的辉煌成就，尤其是1861年荣获享誉盛名的罗马奖（Prix de Rome），预示着一位注定要成为学院派运动基石的艺术家的诞生。
勒费弗作品的精髓在于评论家们常说的“学院派优雅”。他在描绘女性形象方面拥有无与伦比的技巧，他笔下的肌肤呈现出一种透亮的光泽，仿佛由内而外散发着光芒。他的构图鲜少流于单纯的感官挑逗；相反，他试图通过柔和的光影与细腻、和谐的色调来升华主题。在诸如《克洛伊》（Chloé）等杰作中，我们可以观察到他如何将古典的沉稳姿态与自然界的气息融为一体，创造出一种超越时代背景的永恒感。无论是描绘神话人物还是当代肖像，他的作品始终保持着对美的虔诚敬畏，并对织物与肌肤那细微的质感有着极其严谨的关注。
除了他个人的画布之外，勒费弗的历史意义还深植于他作为教育家和导师的角色之中。他的工作室成为了下一代伟大画家的熔炉，架起了传统法国学院派艺术与19世纪末新兴艺术运动之间的桥梁。他的影响力跨越了国界，塑造了那些后来定义了美国印象派和欧洲现代主义的学生们的技艺与审美。在他最著名的弟子中包括：
这种教学传承确保了即便在艺术风格转向印象派及之后的时代，素描功底与光影处理这些基本原则——也就是勒费弗自身实践的核心支柱——依然保持着生命力。他在巴黎沙龙上的活跃表现，在1855年至1898年间展出了多达七十二件作品，巩固了他作为艺术界中流砥柱的地位。通过像充满感染力的《戈迪瓦夫人》（Lady Godiva）和庄重的《詹姆斯·A·坎贝尔肖像》（Portrait of James A. Campbell）这样的作品，勒费弗捕捉了一个时代的精神，留下了一系列至今仍以其写实、浪漫主义与无与伦比的技术精湛度而令观众着迷的艺术瑰宝。
