更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 42 件 约根·罗德 作品收录于我们的目录中
简而言之
Kunstnerens mormoder (1828) 是 约根·罗德 最受瞩目的画作；原作收藏于 哥本哈根 的 斯泰恩斯博物馆艺术馆。 随后，目光会移向 Portrait of Colonel von Darcheus (1834) 和 Charlotte Bartholin (1836)。 在 约根·罗德 的 42 件作品中，这 42 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
In this 1828 portrait, we are invited into a private, somber space occupied by an elderly woman. The composition is an intimate bust-length study, presented within an oval format that focuses our attention entirely on her character. There is a profound stillness here. The subject gazes out with a calm, steady expression, her eyes carrying a hint of melancholy that suggests a lifetime of endurance. She is framed against a…
In this 1834 oil portrait, we are invited to meet Colonel von Darcheus through a gaze that is both steady and deeply experienced. The subject is presented in a bust-length composition, his body turned slightly to the right while his eyes remain fixed upon us. There is a quiet gravity in his expression, a sense of stoicism that seems to emanate from the fine lines etched into his skin. The…
In this 1836 portrait, we find ourselves in the presence of Charlotte Bartholin, captured in a moment of profound stillness. The composition is a centered, bust-length study that focuses our attention entirely on her character. She is positioned slightly off-center, her gaze directed toward the right of the frame with an expression that suggests a calm, internal composure. The lighting, descending softly from the upper left, carves her features out…
The room feels quiet, held in a stillness that only a formal portrait can command. An elderly gentleman, I.C. Drewsen, sits with a quiet dignity, his gaze directed slightly away from the viewer toward an unseen horizon. He is a man of substance, his presence anchored by the heavy, dark velvet of his frock coat and the crisp, stark white of his high collar. The light enters from the upper…
The painting titled The Marine Painter Emil Wilhelm Normann in his Uniform as a Naval Officer is a portrait executed by the artist Jørgen Roed. This work depicts the subject, Emil Wilhelm Normann, in his capacity as a naval officer. The piece was created in 1830.
A young woman turns her gaze away, her profile etched against a world of shifting shadows. The light catches the delicate curve of her forehead and the bridge of her nose, leaving the rest of her features to melt into a soft, monochromatic depth. There is a stillness here, a moment caught in the breath between a thought and a word. Her hair, a complex architecture of dark, coiled curls,…
In this 1881 oil on canvas, we find ourselves in the presence of Caroline Amalie Meldahl, née Ræder. The portrait, painted by Jørgen Roed, captures a woman of significant social standing, a chamberlainess whose very posture commands the space around her. She is positioned centrally, her hands clasped in a gesture of composed restraint. The lighting, soft and directional from the upper left, carves her features out of the shadows,…
A somber, three-quarter length portrait from 1849 captures Ellen Roed, the artist's mother, in a moment of quiet contemplation. Seated slightly off-center, she faces the viewer directly, her expression marked by a calm, steady presence. The composition relies on a grayscale palette, utilizing a range of tones from the deep blacks of her shawl to the bright whites of her lace cap. Lighting enters from the upper left, casting gentle…
A young girl sits in the quiet center of the frame, her gaze meeting the viewer with a steady, calm innocence. She holds a woven basket, a vessel filled with the heavy, waxy textures of fruit. Light spills from the upper left, catching the curve of her cheek and the smooth skin of the produce, while the rest of the room retreats into a soft, dark shadow. The colors are…
Interior. Ribe Cathedral1836 · Hirschsprung Collection
12
An Artist Resting by the Roadside1832 · 斯泰恩斯博物馆艺术馆
13
Miss Ida Wilhelmine Trock1835 · 国家博物馆
14
Portrait of Ane Elisabeth (Elise) Gurlitt, né Saxild (1817-39)1836 · 国家博物馆
15
Portrait of Ludvig Holberg. Copy after Johan Roselius1847 · 国家美术、建筑与设计博物馆
16
The Courtyard of the Palazzo del Bargello. Florence1842 · 斯泰恩斯博物馆艺术馆
17
Familieliv i et lille fiskerleje nord for Helsingør1855 · 斯泰恩斯博物馆艺术馆
18
Sjællandske høstpiger ved en brønd1850 · 斯泰恩斯博物馆艺术馆
19
Haven med den gamle døbefont1850 · 斯泰恩斯博物馆艺术馆
20
Andreas Munch1853 · 奥斯陆博物馆
21
The Actor Kristian Mantzius1854 · 国家博物馆
22
The Artist's Son Holger at the Age of Ten1856 · 斯泰恩斯博物馆艺术馆
23
Emilie Mathilde Roed, f. Kruse, kunstnerens hustru1871 · 斯泰恩斯博物馆艺术馆
24
The Choir of St. Bendt's Church, Ringsted1829 · Sorø Art Museum
25
Olive Grove from Tivoli near Rome1839 · Nivaagaards Malerisamling
26
Klosteret San Lorenzo fuori le mura i Roma1837 · 国家美术、建筑与设计博物馆
27
Ribe Cathedral1836 · 斯泰恩斯博物馆艺术馆
28
The Temple of Hercules at Cori1838 · 斯泰恩斯博物馆艺术馆
29
The Temple of Hera at Paestum, Italy1838 · 斯泰恩斯博物馆艺术馆
30
A View of Casamicciola, Ischia1838 · 斯泰恩斯博物馆艺术馆
31
The Market Place in Priverno1838 · 斯泰恩斯博物馆艺术馆
32
The Interior of Ribe Cathedral1836 · 斯泰恩斯博物馆艺术馆
33
Udsigt mod Roskilde fra et husmandssted1835 · 斯泰恩斯博物馆艺术馆
34
Street in Roskilde. In the Background the Cathedral1836 · 斯泰恩斯博物馆艺术馆
35
From Collin's Garden in Copenhagen1833 · 国家博物馆
36
The Coast at Hellebæk. Study1850 · 国家博物馆
37
La Scala Santa at the Monastery San Benedetto near Subiaco1857 · Nivaagaards Malerisamling
38
Scene from the Garden of the Villa Borghese in Rome1839 · Nivaagaards Malerisamling
39
Selecting Trees for FellingNivaagaards Malerisamling
40
A Bearded Man. Study国家博物馆
41
Italian CloisterNivaagaards Malerisamling
42
Drawn Study for Scene from the Garden of the Villa Borghese in Rome
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 7 家博物馆。
| 博物馆 | 城市 | 约根·罗德 的作品 | 此列表中的画作 |
|---|---|---|---|
 斯泰恩斯博物馆艺术馆 |
哥本哈根 | 24 | Kunstnerens mormoder, Charlotte Bartholin, Industrimanden og politikeren I.C. Drewsen |
 国家博物馆 |
斯德哥尔摩 | 7 | Portrait of Colonel von Darcheus, Miss Ida Wilhelmine Trock, Portrait of Ane Elisabeth (Elise) Gurlitt, né Saxild (1817-39) |
 Nivaagaards Malerisamling |
尼博 | 5 | Olive Grove from Tivoli near Rome, La Scala Santa at the Monastery San Benedetto near Subiaco, Scene from the Garden of the Villa Borghese in Rome |
 国家美术、建筑与设计博物馆 |
奥斯陆 | 2 | Portrait of Ludvig Holberg. Copy after Johan Roselius, Klosteret San Lorenzo fuori le mura i Roma |
 Hirschsprung Collection |
哥本哈根 | 1 | Interior. Ribe Cathedral |
 奥斯陆博物馆 |
奥斯陆 | 1 | Andreas Munch |
 Sorø Art Museum |
Sorø | 1 | The Choir of St. Bendt's Church, Ringsted |
选择一个年代，探索定义该时代的原创杰作。
In this 1828 portrait, we are invited into a private, somber space occupied by an elderly woman. The composition is an intimate bust-length study, presented within an oval format that focuses our attention entirely on her character. There is a profound stillness here. The subject gazes out with a calm, steady expression, her eyes carrying a hint of melancholy that suggests a lifetime of endurance. She is framed against a…
In this 1834 oil portrait, we are invited to meet Colonel von Darcheus through a gaze that is both steady and deeply experienced. The subject is presented in a bust-length composition, his body turned slightly to the right while his eyes remain fixed upon us. There is a quiet gravity in his expression, a sense of stoicism that seems to emanate from the fine lines etched into his skin. The…
The room feels quiet, held in a stillness that only a formal portrait can command. An elderly gentleman, I.C. Drewsen, sits with a quiet dignity, his gaze directed slightly away from the viewer toward an unseen horizon. He is a man of substance, his presence anchored by the heavy, dark velvet of his frock coat and the crisp, stark white of his high collar. The light enters from the upper…
The oil portrait titled Emilie Mathilde Roed, f. Kruse, kunstnerens hustru was painted by Jørgen Roed in 1871. The subject of this work is Emilie Mathilde Kruse, a woman who shared a life with the artist. They were once engaged, and their union was formalized when they married on 22 May 1842. This painting captures her long after those early years of courtship.
In this 1881 oil on canvas, we find ourselves in the presence of Caroline Amalie Meldahl, née Ræder. The portrait, painted by Jørgen Roed, captures a woman of significant social standing, a chamberlainess whose very posture commands the space around her. She is positioned centrally, her hands clasped in a gesture of composed restraint. The lighting, soft and directional from the upper left, carves her features out of the shadows,…
Kunstnerens mormoder (1828)，斯泰恩斯博物馆艺术馆, 哥本哈根。紧随其后的是 Portrait of Colonel von Darcheus (1834) 和 Charlotte Bartholin (1836)。
20岁：Kunstnerens mormoder创作于1828年，约根·罗德出生于1808年。
Kunstnerens mormoder, Portrait of Colonel von Darcheus, Charlotte Bartholin, Industrimanden og politikeren I.C. Drewsen, The Marine Painter Emil Wilhelm Normann in his Uniform as a Naval Officer, Portræt af en ung pige, Kammerherreinde Caroline Amalie Meldahl, f. Ræder, Ellen Roed, f. Jensen, kunstnerens moder, A Girl with a Basket of Fruits 及 Amtsprovst i Sorø, senere biskop i Århus, P.H. Mønster。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 42 件 约根·罗德 的作品，创作年代从 1828 年至 1881 年。
多见于 斯泰恩斯博物馆艺术馆 (哥本哈根), 国家博物馆 (斯德哥尔摩) 及 Nivaagaards Malerisamling (尼博)。上方的博物馆列表列出了所有相关机构。
在 1830s 期间：本页 42 件作品中有 20 件创作于该时期，其中包含 Portrait of Colonel von Darcheus 件作品。
在本页面中，最早的作品创作于 Kunstnerens mormoder (1828)，最晚的创作于 Kammerherreinde Caroline Amalie Meldahl, f. Ræder (1881)。
Woman (6), Portrait (4) 及 Man (3)，共计 42 件作品。
Oil On Canvas，共计 6 件（本页共有 42 件作品）。
根据本页面的原作，Danish golden age
Kunstnerens mormoder, Charlotte Bartholin 及 Industrimanden og politikeren I.C. Drewsen：斯泰恩斯博物馆艺术馆, 哥本哈根收藏了本页中 24 件作品。
在19世纪丹麦艺术那绚烂夺目的织锦中，约根·罗德（Jørgen Roed, 1808-1888）无疑是一位举足轻重的灵魂人物。他以对日常生活极具感染力的描绘以及卓越的肖像画技艺而闻名于世。这位出生于丹麦林斯泰德（Ringsted）的艺术家，是佩德·约根森·罗德与艾伦·汉斯达特夫妇的后裔。他的童年浸润在浓厚的乡村传统之中——他的父亲不仅是当地议会的成员，还从事着农耕与酿造事业。这种对丹麦社会务实生活的深刻感悟，深深地影响了他的艺术视野，塑造了他捕捉人类互动细微之处以及自然界壮丽美感的非凡能力，使其作品总能呈现出令人惊叹的细节。
约根·罗德的艺术旅程始于教师J.J. Fyhn的悉心教导，这段谦逊的开端点燃了他终生对绘画与素描的热爱。凭借过人的天赋，他的父母在1822年为他争取到了哥本哈根皇家美术学院的学习机会。在那里，他接受了来自艺术名家汉斯·汉森（康斯坦丁·汉森之父）以及后来的克里斯托弗·威廉·埃克斯伯格的正式训练。尤其是埃克斯伯格，这位关键性的导师深刻影响了罗德在构图、色彩运用以及人体表现方面的艺术手法。这段时期不仅见证了他的艺术成长，也让他与包括埃克斯伯格之子在内的同窗建立了深厚的友谊，共同营造了定义丹麦绘画“黄金时代”的动态创意环境。
在职业生涯的初期，罗德致力于勤勉地钻研既有的艺术技法，最初专注于临摹拉斐尔等大师的杰作。然而，他很快便脱颖而出，因为他能够赋予这些复制品一种鲜活的生命感与观察力。他在夏洛滕堡春季展览（Charlotten向Spring Exhibition）上的首次亮相，展示了他日益增长的自信与初露锋芒的风格——那是一种现实主义与细腻情感的完美融合，并最终成为了他作品的标志性特征。19世纪30年代，他远赴意大利，沉浸在当地的风景与艺术传统之中，进一步磨炼了自己的技艺，并极大地拓宽了创作题材。
罗德职业生涯的一个重要转折点在于他与汉斯·汉森的结缘。通过频繁出入汉森的工作室，他获得了宝贵的肖像画实践经验，而这一领域最终成为了他最受赞誉的成就之一。埃克斯伯格的影响力结合从汉森那里学到的实践教训，促使罗德发展出一种独特的艺术风格——其特点是极其细致的刻画、富有氛围感的透视效果，以及一种既能精准还原对象特征又能传递情感共鸣的非凡能力。
罗德的艺术创作涵盖了广泛的主题，但他最为人称道的是那些迷人的风俗画。这些日常生活中的片段——无论是耕作的农夫、归航的渔民，还是围坐在壁炉旁的家庭——都为观众提供了窥见丹麦乡村节奏与习俗的亲密视角。他的构图往往蕴含着一种宁静的尊严与内敛的美感，反映出他对乡村生活简单乐趣的深切赞赏。
除了风俗画，罗德在肖像画领域同样造诣极深。他的肖像作品不仅捕捉了人物的外貌特征，更刻画出了他们的个性与神韵——从尊贵的绅士到质朴的村民，无不栩栩如生。他拥有一种通过细微的手势和表情来传达情感的卓越能力，创作出的图像既具有视觉冲击力，又具备心理洞察力。其中著名的作品包括为兄弟创作的《瓦尔德马·雅特瓦·克伯克》，这幅肖像充分展示了罗德精湛的技艺以及捕捉家族成员神态的天赋。
约根·罗德的艺术遗产已稳固地收藏于丹麦各大著名博物馆之中，包括丹麦国家美术馆和霍尔森艺术博物馆。他的画作是通往19世纪丹麦社会的一扇珍贵窗口，为后人提供了洞察其文化、传统与价值观的视角。诸如《博尔盖塞别墅场景》（1839年）等作品，体现了他对建筑细节的掌控力以及浪漫现实主义的造诣；而《背景为罗斯基勒大教堂的街道》则展示了他捕捉丹麦风景大气美感的能力。
约根·罗德对丹麦艺术的贡献是不容置疑的。作为丹麦绘画黄金时代的领军人物，他体现了那个时代关于现实主义、敏感度与民族自豪感的理想追求。他的作品因其精湛的技术、情感的深度以及持久的魅力而持续受到人们的推崇，确保了他作为丹麦最杰出艺术家之一的历史地位。
欲了解更多关于约根·罗德生平与作品的信息，请参考以下资源：
