更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 86 件 约瑟夫·罗德费尔·迪坎普 (Yuē Sè Fú·Luó Dé Féi Ěr·Dī Kàn Pǔ) 作品收录于我们的目录中
简而言之
在画廊看来，约瑟夫·罗德费尔·迪坎普 (Yuē Sè Fú·Luó Dé Féi Ěr·Dī Kàn Pǔ) 最著名的作品是 Frederick Cheever Shattuck (1847-1929) (1912)，其原作现收藏于 剑桥 的 哈佛艺术博物馆。 Frederic Bayard Winthrop (1868-1932) (1909) 与 The Seamstress (1916) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，约瑟夫·罗德费尔·迪坎普 (Yuē Sè Fú·Luó Dé Féi Ěr·Dī Kàn Pǔ) 共有 86 件作品，画廊为您精选了以下 69 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
The year 1912 finds the subject in a moment of profound stillness. There is no movement here, only the quiet gravity of a life lived. The composition relies on the tension between the dark, heavy clothing and the luminous, pale skin of the face. It is a study of permanence. The eye finds rest in the steady, unblinking stare of the sitter. The light fades into the shadows of the…
In this 1909 oil painting, we encounter Frederic Bayard Winthrop, a man whose presence commands a quiet, steady respect. The portrait is a study in academic realism, where the artist has focused intently on the weight of character and the subtle nuances of a human gaze. Winthrop is positioned in a classic three-quarter length pose, his body angled slightly away while his eyes meet the viewer with a direct, unblinking…
In the quietude of a sun-drenched room, Joseph Rodefer DeCamp captures a scene of profound serenity in his 1916 masterpiece, The Seamstress. The painting invites the viewer into an intimate, private world where time seems to slow to the rhythm of a needle passing through fabric. A young woman, her red hair catching the soft glow of the afternoon, sits in profile, her attention entirely consumed by her craft. Bathed…
A dignified, somber portrait of an elderly man, rendered in monochromatic tones. The subject is positioned in a three-quarter length view, facing toward the left while his gaze meets the viewer directly. His expression conveys wisdom and quiet contemplation. He wears heavy, dark academic or judicial robes that fall in organic, fluid folds, creating a sense of substantial volume. The lighting, originating from the upper left, casts one side of…
Portrait of a Boy (Ted) is an oil on canvas painting executed by the American artist Joseph DeCamp. The work was created in 1902. This portrait depicts a young boy positioned against a background containing visible trees. The subject is shown wearing a black shirt and has brown hair.
In this formal portrait of Sir Robert Laird Borden, Joseph DeCamp places the subject in a centered, three-quarter length pose. Seated within a chair, the man occupies the heart of the frame, meeting the viewer through an eye-level perspective that establishes an immediate, direct connection. The atmosphere feels heavy and scholarly, anchored by a somber color palette. Deep blues, blacks, and dark browns dominate the scene, wrapping the subject in…
In this 1892 portrait, we find ourselves in a quiet, intimate space, observing a woman captured in a moment of serene composure. She is presented in profile, facing left, her silhouette defined against a textured, deep ochre background that suggests the heavy folds of a draped fabric. The composition is deliberate, focusing our attention on the interplay between the warmth of her skin and the dark, structured elements of her…
A young woman sits centered against a mottled blue expanse. Her skin carries the warmth of peaches and pinks, a soft glow that pushes against the cool, textured background. She wears a gown of pale yellow or cream, the fabric suggesting the light weight of silk or chiffon. Her dark eyes meet the viewer with a calm, poised expression. The light enters from the front-left, carving the shape of her…
The oil portrait titled Our Nanny was executed by the American artist Joseph DeCamp. Dating to 1895, the work presents a single female figure positioned within a quiet, interior setting. The subject is a woman shown from the chest up, looking toward the left side of the frame. Her presence occupies the central space of the composition, appearing as a solitary figure against a dark, muted background.
There is a profound stillness in this 1904 oil portrait, a moment of suspended animation that feels almost private, as if we have stumbled upon a quiet thought in a crowded room. The subject, a young woman, is rendered with a soft-focus quality that blurs the boundary between her physical form and the surrounding atmosphere. She is positioned in a close-up composition, her head and shoulders emerging from a dark,…
Portrait of Frank Duveneck1911 · 辛辛那提艺术博物馆
12
Sir General Arthur William Currie1920 · 史密森尼美国艺术博物馆
13
Pauline
14
Woman Drying Her Hair辛辛那提艺术博物馆
15
Josiah Dwight Whitney (1819-1896)哈佛艺术博物馆
16
Roses
17
Street Scene, in Venice1881 · 辛辛那提艺术博物馆
18
Moorland Path, Cape Ann, Massachusetts1886
19
Magdalen1896 · 辛辛那提艺术博物馆
20
Summer Landscape (also known as Summertime)1893
21
untitled (8353)
22
untitled (9989)
23
Sally伍斯特艺术博物馆
24
Portrait of the Artist's Daughter
25
untitled (4947)
26
Mrs. Ernest Major辛辛那提艺术博物馆
27
Lambert Decamp
28
The Blue Cup波士顿美术馆
29
Portrait of the Artist's Wive Edity
30
The Blue Mandarin Coat (Aka The Blue Kimono)High Museum of Art
31
The Pink Feather (Aka The Brown Veil)
32
The Cellist1908
33
The Guitar Player1913
34
Portrait in Red and Gold of Miss Pearson1921
35
Red Comunion1919
36
The Guitar Player1908 · 波士顿美术馆
37
Girl With A Green Shawl
38
Jetty at Low Tide (also known as The Water Pier)1901
39
untitled (6833)辛辛那提艺术博物馆
40
De camp joseph sally
41
The Steward (Aka Lewis Of The Porcellian)
42
untitled (5568)
43
The Fur Jacket
44
In The Studio
45
Venice (Aka Becalmed)
46
At Gloucester (Aka Gloucester Harbor)
47
Summer In The Country
48
A Murky Day
49
Miss Alice BoitNew Britain Museum of American Art
50
Blue Bird
51
June Sunlight
52
The Violinist (Aka The Violin. Girl With A Violin Iii)
53
Reflections (Aka Arrangement In Pink And Blue)
54
phlox
55
Portrait of Albert H. Chatfield, Sr
56
The Heliotrope Gown
57
Red And Gold (Aka Portrait Of Miss Pearson)
58
Seascape
59
The Pear Orchard
60
The Music Lesson
61
The Little Hotel
62
La Penserosa
63
The Hammock
64
R woman drying her hair
65
The Kreutzer Sonata (Aka Violinist Ii)
66
Trees Along The Coast (Aka Road To The Sea)
67
The Guitar Player
68
September Afternoon
69
The Window Blind
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 约瑟夫·罗德费尔·迪坎普 (Yuē Sè Fú·Luó Dé Féi Ěr·Dī Kàn Pǔ) 的作品 | 此列表中的画作 |
|---|---|---|---|
 辛辛那提艺术博物馆 |
辛辛那提 | 6 | Portrait of Frank Duveneck, Woman Drying Her Hair, Street Scene, in Venice |
 哈佛艺术博物馆 |
剑桥 | 4 | Frederick Cheever Shattuck (1847-1929), Frederic Bayard Winthrop (1868-1932), Nathaniel Southgate Shaler (1841-1906) |
 史密森尼美国艺术博物馆 |
华盛顿特区 | 2 | Sir Robert Laird Borden, Sir General Arthur William Currie |
 波士顿美术馆 |
波士顿 | 2 | The Blue Cup, The Guitar Player |
 国家美术馆 |
华盛顿 | 1 | The Seamstress |
 Currier Gallery of Art |
Manchester | 1 | Carnation and Black |
 伍斯特艺术博物馆 |
伍斯特 | 1 | Sally |
 High Museum of Art |
亚特兰大 | 1 | The Blue Mandarin Coat (Aka The Blue Kimono) |
选择一个年代，探索定义该时代的原创杰作。
In this 1892 portrait, we find ourselves in a quiet, intimate space, observing a woman captured in a moment of serene composure. She is presented in profile, facing left, her silhouette defined against a textured, deep ochre background that suggests the heavy folds of a draped fabric. The composition is deliberate, focusing our attention on the interplay between the warmth of her skin and the dark, structured elements of her…
In this 1909 oil painting, we encounter Frederic Bayard Winthrop, a man whose presence commands a quiet, steady respect. The portrait is a study in academic realism, where the artist has focused intently on the weight of character and the subtle nuances of a human gaze. Winthrop is positioned in a classic three-quarter length pose, his body angled slightly away while his eyes meet the viewer with a direct, unblinking…
The year 1912 finds the subject in a moment of profound stillness. There is no movement here, only the quiet gravity of a life lived. The composition relies on the tension between the dark, heavy clothing and the luminous, pale skin of the face. It is a study of permanence. The eye finds rest in the steady, unblinking stare of the sitter. The light fades into the shadows of the…
In this formal portrait of Sir Robert Laird Borden, Joseph DeCamp places the subject in a centered, three-quarter length pose. Seated within a chair, the man occupies the heart of the frame, meeting the viewer through an eye-level perspective that establishes an immediate, direct connection. The atmosphere feels heavy and scholarly, anchored by a somber color palette. Deep blues, blacks, and dark browns dominate the scene, wrapping the subject in…
Frederick Cheever Shattuck (1847-1929) (1912)，哈佛艺术博物馆, 剑桥。紧随其后的是 Frederic Bayard Winthrop (1868-1932) (1909) 和 The Seamstress (1916)。
54岁：Frederick Cheever Shattuck (1847-1929)创作于1912年，约瑟夫·罗德费尔·迪坎普 (Yuē Sè Fú·Luó Dé Féi Ěr·Dī Kàn Pǔ)出生于1858年。
Frederick Cheever Shattuck (1847-1929), Frederic Bayard Winthrop (1868-1932), The Seamstress, Nathaniel Southgate Shaler (1841-1906), Portrait of a Boy (Ted), Sir Robert Laird Borden, Carnation and Black, Portrait of a Young Lady, Our Nanny 及 The Listener (Woman at the Theatre)。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 86 件 约瑟夫·罗德费尔·迪坎普 (Yuē Sè Fú·Luó Dé Féi Ěr·Dī Kàn Pǔ) 的作品，创作年代从 1881 年至 1921 年。
多见于 辛辛那提艺术博物馆 (辛辛那提), 哈佛艺术博物馆 (剑桥) 及 史密森尼美国艺术博物馆 (华盛顿特区)。上方的博物馆列表列出了所有相关机构。
在 1900s 期间：本页 69 件作品中有 7 件创作于该时期，其中包含 Frederic Bayard Winthrop (1868-1932) 件作品。
在本页面中，最早的作品创作于 Street Scene, in Venice (1881)，最晚的创作于 Portrait in Red and Gold of Miss Pearson (1921)。
Portrait (11), Girls (10) 及 Man (7)，共计 69 件作品。
Oil On Canvas，共计 14 件（本页共有 69 件作品）。
根据本页面的原作，Impressionism 及 American impressionism
Portrait of Frank Duveneck, Woman Drying Her Hair 及 Street Scene, in Venice：辛辛那提艺术博物馆, 辛辛那提收藏了本页中 6 件作品。
