Joseph Badger 肖像

32 幅最著名的 Joseph Badger 作品,画廊精选

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 32 件 Joseph Badger 作品收录于我们的目录中

简而言之

在 Joseph Badger 留下的所有原作中,最著名的当属收藏于 洛杉矶 洛杉矶县立艺术博物馆 的《Portrait of Sarah Larrabee Edes (1760)》。 紧随其后的是 Little Girl Holding Flowers (attributed to Joseph Badger) (1755) 和 Mrs. Richard Kent (Hannah Gookin) (1691-1758) (1746)。 我们的目录收录了 Joseph Badger 的 32 件作品;画廊完整保留了 32 件享誉世界的杰作,并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。

1708 – 1765, Charlestown 藏品最多:波士顿美术馆

Joseph Badger 的十大名画:画廊精选

1
Portrait of Sarah Larrabee Edes (1760) 由 Joseph Badger

Portrait of Sarah Larrabee Edes

1760 · Oil On Canvas · 洛杉矶县立艺术博物馆, 洛杉矶

Sarah Larrabee Edes sits before us, suspended in a quiet moment of the mid-18th century. She is positioned in a three-quarter view, her gaze meeting the viewer with a steady, composed dignity. The light falls softly across her face and chest, carving her features out of a deep, atmospheric background of nebulous foliage and a hazy, indistinct sky. Her gown, a deep shade of blue, possesses a silken sheen that…

Joseph Badger 系列持续更新,第 11 至 32 项

收藏有 Joseph Badger 原作的博物馆

收藏了本页中大部分画作的 8 家博物馆。

博物馆 城市 Joseph Badger 的作品 此列表中的画作
波士顿美术馆, 波士顿波士顿美术馆 波士顿 5 William Foye, Jr., Mrs. William Foye (Elizabeth Campbell), Elizabeth Storer (Mrs. Isaac Smith)
国家美术馆, 华盛顿国家美术馆 华盛顿 4 Captain Isaac Foster, Eleanor Wyer Foster (Mrs. Isaac Foster), Isaac Foster, Jr.
伍斯特艺术博物馆, 伍斯特伍斯特艺术博物馆 伍斯特 3 Portrait of Cornelius Waldo, Rebecca Orne, Lois Orne
Rhode Island School of Design Museum of Art, 普罗维登斯Rhode Island School of Design Museum of Art 普罗维登斯 3 Portrait of Mr. Sargent, Portrait of Ann Savage, Portrait of an Unknown Woman
耶鲁大学艺术馆, 纽黑文耶鲁大学艺术馆 纽黑文 2 Little Girl Holding Flowers (attributed to Joseph Badger), Mrs. Richard Kent (Hannah Gookin) (1691-1758)
明尼阿波利斯艺术学院, 明尼阿波利斯明尼阿波利斯艺术学院 明尼阿波利斯 2 Portrait of Mary Croswell (1730-1830?), Portrait of Abigail Gowen (1759-1850)
New Britain Museum of American Art, 新不伦瑞克New Britain Museum of American Art 新不伦瑞克 2 Samuel Moody, Hannah Minot Moody
洛杉矶县立艺术博物馆, 洛杉矶洛杉矶县立艺术博物馆 洛杉矶 1 Portrait of Sarah Larrabee Edes

Joseph Badger 的年代演变:定义每个时代的原创之作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

藏家关于 Joseph Badger 作品的常见问题

Joseph Badger 最著名的作品是哪一件?揭晓答案

Portrait of Sarah Larrabee Edes (1760),洛杉矶县立艺术博物馆, 洛杉矶。紧随其后的是 Little Girl Holding Flowers (attributed to Joseph Badger) (1755) 和 Mrs. Richard Kent (Hannah Gookin) (1691-1758) (1746)。

创作 Portrait of Sarah Larrabee Edes 时,Joseph Badger 是多少岁?揭晓答案

52岁:Portrait of Sarah Larrabee Edes创作于1760年,Joseph Badger出生于1708年。

Joseph Badger 最著名的十幅画作是什么?揭晓答案

Portrait of Sarah Larrabee Edes, Little Girl Holding Flowers (attributed to Joseph Badger), Mrs. Richard Kent (Hannah Gookin) (1691-1758), Portrait of Cornelius Waldo, Portrait of John Gerry, William Foye, Jr., Mrs. William Foye (Elizabeth Campbell), Elizabeth Storer (Mrs. Isaac Smith), Mrs. John Edwards (Abigail Fowle) 及 George Whitefield (1714-1770)。上方排名显示了每件作品的创作年份及馆藏机构。

Joseph Badger 留下了多少幅画作?揭晓答案

我们的目录收录了 32 件 Joseph Badger 的作品,创作年代从 1745 年至 1763 年。

Joseph Badger 的杰作收藏在哪些博物馆中?揭晓答案

多见于 波士顿美术馆 (波士顿), 国家美术馆 (华盛顿) 及 伍斯特艺术博物馆 (伍斯特)。上方的博物馆列表列出了所有相关机构。

Joseph Badger 在哪些年份创作了最著名的作品?揭晓答案

在 1750s 期间:本页 32 件作品中有 18 件创作于该时期,其中包含 Little Girl Holding Flowers (attributed to Joseph Badger) 件作品。

Joseph Badger 的首件与末件名作原件分别是哪几件?揭晓答案

在本页面中,最早的作品创作于 Portrait of John Gerry (1745),最晚的创作于 Portrait of Mary Croswell (1730-1830?) (1763)。

哪些 Joseph Badger 的作品在 波士顿美术馆 展出?揭晓答案

William Foye, Jr., Mrs. William Foye (Elizabeth Campbell) 及 Elizabeth Storer (Mrs. Isaac Smith):波士顿美术馆, 波士顿收藏了本页中 5 件作品。

Joseph Badger:生平与作品

The Artisan of Colonial Boston: The Life and Legacy of Joseph Badger

In the bustling, salt-aired streets of eighteenth-century Boston, where the intellectual fervor of the Enlightenment began to stir amidst colonial tradition, there lived a man whose brush captured the very soul of a burgeoning nation. Joseph Badger (c. 1707–1765) was far more than a mere recorder of faces; he was a bridge between the practical grit of colonial craftsmanship and the refined elegance of high portraiture. Born in Charlestown to Stephen Badger, a skilled tailor, and Mercy Kettell, his early life was rooted in the industrious spirit of Massachusetts. Before he ever commanded the attention of the merchant elite, Badger honed his eye through the meticulous labor of an apprentice house painter and glazier. This foundational period of manual artistry instilled in him a profound reverence for materials and a precision of touch that would later define his most celebrated canvases.

Badger’s journey was one of constant movement and adaptation, reflecting the fluid social structures of his era. After marrying Katharine Felch in 1731, he transitioned to the heart of Boston around 1733, establishing himself within a community of thinkers and traders. While his primary calling was the pursuit of fine art, the economic realities of colonial life required a versatile hand. To sustain his practice during periods when portrait commissions were sparse, Badger turned to the more utilitarian arts, painting signs, hatchments, and heraldic devices. This duality of vocation—the ability to move between the decorative and the profound—allowed him to maintain a constant presence in the visual landscape of the city, ensuring that even his most commercial works carried the weight of his developing mastery.

A Mastery of Light and Character

The true brilliance of Badger’s work lies in his ability to transcend simple likeness, imbuing his subjects with an unmistakable sense of presence and intellect. Influenced by the enduring traditions of European portraiture, particularly the subtle realism found in Dutch masters, he developed a technique characterized by an expressive handling of light and shadow. His portraits do not merely sit upon the canvas; they breathe with the dignity of their sitters. In his famous 1747 depiction of James Bowdoin, one can observe how Badger utilizes composition to convey status and curiosity, placing the subject against a backdrop that suggests both maritime prosperity and scholarly depth.

His subjects were often the architects of colonial society—wealthy merchants, influential clergymen, and prominent families who sought to immortalize their legacy. Through his brush, these figures are rendered with a realism that captures the texture of fine fabrics, the glint of light on polished surfaces, and the nuanced expressions of a class navigating a changing world. His work serves as a vital historical window, offering glimpses into the social fabric of Boston through the very clothing, posture, and gaze of its most notable citizens.

Historical Significance and Rediscovery

Though his talent was respected during his lifetime, the true magnitude of Joseph Badger’s contribution to American art underwent a period of quietude following his death in 1765. For many years, his name resided in the shadows of later, more famous American masters. It was not until the early twentieth century, through the scholarly efforts of historians like Lawrence Park, that the significance of his oeuvre was fully re-evaluated and brought back into the light of art historical discourse.

Today, Badger’s legacy is preserved in some of the most prestigious institutions in the United States, serving as a cornerstone for anyone studying the evolution of American portraiture. His works can be found in:

  • The Museum of Fine Arts, Boston: Where his ability to capture the colonial spirit remains on permanent display.
  • The Worcester Art Museum: Housing pieces that showcase his technical command and historical importance.
  • Historic New England’s Phillips House: Preserving the connection between his art and the domestic history of Salem.

Ultimately, Joseph Badger remains a pivotal figure in the narrative of early American art. He represents the transition from the functional trades of the colonial era to the sophisticated artistic expressions of a maturing society. His life, marked by both the humble work of a glazier and the elevated pursuit of the portraitist, mirrors the very growth of the American identity itself—a journey from craftsmanship toward a distinct and enduring cultural voice.